"Lauded by some as the “single greatest anime series ever made,” Neon Genesis Evangelion has been interpreted in a variety of ways by Western scholars. Susan J. Napier has said that the subject matter of EVA consists mainly of sexual, psychological and Judeo-Christian religious content. Although there is some merit to such interpretations, there is a great deal of evidence in the series and films that has been ignored by Napier and other Western scholars that points toward a Japanese, rather than Western, heritage. In particular, I suggest a deep understanding of Buddhist cosmology and philosophy is present in EVA. In other words, as one delves deeper into EVA, one finds that the Judeo-Christian imagery – while clearly present – cannot account for many of the narrative twists, turns, and developments. Similarly, the Western identification of sexual and psychological traits are also supportable to some extent. These features may also reflect indigenous Japanese and specifically Buddhist concepts. In addition, I suggest that there is a larger contextual basis at work in this series and the two films that can account for the specific elements that many scholars have deemed "confusing.""