457 quotes found
"I’m laying in bed in my hotel room in Japan. At the time there is no Netflix, no cable, no nothing — just three channels playing game shows. All of the sudden there were these five kids in spandex fighting monsters. Don’t ask me why, but I fell in love. It was so campy!"
"Evangelion is my life and I have put everything I know into this work. This is my entire life. My life itself."
"I wrote about myself. My friend lent me a book on psychological illness and this gave me a shock, as if I finally found what I needed to say."
"Evangelion is like a puzzle, you know. Any person can see it and give his/her own answer. In other words, we're offering viewers to think by themselves, so that each person can imagine his/her own world. We will never offer the answers, even in the theatrical version. As for many Evangelion viewers, they may expect us to provide the 'all-about Eva' manuals, but there is no such thing. Don't expect to get answers by someone. Don't expect to be catered to all the time. We all have to find our own answers."
"Rei is someone who is aware of the fact that even if she dies, there’ll be another to replace her, so she doesn’t value her life very highly. Her presence, her existence—ostensible existence—is ephemeral. She’s a very sad girl. She only has the barest minimum of what she needs to have. She’s damaged in some way; she hurts herself. She doesn’t need friends.."
"Anno's project is a postmodernist retelling of the Genesis myth, as his series title implies—Neon Genesis Evangelion. It is a new myth of origin, complete with its own deluge, Armageddon, apocalypse and transcendence."
"When monstrous angels invade the world, the children of Evangelion are recruited to pilot the giant cyborg Evangelion units against them. Most are reluctant soldiers, recruited just as reluctantly by their adult supervisors."
"The child soldiers of Evangelion are a fairly direct embodiment of the "kids are our future" axiom: By accident of biology or design, they're the only ones capable of piloting the only devices capable of staving off Armageddon."
"In Japan, Evangelion is an enormous content and merchandise industry with hundreds of millions of dollars in revenue. Images of its biomechanical Eva robots are on everything from coffee mugs to smartphones and even airplane wraps."
"The meat of Evangelion, for which these elements are mostly trappings, is in the psychological complexity of its characters and its philosophical examination of the nature of relationships and the self. Structured around eschatological Judeo-Christian imagery and a Freudian mother-worship of religious proportions, Evangelion takes us on a nightmarish ride of existential angst and brutal physical violence, climaxing in an elaborate fantasy of return to an idyllic, primal state of oneness. Through this lurid mix of confession and spectacle is woven a complex examination of apocalypse and self-definition, a death-rebirth narrative that consciously exists in the shadow of Hiroshima."
"Neon Genesis Evangelion imaginatively reinterprets elements of Christian eschatology and Jewish mysticism and combines them with Oedipal and Mother Goddess imagery to construct a painful but ultimately liberative narrative of personal and social self-revelation."
"...the series questions the construction of human identity [. . .] in relation to the nature of reality itself. Providing more riddles than solutions, the series takes the viewer on a journey into both inner and outer reality before ultimately leaving both its characters and its audience floating in a sea of existential uncertainty."
"The basic concept is simple: Huge bio-machines called Evangelions, or Evas, piloted by specially recruited teenagers, battle monstrous giants known as Angels that are wreaking havoc on the human survivors of a global calamity. However, Anno and his team at the Gainax animation studio created a world highly developed not only visually — the mechanics of the Evas in particular were so realistic that they seemed less drawn than designed — but also narratively, emotionally and spiritually. The Eva pilots — especially the troubled, sensitive Shinji, whose coldly calculating dad had developed the Evas — were strongly individualistic types whose turbulent lives were as much a part of the series’ appeal as its titanic Eva-versus-Angel battles. The show also incorporated a melange of religious symbolism, and a wealth of psychological and philosophical themes reflecting Anno’s own investigations and beliefs, as well as his long struggle with depression."
"Oh this is... this is nice, this is the end, okay. Where exactly am I? Oh grea… here's the song, oh good. Um, there's some things that are still unresolved here, guys! How do I get home? What do I eat? Was Rei my-my mom? Or a clone? Or, hell, was this all in my mind? Wha-what's an EVA? Is that sort of a Freudian thing? Er… um Am I real? Oh, hell, does a bus run through here? I mean, I'd like to go home now but um… Oh God… Where's home? Okay, okay, okay. I mustn't run away, I mustn't run... Okay I got that, good, okay. Now, if I were to run away, let's analyze that: Where the fuck would I go? I'm on a big blue ball! Uhh, is this how you end the series? I mean, is this where we go from here? Okay, the movie better sure as Hell make up for this, I'm telling you right now, 'cause I'm stuck in Nowhereland! You ran outta ink too, didn't you, ya bastards?"
"I didn't mind it. The schedule was an utter disaster and the number of cels plummeted, so there were some places where unfortunately the quality suffered. However, the tension of the staff as we all became more desperate and frenzied certainly showed up in the film ... About the time that the production system was completely falling apart, there were some opinions to the effect that, "If we can't do satisfactory work, then what's the point of continuing?" However, I didn't feel that way. My opinion was, "Why don't we show them the entire process including our breakdown."
"There are a lot of giant robot shows in Japan, and we did want our story to have a religious theme to help distinguish us. Because Christianity is an uncommon religion in Japan we thought it would be mysterious. None of the staff who worked on Eva are Christians. There is no actual Christian meaning to the show, we just thought the visual symbols of Christianity look cool. If we had known the show would get distributed in the US and Europe we might have rethought that choice."
"Often anime are perceived as shallow children's films punctuated by the occasional adult-themed anime, centered around violence or sex. One of the many elements of Neon Genesis Evangelion that sets it apart is that it is aimed at children and teens while dealing with sophisticated themes in a manner that is subtle and inoffensive. These complex themes are much more present in the films than in the television series, perhaps due to the nature of television censors. On the surface, EVA appears to be like many other anime. Yet EVA is intrinsically different not just due to its handling of potentially controversial subject matter but because the films are self-reflexive of the genre itself."
"Lauded by some as the “single greatest anime series ever made,” Neon Genesis Evangelion has been interpreted in a variety of ways by Western scholars. Susan J. Napier has said that the subject matter of EVA consists mainly of sexual, psychological and Judeo-Christian religious content. Although there is some merit to such interpretations, there is a great deal of evidence in the series and films that has been ignored by Napier and other Western scholars that points toward a Japanese, rather than Western, heritage. In particular, I suggest a deep understanding of Buddhist cosmology and philosophy is present in EVA. In other words, as one delves deeper into EVA, one finds that the Judeo-Christian imagery – while clearly present – cannot account for many of the narrative twists, turns, and developments. Similarly, the Western identification of sexual and psychological traits are also supportable to some extent. These features may also reflect indigenous Japanese and specifically Buddhist concepts. In addition, I suggest that there is a larger contextual basis at work in this series and the two films that can account for the specific elements that many scholars have deemed "confusing.""
"Even fans of the sci-fi genre who avoid anime altogether have likely heard of Cowboy Bebop and Ghost in the Shell, which were each landmarks of both style and substance. But arguably the greatest and certainly most thematically dense of the three 90's sci-fi anime masterpieces is Neon Genesis Evangelion. It has one of the most enduring worldwide cult franchises and passionate fanbases in all of geekdom ... the most celebrated cast in anime ... [and] poster boy/protagonist Shinji is one of the most nuanced, popular, and relatable characters in anime history."
"Season 3: Enter the Shadow Realm"
"Season 4: Waking the Dragons"
"Season 5: Grand Championship and Dawn of the Duel"
"Yu-Gi-Oh! (1999)"
"The Movie: Pyramid of Light (2004)"
"Bonds Beyond Time (2010)"
"The Dark Side of Dimensions (2016)"
"“Yu-Gi-Oh!’s” fundamental theme, aside from the triad of “friendship,” “death,” and “love,” also includes the keyword “independence.” I would like all my readers to have something–one thing–that they’ll rise above others to. For example, even though the card game takes center stage in the story, I would hope you all make friends and form a friendly rivalry with one another. And while doing so, I hope you all find something unique to yourself–your ‘only one.’ I may present only the card game aspect during the story to everyone, but I’m glad that it could be provided as an opportunity for communication to allow everyone to meet one another and explore new possibilities. By fighting through cards, I wish you could all learn about people and build good relationships."
"Dan Green - Yugi Muto/Atem"
"Wayne Grayson - Katsuya Jonouchi/Joey Wheeler"
"Greg Abbey - Hiroto Honda/Tristan Taylor"
"Amy Birnbaum - Anzu Mazaki/Téa Gardner"
"Marc Thompson - Duke Devlin"
"Eric Stuart - Seto Kaiba"
"Tara Sands - Mokuba Kaiba"
"Ted Lewis as Bakura Ryou/Yami Bakura (Seasons 1, 2, 5)"
"Megan Hollingshead (Seasons 1, 2, 3) and Bella Hudson (Season 4; cameo in Season 5) - Mai Kujaku/Mai Valentine"
"Wayne Grayson - Sugoroku Mutou/Solomon Muto (Seasons 1, 2, 3, 4, 5)"
"Darren Dunstan - Maximillion J. Pegasus J. Crawford (Seasons 1, 4, 5)"
"Jonathan Todd Ross- Marik Ishtar/Yami Marik (Seasons 2, 3, 5)"
"TBA- Ishizu Ishtar/Yami Ishizu (Seasons 2, 3, 5)"
"TBA- Odion Ishtar (Seasons 2, 3, 5)"
"Bella Hudson- Dark Magician Girl, Mana (Seasons 3, 4, 5)"
"Dan Green- Legendary Knight Timaeus (Season 4)"
"Wayne Grayson- Legendary Knight Hermos (Season 4)"
"Eric Stuart- Legendary Knight Critias (Season 4)"
"Lisa Ortiz- Serenity K. Wheeler (Seasons 1, 2, 3; cameo in Season 5)"
"Kerry Williams- Rebecca Hawkins (Seasons 1, 4, 5)"
"Mike Pollock- Arthur Hawkins (Seasons 1, 4, 5)"
"TBA- Zigfreid Lloyd von Schroeder (Season 5; 14 Episodes)"
"TBA- Leaping Leon Wilson von Schroeder (Season 5; 14 Episodes)"
"TBA- Vivian Wong (Season 5; 14 Episodes)"
"Carter Cathcart- Weevil Underwood (Seasons 1, 2, 4, 5)"
"Sam Regal and Anthony Salerno- Rex Raptor (Seasons 1, 2, 4, 5)"
"Wayne Grayson- Shadi Shin (Seasons 1, 2, 5)"
"Marc Thompson- Rafael (Season 4; cameo in Season 5)"
"Marc Thompson- Valon (Season 4; cameo in Season 5)"
"Ted Lewis- Alister (Season 4; cameo in Season 5)"
"Wayne Grayson- Dartz (Season 4; 40 Episodes)"
"Andrew Rannells- Noah "Kaiba" Kaibaboy (Season 3; 24 Episodes)"
"Scottie Ray as Anubis (from The Pyramid of Light)"
"Matthew Charles as Jaden Yuki (from Bonds Beyond Time)"
"Greg Abbey as Yusei Fudo ( from Bonds Beyond Time)"
"Laurie Hymens as Sera (from The Dark Side of Dimensions)"
"Tamir Cousins as Mani (from The Dark Side of Dimensions)"
"Daniel J. Edwards as Diva "Aigami" (from The Dark Side of Dimensions)"
"Be seeing you."
"It was a place that is trying to destroy the individual by every means possible; trying to break his spirit, so that he accepts that he is No. 6 and will live there happily as No. 6 for ever after. And this is the one rebel that they can't break."
"Patrick McGoohan - The Prisoner / Number Six (17 episodes)"
"Angelo Muscat - The Butler (14 episodes)"
"Peter Swanwick - Supervisor (8 episodes)"
"Leo McKern - Number Two (3 episodes)"
"Colin Gordon - Number Two (2 episodes)"
"Denis Shaw - The Shop Keeper (2 episodes)"
"Fenella Fielding - The Announcer/Telephone Operator (voice only; unseen and uncredited, 6 episodes)"
"I started to think that there really ought to be dumps around the world with rescue gear standing by, so that when a disaster happened, all these items of rescue equipment could be rushed to the disaster zone and used to help to get people out of trouble ... I was thinking, 'Rescue, yes, rescue, but how to make it science fiction? What about an international rescue organisation?"
"Lew watched ["Trapped in the Sky"] and at the end he jumped up shouting, 'Fantastic, absolutely fantastic! This isn't a television series – this is a feature film! You've got to make this as an hour!' ... I'm glad we did it, because it made the series much bigger and much more important. But it was still a very, very difficult job."
"Since we always tried to minimise walking, we'd show the puppets taking one step only, then promptly cut. Through interspersing the programmes with "meanwhile" scenes – that is, showing what else was going on in the story at the same time – we would then cut back to the puppet who was now already in his craft."
"Back in the nick of time"
"Two cops in the same town at the same time... 33 years apart"
"John Simm as DI Sam Tyler"
"Philip Glenister as DCI Gene Hunt"
"Dean Andrews as DS Ray Carling"
"Marshall Lancaster as DC Chris Skelton"
"Liz White as WPC Annie Cartwright"
"Writing, in blue oil-based paint, on the inside of the door to the cable box: "I thought what I'd do was, I'd pretend I was one of those deaf-mutes. Or should I?""
"Writing, in blue oil-based paint, on lefty's catcher's mitt: "You know what I'd like to be? I mean if I had my goddamn choice, I'd just be the catcher in the rye and all.""
"Since the Ghost in the Shell: Stand Alone Complex first season took forever to complete and took a lot of energy out of me, I was beginning to feel that people might be getting bored with the characters and the anime setting. This was before commencing the production of the 2nd Gig."
"Atsuko Tanaka (Japanese), Mary Elizabeth McGlynn (English dub) - Major Motoko Kusanagi"
"Akio Ōtsuka (Japanese), Richard Epcar (English dub) - Batou"
"Osamu Saka (Japanese), William Frederick Knight (English dub) - Chief Daisuke Aramaki"
"Kouichi Yamadera (Japanese), Crispin Freeman (English dub) - Togusa"
"Yutaka Nakano (Japanese), Michael McCarty (English dub) - Ishikawa"
"Tōru Ōkawa (Japanese), Dave Wittenberg (English dub) - Saito"
"Sakiko Tamagawa (Japanese), English dub versions - Tachikoma"
"I propose an Institute to investigate these strange happenings and to fight them. I would call it Torchwood. The Torchwood Institute. And if this Doctor should return, then he should beware... because Torchwood will be waiting."
"It's Torchwood. That's what did it. They give you Retcon, chemicals and radiation and god knows what. [..] That's what Torchwood does, you see...it ruins your life. And saves everyone else's"
"John Barrowman - Captain Jack Harkness"
"Eve Myles - Gwen Cooper"
"Burn Gorman - Owen Harper"
"Naoko Mori - Toshiko Sato"
"Gareth David-Lloyd - Ianto Jones"
"Kai Owen - Rhys Williams"
"Mekhi Phifer - Rex Matheson"
"Alexa Havins - Esther Drummond"
"Bill Pullman - Oswald Danes"
"TARDIS - TARDIS Whooshing noise"
"Save the planet (one alien at a time) (Series 1)"
"Alone They're Only Human, Together They're Torchwood (Series 2)"
"We Are Coming (Series 3)"
"Death Is Not An Option (Series 4)"
"...an action-packed tale told with rare humor and something even rarer—a genuine sense of adventure."
"Those two things were what shocked me the most in Dragon Ball... armpits and hands."
"Dragon Ball grew to have more and more muscular characters. I actually regret not having studied muscle models back then, but I still haven't gotten around to it... I thought too much about how the muscles looked [stylistically], so if you look at them as real muscles, it isn't accurate."
"Chi has been used in China since ancient times, but it's supposed to be formless and invisible. However, in manga, in order to make it easier for any reader to grasp, it was necessary to give it a shape. For the kamehameha, I myself did a lot of the different poses and chose the one that I thought would work the best."
"You are a fool who creates slaves to do your dirty work. A coward and an incompetent, incapable of doing anything on your own. You are not worthy of the lowest pits of Hell!"
"Beautiful night, isn't it, Police Girl? It's especially beautiful, of course, if you're a bloodsucker."
"Out of the way, human... Unless you'd rather become a miserable little ghoul...?"
"It's a beautiful night. It almost makes me want to go out for a bite to drink."
"Alucard: "I crave for blood on this kind of night" (For himself at first then to Victoria)"
"You have gone and taken all those lives, and not even because you were thirsty! Is it fun... Huh! Is that what it takes for filth like you to get off...? Cheap little two bit terrors."
"Eternity is wasted upon the likes of you. Try as you might, immortality slips away. And you remain with only your shame."
"It's time somebody put you in your place, human!"
"This bullet was meant for a vampire, but it will do to send you to hell, Father!"
"You're less than inhuman, a pitiful defect, a failed science project. Sending you back to your maker would be an act of mercy."
"You humans are incomprehensible. You and the Police Girl. (To Sir Integra Wingates Hellsing)"
"You'd think his family would have instilled some discipline. Gentlemen don't drink other people's blood, such behavior's reserved for peasants."
"I am the instrument of God, messenger of the divine punishment of heaven!"
"Yes sir, master!"
"I can’t help you. I belong to a world where all is death. Your world of choices was not meant for me to interfere with."
"What exactly is so amusing about exposing your filthy face to the world?"
"Does having an audience for your sins make you feel like you're special? Does it make you proud?"
"I can only pity such a vampire; a titan reduced to a puppet just to give humans a good show. (to the Undead)"
"Well, it seems that I'm also a creature in the service of humans. That's something... we had in common. (to the Undead)"
"Why do you need to witness this? I will never understand you humans. (To Steadler and Kim)"
"I’ve been hungry for so very long, but you’re going to help me change that."
"Besides, the gun Walter got for me... begs for a field test."
""My enemies are not the trash you have been fighting police girl" (to Seras Victoria)"
"Don't push yourself... Angel Of Death."
"Now I'll show you how real vampires do battle!"
"Stop Whining! All I did was cut off your stupid legs! Summon your demons! Transform yourself! Regenerate your legs! Stand up! Pick up your gun and attack me! Do something! The night is still so young, and the real fun is yet to start! Hurry, hurry, hurry, HURRY!!!"
"You're just like the rest... a disappointment."
"You're nothing but dog food!"
"As a vampire, you were a piece of shit! Now you're nothing but dog shit!"
"The ordeals of the first masters of the Hellsing Family in the last century were much harsher than this."
"[Advancing towards Jan Valentine after slaying a horde of Ghouls] I highly recommend pissing yourself, followed by a course of praying to your impotent God."
"English Sow? No wonder Section Thirteen commands such respect; what strong language."
"To reign over the kingdom of the world, to make its peace and write its laws; to be generous to the obiedent and merciless to all who would stand against you. Nothing ever changes; two thousand years and you still act like the world is yours."
"Then Peter Pan should entertain his guest, before he gets too upset."
"I get that a lot. But then what does that make you? A man? A dog? Or a monster?"
"That dog is neither man nor monster. Only a man can truly hope to kill a monster."
"The Vampire and those who ally with such filth, all stand equal in the eyes of God, seen for dirty heathens upon man."
"Have you ever wondered, Master, what it feels like to be hunted?"
"All the time I've served you, I've been pitted against pretenders and frauds... but this time its different!"
"Perfect. A battle unlike any other before. Two genuine monsters! Let him come!"
"That's fine, my name is something of an enigma as well."
"Integra: "I was such a child back then.""
"I know you don't want to die tonight..."
"In the Name of God, impure souls of the living dead shall be banished to eternal damnation!"
"While you're on your way to hell I want you to beg forgiveness for the men you've killed."
""Yet another beautiful moonlit night." (to Seras)"
"I'll send you to the deepest pits of Hell! And while you're there you can lick the Devil's ass, Incognito!"
"I´ll send you to Judecca´s bottom!"
"Is this all you've got? Even after you awaken that dried up Helldemon and take him into your body, is this really all the power you can muster?"
""You have such disgusting taste. Is pain truly your pleasure? Then I will grant your wish! I'll send you to a world where all you will know is pain! But don't let my fun end too quickly! Come on, what are you going to do? Come on, show me! Hurry! Hurry up! HURRY!" (to Incognito)"
"Sett will enter me and together we shall send this cursed town crashing down to hell."
""Orders given by the Hellsing Organization must be executed even at the cost of our own lives, Sir Integra." (to Sir Integra)"
"Dragon Ball Z: Season 1"
"Dragon Ball Z: Season 2"
"Dragon Ball Z: Season 3"
"Dragon Ball Z: Season 4"
"Dragon Ball Z: Season 5"
"Dragon Ball Z: Season 6"
"Dragon Ball Z: Season 7"
"Dragon Ball Z: Season 8"
"Dragon Ball Z: Season 9"
"Dragon Ball Z: Bardock: The Father of Goku"
"Dragon Ball Z: The History of Trunks"
"Dragon Ball Z: Dead Zone"
"Dragon Ball Z: The World's Strongest"
"Dragon Ball Z: The Tree of Might"
"Dragon Ball Z: Lord Slug"
"Dragon Ball Z: Cooler's Revenge"
"Dragon Ball Z: Return of Cooler"
"Dragon Ball Z: Super Android 13"
"Dragon Ball Z: Broly: The Legendary Super Saiyan"
"Dragon Ball Z: Bojack Unbound"
"Dragon Ball Z: Broly: Second Coming"
"Dragon Ball Z: Bio-Broly"
"Dragon Ball Z: Fusion Reborn"
"Dragon Ball Z: Wrath of the Dragon"
"Take even a cartoon like Dragon Ball Z. I mean, it’s a cartoon, but it’s one of the deepest cartoons in history. Its hero, Son Goku, starts out as a kid, begins martial arts training like San Te [the protagonist from “[[w:Thirty-sixth Chamber of Shaolin|Thirty-sixth Chamber of Shaolin]", and goes off on a quest for seven balls that unleash dragons that can grant wishes. Now, that’s a fantasy, obviously, a children’s story. But it’s also based on a sixteenth-century Chinese folk novel, about a Buddhist monk who travels to India to find the Buddhist sutras. That voyage represents a journey to enlightenment. But to me, Dragon Ball Z also represents the journey of the black man in America."
"Dragon Ball Z tells the story of an underdog and outsider. In his book The Tao of Wu, the rapper Rza says the story of Dragon Ball Z, “represents the journey of the black man.” “You see it more clearly as the story goes on,” he writes. “Son Goku has super powers and doesn’t realize it—a head injury destroyed his memory, robbed his knowledge of self. Then one day, gets stressed beyond his limits and Hulks out into his alter ego, Super Saiyan—a nigga with dreadlocks.”"
"Some fans of the show relate to a character that doesn’t know their heritage. “I’ve been thinking a lot about where I come from and who came before me in my family and circling back to Dragon Ball Z, it does resonate with me a lot,” DJ Kirkland, a comics artist working on the miniseries Black Mage, said over Twitter DMs. “Those of us that are black and born in the U.S., at least some of us to an extent don’t know where we’re from and I feel that is something that a lot of people of color can identify with.”"
"“Goku loves his son so much,” Kirkland said. “And while he’s kind of an idiot when it comes to ChiChi sometimes, he’s a good dad. … When I was super young, I didn’t really think about it too much, but as I got older, seeing how much Goku cared for [his son] Gohan was something you didn’t really see very often.”"
"“The first thing that Goku did while he’s dead and in hell was he started this crazy ass journey to go and try to get stronger again,” Jones said. “Even when this fool’s dead he’s like, ‘No days off.’”"
"Samuel L. Jackson - Afro Samurai, Ninja Ninja"
"Kelly Hu - Okiku"
"Yuri Lowenthal - Jinno/Kuma"
"Lucy Liu - Sio"
"Greg Eagles - Rokutaro: Afro's Father, Brother #6"
"Ron Perlman - Justice"
"Jeff Bennett - Foo, Hachiro"
"Steven Blum - Assassins"
"S. Scott Bullock - Dharman"
"TC Carson - Sword Master, Brother #4"
"Grey Delisle - Oyuki, Woman"
"John DiMaggio - Brother #2, Giant, Ivanov, Patron #2"
"John Kassir - Soshun"
"Phil LaMarr - Brother #1, Brother #3, Brother #5, Kuro, Teen Afro Samurai"
"Jason Marsden - Sasuke"
"Liam O'Brien - Kihachi, Patron #4"
"Crystal Scales - Young Afro Samurai"
"Dwight Schultz - Assassin #1, Patron #1, Ronin"
"Tara Strong - Jiro, Otsuru"
"Fred Tatasciore - Juzo, Patron #5, Shuzo"
"James Arnold Taylor - Yashichi"
"Dave Wittenberg - Assassin, Matasaburo, Patron #3, Pun"
"Douglas Henshall - Professor Nick Cutter"
"James Murray - Stephen Hart"
"Andrew-Lee Potts - Connor Temple"
"Lucy Brown - Claudia Brown (series 1), Jenny Lewis (series 2, 3, 4)"
"Hannah Spearritt - Abby Maitland"
"Juliet Aubrey - Helen Cutter"
"Ben Miller - James Lester"
"Jason Flemyng - Danny Quinn"
"Ben Mansfield - Captain Hilary Becker"
"Ciarán McMenamin - Matt Anderson"
"Alexander Siddig - Philip Burton"
"Ruth Kearney - Jess Parker"
"Keeley Hawes as DI Alex Drake"
"Montserrat Lombard as WPC Sharon Granger"
"Daniel Mays as DCI Jim Keats"
"DARLING NO BAKA!!! ("Darling, you idiot!")"
"One, two, three! DIVINE RETRIBUTION!!!"
"We're going to make a baby on Saturday night!"
"visiting Ataru in his classroom: Teacher, husbands and wives should always be together, whether it's raining or windy, in the house, or even at school!"
"Darling! Shinobu can go to hell!"
"Nope! 'Cause in my tummy is DARLING'S BABY!"
"Where I come from, marriage is a sacred institution, so if you cheat on me... [shocks Ataru] (Episode 1)"
"[referring to Rei] Oooh! I will never marry such a tacky man! Tacky tacky tacky!!"
"Thank you, Ran. I will think hard about this..."
"Umeboshi? GIVE ME UMEBOSHI!"
"I don't care if it's a lie. I just want you to say it. (Movie 5)"
"Darling, you IDIOT! Do ya wanna really forget about me!? (Movie 5)"
"Even if it takes a "lifetime", I'll make ya say it! (Movie 5)"
"I refuse! I'd sooner go to Iscandar than fight and be killed by an Oni! (Episode 1)"
"on his game of tag with Lum: But to grab those horns, naturally I've gotta grab the body first... (Episode 1)"
"speaking English while flirting with a girl in Hawaii: Hi! I'm Ataru Moroboshi, Number One Japanese Boy! Please date with me!"
"I'm gonna run away from home! Will that make you happy?! WAAAAAAAAA!!!! [runs out the front door in his sock feet, then comes back for a second to put his shoes on] Damn it! [runs back out the door] WAAAAAAAA!!!! (Episode 2)"
"When will you learn that I always do things without thinking of the consequences? (Movie 2)"
"I HATE YOUR GUTS! (Movie 5)"
"You idiot, if I say "I love you" under these circumstances, How do you know if I was telling the truth? (Movie 5)"
"I'll never forget, I'll... never... forget..., I'LL NEVER FORGET! ...you, Lum... [collapses] (Movie 5)"
"I'll say it on my "deathbed"! (Movie 5)"
"Ne, ne, ne...Juusho to denwa bangou wa?! (Hey, hey, hey...What's your address and phone number?!)"
"repeated line: WAAA! KURAI YO! SEMAI YO! KOWAI YO!!! ("Waaa! It's cramped! It's dark! I'm scared!!!")"
"repeated line: OTOKO NAN TE! ("Men be damned!")"
"You flirtatious scum!"
"from the BBC dub "Lum the Invader Girl": I must go to my sweet Ataru! He needs me! He loves me! Even though I know Lum will be with him, I can't keep away from my beloved, my precious. Although, if he's shagged her... I'LL KILL HIM!"
"also from "Lum the Invader Girl"; Shinobu's reaction to Lum's claim that she is pregnant with Ataru's child: You've got... a bun in your oven???"
"Lum, you'd be better off if you dumped that idiot!"
"It's obvious that Lum is too good for you! (Episode 2)"
"What's that look on yer face? Is that how you look at folks coming all the way from beyond the galaxy?! (Episode 2)"
"You disgusting slimeball!"
"repeated line: Boku ii ko! ("I'm a good boy!")"
"oft-repeated line: Oh, I never should have had him!"
"to Ataru: You are the personification of the word "stupid"!"
"Y... your face, my friend... it's hopelessly horrible!!!"
"Praise Buddha, praise Buddha. In the name of Jesus Christ, praise Buddha."
"Haratama! Kiyotama! (Excorsize! Purify!)"
"ORE WA ONNA DA!!!! ("I AM A WOMAN!!!!")"
"Oh, that's terrible..."
"If you do not apologize...I shall be angry."
"Would you like some sherbert while you bathe?"
"So am I sarcastic, the stingiest person you know, or a cold-blooded businesswoman which is it...I am none of those, but that's quite alright with me."
"Move it! Outta my way!"
"Hey Ran. It's a call from your '"treacherous snake"."
"Ran-chan shiawase! (Lil' Ran's so happy!)"
"Benjamin Bratt - Dr. Jeremy Stone"
"Andre Braugher - General George Mancheck"
"Christa Miller - Dr. Angela Noyce"
"Daniel Dae Kim - Dr. Tsi Chou"
"Paul Perri - Dr. Smithson"
"Viola Davis - Dr. Charlene Barton"
"Ricky Schroder - Major Bill Keane, M.D."
"Eric McCormack - Jack Nash"
"Ted Whittall - President Scott"
"Gene: I do, I might puke all over the console."
"Horis: Warning, that may cause a short circuit."
"Jim: If you don't have a problem with it, I'll help."
"Hilda: Can you operate a laser cannon?"
"Jim: Sure, I know how to use one."
"Hilda: It's to your right. If they close in, open fire."
"Jim: Okay."
"Hilda: Melfina, sit in the auxiliary control chair. You're able to do it."
"Melfina: Alright, I'll try."
"Horis: Warning, please avoid any reckless evasive maneuvers until we are out of Blue Heaven's approach lane."
"Hilda: Alright, continue accelerating."
"McCoy Henchman1: They won't get away, lets split ourselves up."
"McCoy Henchman2: Right."
"Horis: Grappler ships to aft have split into 2 groups."
"Hilda: Jim, eyes up, they're coming in from the rear."
"Jim: Gotcha."
"Jim: There they are!"
"McCoy: Ain't gonna work little lady!"
"Horis: Enemy craft have anti-laser defenses."
"Jim: Uhh... Hilda, what are we gonna do?"
"Hilda: Keep firing, it'll keep them on their toes at least."
"Gene: Ugh..."
"McCoy: (laughs) Running out of time."
"Horis: Further evasion is dangerous. Now leaving guide path."
"Melfina: Grappler ship closing in from above!"
"McCoy Henchman1: Okay, lady, gotcha this time."
"Hilda: Horis, we need a rapid climb."
"McCoy Henchman1: Ahh man!"
"Hilda: How much longer until we're cleared of the asteroid zone?"
"Horis: 482 seconds."
"Melfina: I see something that's closing in on us from ahead. It's a large ship."
"Horis: Ship is cruiser class. Type unknown. It is on a collision course."
"Hilda: Send out a warning."
"Horis: They claim they have the right of way."
"Aisha: This is the Orta Hone Hone, registered to the Ctarl Ctarl empire. I am speaking to you as Ambassador Planetary Penitentiary Aisha Clan Clan. With total authority in all space,"
"Crowd: Clear the way (~ 10 times)"
"Ctarl Ctarl1: Make way for the Ctarl Ctarl empire!"
"Ctarl Ctarl2: If you don't clear the we're gonna whip your butt."
"McCoy Henchman1: The Ctarl Ctarl empire!"
"McCoy Henchman2: What should we do?"
"McCoy: Like we really have a choice? These guys are even worse than the pirates!"
"Hilda: Listen, I'm an outlaw. I hate to say it, but I don't have a treaty with you, understand? This departing ship is taking the right of way."
"Jim: Huh? You're picking a fight with the Ctarl Ctarl?"
"Gene: Hey Jim, tell me, what are the Ctarl Ctarl like again?"
"Jim': They're like a cross between a human and a tiger. They're really nasty."
"Technician1: Approaching ship isn't changing course!"
"Aisha: Wait! Wait a minute, that's crazy!"
"Technician2: Stop messing around!"
"Technician3: Moron!"
"Technician1: We're gonna eat you."
"Hilda: Don't worry. If you drop your shield, they'll be enough room for us to pass."
"Aisha: What?! You defy the Ctarl Ctarl empire!? Grr...."
"Hilda: Without it the ships will collide!"
"Aisha: What? Just a minute!"
"Technician2: Graphic shields altering course 3 degrees to port."
"Technician1: Firing starboard blasters for 10 seconds."
"Jim: Ugh... ugh..."
"Aisha: Aaaahhh! Arrr!"
"Gene: Oh boy..."
"McCoy Henchman1: Kay, go after them."
"Aisha: Hey! Hold it right there! All of you stop your ships do you hear me? You're under arrest in the name of the Ctarl Ctarl empire!"
"McCoy Henchman3: Oh no, what should we do?"
"McCoy Henchman4: What else can we do? We can't get away from that ship."
"Aisha: Hey! You outlaws, hold on!"
"Horis: T minus 60 until asteroid zone is cleared. Warning. Warning. Further acceleration within asteroid zone is dangerous."
"Jim: Aaaah!"
"Aisha: Grr! Blast it! Everyone's trying to make fools of us. That does it, fire! I said fire!"
"Crowd: Fire! Fire! Fire! Fire!"
"Technician1: But Lady Aisha, firing within the asteroid cluster is..."
"Aisha: Quiet! This is in the honor of the Ctarl Ctarl!"
"Technician1: Yes, m'am!"
"Crowd: Fire"
"Aisha: Grrr!"
"Technician3: Lady Aisha blew it, she should have listened to him!"
"Gene: Oh Hilda, where are we headed off to this time?"
"Hilda: Just a little star system. Meeting up with some friends there."
"Volume 1: Electro Blood (50 minutes)"
"Volume 2: Flesh & Stone (30 minutes)"
"Volume 3: Heart Core (30 minutes)"
"Volume 4: Bit of Love (30 minutes)"
"John Leeson - K-9"
"Keegan Joyce - Starkey"
"Robert Moloney - Professor Alistair Gryffen"
"Philippa Coulthard - Jorjie Turner"
"Daniel Webber - Darius Pike"
"Thieves are in the shadows, all's right with the world."
"Lupin the Third is James Bond meets Charlie's Angels with Scooby-Doo sensibilities."
"Interviewer: Lupin’s charming isn’t he…"
"The world's richest man isn't a Rothchild or a Rockefeller. It's Lupin!"
"[A] crazy, groovy 1960s world of dynamite and backstabbing, hippies and gangsters."
"[A] fascinating homage to Mad magazine and a four star example of comics as pure comedy."
"Lupin He's a nice man But he's cool You know, he uses Walther Yeah The machine cries, "Bang bang." Yeah, he's the Lupin the Third. Nice man Yeah, he smiles And he gets angry... sometimes. But... he's a groovy guy."
"Actually, it's kind of interesting. I think men and women in general as... rather than saying tease, say they enjoy each other. They use their attributes; Fujiko uses her beautiful body and her sex appeal as a weapon and Lupin uses his cunning and his wit as a weapon and they like going at it with each other in a fun sense. Not necessarily lovers, not necessarily husband and wife, but more just having fun as man and woman with each other and using their weapons against each other, but in an enjoyable way. That's how I think of that."
"When I started drawing Lupin thirty-six years ago, I was really only supposed to draw him for 3 months. It was more of only a contract project. At the end of that 3 months, it became popular and I continued drawing it for 10 years. And over that time, I never expected that I'd be invited to America multiple times, to attend these conventions, have so many fans and people that have read my works and have come to talk to me and express their gratitude. It's really an amazing feeling and at the same time it's bizarre in a way. I don't understand the popularity. I'm happy for it, but I don't understand it."
"I would probably have to say as far as inspirations are concerned, maybe some of the more famous mystery works, just worldly mystery works. I think they probably helped me out creating my stories quite a bit. Even things like, you know, Treasure Island or Monte Crisco, I think even those works influenced me quite a bit. I even enjoyed reading about D'Artagnan from the Three Musketeers. It might be my own analysis, but I even feel that Lupin might be very similar to D'Artagnan. M'lady the character that comes out from the D'Artagnan stories, I think that person might even be similar to Fujiko. So, those kinds of works I really think they did affect me at an early age."
"Michael Kelly: [narrating the third season trailer for Netflix] Join me on a journey where getting lost is the only true destination. But no matter how far we stray, we always come back. Here, the magnifying glass through which we observe the human condition. Where happiness is an illusion. Here, where the past, present and future all coexist in the same timeline. A reminder that the future is not some distant glimmer, but a bright light shining in your eyes. This is the future we are in right now, where our phones are the first things that we touch when we wake up, and the last thing we touch before falling asleep. Radiant, seductive screens we so lovingly, endlessly gaze upon... much like you're doing right now. Welcome to a future where our true reflection is only revealed once the screen goes... dark. Welcome to the darkness. I hope you find it... enlightening."
"Louis Hofmann - Jonas Kahnwald 2019"
"Andreas Pietschmann - The Stranger"
"Dietrich Hollinderbäumer - Adam"
"Ella Lee - Hannah Kahnwald 1953"
"Maja Schöne - Hannah Kahnwald 2019"
"Anne Ratte-Polle - Ines Kahnwald 2019"
"Lisa Vicari - Martha Nielsen 2019"
"Moritz Jahn - Magnus Nielsen 2019"
"Florian Panzner - Daniel Kahnwald"
"Daan Lennard Liebrenz - Mikkel Nielsen 2019"
"Ludger Bökelmann - Ulrich Nielsen 1953"
"Oliver Masucci - Ulrich Nielsen 2019"
"Nele Trebs - Katharina Nielsen 1953"
"Jördis Triebel - Katharina Nielsen 2019"
"Felix Kramer - Tronte Nielsen 2019"
"Anne Lebinsky - Jana Nielsen 2019"
"Antje Traue - Agnes Nielsen"
"Gina Alice Stiebitz - Franziska Doppler 2019"
"Carlotta von Falkenhayn - Elisabeth Doppler 2019"
"Stephan Kampwirth - Peter Doppler 2019"
"Karoline Eichhorn - Charlotte Doppler 2019"
"Peter Schneider - Helge Doppler 2019"
"Anatole Taubman - Bernd Doppler 2019"
"Cordelia Wege - Greta Doppler"
"Arnd Klawitter - H.G. Tannhaus 2019"
"Paul Lux - Bartosz Tiedemann 2019"
"Lydia Maria Makrides - Regina Tiedemann 1953"
"Deborah Kaufmann - Regina Tiedemann 2019"
"Peter Benedict - Aleksander Tiedemann 2019"
"Julika Jenkins - Claudia Tiedemann 2019"
"Sebastian Hülk - Egon Tiedemann 2019"
"Mark Waschke - Noah"
"Yui Ishikawa - USS Enterprise"
"Yui Horie - HMS Belfast"
"Maia - USS Vestal"
"Sora Amamiya - HMS Illustrious"
"Chinami Hashimoto - HMS Prince of Wales"
"Yō Taichi - IJN Ayanami"
"Mai Nakahara - IJN Akagi"
"Ai Kayano - IJN Kaga"
"Nozomi Yamane - HMS Javelin"
"Maria Naganawa - USS Laffey"
"Rika Abe - KMS Z23"
"Ayane Sakura - KMS Prinz Eugen"
"Beyblade (Season 1)"
"Beyblade V-Force"
"Beyblade G-Revolution"
"Beyblade: Metal Fusion"
"Beyblade: Metal Masters"
"Beyblade: Metal Fury"
"Deku: I want people to see my fearless smile and feel safe, and be the kind of hero everyone in the world looks up to... Just like you!"
"Bakugo: In the end it doesn't change what I have to do... I'll become a hero that surpasses even you! Deku!"
"All Might: It is fine now. Do you know why? Because I am here!"
"Uraraka: Who protects the heroes whenever they're the ones who are hurting the most?"
"Todoroki: If you want to stop this, then stand up! Because I've got one thing to say to you. Never forget who you want to become!"
"Russell Tovey - Barclay Pierre-Dupont"
"Gugu Mbatha-Raw - Salt"
"Jemma Redgrave - Kate Lethbridge-Stewart"
"Colin McFarlane - General Austin Pierce"
"Alexander Devrient - Colonel Christofer Ibrahim"
"Ruth Madeley - Shirley Anne Bingham"
"Adrian Lukis - Sir Jonathan Hynes"
"Vincent Franklin - Harry Shaw"
"Steward Alexander - General Oscar Gunsberg"
"Barbara Probst - General Dominique Dussolier"
"Patrick Baladi - Sir Keith Spears"
"Francesca Corney - Sergeant Hana Chakri"
"Ann Akinjirin - Barbara Pierre-Dupont"
"Cat Gannon - Kirby Pierre-Dupont"
"Lachele Carl - Trinity Wells"
"Samuel Oatley - Tide"