"Of course they are both Irish Catholics, so they would have had this sense of purgatory, and praying loved ones out of purgatory. But again, there is that whole grey area, and I really wanted to play with that whole idea. I have this quote from Pope John Paul, which says “heaven and hell are primarily eternal states of consciousness, rather than geographical places of later reward or punishment”. I thought that means that in life we are able to put ourselves into a state of purgatory, because it’s a state of consciousness – and therefore the punishment and reward can be cause and effect. I overlaid that on James – he has placed himself inside a state of purgatory and try as he might he just can’t seem to get himself out, whether through his own choices or through circumstances – really it’s a bit of both – and in the end he chooses his ultimate fate. And for John, still being here as a ghost, to me it made sense that he was in a state of purgatory too. Maybe for him it was choice, maybe it was literally that he was anchored to the ground somehow – to the cottage that he was born in. Then I started looking into Maori mythology, and how some return to watch over their mokopuna as birds or trees, and I thought that that was really very beautiful. They have the choice of going home – and with the Irish, home was either going back to your original home, or heaven – whatever that is for you. And so to me, that whole place of purgatory opened up opportunities, rather than being restrictive. And I thought, ‘what if we have a choice?’ We could become the brightest star in the sky so that our family could know that was us, or we could become an owl that comes to visit, or we could go home– they are all beautiful stories – why not choose?"
January 1, 1970