Pianists From The United States

"That’s the most Warholian thing about what I do... I embrace pop culture. The very thing that everybody says is poisonous and ostentatious and shallow, it’s like my chemistry book... and I make what I believe to be art out of it."

"I don’t consider my own clothing to be outrageous... The truth is that people just don’t have the same references that I do. To me it’s very beautiful and it’s art, and to them it’s outrageous and crazy."

"Grace Jones said this to me when I met her. I washed her feet, and I looked up at her and she said, "No matter what you do in your life, don’t you ever let anybody take your creative people away from you." And what my creative friends always remind me of is they say, "Only value the opinion of those that you respect. And anyone that you don’t respect, pay no mind to their opinion about you or anything else." And that’s how I live my life. If I worried about everything that everyone said, I would not be a good artist."

"They bring my music to life."

"I've gone bankrupt about four times now. Every dollar I earn goes on the show."

"Creativity for me is religious."

"She reinvents herself from album to album. I reinvent myself week to week. I get quite bored with things and I don't want to let down my fans."

"You see, if I was a guy, and I was sitting here with a cigarette in my hand, grabbing my crotch and talking about how I make music because I like fast cars and fucking girls, you'd call me a rockstar. But when I do it in my music and in my videos, because I'm a female, because I make pop music, you're judgmental and you say that it is distracting... I'm just a rockstar."

"Prejudice is a disease. So is fashion. But I will not wear prejudice."

"I think that fashion and music go hand-in-hand, and they always should. It's the artist's job to create imagery that matches the music... I think they're very intertwined."

"Lake Como is like Saint-Tropez and Capri."

"In my show I announce, ‘People say Lady Gaga is a lie, and they are right. I am a lie. And every day I kill to make it true.’"

"I'm not real. I'm theatre."

"God bless pop music and God bless MTV."

"You listeners, the ones who found me first are, I believe, the future of great art thinkers. Because anyone that's found me now I really think is grabbing on to the ideas that I have, more than anything. It's about the music but it's also about the story. So thank you guys for loving and reading the story and being as into it and as passionate as I am."

"Lake Como? One of my favorite places."

"There can be a hundred people in the room and ninety nine don't believe in you and just one person believes in you and it can change everything."

"She’s a nice girl – I just feel very honoured that she wanted to sing my song. I used to scream for her in Times Square and now I work for her. When I was 13 she was the most provocative performer of my time. I love her so much! Britney certainly doesn’t need any freakin’ tips from me! Britney Spears is the queen of pop. I was learning from her."

"Take My Picture, Hollywood! I Wanna Be a Star!"

"I operate from a place of delusion-that’s what the Fame is all about... I want people to walk around delusional about how great they can be - and then to fight so hard for it every day that the lie becomes the truth."

"People think I'm unusual but it's just that we haven't had anyone like this since the Seventies."

"When you're absolute beginners, It's a panoramic view, From Her Majesty, Mt. Zion, And the Kingdom is for you."

"I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas... Whoever chooses to latch onto it, great; whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production."

"I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America."

"The songwriting style, to me, is superior... there was a certain amount of joy in it, no matter how sad the song is. You get joy in listening to these Buddy Holly or Roy Orbison sad lyrics. I'm attracted to songs that have balance between the darks and the lights and giving them all equal opportunity."

"Rubinstein was jealous of anybody who had a great success. He was jealous of the Beatles and kept on talking about their tremendous success. When Toscanini died there was a big service in St. Patrick's Cathedral presided over by Cardinal Spellman. Then after a month the body was sent to Milan where there was another big funeral. Rubinstein could not get over it. "Like a king!" he told me and Wanda. "He had two funerals!" He didn't like Paderewski, he didn't like Rachmaninoff, he was always criticizing everybody."

"Rubinstein was a marvelous pianist, but entirely different than Horowitz. Rubinstein needed a piano where he would feel some resistance in the action, and which had a much warmer or broader sound, or a deeper, darker sound. A Horowitz piano is much more focused; the sound is much more brilliant."

"I liked him [Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?" and I said, "Yes, I do mean it.""

"My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth."

"God bless him. He will be remembered forever."

"Just meeting Rubinstein was a thrill for any pianist. He was a real link to tradition in western piano music. He was a friend of Rachmaninoff and he knew Debussy. The man was an inspiration to three generations of pianists."

"Arthur Rubinstein once said to me that he couldn't think when he played, that something else took over. I also don't think when I play - something happens through me, but I am motivated by what I have thought before."

"Rubinstein was wonderful. For three days he spent hours playing the piano in my room, and then asking me what I thought of this and that. After a while he told my mother that I had talent and he thought I should be a musician."

"Yes, I am very lucky, but I have a little theory about this. I have noticed through experience and observation that providence, nature, God, or what I would call the power of creation seems to favor human beings who accept and love life unconditionally, and I am certainly one who does with all my heart."

"Music is not a hobby, not even a passion with me; music is me. I feel what people get out of me is this outlook on life, which comes out in my music. My music is the last expression of all that."

"I'm a free person; I feel terribly free. They could put me in chains and I still would be free because my thoughts would be mine - and that's all I want to have."

"We don't know happiness without unhappiness, gaiety without sadness, and happiness can only be felt if you don't set any conditions."

"...In his fingers he has more skill than any of the rest of us."

"Others may be regularly more flashy, though few can dazzle so dependably; and none can match him for power and refinement. He plays very loudly and very beautifully, very softly and thoroughly clean, straightforwardly, elegantly, and with a care for both the amenities of musical discourse and the clear transmission of musical thought. He is a master pianist and a master musician. There has not been his like since Busoni."

"It would be an attempt to define the role, responsibility, and path of the performing musician. Our simple job is to bring beauty and inspiration to others and to do this through the most honest and humble search to find these qualities within our unique selves and then within our unique work; to painstakingly increase our knowledge and to refine and re-refine our results until we are certain that until some new enlightenment falls to us, we have done the best that we possibly can; and that as in any human endeavour which attempts to transcend its mortal bounds, we always know that we still do not know."

"The Basie band took much of its character from the subtle way the Count’s pithy, elliptical attack framed his shouting brass and saxophones. More crucially, Basie’s touch set the tone for the band’s rhythm section; the light, insistent pulse that generated the irresistible current of swing that lifted soloists and ensemble to heights of inspired excitement."

"I know this from somewhere—it seems as though every time I turn on the radio this seems to slip in; and I've always liked it. It's cute, real cute; and although it's sort of not in my department and I don't know too much about that type of music, I like it an awful lot. Wonderful piano; vibes sound like what's his name, [[w:Terry Gibbs|[Terry] Gibbs]], a little bit; and the alto, if it's not the Bird, he loves Bird. All the solos were wonderful. I've got to give it four stars."

"Contrary to several conflicting stories, I got the name "Count" right in Kansas City in 1936 while at the Reno Club. I was known as Bill Basie at that time. One night, while we were broadcasting, the announcer called me to the microphone for those usual few words of introduction. He commented that Bill Basie was a rather ordinary name, and further that there were a couple of well-known bandleaders named Earl Hines and Duke Ellington. Then he said, "Bill, I think I'll call you Count Basie from now on. Is that all right with you?" I thought he was kidding, shrugged my shoulders and replied, "OK." Well that was the last time I was ever introduced as Bill Basie. From then on, it was Count Basie, and I never did lose that nickname. It's funny the way those things will stick."

"It's the way you play that makes it. What I say is, for Christ's sake, you don't have to kill yourself to sing. Play like you play. Play like you think, and then you got it, if you're going to get it. And whatever you get, that's you, so that's your story."

"Count Basie’s name brings to mind associations that might seem contradictory: a famously minimalist piano style and the celebrated big band he led for 50 years. In fact, the two were perfect complements. The Basie band took much of its character from the subtle way the Count’s pithy, elliptical attack framed his shouting brass and saxes. More crucially, Basie’s touch set the tone for the band’s rhythm section; the light, insistent pulse that generated the irresistible current of swing that lifted soloists and ensemble to heights of inspired excitement."

"I have sinned against you, my Lord, and I would ask that your precious blood would wash and cleanse every stain until it is in the seas of God's forgetfulness, never to be remembered against me anymore."

"I'm a Cranky Old Yank in a Clanky Old Tank on the Streets of Yokohama with my Honolulu Mama Doin’ Those Beat-o, Beat-o Flat-On-My-Seat-o, Hirohito Blues"

"You sittin' here chained to your rockin' chair."

"It's the story of a very unfortunate colored man Who got arrested down in Old Hong Kong He got twenty years' privilege taken away from him When he kicked old Buddha's gong."

"I’m deeply grateful to be Jewish. I feel it’s enriched my life and I feel very strongly about Jewishness."