People From Pennsylvania

"When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head."

"I’ve always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That’s what I’ve always done."

"Abstraction and luxury are the guard dogs of the upper class. The upper class wants people to have ambition and gumption because, if you do, you will participate and you'll move through society into a different class structure."

"The basic story line (in my new work) is about art leaving the realm of the artist, when the artist loses control of the work. It’s defined basically by two ends. One would be Louis XIV — that if you put art in the hands of an aristocracy or monarch, art will become reflective of ego and decorative — and on the other end of the scale would be Bob Hope — that if you give art to the masses, art will become reflective of mass ego and also decorative."

"My work will use everything that it can to communicate. It will use any trick; it'll do anything — absolutely anything — to communicate and to win the viewer over. Even the most unsophisticated people are not threatened by it; they aren't threatened that this is something they have no understanding of. They can look at it and they can participate with it. And also somebody who has been very highly educated in art and deals with more esoteric areas can also view it and find that the work is open as far as being something that wants to add more to our culture. The work wants to meet the needs of' the people. It tries to bring down all the barriers that block people From their culture. that shield and hide them. It tells them to embrace the moment instead of always feeling that they're being indulged by things that they do not participate in. It tells them to believe in something and to eject their will. The idea of St. John and baptism right now is that there are greater things to come. And it's about embracing guilt and shame and moving forward instead of letting this negative society always thwart us — always a more negative society, always more negative."

"Art to me is a humanitarian act, and I believe that there is a responsibility that art should somehow be able to affect mankind, to make the word a better place (this is not a cliche!)."

"I try to be a truthful artist and I try to show a level of courage. I enjoy that. I’m a messenger."

"I’m basically the idea person. I’m not physically involved in the production. I don’t have the neces-sary abilities, so I go to the top people, whether I’m working with my foundry — Tallix — or in physics. I’m always trying to maintain the integrity of the work."

"The media, the galleries, the collectors – it's all very chaotic actually. The artworld doesn't have this defined corporate structure that people imagine. Of course there's a system of sorts. This person will talk to that person and somebody else will pass it on to somebody else... you can trace a line of power of some kind. But its nothing like as clear and set as people think. And this chaos leads to a lot of insecurity. It's only after an artist has achieved some independence from it that he MODERN PAINTERS can really stand up to the collectors and the dealers and do his art."

"I'm trying to go through moral crisis myself to the highest degree that I can, to remove moral crisis from the visual vocabulary of the viewer, so that when somebody sees my work, the only thing that they see is the Sacred Heart of Jesus"

"To shoot a grouse exacts something from the thinking man. It requires principle, which like good manners is not old-fashioned and never has been. It is something in your heart and in your head. The perceptive gunner is immersed in the style and charm of his dog’s work and in the shot, but with it all, he is one with what happens to the bird. His shooting is not vindictive, a getting-even because the grouse is so hard to hit. To regret a miss is normal animal response to temporary failure, not to be confused with sentient “the bastard got away.” Emotions are drawn to such thin threads they reach the breaking point, but when finely-honed tensions balance, shooting becomes a spiritual thing between you and the grouse."

"Seventh and Ninth generation Old Hemlocks, I see in them all of those ancestors, not just the bloodline and shape of the skull, but the character, the way they feel. […] They are all in my heart, not gone to some vague afterland to enjoy a happier life, for they were happiest with me. If I could have l kept one of them with me for all Time, it would have meant missing all the others."

"Grouse shooting is what it is for you, not for someone in some fabulous faraway place. Grouse gunning can be either a game of numbers or identification with a live bird somewhere ahead. It can be a mindless urge to wipe out a string of birds, or it can be the instant when one bird and the dog and the gun exist in unity."

"Some men dream of wealth and power. I tell of days. Of woods taking me where they wanted to go, hawthorns scarlet with October, the lacy loveliness of hemlocks, old lanes gold with Autumn, fall colors like stained glass showing through the leaded lines of black branches, each tree a love, each leaf a now, the dry-bone look of maple twigs in winter, the silent snow. For more than seventy Indian summers I have begged each one not to go, even as I spoke, the leaves showered down around me."

"Each of us has that ember within him to create his own Camelot, to form his life by taste. Being different from the crowd, like quality, is not a vice. Tradition and standards shape shooting as surely as manners make the man."

"Quality grouse shooting cannot be evaluated by numbers any more than diamonds can be measured by the pound. It is not a process but a reflection – a reflection in the gunner from the dog he shoots over and the gun he carries, and above all a feedback from the grouse. When these things happen well, looking back at end of day is to be as content as it is given a man to feel. It has been my past, it is my life and my hereafter, like these mountains endless in their splendor."

"The gunner tends to live with Death without giving thought to dying, the shot heard so deeply it is not heard at all. The gunner is the grouse while the grouse is living; he dies a little when the grouse is dead. They have that in common, the bird and he, and he had better know if he is worthy to terminate that glorious life. It is a responsibility not easy to face, yet he doesn't dare not face it."

"A grouse deserves better than to be shot on the ground."

"When you are very young, you tend to accept standards for such momentous judgments as to whether a girl is beautiful; when you reach the age of experience you come to know beauty in the sense that “knowing” is to possess. Beauty does more than reflect light, it is the action of energy on form, glowing as a total function. This is singularly true of a grouse dog in his consecration to his bird."

"A gunner owes consideration to the birds and to the land itself. He usually does not own the deed, but in a strange way he possesses a grouse covert as he is possessed by it, holding special title to that particular corner of this earth, a carry-over from the age when man discovered wild land and made it his."

"Without quality in life, there is only Death waiting at the end for all of us, like the bird. Being one of those fortunate men whose existence burns more brightly because of gunning grouse, I have learned that the place to look for quality is within yourself."

"A gun, no matter how rare, a dog, no matter how brilliant, cannot mean fulfillment without keenness in the man. It takes the sportsman’s edge honed fine, an “eye,” a sense of what is good, the ear for what is right – the heart. There is something about the wilderness, something in the blood that draws nourishment from the game."

"Time that gives so much and Time that takes so much away has put its mark on this place that is Old Hemlock almost without altering anything. In that gray-black blend of night-to-dawn I lie and think of all that Kay and I possess, aware that what is good is not what is new but what is loved and used, with a patina from hands and years."

"The child tells what he got for Christmas, the mature man tells how he spent the day; the immature hunter tells how many birds he shot, the mature gunner tells of the experience. If I can impart a sense of gunning values through my writing, I urge the gunner at any age to lift himself above the childish state of mind, thinking only of himself and not what he is doing to the birds."

"There is time, and you must take it,to lay your hand on your dog's head as you walk past him lying on the floor or on his settle, time to talk with him, to remember with him, time to please him, time you can't buy back once he's gone"

"I know, as I've always known, that a gunner’s paradiso lies within himself, involved in his attitude toward his dog, his reverence for his bird; the boundaries are mental, not physical."

"If you can approach shooting as something to be enjoyed, not a frustrating obsession, it can enrich your life."

"I think we are drawn to dogs because they are the uninhibited creatures we might be if we weren't certain we knew better. They fight for honor at the first challenge, make love with no moral restraint, and they do not for all their marvelous instincts appear to know about death. Being such wonderfully uncomplicated beings, they need us to do their worrying."

"How then, can you love a bird and kill it and still feel decent? I think the answer is, to be worthy of your game. Which boils down to a gentleman's agreement between you and the bird, never forgetting that it is the bird that has everything to lose. It consists of things you feel and do, not because someone is looking or because the law says you may or must not, but because you feel that this is the honorable way to do it."

"My gun diary indicates how many grouse were moved each day these dogs hunted, each productive point they made. For me, this is what gunning for grouse is about, not dead birds to tally up – to gun for grouse with a dog, not just over him, and once that has been savored, anything less seems watered down."

"I want there to be woodcock forever flying over in October, and solitude, and Hunter’s Moons. But most, I want there always to be Grouse- of all wild things, the wildest- in these endless mountains we call home."

"Be worthy of your game"

"The man must learn to know his dog as a personality, not a formula. I have no objection to a grouse dog swinging on his cast and coming in from behind me – a misdemeanor by trial standards. Grouse terrain is such that if it can best be covered by the dog’s working in an unorthodox manner, I consider him intelligent if he does so."

"If I could shoot a game bird and still not hurt it, the way I can take a trout on a fly and release it, I doubt if I would kill another one. This is a strange statement coming from a man whose life is dedicated to shooting and gun dogs. For me, there is almost no moment more sublime than when I pull the trigger and see a grouse fall. Yet, as the bird is retrieved I feel a sense of remorse for taking a courageous life. About the time I passed fifty I noticed this conflict becoming more pronounced..."

"If a man’s life is not long enough, a dog’s is even shorter and anything you can do to make that fuller is worthwhile."

"Much of the pleasure of shooting is what accompanies it and sharing it all with a good friend."

"And if gunning over an intelligent handsome setter enriches my sport, certainly a hearthful of them on a winter evening or speckled faces peering out of our station wagon are things to value."

"Ruffed grouse dogs are bred, not born, and once born they are developed, not made."

"In pursuing the wraith that was Paul Curtis, I more than ever was aware that what lives after a shooting man is what has been published of his writings. Memories of the man grow dim and not too rarely become confused […] almost but not quite capturing for me a presence that surfaced like a zither theme in a suspense movie."

"I have not written this book as something that is over. When you have lived like that, it will be present always, like the gun I shot and the dogs and those grouse living in the subcellars of my brain."

"I have work to do, and I am afraid not to do it."

"I tended to read whatever was in the house, which meant that I read a lot of odd stuff. Who was that guy that used to write about men's clubs all the time? John O'Hara. It was Mars for me"

"John O'Hara was a terrible bore as a young man—always looking for a fight, and making sure he never found one."

"The opinion is widely prevalent that even if the subjects are totally forgotten, a valuable mental discipline is acquired by the efforts made to master them. While the Conference admits that, considered in itself this discipline has a certain value, it feels that such a discipline is greatly inferior to that which may be gained by a different class of exercises, and bears the same relation to a really improving discipline that lifting exercises in an ill-ventilated room bear to games in the open air. The movements of a race horse afford a better model of improving exercise than those of the ox in a tread-mill."

"Judged by the only standards which are admissible in a pure doctrine of numbers i is imaginary in the same sense as the negative, the fraction, and the irrational, but in no other sense; all are alike mere symbols devised for the sake of representing the results of operations even when these results are not numbers (positive integers)."

"Number is that property of a group of distinct things which remains unchanged during any change to which the group may be subjected which does not destroy the distinctness of the individual things."

"But what, after all, are the integers? Everyone thinks that he or she knows, for example, what the number three is — until he or she tries to define or explain it."

"It should be mentioned also that the Hindus, unlike the Greeks, regarded irrational roots of numbers as numbers. This was of enormous help in algebra, and Indian mathematicians have been much praised for taking this step; but one must remember that the Hindu contribution in this case was the result of logical innocence rather than of mathematical insight. We have seen the lack of nice distinction on the part of Hindu mathematicians between exact and inexact results, and it was only natural that they should not have taken seriously the difference between commensurable and incommensurable magnitudes. For them there was no impediment to the acceptance of irrational numbers, and later generations followed their lead uncritically until in the nineteenth century mathematicians established the real number system on a sound basis."

"A Hebrew belief asserted that if Yahweh lays aside his bow and hangs it in the clouds, this is a sign that his anger has subsided. Other peoples have had similar ideas, based upon the tradition that an archer carries his bow with the ends pointing downward when he wishes to indicate his peaceful intentions."

"Carl B. Boyer … is more or less the Gibbon of math history."