First Quote Added
April 10, 2026
Latest Quote Added
"It has been suggested, I think by the hon. Member for East Aberdeenshire (Mr. Boothby) that the most constructive suggestion he could make was to urge an early General Election and a return of a Tory Government in Britain. Why on earth should he want to prophesy what might result from a Tory Government when history has the record for him? Why read the crystal when he can read the book?"
"I welcome this opportunity of pricking the bloated bladder of lies with the poniard of truth."
"The language of priorities is the religion of socialism."
"Never in the history of mankind have the best religious ideas found greater expression than in the programme we have carried out. “Suffer little children to come unto Me” is now not something said just from the pulpit. We have weaved it into the woof and warp of the national life."
"[T]he kind of society which we envisage and which we shall have to live in will be a mixed society, a mixed economy, in which all the essential instruments of planning are in the hands of the State, in which the characteristic form of employment will be by the community in one form or another but where we shall have for a very long time the light cavalry of private, competitive industry."
"I may be ready to be polite 20 years from now, when we are able to look back on 25 years of Socialist government. Then maybe I won't have enough energy to be rude. But while we have the energy to be rude let us be rude to the right people."
"I am keeping the mothers and children alive, but he half-starved them to death. He has the impudence to call me Minister of Disease when every single vital statistic by which the health and progress of the population can be measured is infinitely better now under the supervision of a common miner than it was then under the supervision of an aristocrat. I know if you took the vital statistics of the aristocrats they were as well off then as now. He looked after them all right. I am not concerned about that; I am concerned about our own people. Some people are worse off than before the war, of course. We meant them to be."
"In 1945 and 1946 we were attacked on our housing policy by every spiv in the country—for what is Toryism except organised spivery? They wanted to let the spivs loose."
"That is why no amount of cajolery, and no attempts at ethical or social seduction, can eradicate from my heart a deep burning hatred for the Tory Party that inflicted those bitter experiences on me. So far as I am concerned they are lower than vermin. They condemned millions of first-class people to semi-starvation. Now the Tories are pouring out money in propaganda of all sorts and are hoping by this organised sustained mass suggestion to eradicate from our minds all memory of what we went through. But, I warn you young men and women, do not listen to what they are saying now. Do not listen to the seductions of Lord Woolton. He is a very good salesman. If you are selling shoddy stuff you have to be a good salesman. But I warn you they have not changed, or if they have they are slightly worse than they were."
"Why should we, who are clearing up the muddle, allow ourselves to be scared by headlines in the capitalist Press? It is the most prostituted Press in the world, most of it owned by a gang of millionaires."
"[W]e ought to take pride in the fact that, despite our financial and economic anxieties, we are still able to do the most civilised thing in the world—put the welfare of the sick in front of every other consideration."
"I deplore the letter today in The Times from a distinguished orthopaedist, who talked about private practice as though it should be the glory of the profession. What should be the glory of the profession is that a doctor should be able to meet his patients with no financial anxiety."
"He is a man suffering from petrified adolescence....He is an extrovert, a picture thinker. He has intelligence but no intellect....He really has the values of a boy of seventeen to eighteen but he makes them sound like mature judgments by his sophisticated speech."
"Although I am not myself a devotee of bigness for bigness sake, I would rather be kept alive in the efficient if cold altruism of a large hospital than expire in a gush of warm sympathy in a small one."
"[For Winston Churchill], democracy is a state in which the people acquiesce in the rule of property. Democracy is an admirable institution so long as the poor continue to carry the rich on their backs. When the poor decide to change places, democracy falls into disrepute. That is why, whenever you scratch a Tory, you find a Fascist."
"This island is made mainly of coal and surrounded by fish. Only an organizing genius could produce a shortage of coal and fish at the same time."
"Apparently some fire-eaters to-day have been saying "Never again must we allow ourselves to get into the same condition of military unpreparedness, so we are going to build up a vast war machine in this country in order to surround defeated Germany with a sea of peaceful tranquillity..." It looks as though the consequences of defeat will be more desirable than those of victory."
"I will go so far as to say that if the implications of the [Employment] White Paper are sound, there is no longer any justification for this party existing at all. We think that we represent a fundamental body of doctrine which is conducive to the welfare of the State, and which subsequently the State will have to adopt if it is to be saved. Therefore, I do not see for the life of me—and I am putting a serious proposition to the House—how a Coalition Government can pretend to be able to examine a situation of this sort and put an intelligible series of propositions to the House."
"I do not represent the big bosses at the top; I represent the people at the bottom, the individual men and women, and I say that this Regulation is the enfranchisment of the corporate society and the disfranchisment of the individual."
"By refusing the state effective intervention in the economic activities of society, the Tory is a potential Fascist element in the community. By denying Parliament a vigorous economic life he condemns it to death."
"I have spent now more than a quarter of a century of my life in public affairs, and as I grow older I become more and more pessimistic. I started-if the House will forgive me this personal note - my career in public affairs in a small colliery town in South Wales. When I was quite a young boy my father took me down the street and showed me one or two portly and complacent looking gentlemen standing at the shop doors, and, pointing to one, he said, "Very important man. That's Councillor Jackson. He's a very important man in this town." I said, "What's the Council?" "Oh, that's the place that governs the affairs of this town," said my father. "Very important place indeed, and they are very powerful men." When I got older I said to myself, "The place to get to is the council. That's where the power is." So I worked very hard, and, in association with my fellows, when I was about 20 years of age, I got on to the council. I discovered when I got there that the power had been there, but it had just gone. So I made some inquiries, being an earnest student of social affairs, and I learned that the power had slipped down to the county council. That was as where it was, and where it had gone to. So I worked very hard again, and I got there-and it had gone from there too. Then I found out that it had come up here. So I followed it, and sure enough I found that it had been here, but I just saw its coat tails round the corner."
"The rest of the responsibility for the early collapse of the Debate must, of course, rest with the Prime Minister himself, because his speech was unable to compete in attractiveness with the House of Commons meals, and everybody here knows what that means. If the Prime Minister will insist, on these occasions, on indulging in these turgid, wordy, dull, prosaic and almost invariably empty new chapters in his book, then he must expect something like what happened yesterday. ... I understand from my informants...that the Prime Minister was dressed in some uniform of some sort or other. I wish he would recognise that he is the civilian head of a civilian Government, and not go parading around in ridiculous uniforms."
"The Prime Minister must realise that in this country there is a taunt, on everyone's lips, that if Rommel had been in the British Army, he would still have been a sergeant."
"We have in this country five or six generals, members of other nations, Czechs, Poles and French, all of them trained in the use of these German weapons and this German technique. I know it is hurtful to our pride, but would it not be possible to put some of those men temporarily in charge in the field, until we can produce trained men of our own? ... [Y]ou have to purge the Army at the top. It will have to be a drastic purge, because the spirit of the British Army has to be regained."
"[T]he country is now more concerned with the Prime Minister winning the war than with his winning a Debate in the House of Commons. The Prime Minister wins Debate after Debate and loses battle after battle. The country is beginning to say that he fights Debates like a war and the war like a Debate."
"What argument have they to persuade the young men to fight except merely in another squalid attempt to defend themselves against a redistribution of the international swag?"
"The fear of Hitler is to be used to frighten the workers of Britain into silence. In short Hitler is to rule Britain by proxy. If we accept the contention that the common enemy is Hitler and not the British capitalist class, then certainly Churchill is right. But it means abandonment of the class struggle and the subservience of the British workers to their own employers."
"Economics, said Mr Stanley, is 50% psychology … What we need, apparently, is not statesman but hypnotists, not scientists, but witchdoctors, not confidence born of scientific prediction of the future, but confidence created by a political Confidence Trick. There is nothing surprising in this. It is the kind of mystic Mumbo-Jumbo to which capitalism is driven when austere reason pronounces sentence of death upon it. It is the primitive recoil from reality and the burdens of reality which lies at the root of Fascist psychology."
"If the immediate international situation is used as an excuse to get us to drop our opposition to the rearmament programme of the Government, the next phase must be that we must desist from any industrial or political action that may disturb national unity in the face of Fascist aggression. Along that road is endless retreat, and at the end of it a voluntary totalitarian State with ourselves erecting the barbed wire around. You cannot collaborate, you cannot accept the logic of collaboration on a first class issue like rearmament, and at the same time evade the implications of collaboration all along the line when the occasion demands it."
"The Labour Party should oppose the Government arms plan root and branch."
"Any impartial examination of the British courts will show that even now, when the capitalist class of Great Britain can afford the luxury of apparent impartiality, there is evidence of bias in the courts, and when we start to challenge your position and when your property is in peril your judicial impartiality will go as it has in the past, as it has in Germany, as it has all over the world. The reason why you are so kind and benevolent at the moment is that we do not threaten you. Political toleration is a by-product of the complacency of the ruling class. When that complacency is disturbed there never was a more bloody-minded set of thugs than the British ruling class."
"We have a right to say that, if it means slightly dearer coal, it is better to have slightly dearer coal than cheaper colliers. Hon. Gentlemen here must face the issue that when they vote against this Bill, they are voting for lower wages for the colliers... It is always characteristic of Liberal hypocrisy to pay lip service to these things and refuse to face the consequences that follow from them. We say that you cannot get from the already dry veins of the miners new blood to revivify the industry. There veins are shrunken white, and we are asking you [addressing himself directly to David Lloyd George] to be, for once, decent to the miners—not to pay lip service, not to say that you are very sorry for them, not to say that that you are very sorry that these accidents occur, not to say that you are very sorry for the low level of wages and for the conditions of famine which have existed in the mining districts since the War, and then to use all your Parliamentary skill, all your rhetoric, in an act of pure demagogy to expose the mining community of this country to another few years of misery."
"The impersonality of the communist state is not easy to understand. The huge dangers with which its subjects are daily confronted seem to come from nowhere, while threatening everyone who accepts responsibility for his own existence and so dares to be a man. Franz Kafka described the workings of this machine in a prophetic book, the moral of which many of our statesmen, including Mr Powell, have yet to learn. When they have learnt it, they will also know why The Castle, along with every other work by Prague's greatest writer, is now banned in the country of his birth."
"Kafka is enormously important. Years ago I wrote a Jewish travel guide to Prague and other cities in the region. At the time, I was really into Kafka. It comes out a little in my work now, probably more subconsciously than it did then. Then I was reading all of his Letters to Felice, I was nuts, literally, when I was living in Prague. It’s a cliché, I know. But to this day, everything we say about Kafka’s a cliché, since his writings are seen, with 20/20 hindsight, as a horrifying prediction of what was to come, both with the Holocaust and Soviet tyranny, living in a police state. But in terms of influence, there’s the horror and the grotesquery, the allegory and hyperbole, the elevation of pulpy narrative, the Jewish obsessions, the generational tensions, but also the humor. I mean, Kafka’s stories were also meant to be funny, which is something that is not often appreciated today. Philip Roth called him a “sit-down comic”...Culturally, working in this period of enormous transformation for Jews and in Europe more broadly, I found Kafka a sort of guide to turning history and memory into a narrative, into art that becomes even more compelling than the tradition it replaces. And there are specific things, like authenticity. Kafka was obsessed with Galician Jewish refugees in Prague at the beginning of World War I. He considered them to be the embodiment of authenticity. And in his diaries, he writes about them. He talks about how if he could be anybody in the world, he’d just want to be this little Jewish boy he remembered seeing, seemingly free of worry. He idealized them as true Jews, essentially. And that definitely stuck with me, because I’ve done similar things. I’m not proud of that, but we’re always trying to deprogram ourselves from what we have learned as authenticity when we were young."
"The work of Kafka … has been subjected to a mass ravishment by no less than three armies of interpreters. Those who read Kafka as a social allegory see case studies of the frustrations and insanity of modern bureaucracy and its ultimate issuance in the totalitarian state. Those who read Kafka as a psychoanalytic allegory see desperate revelations of Kafka’s fear of his father, his castration anxieties, his sense of his own impotence, his thralldom to his dreams. Those who read Kafka as a religious allegory explain that K. in The Castle is trying to gain access to heaven, that Joseph K. in The Trial is being judged by the inexorable and mysterious justice of God."
"Kafka's Jewishness was a kind of dream, whose authentic moment was located always in the nostalgic past. His survey of the insectile situation of young Jews in Inner Bohemia can hardly be improved upon: "With their posterior legs they were still glued to their father's Jewishness, and with their waving anterior legs they found no new ground." Alienation from oneself, the conflicted assimilation of migrants, losing one place without gaining another This feels like Kafka in the genuine clothes of an existential prophet, Kafka in his twenty-first-century aspect (if we are to assume, as with Shakespeare, that every new century will bring a Kafka close to our own concerns). For there is a sense in which Kafka's Jewish question ("What have I in common with Jews?") has become everybody's question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? What is Englishness? These days we all find our anterior legs flailing before us. We're all insects, all Ungeziefer, now."
"I’m interested in how power works … Franz Kafka just knows, man. He knows how power works. In terms of lessons for young writers, they should read all of Kafka’s journals. They’re so depressing yet so relatable at the same time. It seems like he had no faith in his work, and then you look at the work he produced … I don’t know. Maybe talking down to yourself is a way of keeping the faith."
"Franz Kafka has become emblematic of the horrors of our century; the word "Kafkaesque" has entered the language in a way that "Proustian" and "Joycean" have not. In popularity and adaptability, The Trial beats all its rivals among the classic exposés of totalitarianism — Orwell's Nineteen Eighty-Four, Bulgakov's The Master and Margarita, Ernst Jünger's On the Marble Cliffs, Levi's The Periodic Table and Solzhenitsyn's One Day in the Life of Ivan Denisovich."
"It is mainly Jewish readers who think of Kafka as a Jewish writer. This isn’t a matter of possessiveness, the way one claims a sports hero for an ethnic group — after all, if one wanted to claim a writer to carry the Jews into world literature, would it be asking too much to pick someone, well, happier? — but rather a matter of Kafka’s work itself. Jewish readers cannot help but hear the echoes of the Dreyfus Affair in “In the Penal Colony,” or those of the blood libel in “The Trial”; such readers see in Kafka’s famous cockroach a horrifying caricature of the way others have so often seen them — and worse, the way they sometimes see themselves. Nor is this awareness mere suspicion. Though none of his published works mention it explicitly, Kafka’s private letters and diaries reveal an interest in Jewish identity verging on obsession. But Kafka’s broader fame comes from the point where this obsession merges with more ordinary fears, making non-Jewish readers see his work as expressing an abstract “existential” dread, rather than the very real dread that defined European Jewish existence."
"When I first read Kafka, I constantly had the feeling that I was writing it myself. It was as if I'd had a similar basic experience of the world."
"[Reverence for Kafka has been] the ideological origin of all the theories and tendencies of the "third way to socialism" in Czechoslovakia, especially the non-recognition of the power of the working class and its leading role... [This has been] the mental preparation for those events which have plunged our neighbour-nation into the deep crisis exploited by counter-revolutionaries."
"He writes about his father, but he is actually writing a diatribe against the fascist state, against a Germanized Prague. It is minor literature because he is Jewish and a Czech writing in German; he is writing the reverse side of history. And that is what literature gives you: the reverse side of history."
"The way in which he experienced estrangement was literature, with an intensity greater than that of any other writer of this century, more inexorably than Joyce or Proust or Mann. From this experience flows the power of Kafka’s works to comprehend all forms of alienation, and to suggest a response to political estrangement different from political counterterror: the effort to illuminate this condition by grasping through literature that play is the reward for the courage of accepting death."
"The whole art of Kafka consists in forcing the reader to re-read. His endings or his absence of endings, suggest explanations which, however, are not revealed in clear language but, before they seem justified, require that the story be reread."
"Kafka described with wonderful imaginative power the future concentration camps, the future instability of the law, the future absolutism of the state Apparat."
"Metamorphosis is an unnerving account of a humble commercial traveller who wakes one morning to find himself transformed into a giant insect. At first nurtured and protected by his sister and mother, he eventually becomes loathsome in the eyes of his family and so voluntarily expires before he can be killed. Treat a man as sub-human, Kafka implies, and we make it easier for ourselves to eliminate him with an unstained conscience. The strength of the story is that Kafka starts with a fantastic premise and then develops it with impassioned logic and a rigorous attention to prosaic detail."
"He is interested in the feelings of the squash ball, and of the champagne bottle that launches the ship. In a football match his sympathy is not with either of the teams but with the ball, or, in a match ending nil-nil, with the hunger of the goalmouth."
"But beneath its reasonably serene surface, the website can be as ugly and bitter as 4chan and as mind-numbingly bureaucratic as a Kafka story."
"Kafka was a Jew in his heart and soul. He learned Hebrew and Yiddish. He attended a beit midrash in Frankfurt and he wanted to settle in Palestine. He had lots of women, but most of them were Jewish. I don't mean that he proclaimed his Jewishness every morning, but that he was connected with Jewishness in every sense of the word. For example, the pounding at the castle — the desire to enter and understand this mystery — is a very Jewish longing. For good reason, authors such as his colleague Max Brod tried to find kabbalistic meaning in his works. Consider, for example, his two greatest works, The Trial and The Castle. He felt that he was a defendant who had done no wrong. A man is sitting at home or in a pension, looking forward to breakfast, and suddenly someone comes in and says, “You're under arrest! You are accused!” for no reason and no purpose. That's the classic Jewish situation, manifested most acutely during the Holocaust. It was a situation of total guilt with no sin. People were accused, taken from their homes, shut up in ghettos, led to railroad stations and from there to extermination camps — not because they had done anything wrong but because Jewish blood flowed in their veins. Kafka illustrated the absurdity of Jewish life in Europe even before the Holocaust. In this sense Kafka grasped the lowly position Jews held in European civilization...Kafka performed a psychic analysis of the defendant. Although he refrained from mentioning the Jew explicitly in order to give this absurd situation a much broader meaning, this, in essence, is Jewish psychology. A Jewish fate, if you will. Interestingly, this analysis led him indirectly to Zionism, and he even wanted to settle in Palestine."
"It’s strange that my work has been classified as magic realism because I see my novels as just being realistic literature. They say that if Kafka had been born in Mexico he would have been a realistic writer. So much depends on where you were born."