Women S Rights Activists

"When I went to represent my law firm anywhere—I was a young kid just out of college—I said, “How do you do? I'm Bella Abzug from the law firm of such and such,” and people would say, “Yes, fine, fine, sit down.” So I'd wait and nothing much would happen, so finally I'd clear my throat and say, “I'm Bella Abzug from the law firm of such and such,” and they'd say, “Yes, we know, but we're waiting.” I'd say, “What are we waiting for?” And they'd say, “We're waiting for the lawyer.” They thought I was the secretary. So I had this identity crisis. I went home and discussed it with my husband, Martin. In those days professional women wore hats—and gloves, so I put on gloves and a hat. And every time I went anywhere for business, with the hat and gloves, they knew I was there for business. And I jokingly often say, as you can see, I've taken off the gloves. But I like wearing hats and I continue to wear it. When I ran for Congress and got to Washington, they made such a fuss about the hat instead of what was under it that I didn't know whether they wanted me to take it off or keep it on. I decided that they wanted me to take it off, which made me determined to keep it on."

"I’m sorry Andrea Dworkin started a sexual revolution that she ended up repudiating. She never got to see people like me, Carol, and the rest of us little protégées who took her inspiration and flew to a new dimension. She got stuck, and then she got sick, and when you’re famous for one thing, no one wants to see you change unless you reject it all, like a pathetic sinner seeking redemption. She was too stubborn and too old-fashioned for that. Andrea Dworkin never would have admitted that she was a SuperStar. She was the animator of the ultimate porno horror loop, where the Final Girl never gets a chance to slay the monster, she only dies, dies, dies, with the cries of the angry mourners to remember her."

"I am just thinking of Andrea Dworkin. I have really known Andrea since she was very young. I have known her since she was about eighteen years old. I used to love her very much. She was very dear to me. I mean when she writes about sexual life, it's horrible. And she did have some horrible experiences, you know, but I am not writing about her. That's all I can say. For me I really want to celebrate sexuality. (“Because that's the way you feel about it?”) And because I want to celebrate it. Because I think it's one of the greatest things invented [laughs], and it may be a pure invention that it is so great. I could be wrong, and Andrea could be right. But I think it should be. One of the things that bothers me with a lot of my sisters in movements that I have worked with is that their anger with men really has turned them not against men, which is all right as far as I am concerned, but against sex in general, so that even their lesbian experiences don't strike me as so hot as far as that's concerned."

"Dworkin, like Kate Millet, has turned a garish history of mental instability into feminist grand opera. Dworkin publicly boasts of her bizarre multiple rapes, assaults, beatings, breakdowns and tacky traumas, as if her inability to cope with life were the patriarchy’s fault rather than her own. She pretends to be a daring truth-teller but never mentions her most obvious problem: food."

"Andrea Dworkin, who was pelted and ridiculed for decades of her life, was another of those rare people who feel other people's pain as if it were their own. When she first sent me one of her books, I was all ready to snigger. But she could write, and think, and argue, and it was often a pleasure to disagree violently with her, which is more than I can say for some of her detractors. Like many clever and tormented people, she had the gift of getting the gist of supposedly complex questions. It wasn't OK with her that President Clinton had a special staff of private dicks to "handle" and to slander truth-telling women; it wasn't OK with her that Serbia used rape as a weapon of ethnic cleansing; and she wasn't neutral against a jihadist threat that wanted, and wants, to enslave and torture females. That she could be denounced as a "conservative" for holding any of those positions says much about the left to which she used to belong. If she was indeed crazy, I wish she had bitten more of her twisted sisters."

"So now we come to what Andrea Dworkin wants and it is this: she wants women to have their own country. But that's mad, I said to her. Why bother discussing it? It isn't going to happen. To which she has a reply -- didn't they say that about Israel? And didn't the world think that Theodor Herzl, the founder of the Zionist movement, was a crank? The Jews got a country because they had been persecuted, said that enough was enough, decided what they wanted and went out and fought for it. Women should do the same. And if you don't want to live in Womenland, so what? Not all Jews live in Israel, but it is there, a place of potential refuge if persecution comes to call. Furthermore, Dworkin says, as the Jews fought for Israel so women have the right to execute -- that's right, execute -- rapists and the state should not intervene. I couldn't really believe she was serious, but she is."

"...pornography is the orchestrated destruction of women's bodies and souls; rape, battery, incest, and prostitution animate it; dehumanization and sadism characterize it; it is war on women, serial assaults on dignity, identity, and human worth; it is tyranny. Each woman who has survived knows from the experience of her own life that pornography is captivity–the woman trapped in the picture used on the woman trapped wherever he's got her."

"Pornography incarnates male supremacy. It is the DNA of male dominance. Every rule of sexual abuse, every nuance of sexual sadism, every highway and byway of sexual exploitation, is encoded in it."

"Pornography is the essential sexuality of male power: of hate, of ownership, of hierarchy; of sadism, of dominance."

"Men characterize pornography as something mental because their minds, their thoughts, their dreams, their fantasies, are more real to them than women's bodies or lives; in fact, men have used their social power to characterize a $10-billion-a-year trade in women as fantasy."

"(Dworkin's statements quoted:) Her own experiences—as a rape victim, a prostitute and a battered wife—only added to the trenchancy of her views, but she reacted with fury to suggestions that such traumas had made it difficult for her to be objective. "I've never heard Solzhenitsyn asked if he can be objective about the gulag," she snarled. "As if not paying attention to rape and wife battery were some kind of objectivity.""

"I know a hell of a lot about intercourse. I wish I knew less."

"I have spent 20 years writing these books. Had I wanted to say men are beasts and scream, that takes 30 seconds."

"Rape is a question of access. Men will rape woman to whom they have access. The stranger in rape is used in a very important political way especially in organizing woman on the right: the stranger is used as a scapegoat. In the United States the stranger is black and he is a rapist. In Nazi Germany the stranger was a Jew and he was a rapist.This use of rape associated with a stranger is a basic component of racism. Women's fears of rape are legitimate. Those fears are manipulated to serve the ends of racism. We now see the same scapegoat strategy being used against homosexual men, who are accused of child molestation when most child molestation is of little girls. It is not that homosexual men do not rape. They do. So do black men and Jewish men. Men in all classes and of all races and ethnicities rape, which is not to say that all men rape. It is to say that all men benefit from rape, because all men benefit from the fact that women are not free in this society; that women cower; that women are afraid; that women cannot assert the rights that we have, limited as those rights are, because of the ubiquitous presence of rape."

"The pornographers actually use our bodies as their language. We are their speech. . . . Protecting what they 'say' means protecting what they do to us, how they do it. It means protecting their sadism on our bodies, because that is how they write: not like a writer at all; like a torturer."

"Pornography is used in rape—to plan it, to execute it, to choreograph it, to engender the excitement to commit the act."

"is often a hostile act, often an exercise of power over somebody else."

"[Interviewer:] What would you say is the most overrated virtue? [Dworkin:] Compliance and conformity.... normal is seriously overrated."

"I have been asked, politely and not so politely, why I am myself. This is an accounting any woman will be called on to give if she asserts her will. In the home the question will be couched in a million cruelties, some subtle, some so egregious they rival the injuries of organized war. … It must be admitted that those who want me to account for myself are intrigued in hostile, voyeuristic ways, and their projections of me are not the usual run-of-the-mill rudeness or arrogance to which writers, especially women writers, become accustomed. The work would be enough, even for the unfortunate sad sacks mentioned above. So here's the deal as I see it: I am ambitious—God knows, not for money; in most respects but not all I am honorable; and I wear overalls: kill the bitch. But the bitch is not yet ready to die. Brava, she says, alone in a small room."

"Michael Moorcock: Several reviewers accused you of saying that all intercourse was rape. I haven't found a hint of that anywhere in the book. Is that what you are saying? Dworkin: No, I wasn't saying that and I didn't say that, then or ever.… My point was that as long as the law allows statutory exemption for a husband from rape charges, no married woman has legal protection from rape. I also argued, based on a reading of our laws, that marriage mandated intercourse—it was compulsory, part of the marriage contract. Under the circumstances, I said, it was impossible to view sexual intercourse in marriage as the free act of a free woman."

"one thing to talk about the redistribution of wealth. It's quite another thing to talk about the redistribution of power. That's more what interests me."

"I'm going to ask you to remember the prostituted, the homeless, the battered, the raped, the tortured, the murdered, the raped-then-murdered, the murdered-then-raped; and I am going to ask you to remember the photographed, the ones that any or all of the above happened to and it was photographed and now the photographs are for sale in our free countries. I want you to think about those who have been hurt for the fun, the entertainment, the so-called speech of others; those who have been hurt for profit, for the financial benefit of pimps and entrepreneurs. I want you to remember the perpetrator and I am going to ask you to remember the victims: not just tonight but tomorrow and the next day. I want you to find a way to include them -- the perpetrators and the victims -- in what you do, how you think, how you act, what you care about, what your life means to you. Now, I know, in this room, some of you are the women I have been talking about. I know that. People around you may not. I am going to ask you to use every single thing you can remember about what was done to you -- how it was done, where, by whom, when, and, if you know -- why -- to begin to tear male dominance to pieces, to pull it apart, to vandalize it, to destabilize it, to mess it up, to get in its way, to fuck it up. I have to ask you to resist, not to comply, to destroy the power men have over women, to refuse to accept it, to abhor it and to do whatever is necessary despite its cost to you to change it."

"(On prostitution:) Incest is boot camp. Incest is where you send the girl to learn how to do it. So you don't, obviously, have to send her anywhere, she's already there and she's got nowhere else to go. She's trained. And the training is specific and it is important: not to have any real boundaries to her own body; to know that she's valued only for sex; to learn about men what the offender, the sex offender, is teaching her."

"Any man will follow any feminine looking thing down any dark alley; I've always wanted to see a man beaten to a shit bloody pulp with a high-heeled shoe stuffed up his mouth, sort of the pig with the apple; it would be good to put him on a serving plate but you'd need good silver."

"All around us there are other women, seemingly not hurt, making small talk, acting normal, which means happy, not discontent, certainly not devastated. Girls are still being socialised not to identify with—feel empathy for—other females: she got hurt because she did x, y, z—I didn’t, so I didn’t get hurt; she’s at fault, I’m not; the punishment fits her crime; blame her, exonerate him. This continuing, culturally applauded socialisation of women not to empathize with other women is a malignant part of the culture of men, dead white ones or not. Women are perceived to be appalling failures when we are sad. Women are pathetic when we are angry. Women are ridiculous when we are militant. Women are unpleasant when we are bitter, no matter what the cause. Women are deranged when women want justice. Women are man-haters when women want accountability and respect from men. Women are trash when women let men do what men want Women are shrews or puritans when we do not."

"Enemies of women, those who are determined to deny us freedom an dignity, use the word lesbian to provoke a hatred of women who do not conform. This hatred rumbles everywhere. This hatred is sustained and expressed by virtually every institution. When male power is challenged, this hatred can be intensified and inflamed so into violence. The threat is omnipresent because violence against women is culturally applauded. And so the word lesbian, hurled or whispered as accusation, is used to focus male hostility on women who dare to rebel, and it is also used to frighten and bully women who have not yet rebelled."

"It is no secret that fear and hatred of homosexuals permeate our society. But the contempt for lesbians is distinct. It is directly rooted in the abhorrence of the self defined woman, the self-determining woman, the woman who is not controlled by male need, imperative, or manipulation. Contempt for lesbians is most often a political repudiation of women who organize in their own behalf to achieve public presence, significant power, visible integrity."

"When a word is used to provoke hatred, it does not matter what the word actually means. What matters is only what the haters insist it means—the meaning they give it, the common prejudices they exploit."

"Anti-feminism is also operating whenever any political group is ready to sacrifice one group of women, one faction, some women, some kinds of women, to any element of sex-class oppression: to pornography, to rape, to battery, to economic exploitation, to reproductive exploitation, to prostitution. There are women all along the male-defined political spectrum, including both extreme ends of it, ready to sacrifice some women, usually not themselves, to the brothels or the farms. The sacrifice is profoundly anti-feminist; it is also profoundly immoral..."

"I want to see this men's movement make a commitment to ending rape because that is the only meaningful commitment to equality. It is astonishing that in all our worlds of feminism and antisexism we never talk seriously about ending rape. Ending it. Stopping it. No more. No more rape. In the back of our minds, are we holding on to its inevitability as the last preserve of the biological? Do we think that it is always going to exist no matter what we do? All of our political actions are lies if we don't make a commitment to ending the practice of rape. This commitment has to be political. It has to be serious. It has to be systematic. It has to be public. It can't be self-indulgent."

"Feminists are often asked whether pornography causes rape. The fact is that rape and prostitution caused and continue to cause pornography. Politically, culturally, socially, sexually, and economically, rape and prostitution generated pornography; and pornography depends for its continued existence on the rape and prostitution of women."

"Q: People think you are very hostile to men. A: I am. Q: Doesn't that worry you? A: From what you said, it worries them."

"I think the essence of romantic love for women is being the special one, and that's an absolutely terrible trap. If the lover treats certain other people badly, you will be treated that badly, too."

"The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable."

"The female life-force is characterized as a negative one: we are defined as inherently masochistic. [. . .] Sexual masochism actualizes female negativity, just as sexual sadism actualizes male positivity. A woman’s erotic femininity is measured by the degree to which she needs to be hurt, needs to be possessed, needs to be abused, needs to submit, needs to be beaten, needs to be humiliated, needs to be degraded."

"I represent the morbid side of the women's movement. I deal with the shit, the real shit."

"Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation.... The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover."

"A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture—in literature, art, theater, or the daily newspapers."

"For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values—or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be—to be through her son, to live through her son."

"The fact that we are all trained to be mothers from infancy on means that we are all trained to devote our lives to men, whether they are our sons or not; that we are all trained to force other women to exemplify the lack of qualities which characterizes the cultural construct of femininity."

"By the time we are women, fear is as familiar to us as air. It is our element. We live in it, we inhale it, we exhale it, and most of the time we do not even notice it. Instead of "I am afraid", we say, "I don't want to", or "I don't know how", or "I can't.""

"Seductive mirages of progress notwithstanding, nowhere in the world is apartheid practiced with more cruelty and finality than in Saudi Arabia. Of course, it is women who are locked in and kept out, exiled to invisibility and object powerlessness within their own country. It is women who are degraded systematically from birth to early death, utterly and total and without exception deprived of freedom. It is women who are sold into marriage or concubinage, often before puberty; killed if their hymens are not intact on the wedding night; kept confined, ignorant, pregnant, poor, without choice or recourse. It is women who are raped and beaten with full sanction of the law. It is women who cannot own property or work for a living or determine in any way the circumstances of their own lives. It is women who are subject to a despotism that knows no restraint. Women, locked out and locked in. Mr Carter, enchanted with his good friends, the Saudis. Mr Carter, a sincere advocate of human rights. Sometimes even a feminist with a realistic knowledge of male hypocrisy and a strong stomach cannot believe the world she lives in."

"Under patriarchy, every woman's son is her potential betrayer and also the inevitable rapist or exploiter of another woman."

"While gossip among women is universally ridiculed as low and trivial, gossip among men, especially if it is about women, is called theory, or idea, or fact."

"Undernourished, intelligence becomes like the bloated belly of a starving child: swollen, filled with nothing the body can use."

"The common erotic project of destroying women makes it possible for men to unite into a brotherhood; this project is the only firm and trustworthy groundwork for cooperation among males and all male bonding is based on it."

"The nature of women's oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their children—we are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us."

"I'm a radical feminist, not the fun kind."

"Even if you believe that prostitution and pornography are fundamentally acceptable, the challenge of Dworkin is to explain why they should exist – rather than merely accepting their current existence as an argument for their continuation. We are creatures of culture and Intercourse is the promise that we are not doomed to the endless replication of misogyny, but can reinvent that culture in new and better shapes."

"Andrea presented herself as a street fighter intellectual, a bohemian freedom fighter, and someone who wanted to get to the bottom of things. That quote about Malcolm X is apt. Malcolm pointed out “The problem is WHITE PEOPLE.” Dworkin said, “The problem is MEN.” And for all the holes that can be poked in that cloth, there is something about that grain that is absolutely true, when you are the short end of the bolt."