Singer Songwriters From England

"Vegetarians are hotter than meat-eaters."

"The production of farming all animals is damaging the planet. The feed and grain that these animals consume, the toxins that come from farming, what it's doing to the land and the air, how we're messing with these animals' natural habitats, behaviors, patterns, their health and ecosystems. My favourite thing about being vegan is honestly that it's the most kind way to live. It gives me a sense of peace and self-worth. I feel like everything is better for me mentally. Physically I feel stronger and cleaner inside, with no hormones and toxins of a living thing being processed by my body. I feel so healthy. More focused and energized."

"There is no nurturing of talent [in the music industry]. No one wants artists to grow and develop. Everyone is afraid of being fired and they didn't move with the digital age. The music industry had the power to move with the digital age, but they didn't do it and it was the biggest mistake they ever made. It fucked them really bad. And they waste so much money! It's ridiculous, they don't use it wisely. There are a lot of uncreative people in a creative industry. Most of them want to keep their jobs and don't know how to be innovative."

"My advice to a young artist is don't sign a deal. Know that there are other options out there. Because the power is taken away from you. I was 18 when I signed my record deal and it was all these older men who didn't give a fuck about my mental health and they worked me like a donkey. They're always happy to take the money, but when I experimented and changed direction musically – which every artist should be able to do – I was dropped immediately. But they're still happy to collect the cash from my first record now."

"Real sexiness is about confidence, intelligence, mystery, art and passion."

"'Females of all description' is not a music genre. It's sexist. [There would] never be a 'males of all description' section because the rest of the shop and all other music genres are considered male. Female is not a genre. Don't categorise my sex."

"I would never say "I'm straight, I'm bisexual, I'm gay". I feel like I will fall in love with a human being for who they are. I'm not afraid to say I've been attracted to a woman before and I've kissed girls before and been in love with them before. I've never really had a girlfriend or anything and I would never say I'm anything, really. I don't have an identity in that way."

"If a woman [has] shared her body with me, why can I not speak of my experience?...It’s not me casting a judgment on someone, it’s something that has happened. You can rap about whatever the hell you wanna rap about – that’s why we’re rappers. You can have an opinion against it but you can’t tell me not to do it. At the end of the day, that’s the way it is."

"I never felt like I was in the grime scene…I was the outsider. So when I veered away from it, I didn’t feel like I was leaving the circle – I felt like I was never in it…No one paid me any attention…I had to do everything on my own."

"I feel like I was more accepted by the white community than the black [one]. A lot of the time, the black kids would be like, ‘Oh, ’cause you lighter, you’re not as “gang” as us. That’s really the attitude they have. It made me misbehave more because I felt like I had to prove a point."

"It’s like when footballers run underwater in water tanks…There’s a high pressure against your body. If you can run fast in a water tank, when they take you out of the water, you can run way faster because there’s less pressure. I used to go on to radio sets and be spraying so fast, people would be like, ‘How are you doing that?’"

"I scare myself just thinking about you I scare myself when I'm without you I scare myself, the moment that you're gone I scare myself when I let my thoughts run But it's oh so very different when we're together And I'm so, so, so much calmer, I feel better 'Cause the stars already crossed our paths forever And the sooner that we realize it, the better And then I'll be with you and I won't scare myself And I'll know what to do and I won't scare myself And my thoughts will run and I won't scare myself And I'll think of you and I won't scare myself"

"Ha! It's poetry in motion. She turned her tender eyes to me, As deep as any ocean, As sweet as any harmony. Mm, but she blinded me with science (She blinded me with science!) And failed me in biology, yeah."

"Some people sing love songs Everybody's got one This isn't my love song It's more like my love-gone-wrong song She came to breakfast And stayed a week But the lie detectors Broke down each time she tried to speak Broke down when she said: "You came close Close but no cigar You didn't miss by far You know you came this close Close but no cigar." I remember, I remember, I remember The promise in your eyes As black as the night I drove you to the airport And I remember, I remember, I remember The wide Brazilian sky that swallowed you Then I hit thirty Guess I can't complain But I must have been lonely The night I bumped into Lorraine She came for coffee And stayed all night But the lie detectors Broke down every time I tried to smile Broke down like the story of my life And each dream I missed by half a mile Broke down when I told her: "You came close Close but no cigar You didn't miss by far You know you came this close Close but no cigar.""

"The Earth can be any shape you want it any shape at all Dark and cold or bright and warm long or thin or small If love is all you're missing look into your heart: Is anybody home? There are stones buried in your soul In time you'll come to understand this flat old Earth is in your gentle hands"

"If we were always here and now, electric shiver in the spine, how could we turn away, see life as grey and drab? How come we don't see what we have?"

"It is actually, in a way, an incredibly mundane experience. Not everyone has a heart attack but everyone has something or other, so I'm not remotely special. Just because I write songs doesn't make it a better or worse near-death experience."

"Re-awakening isn't easy when you're tired. Don't push me: I was taught self-expression when I was a child"

"The streets seemed very crowded, I put on my bravest guise I know you know that I am acting, I can see it in your eyes."

"Obviously we're English middle-class chaps - there's not much voodoo chile about us."

"These words are not enough to save my soul, they just mock me from the mirror."

"She's here now, perfume coiled like a thuggee scarf"

"THE LAST LIVING ROSE:"

"…I'm always looking for extremes in things. That's what I try to do in my music, push something as far as you can take it. Until it becomes almost unacceptable."

"I'm probably much more influenced by film-makers and painters than I am by other songwriters or poets…With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song."

"Even when I feel really happy, it's never enough. The only way it seems that I can reach 'enough' is through music. I've never found a relationship that is 'enough'. Sometimes when I do feel really happy, I write some of the most horrible songs! It doesn't stop my songwriting at all, I don't need to be tortured and angst-ridden to write."

"LET ENGLAND SHAKE:"

"I literally left school and went straight into music via art college for a year, and I've been so involved in my job of writing songs that the more actively involved part became channelled into standing on the stage and saying things that way. It's only now that it's come full circle and I'm using my voice again in a way that's tying everything together."

"Tolerance is not a virtue"

"I’m much more left now, though. I think Stalin had the right idea. Take one out of five fucking newspaper editors, and MPs, and shoot them. Then they’d buck up."

"Dickheads who couldn’t hold their beer and needed to get home to Cheshire"

"The last time it happened to me it was because by mistake I blundered into a pub next to a Pixies concert in the summer. Fucking hell. I was just walking down and I was going to meet a fella about some business and I wanted a nice empty pub. I got to the pub and it was fucking jam-packed with all these Pixies fans who wanted selfies. I am totally oblivious to these things but it turns out the Pixies cover one of our songs. I never liked the Pixies but all these fans wanted pictures. It’s just fucking weird."

"Brooklyn Vegan, 26 June 2006"

"I was in Cardiff recently. You should see the shops there. They’re fantastic. I had this breakfast in Cardiff; I could have eaten it every day. All the food was great. Manchester – the food, the shops – has always been crap."

"Going to Glastonbury is so clichéd isn’t it...I’ve seen it with groups once they get a scent of fame. He’s been waiting 25 years for it. He’s got aftershave on. It’s like Ed Sheeran. I think Sheeran and Corbyn are evil twins. See Corbyn in Europe the other day? He’s started wearing what they’ve asked him to. He’s like ‘oh it’s my first hit record’. He’s turned into Rod Stewart."

"Soft lads who blab"

"Hey there, fuck-face!"

"We were playing a festival in Dublin the other week. There was this other group like, warming up in the next sort of chalet, and they were terrible. I said 'shut them cunts up' and they were still warming up, so I threw a bottle at them. The bands said 'that's the Sons of Mumford' or something, 'they're number five in charts!' I just thought they were a load of retarded Irish folk singers."

"There was always privilege in music, it was always like that, but nowadays you don’t have a chance in hell. Why Blunt would talk about it I don’t know but that’s what I’m saying. He’s looked at them cutting the army back, he’s in a tank and he’s gone to Daddy, ‘What shall I do?’ In the past it would have been ‘stick at it’, now his Dad is telling him to be a jazz singer. Imagine him as a tank commander, I’d shit myself."

"He's a twat"

"Haha! I mean, if you’re new to The Fall… a lot of these groups… I don’t know what it is. I think a lot of these group use it to sound a bit hip. When I was a teenager, people used to say 'oh well this group sounds a lot like this group', and then when you go and see them they sound like a pack of shit. They sound like the Talking Heads to me, and I’m not knocking them, it’s just misleading."

"Dusty sings around her material, creating music that's evocative rather than overwhelming ... Dusty is not searching – she just shows up, and she, and we, are better for it."

"...If I had to pick one artist who, song after song, always touched something deep inside me, it would be Dusty. I loved her work from the moment I heard I Only Want to Be with You in 1963, her first major hit. The sound was different from anything I had heard before - it made a visceral connection."

"...when, oh, when I see your face, yeah And, oh, when I'm in your warm embrace I know for sure our love is something special"

"Now, when you pass my way I guess I'll smile and say To think that boy was mine Once upon a time"

"Irishness is a state of mind rather than a geographic thing. I’m not English. My name is O’Brien and I’m glad it is. I’ve got nothing against the English and I’m glad I was born here. But I’m glad my mother came from Kerry and I’m glad my name is Mary Isabel Catherine Bernadette O’Brien and I can weep at Riverdance on TV, and it makes me laugh."

"It was that I felt that I'd done as much as I could do there [in England]. I didn't know what direction I could go, apart from across the sea."

"I was ready to work; what I couldn't was the right producer. I had considered various people like the people who do Randy Newman and talked to Ted Templeman who was doing Carly Simon at that time. Again, availability. I wasn't at the right place and right time. They were busy. And the thought of Roy was very strange, I mean, it was a bizarre combination. But I didn't know; I think a lot of people don't know what a very broad musical background he does have; He started out at Decca in the classical department and sort of regressed through Frank Chacksfield and Mantovani, passed through that into pop music and really got into heavy stuff; into rock. But I didn't know he had that background and it was nice. He has incredibly good judgments."

"The magic of my situation with Johnny Franz was that he allowed me the freedom to follow my enthusiasm. He’d sit in the control room while I’d go out and scowl at the musicians. It was very difficult for them because they’d never heard this stuff before. I’m asking somebody with a stand-up bass to play Motown bass-lines, and it was a shock. The ones who thought I was a cow I didn’t work with again. The ones who wanted to learn with me, they had the greatest time. Johnny had played piano for Anne Shelton, and had perfect pitch. Bless his heart, he’d sit there and read Popular Mechanics. But he had good ears, he’d suddenly look up from Popular Mechanics and go, E flat! I never took the producer’s credit for two reasons. For one, he deserved it and I was grateful. And then there was the calculating part of me that that thought it looked too slick for me to produce and sing. Because women didn’t do that. And there remains in the British audience, though less so, that attitude of ‘Don’t get too slick on us. Don’t be too smart or we won’t love you.’ And I wanted to be loved."

"Things have changed, sound systems now work - on occasion. Various things are made easier in some ways for the artists. All the things I used to want to do and get right, and became known as being difficult cause I wanted them... they are now part of a parcel of a tour, and it will be a delight to work under that system."