"Your FEELINGS?! To hell with your feelings! Everybody with their feelings! "I'm obese, my kid's a brat, help me, help me! JUST SHUT UP!!! (cries) Why can't I fix anyone of them?! I'm so dumb and worthless! Mama was right, Mama was right! (sobs)"

"What the hell was that for?!"

"Just make the damn basket!"

"Shaquille. I'm not angry at you, 'cause we ARE one minute away from Death. Just shut the "No" voice. Own your success."

"Hit the metal arm with something. There!"

"I don't know! I was doing a show on teens with abandonment issues and then suddenly, I blacked out and woke up here! Man, those kids are gonna be pissed!"

"Gentlemen, you don't know me, but I know you. You both play games with people for a living, but now you are going to be playing for your lives."

"We are so fucked."

"I'm sorry for killing millions of people. Whatever!"

"(Cindy is going to cut her own eye) Zoltar, get in here! This one's gonna do it!"

"(having a nightmare) Lil' Kim- Lil' Kim got my sandwich. Look out- Russell Crowe's got a phone! R. Kelly, don't pee on me! MY LOVELY LADY LUMPS! Where are we?!"

"(holding up Shaquille O'Neal's femur) I don't believe it! The aliens killed a dinosaur!"

"This is some shit, up with which we will not put."

"What?! We at peace now, I was just sealin' the deal!"

"Well, they don't call it churnin' where I come from!"

"[After finding Michael Jackson with a group of children] Run away, kids! Run TOWARDS the Tri-pods if you have to!"

"Gee, I wonder why I spend every waking moment of my life operating a crane... God, I hate my job. [starts playing with a crane machine]"

"All I've got is my kids, and my car. They mean the world to me. [slams Rachel's head in car door.]"

"Music video director David Fincher doesn’t reveal much finesse with actors in his bigscreen debut, and the screenplay (by producers Walter Hill and David Giler, plus Larry Ferguson) proves fraught with lapses in reason, motivation and logic. That leaves Weaver to carry the load, but her character is so encumbered with baggage that she can’t really showcase the qualities–particularly evident in the second film–that made the audience empathize with her. Much has been made of her shaved head, but Weaver has more importantly been shorn here, for the most part, of the epic strength that made Ripley such a striking female protagonist in “Aliens.” As for the much-discussed re-shoot of the movie’s ending, one can only judge what’s on screen, which shows that the screams of heavy-handed religious symbolism can be heard even in space."

"Lance Henriksen - Michael Bishop (Bishop II)"

"Christopher Fairbank - Murphy"