Poets From Ireland

"Opinion is not worth a rush; In this altar-piece the knight, Who grips his long spear so to push That dragon through the fading light, Loved the lady; and it’s plain The half-dead dragon was her thought, That every morning rose again And dug its claws and shrieked and fought. Could the impossible come to pass She would have time to turn her eyes, Her lover thought, upon the glass And on the instant would grow wise."

"Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: a waste of desert sand; A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Wind shadows of the indignant desert birds.The darkness drops again but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?"

"Minnaloushe creeps through the grass Alone, important and wise, And lifts to the changing moon His changing eyes."

"We have lit upon the gentle, sensitive mind And lost the old nonchalance of the hand; Whether we have chosen chisel, pen or brush, We are but critics, or but half create, Timid, entangled, empty and abashed, Lacking the countenance of our friends."

"Hands, do what you’re bid: Bring the balloon of the mind That bellies and drags in the wind Into its narrow shed."

"I knew a phoenix in my youth, so let them have their day."

"When have I last looked on The round green eyes and the long wavering bodies Of the dark leopards of the moon? All the wild witches, those most noble ladies, For all their broom-sticks and their tears, Their angry tears, are gone."

"The friends that have it I do wrong Whenever I remake a song Should know what issue is at stake, It is myself that I remake."

"The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth."

"We can make our minds so like still water that beings gather about us that they may see, it may be, their own images, and so live for a moment with a clearer, perhaps even with a fiercer life because of our quiet."

"The years like great black oxen tread the world, And God the herdsman goads them on behind, And I am broken by their passing feet."

"You are still wrecked among heathen dreams."

"Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses. Poets are the policemen of language; they are always arresting those old reprobates the words."

"I hate journalists. There is nothing in them but tittering jeering emptiness. They have all made what Dante calls the Great Refusal, — that is they have ceased to be self-centered, have given up their individuality.... The shallowest people on the ridge of the earth."

"I wonder anybody does anything at Oxford but dream and remember, the place is so beautiful. One almost expects the people to sing instead of speaking. It is all — the colleges I mean — like an opera."

"This melancholy London. I sometimes imagine that the souls of the lost are compelled to walk through its streets perpetually. One feels them passing like a whiff of air."

"The only business of the head in the world is to bow a ceaseless obeisance to the heart."

"Have you made greatness your companion, Although it be for children that you sigh: These are the clouds about the fallen sun, The majesty that shuts his burning eye."

"You say, as I have often given tongue In praise of what another's said or sung, 'Twere politic to do the like by these; But was there ever a dog that praised his fleas?"

"O heart, be at peace, because Nor knave nor dolt can break What's not for their applause Being for a woman's sake. Enough if the work has seemed, So did she your strength renew, A dream that a lion had dreamed Till the wilderness cried aloud, A secret between you two, Between the proud and the proud.What, still you would have their praise! But here's a haughtier text, The labyrinth of her days That her own strangeness perplexed; And how what her dreaming gave Earned slander, ingratitude, From self-same dolt and knave; Aye, and worse wrong than these. Yet she, singing upon her road, Half lion, half child, is at peace."

"Ah, that Time could touch a form That could show what Homer's age Bred to be a hero's wage. 'Were not all her life but a storm, Would not painters pain a form Of such noble lines,' I said, 'Such a delicate high head, All that sternness amid charm, All that sweetness amid strength? Ah, but peace that comes at length, Came when Time had touched her form."

"Some may have blamed you that you took away The verses that could move them on the day When, the ears being deafened, the sight of the eyes blind With lightning, you went from me, and I could find Nothing to make a song about but kings, Helmets, and swords, and half-forgotten things That were like memories of you--but now We'll out, for the world lives as long ago; And while we're in our laughing, weeping fit, Hurl helmets, crowns, and swords into the pit. But, dear, cling close to me; since you were gone, My barren thoughts have chilled me to the bone."

"I swayed upon the gaudy stern The butt-end of a steering-oar, And saw wherever I could turn A crowd upon a shore. And though I would have hushed the crowd, There was no mother's son but said, 'What is the figure in a shroud Upon a gaudy bed?' And after running at the brim Cried out upon that thing beneath --It had such dignity of a limb-- By the sweet name of Death. Though I'd my finger on my lip, What could I but take up the song? And running crowd and gaudy ship Cried out the whole night long, Crying amid the glittering sea, Naming it with the ecstatic breath, Because it had such dignity, By the sweet name of Death."

"I that have not your faith, how shall I know That in the blinding light beyond the grave We’ll find so good a thing as that we have lost? The hourly kindness, the day’s common speech, The habitual content of each with each When neither soul nor body has been crossed."

"Though leaves are many, the root is one; Through all the lying days of my youth I swayed my leaves and flowers in the sun; Now I may wither into the truth."

"Wine comes in at the mouth And love comes in at the eye; That's all we shall know for truth Before we grow old and die. I lift the glass to my mouth, I look at you, and I sigh."

"The fascination of what's difficult Has dried the sap out of my veins, and rent Spontaneous joy and natural content Out of my heart. There's something ails our colt That must, as if it had not holy blood Nor on Olympus leaped from cloud to cloud, Shiver under the lash, strain, sweat and jolt As though it dragged road-metal. My curse on plays That have to be set up in fifty ways, On the day's war with every knave and dolt, Theatre business, management of men. I swear before the dawn comes round again I'll find the stable and pull out the bolt."

"Why should I blame her that she filled my days With misery, or that she would of late Have taught to ignorant men most violent ways, Or hurled the little streets upon the great, Had they but courage equal to desire? What could have made her peaceful with a mind That nobleness made simple as a fire, With beauty like a tightened bow, a kind That is not natural in an age like this, Being high and solitary and most stern? Why, what could she have done, being what she is? Was there another Troy for her to burn?"

"I had a thought for no one's but your ears: That you were beautiful, and that I strove To love you in the old high way of love; That it had all seemed happy, and yet we'd grown As weary-hearted as that hollow moon."

"It’s certain there is no fine thing Since Adam’s fall but needs much labouring. There have been lovers who thought love should be So much compounded of high courtesy That they would sigh and quote with learned looks Precedents out of beautiful old books; Yet now it seems an idle trade enough."

"A line will take us hours maybe; Yet if it does not seem a moment’s thought, Our stitching and unstitching has been naught. Better go down upon your marrow-bones And scrub a kitchen pavement, or break stones Like an old pauper, in all kinds of weather; For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world."

"Sweetheart, do not love too long: I loved long and long, And grew to be out of fashion Like an old song. All through the years of our youth Neither could have known Their own thought from the other's We were so much at one. But O, in a minute she changed-- O do not love too long, Or you will grow out of fashion Like an old song."

"O hurry where by water among the trees The delicate-stepping stag and his lady sigh, When they have but looked upon their images-- Would none had ever loved but you and I!Or have you heard that sliding silver-shoed Pale silver-proud queen-woman of the sky, When the sun looked out of his golden hood?-- O that none ever loved but you and I!O hurry to the ragged wood, for there I will drive all those lovers out and cry— O my share of the world, O yellow hair! No one has ever loved but you and I."

"I heard the old, old men say, 'Everything alters, And one by one we drop away.' They had hands like claws, and their knees Were twisted like the old thorn-trees By the waters. I heard the old, old men say, 'All that's beautiful drifts away Like the waters.'"

"Never give all the heart, for love Will hardly seem worth thinking of To passionate women if it seem Certain, and they never dream That it fades out from kiss to kiss; For everything that's lovely is but a brief, dreamy, kind of delight. O never give the heart outright, For they, for all smooth lips can say, Have given their hearts up to the play. And who could play it well enough If deaf and dumb and blind with love? He that made this knows all the cost, For he gave all his heart and lost."

"One that is ever kind said yesterday: 'Your well-belovéd's hair has threads of grey, And little shadows come about her eyes; Time can but make it easier to be wise Though now it seems impossible, and so All that you need is patience.' Heart cries, 'No, I have not a crumb of comfort, not a grain. Time can but make her beauty over again: Because of that great nobleness of hers The fire that stirs about her, when she stirs, Burns but more clearly. O she had not these ways When all the wild summer was in her gaze.' O heart! O heart! if she'd but turn her head, You'd know the folly of being comforted."

"I thought of your beauty, and this arrow, Made out of a wild thought, is in my marrow. There's no man may look upon her, no man, As when newly grown to be a woman, Tall and noble but with face and bosom Delicate in colour as apple blossom. This beauty's kinder, yet for a reason I could weep that the old is out of season."

"I have heard the pigeons of the Seven Woods Make their faint thunder, and the garden bees Hum in the lime-tree flowers; and put away The unavailing outcries and the old bitterness That empty the heart. I have forgot awhile Tara uprooted, and new commonness Upon the throne and crying about the streets And hanging its paper flowers from post to post, Because it is alone of all things happy. I am contented, for I know that Quiet Wanders laughing and eating her wild heart Among pigeons and bees, while that Great Archer, Who but awaits His house to shoot, still hands A cloudy quiver over Pairc-na-lee."

"When I play on my fiddle in Dooney, Folk dance like a wave of the sea."

"Had I the heavens' embroidered cloths, Enwrought with the golden and silver light, The blue and the dim and the dark cloths Of night and light and half-light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams beneath your feet; Tread softly because you tread on my dreams."

"I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done The silver apples of the moon, The golden apples of the sun."

"And God stands winding His lonely horn, And time and the world are ever in flight; And love is less kind than the grey twilight, And hope is less dear than the dew of the morn."

"All things uncomely and broken, all things worn out and old, The cry of a child by the roadway, the creak of a lumbering cart, The heavy steps of the ploughman, splashing the wintry mould, Are wronging your image that blossoms a rose in the deeps of my heart."

"Land of Heart's Desire, Where beauty has no ebb, decay no flood, But joy is wisdom, time an endless song."

"I would mould a world of fire and dew With no one bitter, grave, or over wise, And nothing marred or old to do you wrong."

"Life moves out of a red flare of dreams Into a common light of common hours, Until old age bring the red flare again."

"The Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue."

"Bow down, archangels, in your dim abode: Before you were, or any hearts to beat, Weary and kind one lingered by His seat; He made the world to be a grassy road Before her wandering feet."

"We and the labouring world are passing by: Amid men's souls, that waver and give place Like the pale waters in their wintry race, Under the passing stars, foam of the sky, Lives on this lonely face."

"Who dreamed that beauty passes like a dream? For these red lips, with all their mournful pride, Mournful that no new wonder may betide, Troy passed away in one high funeral gleam, And Usna's children died."