Poets From England

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April 10, 2026

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"Now for the inward qualities of the minde; albeit some writers reduce them to twelve heads, which indeed whosoever enjoyeth, cannot chuse but be very compleat in much perfection, yet I must draw them into many more branches. The first, and most especial whereof is, that a skilful angler ought to be a general scoller, and seen in all the Liberal Sciences, as a Grammarian to know how either to write or discourse of his art in true and fitting terms, either without affectation or rudeness. He should have sweetness of speech, to perswade and entice others to delight in an exercise so much laudable. He should have strength of arguments to defend and maintain his profession, against envy or slander.He should have knowledge in the Sun, Moon, and Stars, that by their aspects he may guesse the seasonableness or unseasonableness of the weather, the breeding of storms, and from what coasts the winds are ever delivered. He should be a good knower of countries, and well used to High-wayes, that by taking the readiest paths to every Lake, Brook and River, his Journies may be more certain and less wearisome. He should have knowledge in proportions of all sorts, whether Circular, Square, or Diametrical, that when he shall be questioned of his diurnal progresses, he may give a Geographical description of the angles and channels of Rivers, how they fall from their heads, and what compasses they fetch in their several windings. He must also have the perfect art of numbring, that in the sounding of Lakes or Rivers, he may know how many foot or inches each severally containeth; and by adding, subtracting or multiplying the same, he may yield the reason of every River's swift or slow current. He should not be unskilful in Musick, that whensoever either melancholy, heaviness of his thoughts, or the perturbations of his own fancies, stirreth up sadness in him, he may remove the same with some godly Hymn or Anthem, of which David gives him ample examples."

- Gervase Markham

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"Fondling forbear, ’tis Heresy to think There is a Mistress equal to thy Drink; Or if in love with any, ’t must be rather With that plump Girl that does call Bacchus Father. Thou mayst out-look, arm’d with her warm embrace, Ten thousand Volleys shot from Woman’s Face, Who wou’d withstand without this Aid Divine Ten thousand times as many Tears of thine; As many Sighs and Prayers would be her sport, Exalted she so long maintains her Fort. But when Diviner Sack hath fir’d thy Blood, Creating Flames which cannot be withstood; To which is added Confidence as great As his, that aim’d at Jove’s Celestial Seat; Boldly march on, not granting her the leisure Of Parly; ’tis the Speed augments the Pleasure. If she cry out, with Kisses stop her Breath; She cannot wish to die a better Death. Tell her the pleasant passages between The God of War and Love’s more gentle Queen. When feeble Vulcan came, and in a fear Lest they wou’d not continue longer there, He chain’d ’em to the sport, with an intent To keep such Lovers for a Precedent; Glad to behold a tempting pleasure that His weak Endeavours never could create. Then stroke her Breasts those Mountains of Delight, Whose very Touch would fire an Anchorite. Next let thy wanton Palm a little stray, And dip thy Fingers in the Milky Way: Thus having raiz’d her, gently let her fall, Love’s Trumpets sound, Now Mortal have at all. A happy end thus made of all your sport, Lead her where every Lover shou’d resort, Where Madam Sack’s enthron’d, the tempting’st Lass That e’er was seated in a Venice Glass. Last, that this sense of Pleasure may remain, Cast away Thought and fall to Drink again. Drink off the Glasses, swallow every Bowl, And pity him that sighs away his Soul For that poor trifle Woman, who is mine With one small Gallon of Immortal Wine. To get a Mistress Drinking is the knack; Love’s grand existence is Almighty Sack."

- Alexander Radcliffe (writer)

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"In the days of Caesar Augustus There went forth this decree: Si quid rectus et justus Liveth in Galilee, Let him go up to Jerusalem And pay his scot to me.There are passed one after the other Christmases fifty-three, Since I sat here with my mother And heard the great decree: How they went up to Jerusalem Out of Galilee.They have passed one after the other; Father and mother died, Brother and sister and brother Taken and sanctified. I am left alone in the sitting, With none to sit beside.On the fly-leaves of these old prayer-books The childish writings fade, Which show that once they were their books In the days when prayer was made For other kings and princesses, William and Adelaide.The pillars are twisted with holly, And the font is wreathed with yew, Christ forgive me for folly, Youth’s lapses—not a few, For the hardness of my middle life, For age’s fretful view.Cotton-wool letters on scarlet, All the ancient lore, Tell how the chieftains starlit To Bethlehem came to adore; To hail Him King in the manger, Wonderful, Counsellor.The bells ring out in the steeple The gladness of erstwhile, And the children of other people Are walking up the aisle; They brush my elbow in passing, Some turn to give me a smile.Is the almond-blossom bitter? Is the grasshopper heavy to bear? Christ make me happier, fitter To go to my own over there: Jerusalem the Golden, What bliss beyond compare!My Lord, where I have offended Do Thou forgive it me. That so when, all being ended, I hear Thy last decree, I may go up to Jerusalem Out of Galilee."

- J. Meade Falkner

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"Westray looked up and saw the great window at the end of the transept shimmering with a dull lustre; light only in comparison with the shadows that were falling inside the church. It was an insertion of Perpendicular date, reaching from wall to wall, and almost from floor to roof. Its vast breadth, parcelled out into eleven lights, and the infinite division of the stonework in the head, impressed the imagination; while mullions and tracery stood out in such inky contrast against the daylight yet lingering outside, that the architect read the scheme of subarcuation and the tracery as easily as if he had been studying a plan. Sundown had brought no gleam to lift the pall of the dying day, but the monotonous grey of the sky was still sufficiently light to enable a practised eye to make out that the head of the window was filled with a broken medley of ancient glass, where translucent blues and yellows and reds mingled like the harmony of an old patchwork quilt. Of the lower divisions of the window, those at the sides had no colour to clothe their nakedness, and remained in ghostly whiteness; but the three middle lights were filled with strong browns and purples of the seventeenth century. Here and there in the rich colour were introduced medallions, representing apparently scriptural scenes, and at the top of each light, under the cusping, was a coat of arms. The head of the middle division formed the centre of the whole scheme, and seemed to represent a shield of silver-white crossed by waving sea-green bars. Westray’s attention was attracted by the unusual colouring, and by the transparency of the glass, which shone as with some innate radiance where all was dim. He turned almost unconsciously to ask whose arms were thus represented, but the Rector had left him for a minute, and he heard an irritating “Ha, ha, ha!” at some distance down the nave, that convinced him that the story of Sir George Farquhar and the postponed fees was being retold in the dusk to a new victim.Someone, however, had evidently read the architect’s thoughts, for a sharp voice said:“That is the coat of the Blandamers—barry nebuly of six, argent and vert.” It was the organist who stood near him in the deepening shadows. “I forgot that such jargon probably conveys no meaning to you, and, indeed, I know no heraldry myself excepting only this one coat of arms, and sometimes wish,” he said with a sigh, “that I knew nothing of that either. There have been queer tales told of that shield, and maybe there are queerer yet to be told. It has been stamped for good or evil on this church, and on this town, for centuries, and every tavern loafer will talk to you about the ‘nebuly coat’ as if it was a thing he wore. You will be familiar enough with it before you have been a week at Cullerne.”There was in the voice something of melancholy, and an earnestness that the occasion scarcely warranted. It produced a curious effect on Westray, and led him to look closely at the organist; but it was too dark to read any emotion in his companion’s face, and at this moment the Rector rejoined them.“Eh, what? Ah, yes; the nebuly coat. Nebuly, you know, from the Latin nebulum, nebulus I should say, a cloud, referring to the wavy outline of the bars, which are supposed to represent cumulus clouds. Well, well, it is too dark to pursue our studies further this evening, but to-morrow I can accompany you the whole day, and shall be able to tell you much that will interest you.”"

- J. Meade Falkner

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"Ratsey raised his glass almost before it was filled. He sniffed the liquor and smacked his lips. 'O rare milk of Ararat!' he said, 'it is sweet and strong, and sets the heart at ease. And now get the backgammon-board, John, and set it for us on the table.' So they fell to the game, and I took a sly sip at the liquor, but nearly choked myself, not being used to strong waters, and finding it heady and burning in the throat. Neither man spoke, and there was no sound except the constant rattle of the dice, and the rubbing of the pieces being moved across the board. Now and then one of the players stopped to light his pipe, and at the end of a game they scored their totals on the table with a bit of chalk. So I watched them for an hour, knowing the game myself, and being interested at seeing Elzevir's backgammon-board, which I had heard talked of before.It had formed part of the furniture of the Why Not? for generations of landlords, and served perhaps to pass time for of the Civil Wars. All was of oak, black and polished, board, dice-boxes, and men, but round the edge ran a Latin inscription inlaid in light wood, which I read on that first evening, but did not understand till Mr. Glennie translated it to me. I had cause to remember it afterwards, so I shall set it down here in Latin for those who know that tongue, Ita in vita ut in lusu alae pessima jactura arte corrigenda est, and in English as Mr. Glennie translated it, As in life, so in a game of hazard, skill will make something of the worst of throws. At last Elzevir looked up and spoke to me, not unkindly, 'Lad, it is time for you to go home; men say that walks on the first nights of winter, and some have met him face to face betwixt this house and yours.' I saw he wanted to be rid of me, so bade them both good night, and was off home, running all the way thither, though not from any fear of Blackbeard, for Ratsey had often told me that there was no chance of meeting him unless one passed the churchyard by night."

- J. Meade Falkner

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"If Hercules tall stature might bee guest But by his thumbe, wherby to make the rest In due proportion; the best rule that I Would choose to measure Venus’ beauty by Should bee her legg and foot. If husbandmen Measure theyr timber by the foot, why then Not we our wives? Whether wee goe or stride Those native compasses are seldome wide Of telling true: the round and slender foot Is a sure index, and a secrett note Of hidden parts; and well this way may lead Unto the closett of a maydenheade: Here, Emblemes of our youth, we roses tye, And here the garter, love’s deare mystery: For want of beauty here the peacock’s pride Letts fall her trayne, and fearing to bee spide Shutts upp her paynted witnesses to lett Those eyes from view which are but counterfett. Who looks not if this part be good or evill May meet with cloven feet and match the divell, For this doth make the difference betweene The more unhallowed creatures and the cleane, Well may you judge her other stepps are lighte, Her thoughts awry that doth not tread aright: But then there’s true perfection when wee see Those parts more absolute that hidden bee: Nature nere layd a fayre foundation For an unworthy frame to rest upon. Lett others view the topp and limbes throughout, The deeper knowledge is to know the roote: And reading of the face the weakest know, What beauty is; the learned looke below; Who, looking there, doe all the rest, descrie As in a poole the moon we use to spie: Pardon (sweetehart) the pride of my desire If but to kisse your toe it should aspire."

- William Strode (poet)

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