People From Paris

"I think of myself, of all that I am. Myself, my home, my hours; the past, and the future, — it was going to be like the past! And at that moment I feel, weeping within me and dragging itself from some little bygone trifle, a new and tragical sorrow in dying, a hunger to be warm once more in the rain and the cold: to enclose myself in myself in spite of space, to hold myself back, to live."

"Death is not yet dead everywhere. Some points and surfaces still resist and budge and cry out, doubtless because it is dawn; and once the wind swept away a muffled bugle-call. There are some who still burn with the invisible fire of fever, in spite of the frozen periods they have crossed. But the cold is working into them. The immobility of lifeless things is passing into them, and the wind empties itself as it goes by."

"I am frozen by a mass which supports me. My elbow sinks into it. It is the horse's belly; its rigid leg obliquely bars the narrow circle from which my eyes cannot escape. Ah, it is dead! It seems to me that my breast is empty, yet still there is an echo in my heart. What I am looking for is life."

"Quite near, one face is looking sadly at me, as it lolls to one side. It is coming out of the bottom of the heap, as a wild animal might. Its hair falls back like nails. The nose is a triangular hole and a little of the whiteness of human marble dots it. There are no lips left, and the two rows of teeth show up like lettering. The cheeks are sprinkled with moldy traces of beard. This body is only mud and stones. This face, in front of my own, is only a consummate mirror."

"The horse has not stopped bleeding. Its blood falls on me drop by drop with the regularity of a clock, — as though all the blood that is filtering through the strata of the field and all the punishment of the wounded came to a head in him and through him. Ah, it seems that truth goes farther in all directions than one thought! We bend over the wrong that animals suffer, for them we wholly understand. Men, men! Everywhere the plain has a mangled outline. Below that horizon, sometimes blue-black and sometimes red-black, the plain is monumental!"

""I have confidence in the abyss of the people." And those words stabbed me to the heart and dilated my eyes with horror, for it seemed to me suddenly, in a flash, that he understood what he was saying!"

"The truth is revolutionary," gasps the nocturnal voice; "get you gone, you men of truth, you who cast disorder among ignorance, you who strew words and sow the wind; you contrivers, begone! You bring in the reign of men! But the multitude hates you and mocks you!"

"Animals are innocence incarnate. This horse is like an enormous child, and if one wanted to point out life's innocence face to face, one would have to typify, not a little child, but a horse."

"Suddenly I am pushed by a movement of the horse on which I am lying. I see that he has turned his great head aside; he is mournfully eating grass. I saw this horse but lately in the middle of the regiment — I know him by the white in his mane — rearing and whinnying like the true battle-chargers; and now, broken somewhere, he is silent as the truly unhappy are."

"Men must not awake," the shining shadow goes on, in dull and hollow tones. "Don't worry!" says the ironical voice, and at that moment it terrifies me. Several bodies arise on their fists into the darkness — I see them by their heavy groans — and look around them. The shadow talks to himself and repeats his insane words: — "Men must not awake." The voice opposite me, capsizing in laughter and swollen with a rattle, says again: — "Don't worry!"

"I am not in pain. I am extraordinarily calm; I am drunk with tranquillity. Are they dead, all — those? I do not know. The dead are specters of the living, but the living are specters of the dead. Something warm is licking my hand. The black mass which overhangs me is trembling. It is a foundered horse, whose great body is emptying itself, whose blood is flowing like poor touches of a tongue on to my hand."

"I am alone on the earth, face to face with the mud, and I can no longer move. The frightful searching of the shells alights around me. The hoarse hurricane which does not know me is yet trying to find the place where I am! Then the battle goes away, and its departure is heartrending. In spite of all my efforts, the noise of the firing fades and I am alone; the wind blows and I am naked."

"On Sundays, among the crowds, I have often felt my heart tighten with distress as I watch the unknown women. Reverie has often held me all day because of one who has gone by and disappeared, leaving me a clear vision of her curtained room, and of herself, vibrating like a harp. She, perhaps, was the one I should have always loved; she whom I seek gropingly, desperately, from each to the next. Ah, what a delightful thing to see and to think of a distant woman always is, whoever she may be! There are moments when I suffer, and am to be pitied. Assuredly, if one could read me really, no one would pity me. And yet all men are like me. If they are gifted with acceptable physique they dream of headlong adventures, they attempt them, and our heart never stands still. But no one acknowledges that, no one, ever."

"I am looking for the happiness which lives. And truly, when I have a sense of some new assent wavering and making ready, or when I am on the way to a first rendezvous, I feel myself gloriously uplifted, and equal to everything! This fills my life. Desire wears the brain as much as thought wears it. All my being is agog for chances to shine and to be shared. When they say in my presence of some young woman that, "she is not happy," a thrill of joy tears through me."

"One after another, sundry women have occupied my life. Antonia Veron was first. Her marriage and mine, their hindrance and restriction, threw us back upon each other as of yore. We found ourselves alone one day in my house — where nothing ever used to happen, and she offered me her lips, irresistibly. The appeal of her sensuality was answered by mine, then, and often later. But the pleasure constantly restored, which impelled me towards her, always ended in dismal enlightenments. She remained a capricious and baffling egotist, and when I came away from her house across the dark suburb among a host of beings vanishing, like myself, I only brought away the memory of her nervous and irritating laugh, and that new wrinkle which clung to her mouth like an implement. Then younger desires destroyed the old, and gallant adventures begot one another. It is all over with this one and that one whom I adored. When I see them again, I wonder that I can say, at one and the same time, of a being who has not changed, "How I loved her!" and, "How I have ceased to love her!""

"I have only one recourse, to remember and to believe. To hold on with all my strength to the memory of the tragedy of the Room. I believe that the only thing which confronts the heart and the reason is the shadow of that which the heart and the reason cry for. I believe that around us there is only one word, the immense word which takes us out of our solitude, NOTHING. I believe that this does not signify our nothingness or our misfortune, but, on the contrary, our realisation and our deification, since everything is within us."

"What I have seen is going to disappear, since I shall do nothing with it. I am like a mother the fruit of whose womb will perish after it has been born. What matter? I have heard the annunciation of whatever finer things are to come. Through me has passed, without staying me in my course, the Word which does not lie, and which, said over again, will satisfy."

"Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything? I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out. But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work."

"Perhaps because of my fever, perhaps because of my lofty pain, I imagine that some one there is declaiming a great poem, that some one is speaking of Prometheus. He has stolen light from the gods. In his entrails he feels the pain, always beginning again, always fresh, gathering from evening to evening, when the vulture steals to him as it would steal to its nest. And you feel that we are all like Prometheus because of desire, but there is neither vulture nor gods. There is no paradise except that which we create in the great tomb of the churches. There is no hell, no inferno except the frenzy of living. There is no mysterious fire. I have stolen the truth. I have stolen the whole truth. I have seen sacred things, tragic things, pure things, and I was right. I have seen shameful things, and I was right. And so I have entered the kingdom of truth, if, while preserving respect to truth and without soiling it, we can use the expression that deceit and religious blasphemy employ."

"I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced. Here they will pass again, day after day, year after year, all the prisoners of rooms will pass with their kind of eternity. In the twilight when everything fades, they will sit down near the light, in the room full of haloes. They will drag themselves to the window's void. Their mouths will join and they will grow tender. They will exchange a first or a last useless glance. They will open their arms, they will caress each other. They will love life and be afraid to disappear. Here below they will seek a perfect union of hearts. Up above they will seek everlastingness among the shades and a God in the clouds."

"I have given notice. I am going away to-morrow evening, I with my tremendous memory. Whatever may happen, whatever tragedies may be reserved for me in the future, my thought will not be graver or more important when I shall have lived my life with all its weight. But my whole body is one pain. I cannot stand on my legs any more. I stagger. I fall back on my bed. My eyes close and fill with smarting tears. I want to be crucified on the wall, but I cannot. My body becomes heavier and heavier and filled with sharper pain. My flesh is enraged against me."

"She had fallen asleep with her head on her lover's knees. He looked at her and smiled. An expression of pity and benevolence flitted across his face. His hands stretched out part way toward the sleeping woman with the gentleness of strength. I saw the glorious pride of condescension and charity in this man whom a woman prostrate before him deified."

""I have such respect for the actual truth that there are moments when I do not dare to call things by their name," the poet ended."

"The heavens have fallen on our heads! What a tremendous idea! It is the loftiest cry that life hurls. That was the cry of deliverance for which I had been groping until then. I had had a foreboding it would come, because a thing of glory like a poet's song always gives something to us poor living shadows, and human thought always reveals the world. But I needed to have it said explicitly so as to bring human misery and human grandeur together. I needed it as a key to the vault of the heavens. These heavens, that is to say, the azure that our eyes enshrine, purity, plenitude — and the infinite number of suppliants, the sky of truth and religion. All this is within us, and has fallen upon our heads. And God Himself, who is all these kinds of heavens in one, has fallen on our heads like thunder, and His infinity is ours."

"I come back as I always do to the greatness of mankind's curse, and I repeat it with the monotony of those who are always right — oh, without God, without a harbour, without enough rags to cover us, all we have, standing erect on the land of the dead, is the rebellion of our smile, the rebellion of being gay when darkness envelops us. We are divinely alone, the heavens have fallen on our heads."

"The poet seemed to be searching for something, to be seeing things, and believing infinitely. He was in another world where everything we see is true and everything we say is unforgettable."

"The woman from the depths of her rags, a waif, a martyr — smiled. She must have a divine heart to be so tired and yet smile. She loved the sky, the light, which the unformed little being would love some day. She loved the chilly dawn, the sultry noontime, the dreamy evening. The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the passersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. She was like a great rose that opens its heart to the whole world."

"And he continued to travesty the truth, and I was impotent — the truth, that profound thing whose voice was in my ears, whose shadow was in my eyes, and whose taste was in my mouth. Was I so utterly forsaken? Would no one speak the word I was in search of?"

"A stupor and a sort of shame overwhelmed me as I heard that man trying to extract the utmost entertainment possible from the dark happenings that had been torturing me for a month. I thought of that great voice, now silenced, which had said so clearly and forcefully that the writers of to-day imitate the caricaturists. I, who had penetrated into the heart of humanity and returned again, found nothing human in this jiggling caricature! It was so superficial that it was a lie. He said in front of me — of me the awful witness: "It is man stripped of all outward appearances that I want people to see. Others are fiction, I am the truth.""

"This is the subject," said Pierre Villiers. "It gives me scope to amuse and tell the truth at the same time. A man pierces a hole in the wall of a boarding-house room, and watches what is going on in the next room."

"I lifted my glass to my lips when suddenly I stopped and felt all my blood rush to my heart. This is what I heard: "What's the theme of the novel you're working on?" "Truth," replied Pierre Villiers. "What?" exclaimed his friend. "A succession of human beings caught just as they are.""

"Night fell. I looked for a word like mine, a word to lean upon, a word to sustain me. And it seemed to me that I was going along groping my way as if expecting some one to come from round the corner and tell me everything."

"The people who live my truth, what do they say when they speak of themselves? Does the echo of what I am thinking issue from their mouths, or error, or falsehood?"

"Turn where you will, everywhere, the man and the woman ever confronting each other, the man who loves a hundred times, the woman who has the power to love so much and to forget so much. I went on my way again. I came and went in the midst of the naked truth. I am not a man of peculiar and exceptional traits. I recognise myself in everybody. I have the same desires, the same longings as the ordinary human being. Like everybody else I am a copy of the truth spelled out in the Room, which is, "I am alone and I want what I have not and what I shall never have." It is by this need that people live, and by this need that people die."

"A couple, a man and a woman — poor human beings almost always go in pairs — approached, and passed. I saw the empty space between them. In life's tragedy, separation is the only thing one sees. They had been happy, and they were no longer happy. They were almost old already. He did not care for her, although they were growing old together. What were they saying? In a moment of open-heartedness, trusting to the peacefulness reigning between them at that time, he owned up to an old transgression, to a betrayal scrupulously and religiously hidden until then. Alas, his words brought back an irreparable agony. The past, which had gently lain dead, rose to life again for suffering. Their former happiness was destroyed. The days gone by, which they had believed happy, were made sad; and that is the woe in everything."

"I stood still, a prey to a thousand thoughts, stifled in the robe of the evening."

"I went out on the street like an exile, I who am an everyday man, who resemble everybody else so much, too much. I went through the streets and crossed the squares with my eyes fixed upon things without seeing them. I was walking, but I seemed to be falling from dream to dream, from desire to desire. A door ajar, an open window gave me a pang. A woman passing by grazed against me, a woman who told me nothing of what she might have told me. I dreamed of her tragedy and of mine. She entered a house, she disappeared, she was dead."

"Tenderness is greater than love. I do not admire carnal love when it is by itself and bare. I do not admire its disorderly selfish paroxysms, so grossly short-lived. And yet without love the attachment of two human beings is always weak. Love must be added to affection. The things it contributes to a union are absolutely needed — exclusiveness, intimacy, and simplicity."

"I sat down and leaned on my elbows. I thought of myself. Where was I now after all this? What was I going to do in life? I did not know. I would look about and would surely find something. So, sitting there, I quietly indulged in hopes. I must have no more sadness, no more anguish and fever. If the rest of my life was to pass in calm, in peace, I must go far, far away from all those awful serious things, the sight of which was terrible to bear."

"I followed them with my eyes going through life, which would be nothing to them but fields, mountains, or forests. I saw them veiled in a kind of light, sheltered from darkness, protected for a time against the fearful spell of memory and thought."

"Afterwards they did as the others had done, as human beings always do, as they themselves would do many times again in the strange future — they sat with their eyes half-closed and the same uneasy look of shame and terror in them as Amy and her lover. But these two required no artificial stimulus for their love. They had no need of the night. And they felt no culpability. They were two grand young creatures, driven together naturally by the very force of their love, and their ardour cleansed everything, like fire. They were innocent. They had no regrets and felt no remorse. They thought they were united."

"He put his hands on the young woman's shoulders, and looked at her, in readiness for his eager embrace. They held each other close, staggering. They said the same word at the same time, "At last!" That was all they said, but they said it over and over again in a low voice, chanting it together. Their eyes uttered the same sweet cry. Their breasts communicated it to each other. It seemed to be tying them together and making them merge into one. At last! Their long separation was over. Their love was victor. At last they were together. And I saw her quiver from head to foot. I saw her whole body welcome him while her eyes opened and then closed on him again. They made a great effort to speak to each other. The few shreds of conversation held them back a moment."

"Granted that I have the great wisdom to rid myself of the haunting dread of my own death, there remains the death of others and the death of so many feelings and so much sweetness. It is not the conception of truth that will change sorrow. Sorrow, like joy, is absolute. And yet! The infinite grandeur of our misery becomes confused with glory and almost with happiness, with cold haughty happiness. Was it out of pride or joy that I began to smile when the first white streaks of dawn turned my lamp pale and I saw I was alone in the universe?"

"Once, bowed in the evening light, the dead man had said, "After my death, life will continue. Every detail in the world will continue to occupy the same place quietly. All the traces of my passing will die little by little, and the void I leave behind will be filled once more." He was mistaken in saying so. He carried all the truth with him. Yet we, we saw him die. He was dead for us, but not for himself. I feel there is a fearfully difficult truth here which we must get, a formidable contradiction. But I hold on to the two ends of it, groping to find out what formless language will translate it. Something like this: "Every human being is the whole truth." I return to what I heard. We do not die since we are alone. It is the others who die. And this sentence, which comes to my lips tremulously, at once baleful and beaming with light, announces that death is a false god."

"We do not die. Each human being is alone in the world. It seems absurd, contradictory to say this, and yet it is so. But there are many human beings like me. No, we cannot say that. In saying that, we set ourselves outside the truth in a kind of abstraction. All we can say is: I am alone. And that is why we do not die."

"Where are the words that will light the way? What is humanity in the world, and what is the world? Everything is within me, and there are no judges, and there are no boundaries and no limits to me. The de profundis, the effort not to die, the fall of desire with its soaring cry, all this has not stopped. It is part of the immense liberty which the incessant mechanism of the human heart exercises (always something different, always!)."

"What am I? I am the desire not to die. I have always been impelled — not that evening alone — by the need to construct the solid, powerful dream that I shall never leave again. We are all, always, the desire not to die. This desire is as immeasurable and varied as life's complexity, but at bottom this is what it is: To continue to be, to be more and more, to develop and to endure. All the force we have, all our energy and clearness of mind serve to intensify themselves in one way or another. We intensify ourselves with new impressions, new sensations, new ideas. We endeavour to take what we do not have and to add it to ourselves. Humanity is the desire for novelty founded upon the fear of death. That is what it is."

"I am like a poet on the threshold of a work, an accursed, sterile poet who will leave no glory behind, to whom chance lent the truth that genius would have given him, a frail work which will pass away with me, mortal and sealed to others like myself, but a sublime work nevertheless, which will show the essential outlines of life and relate the drama of dramas."

"I thought of all those wise men, poets, artists before me who had suffered, wept, and smiled on the road to truth. I thought of the Latin poet who wished to reassure and console men by showing them truth as unveiled as a statue. A fragment of his prelude came to my mind, learned long ago, then dismissed and lost like almost everything that I had taken the pains to learn up till then. He said he kept watch in the serene nights to find the words, the poem in which to convey to men the ideas that would deliver them. For two thousand years men have always had to be reassured and consoled. For two thousand years I have had to be delivered. Nothing has changed the surface of things. The teachings of Christ have not changed the surface of things, and would not even if men had not ruined His teachings so that they can no longer follow them honestly. Will the great poet come who shall settle the boundaries of belief and render it eternal, the poet who will be, not a fool, not an ignorant orator, but a wise man, the great inexorable poet? I do not know, although the lofty words of the man who died in the boarding-house have given me a vague hope of his coming and the right to adore him already."

"I wanted to know the secret of life. I had seen men, groups, deeds, faces. In the twilight I had seen the tremulous eyes of beings as deep as wells. I had seen the mouth that said in a burst of glory, "I am more sensitive than others." I had seen the struggle to love and make one's self understood, the refusal of two persons in conversation to give themselves to each other, the coming together of two lovers, the lovers with an infectious smile, who are lovers in name only, who bury themselves in kisses, who press wound to wound to cure themselves, between whom there is really no attachment, and who, in spite of their ecstasy deriving light from shadow, are strangers as much as the sun and the moon are strangers. I had heard those who could find no crumb of peace except in the confession of their shameful misery, and I had seen faces pale and red-eyed from crying. I wanted to grasp it all at the same time. All the truths taken together make only one truth. I had had to wait until that day to learn this simple thing. It was this truth of truths which I needed. Not because of my love of mankind. It is not true that we love mankind. No one ever has loved, does love, or will love mankind. It was for myself, solely for myself, that I sought to attain the full truth, which is above emotion, above peace, even above life, like a sort of death. I wanted to derive guidance from it, a faith. I wanted to use it for my own good."