Models From The United States

"When you put the corset on it gives you a glimpse into what those women's lives must have been like, a little bit. Just the fact that they did that to themselves to look a certain way gives you an idea of how important it was to be a proper young lady in those times, to kind of fit the mold of what they were trying to accomplish socially. The director, Jay Russell told me to use the corset as a device to remind myself that not only physically, but emotionally, she was trapped in her surroundings and wanted desperately to get out. It was definitely a reminder because the thing is so tight!"

"If you're going to do something wrong, do it big, because the punishment is the same either way."

"It is the most wonderful feeling in the world, you know, knowing you are loved and wanted."

"We eat a lot of lean meat and fresh vegetables…. You are what you eat, you know. When I'm 100, I'll still be doing pin-ups."

"Nothing risqué nothing gained!"

"I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals—black and white—but then who thinks of a movie queen in black and white? Everything has to be in living color."

"I don't know why you people [the press] like to compare me to Marilyn or that girl, what's her name, Kim Novak. Cleavage, of course, helped me a lot to get where I am. I don't know how they got there."

"Honey, beside me, you look like Tony Randall!"

"Mickey is a hard worker. He takes care of the house, looks after my animals, and satisfies me. What else can one expect of a man?"

"Carrying a baby is the most rewarding experience a female can enjoy. A father shares in that experience, knowing that he caused it to happen."

"A forty-one inch bust and a lot of perseverance will get you more than a cup of coffee — a lot more. But most girls don't know what to do with what they've got."

"I don't want to get involved in the racial situation at the expense of losing fans. I wouldn't say anything too strong but I do know that God created us equal and we're not living up to it."

"A woman should be pink and cuddly for a man."

"I like being a pin-up girl. There's nothing wrong with it."

"I will never be satisfied. Life is one constant search for betterment for me."

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"Jayne Mansfield is making a career of being a girl."

"I have to be honest with you. Comedy is what I want to see at the movies these days. Life is frickin' hard, man. I want to go to the movies and see people happy and enjoying themselves and having some fun. I've made other kinds of movies, for sure. But it's pretty apparent to me that's what people want. That's what I want. I enjoy those kinds of movies."

"You spend months and months listening to the music, absorbing, practicing, working with real musicians who worked with them and getting as much of that as you can. And then the day you start shooting, you have to throw it all away. Because, they had no self-consciousness. They were natural performers and at that time, it wasn't about how you could synthesize a voice and make it appealing, it was about the natural little hiccups and the way you related a story or wrote the soul in the words you wrote. And 90% of your popularity was your performance and your interpretation of your own song. So, once we learned it all you just have to just kind of hope it all sunk in somewhere and just let it all go, cause they just had incredible confidence."

"I'm always endlessly surprised about the people who come into my life, who I get to collaborate with. I feel really overwhelmed by those opportunities. But it's not like I fell off the turnip truck and suddenly became who I am. I really have worked hard for it, and I have to acknowledge that. I care about what I do, and I have a sense of pride in my work. And you can never be totally settled as an actor or artist or musician. You have to keep the fire under you, because that's what makes you better."

"You know, I used to not understand fashion, a lot of it, but I completely understood being a playwright or a screenwriter and suddenly having an actor say your words and making them come to life. That I can understand. Finally, I'm starting to understand this."

"I have a good memory for certain things. And a very short memory for painful things — that's my favorite Martha Stewart quote, by the way."

"I have a history, a long history of being stereotyped as a five-foot-two woman, which is very limiting. I've worked so hard to create characters that have dignity. And I think everybody knows that I have a very pro-woman message in my work — and in my life."

"I'll make no bones about it, I'm thinking of quitting analysis. When a man's bogged down, when the thing he is trying to do isn't working out, then he has to damn good and well change his way of living. If you would only hold out some hope to me, then it might be different. I'll say this, too, that if it hadn't been for you I wouldn’t have turned into a stoolie for J. Edgar Hoover. I don't think you have the foggiest notion of the contempt I have had for myself since the day I did that thing."

"He left nine years of seafaring and his early Hollywood acting career to join the Marine Corps and the OSS under the assumed name of John Hamilton in 1941. His mastery of the seas — he was first mate on a schooner voyage around the world in 1936 and captained a ship from Gloucester, Mass., to Tahiti in 1939 — led OSS officials to have him set up secret shipping operations based in Italy. He was attacked by the Germans and operated behind enemy lines in Croatia."

"Actor Sterling Hayden — working under the assumed name John Hamilton — parachuted into Croatia and was strafed by German planes. No wonder he was so convincing as Gen. Jack D. Ripper in Dr. Strangelove."

"He is essentially a seaman and has demonstrated great skill in handling small vessels on clandestine missions along the Dalmation coast. He has great courage and has shown an almost reckless disregard of his own life where duty is involved."

"The sun beats down and you pace, you pace and you pace. Your mind flies free and you see yourself as an actor, condemned to a treadmill wherein men and women conspire to breathe life into a screenplay that allegedly depicts life as it was in the old wild West. You see yourself coming awake any one of a thousand mornings between the spring of 1954, and that of 1958—alone in a double bed in a big white house deep in suburban Sherman Oaks, not far from Hollywood. The windows are open wide, and beyond these is the backyard swimming pool inert and green, within a picket fence. You turn and gaze at a pair of desks not far from the double bed. This is your private office, the place that shelters your fondest hopes: these desks so neat, patiently waiting for the day that never comes, the day you'll sit down at last and begin to write. Why did you never write? Why, instead, did you grovel along, through the endless months and years, as a motion‑picture actor? What held you to it, to something you so vehemently professed to despise? Could it be that you secretly liked it — that the big dough and the big house and the high life meant more than the aura you spun for those around you to see? Hayden's wild," they said. "He's kind of nuts — but you've got to hand it to him. He doesn't give a damn about the loot or the stardom or things like that — something to do with his seafaring, or maybe what he went through in the war . . ." Sure you liked it, part of it at least. The latitude this life gave you, the opportunity to pose perhaps; the chance to indulge in talk about “convictions — values — basic principles.” Maybe what kept you from writing was the fact that you knew it was tough. Maybe what held you to to acting was the fact that you couldn't lose — not really lose, because you could not be considered a failure if you had not set out to succeed... and you made it quite plain that you didn't give a damn. And yet, you did hate it. Perhaps you were weak, that's all. You hated it because you knew you were capable of far more. You hated the role of an actor because, in the final analysis. an actor is only a pawn — brilliant sometimes, rare and talented, capable of bringing pleasure and even inspiration to others, but no less a pawn for that: a man who at best expresses the yearnings and actions of others. Could it be that you thought too much of yourself — that you could not accept sublimating yourself to a mold conceived by others, anyone else on earth?"

""I’ve always wanted to sail to the South Seas, but I can’t afford it." What these men can’t afford is not to go. They are enmeshed in the cancerous discipline of "security." And in the worship of security we fling our lives beneath the wheels of routine — and before we know it our lives are gone. What does a man need — really need? A few pounds of food each day, heat and shelter, six feet to lie down in — and some form of working activity that will yield a sense of accomplishment. That's all — in the material sense, and we know it. But we are brainwashed by our economic system until we end up in a tomb beneath a pyramid of time payments, mortgages, preposterous gadgetry, playthings that divert our attention from the sheer idiocy of the charade. The years thunder by. The dreams of youth grow dim where they lie caked in dust on the shelves of patience. Before we know it, the tomb is sealed. Where, then, lies the answer? In choice. Which shall it be: bankruptcy of purse or bankruptcy of life? What follows is not a blueprint for the man entombed; not many people find themselves in a situation paying a hundred and fifty thousand dollars a year (as if any man is worth that much). But the struggle is relative: it's a lot hard to walk away from an income like that than from a fraction thereof."

"To be truly challenging, a voyage, like a life, must rest on a firm foundation of financial unrest. Otherwise you are doomed to a routine traverse, the kind known to yachtsmen, who play with their boats at sea — "cruising," it is called. Voyaging belongs to seamen, and to the wanderers of the world who cannot, or will not, fit in. If you are contemplating a voyage and you have the means, abandon the venture until your fortunes change. Only then will you know what the sea is all about."

"What confuses me is I ain't all that unhappy. So why do I drink? I don't know."

"I'm a very outgoing person. I'm always happy, I'm one of those people who are always smiling. If somebody described me to somebody else, they'd say the kid with the curly hair with the big smile on his face. I get along with everybody."

"I started about five years ago when I did a hospital visit and was shocked at what a huge difference the Starlight Children's Foundation] makes for not only these children but also their families, who are also affected. I consider family one of the most important aspects of life, because at the end of the day your family is who is always going to be there for you. When it comes to these children, their family is all they have because some of them never get to leave the hospital."

"I especially like girls who know how to share the conversation, and not just talk about themselves. I think a movie, followed by dinner is a perfect first date. For a romantic date — ice skating."

"If I'm in a bad mood, my thing is I go clean! That's what relaxes me! I go and clean everything."

"The Internet isn't my thing. I so much rather talk on the phone."

"Everyone feels embarrassed, but when you laugh it off, it's fine."

"I mean, to see somebody else when they put so much work into whatever they do... that inspires me. My dad, he does that very much so. An actor that I really look up to is Johnny Depp. The amount of work that he puts into his stuff, he is such an amazing actor I think!"

"Smiles come naturally to me, but I started thinking of them as an art form at my command. I studied all the time. I looked at magazines, I'd practice in front of the mirror and I'd ask photographers about the best angles. I can now pull out a smile at will."

"I get so much mail from young girls who say, 'I look up to you, you're not as skinny as everyone else, I think you're beautiful' … So when they say that my body is 'ugly' and 'disgusting,' what does that make those girls feel like?"

"And I do know about body image. About worrying about it. I made my living being 20 or 30 pounds heavier than the average model. And that's where I got famous. Victoria's Secret said I sold more bras and panties than anybody else, and I was traipsing down that runway with 30 pounds more booty than the other girls. So it had a lot to do with my success, my weight, but it's also always been an issue for me, so I can relate."

"I was a fan of Victoria’s Secret before I was a model for Victoria’s Secret. I got that catalog in the mail … my parents even got me a Victoria’s Secret robe when I turned 16 that I still have to this day."

"I can’t really reveal that much, but I can tell you that I have been walking around in heels."

"You know, it’s interesting, because in terms of diversity, I was diverse. I was considered curvier, and I was a Black girl, and I think it’s important to still acknowledge that at that time … 19 years ago, [it] was"

"It’s a little bit of an out-of-body experience. I walked off that runway and I [had] this big retirement and it was such a spectacle. I felt like that athlete that’s like, “I’m hanging up my cleats … I’m retiring the basketball.” And then, now I’m back!"

"I never in a million years thought that I would be back on the runway, but I am so beyond excited and so ready for this"

"Only a smart model is a good model."

"I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positive that I could come out right."

"I was embarrassed when a businessman friend asked, 'What's the yearly budget of your talk show? What's the per-episode budget?' And I looked at him with these blank, typical-model eyes and said, 'I don't know.' I call myself a businesswoman and I don't know that? So that is my goal next year--to really dissect the budget."

"Journalists told me that a talk show wouldn't work. Some told me I was going to get canceled before my first season was up. Before I did one show, they were, like 'Why do you want to do this? Do you know that 90 percent of talk shows don't get a second season? You're a model. People just see you as a model.'"