Designers

"Less is more."

"God is in the details."

"Symmetry is the aesthetics of the stupid."

"Children understand intuitively that the world they have been born into is not a blessed world."

"We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation."

"命は闇の中のまたたく光だ。"

"My own duty and my aim is to try and raise people out of their misery, away from catastrophe; to provide them with happiness, with a contented existence, with harmony. My own goal is to establish or re-establish harmony between people and their environment."

"A hundred times I have thought: New York is a catastrophe, and fifty times: it is a beautiful catastrophe."

"Vous savez, c'est la vie qui a raison, l'architecte qui a tort."

"Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep."

"The truthfulness of materials of constructions, concrete, bricks and stone, shall be maintained in all buildings constructed or to be constructed. The seed of Chandigarh is well sown. It is for the citizens to see that the tree flourishes."

"The age of personal statues is gone. No personal statues shall be erected in the city or parks of Chandigarh. The city is planned to breathe the new sublimated spirit of art. Commemoration of persons shall be confined to suitably placed bronze plaques."

"Vehicular traffic is completely forbidden in the green strips, where tranquility shall reign and the curse of noise shall not penetrate."

"The city of Chandigarh is planned to human scale. It puts us in touch with the infinite cosmos and nature. It provides us with places and buildings for all human activities by which the citizens can live a full and harmonious life. Here the radiance of nature and heart are within our reach."

"The object of this edict is to enlighten the present and future citizens of Chandigarh about the basic concepts of planning of the city so that they become its guardians and save it from whims of individuals."

"The Despot is not a man. It is the Plan. The correct, realistic, exact plan."

"Modern life demands, and is waiting for, a new kind of plan, both for the house and the city."

"It is a question of building which is at the root of the social unrest of today: architecture or revolution."

"You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good, I am happy and I say: "This is beautiful." That is Architecture. Art enters in."

"Une maison est une machine-à-habiter."

"Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician."

"The "styles" are a lie."

"Every morning, not in recent days, I see my friend who has a disability. It’s so hard for him just to do a high five; his arm with stiff muscle can’t reach out to my hand. Now, thinking of him, I can’t watch this stuff and find it interesting. Whoever creates this stuff has no idea what pain is. I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all. I strongly feel that this is an insult to life itself. I feel like we are nearing the end of times. We humans are losing faith in ourselves."

"Actually I think CGI has the potential to equal or even surpass what the human hand can do."

"If it is a dying craft we can't do anything about it. Civilisation moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era."

"Most people depend on the internet and cellphones to survive, but what happens when they stop working? I wanted to create a mother and child who wouldn't be defeated by life without them."

"You see, whether you can draw like this or not, being able to think up this kind of design, it depends on whether or not you can say to yourself, 'Oh, yeah, girls like this exist in real life.' If you don’t spend time watching real people, you can’t do this, because you’ve never seen it. Some people spend their lives interested only in themselves. Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It’s produced by humans who can’t stand looking at other humans. And that’s why the industry is full of otaku!"

"It's difficult. [My female protagonists] immediately become the subjects of rorikon gokko (play toy for Lolita Complex males). In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict [such protagonists] as if they just want [such girls] as pets, and things are escalating more and more."

"I believe that children's souls are the inheritors of historical memory from previous generations. It's just that as they grow older and experience the everyday world that memory sinks lower and lower. I feel I need to make a film that reaches down to that level. If I could do that I would die happy."

"I don't grow up. In me is the small child of my early days."

"It is a neat depiction of one of Escher's enduring fascinations: the contrast between the two-dimensional flatness of a sheet of paper and the illusion of three-dimensional volume that can be created with certain marks. In 'Drawing Hands', space and the flat plane coexist, each born from and returning to the other, the black magic of the artistic illusion made creepily manifest."

"(2) Moreover, in what ways are the edges of such a tile related to each other by isometries?"

"(1) What are the possible shapes for a tile that can produce a regular division of the plane, that is, a tile that can fill the plane with its congruent images such that every tile is surrounded in the same manner?"

"My work is a game, a very serious game."

"To have peace with this peculiar life; to accept what we do not understand; to wait calmly for what awaits us, you have to be wiser than I am."

"The things I want to express are so beautiful and pure."

"So let us then try to climb the mountain, not by stepping on what is below us, but to pull us up at what is above us, for my part at the stars; amen."

"I could fill an entire second life with working on my prints."

"I believe that producing pictures, as I do, is almost solely a question of wanting so very much to do it well."

"I am always wandering around in enigmas. There are young people who constantly come to tell me: you, too, are making Op Art. I haven't the slightest idea what that is, Op Art. I've been doing this work for thirty years now."

"At moments of great enthusiasm it seems to me that no one in the world has ever made something this beautiful and important."

"I first made this one [open spiral in which eyes, mouth and forehead of a woman are recognizable) but I cannot stand it that something is cut off. I thought, why is that human cut off here? Then I made two of them, who have together an [interconnected] endlessness. It is also meant as a reaction against sculptors. I see them as a little inferior - no, that is not well-expressed – but sculptors are too limited. They see sculpturing as something superior, but everybody can do modeling. Drawing is much more difficult, much more immaterial."

"..and to think now that great mathematicians find my work interesting because I am able to illustrate their theories. They can not imagine that I was such a bad pupil in mathematics. I don't understand it myself neither. I never could understand why it was necessary to prove something that everyone already sees. I saw it, I knew it, so it is how it is… But yes, you had to prove it. I did overcome it when I realized I can make something else - I thought I was a good-for-nothing. In my family there were no other artists to find.. .I was just a weird duck, right?"

"My work has nothing to do with people, nothing to do with psychology. I am much more cerebral than Willink. I do not wish to be deep at all. I know that I don't hide anything at all in this work. When Carel Willink paints a naked lady in a street, I think: what is that lady doing there?. ..the house facades give me a lugubrious impression. So it is a lugubrious street. My work is not lugubrious. If you ask Willink: 'Why are those naked mistresses there', you do not receive an answer. With me you always get an answer when you ask: why.."

"I am a graphic artist heart and soul, though I find the term "artist" rather embarrassing."

"lf l am not mistaken, the words "art" and "artist" did not exist during the Renaissance and before: there were simply architects, sculptors, and painters, practicing a trade."

"To tell you the truth, I am rather perplexed about the concept of "art]. What one person considers to be "art" is often not "art" to another. "Beautiful" and "ugly" are old-fashioned concepts that are seldom applied these days; perhaps justifiably, who knows? Something repulsive, which gives you a moral hangover, and hurts your ears or eyes, may well be art. Only "kitsch" is not art — we're all agreed about that. Indeed, but what is "kitsch"? If only I knew!"

"It's pleasing to realize that quite a few people enjoy this sort of playfulness and that they are not afraid to look at the relative nature of rock-hard reality."

"In my prints I try to show that we live in a beautiful and orderly world and not in a chaos without norms, as we sometimes seem to. My subjects are also often playful. I cannot help mocking all our unwavering certainties. It is, for example, great fun deliberately to confuse two and three dimensions, the plane and space, or to poke fun at gravity. Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase? Can you be definite that it is impossible to eat your cake and have it?"

"I do indeed believe that there is a certain contrast between, say, people in scientific professions and people working in the arts. Often there is even mutual suspicion and irritation, and in some cases one group greatly undervalues the other. Fortunately there is no one who actually has only feeling or only thinking properties. They intermingle like the colors of the rainbow and cannot be sharply divided. Perhaps there is even a transitional group, like the green between the yellow and the blue of the rainbow. This transitional group does not have a particular preference for thinking or feeling, but believes that one cannot do without either the one or the other. At any rate, it is unprejudiced enough to wish for a better understanding between the two parties... It is clear that feeling and understanding are not necessarily opposites but that they complement each other."