Actors From Mississippi

"Multiple scholars have probed the Elvis cult's Celtic, Gnostic, Hindi, and vodun derivations; have contemplated Graceland's status as "sacred space"; and considered how and why some insist that Elvis, like Jesus, defeated death. Less charitable writers cynically attribute the entire phenomenon to the highly successful mass-marketing techniques of his estate and to the susceptibility of an apparently passive public bent on real-world escapism through, especially, the "transformative" ideology of consumerism."

"I was with Elvis for a few months. He was so physically beautiful, I thought I couldn't breathe. So one night he said, do you want me to sing something to you? So he played his "Spanish Eyes" song and sang it to me, seven times, back to back, as I requested he did. He was kind to his friends, to his family, to strangers, talented, thoughtful, funny. This girl came to a party in his house and I noticed she had two prosthetic legs. So I asked who she was and he said it was someone he didn't know really, but invited to his parties every fortnight so that she could feel wanted, loved....."

"Elvis was one of a kind. He bought me my first car and that's how I attended my first Hollywood premiere. Elvis said, 'Kid if you're going to go to something like your first Premiere you deserve to attend in the right Style'. And he made sure that I did""

"Growing up in Beverly Hills in the 1960s, there was no such thing as being star-struck — my neighbors were movie stars. Going shopping one day, after coffee crunch cake at Blum's, I found myself in front of the Beverly Wilshire Hotel staring at a man so beautiful and charismatic that I was magnetically drawn to him as if by a tractor beam. As I approached, he was swarmed by large burly men in Hawaiian shirts. ‘Let her through,’ he said. As if in a dream, I found myself in the magnificent presence of Elvis Presley! He signed my hand and a $5 bill. He spoke to me kindly and gently in soft Southern tones. The autographed bill? I spent it in my college tuition when I ran out of money"

"I wanted to say to Elvis Presley and the country that this is a real decent, fine boy, and wherever you go, Elvis, we want to say we've never had a pleasanter experience on our show with a big name than we've had with you."

"So who got covered on LIFE? Thirty-six covers from the first 64 years portrayed one or more of the Kennedy family. John F. Kennedy was on 25 covers, while Jackie edged him out to appear on 26 and earn the number one spot. Robert F. Kennedy appeared on five covers while Edward Kennedy was on nine. Rose Kennedy even made a solo appearance on one cover. Richard Nixon ranked third behind JFK and Jackie in number of appearances by a single individual with 15. Ronald Reagan had 11. But Marilyn Monroe beat him with 13 cover appearances, while Elizabeth Taylor was close behind at nine. Barbra Streisand made four cover appearances. Nikita Krushchev appeared on more covers (9) than Winston Churchill (7), Dwight D. Eisenhower (7), Franklin Delano Roosevelt (5) or Bill Clinton (4). The Reverends Billy Graham and Martin Luther King Jr. each made it onto two covers, while various popes appeared on eight covers between 1936–2000. (Those) never appearing on a LIFE cover included Elvis Presley, Monhandas K. Gandhi and Mother Teresa."

"I approve of his moves last night at the Pan Pacific (October 29, 1957), and saw nothing wrong with them but unfortunately neither my wife nor I could hear a single word out of his mouth because of all the screaming. But he is everything he is reported to be."

"I may be the only person who knows Colin Powell and Elvis Presley..."

"We didn't care as much for Elvis and his music - but once we met him - our mouths completely dropped. We could not believe a man was allowed to be this beautiful. We almost lost our job with Elvis because we focused so much on what he looked like that we forgot the lyrics to our songs. He was without doubt the most beautiful man that ever lived. And what's more beautiful: he didn't know it. - Good Lord he was beautiful!"

"It blew my brain apart. It was like Star Wars combined with Elvis Presley and these crazy, sped-up electro beats that I'd known since I was 11 years old.”"

"In 1957, I worked with Elvis a bit on ‘Jailhouse Rock,’ and got to know him as well as anybody in Los Angeles at the time. Anyways, that same year I had a beach house that I sublet to him while I was doing ‘Peyton Place.’ He needed it as a getaway, and basically wrote me a check for that month's rent. I wish I had kept the check, that would be worth more than the money I got LOL."

"Presley makes no secret of his respect for the negroes, nor of their influence on his singing. Furthermore, he does not shun them, either in public or private"

"Warhol was in the process of shifting from commercial illustrator to artist, and I both witnessed and experienced firsthand his tactics, his method of incision into the art world He used contemporary icons (Elvis and MM),as motifs in his works"

"That's it for now from us, at the first ever Presidential summit in Graceland, so thank you, thank you very much."

"The reasons for honouring Elvis are not sentimental but political. I don't own a single Elvis album but he was a champion for those amongst our people who turned against our country's Soviet-backed Government in October 1956. And although the revolution was quashed, Presley saluted the uprising in January 1957 during his last appearance on The Ed Sullivan Show and performed "Peace in the Valley", a gospel standard, as a tribute to our plight. At his request, Sullivan solicited the TV audience to donate towards our relief efforts, raising US$6 million (the equivalent of US$ 49 million in 2012 dollars), or about 26 million Swiss francs."

"Before Elvis, white America was shackled by crippling conservatism. Then, four years into the 1950s, a singer from Tupelo, Mississippi, had what record producer Sam Phillips was looking for, a “white man who had the Negro sound and the Negro feel”, language that makes us cringe now — but at the time, Elvis' "sound" and "feel" did more to break down color barriers in popular music than any white singer ever had. Elvis' low, trembling transmission to teenage America was emancipation in the form of rockabilly, gospel, schlocky love songs, Christmas standards and muddy blues. In the ’60s, his voice was muted by forgettable films, but in 1968, wearing a leather jumpsuit, he reminded America that the suffering in his voice was sex in a sexless society — a pink Cadillac crashing into daddy’s station wagon. —"

"If you’ve made art after 1954, then the chances are you’ve been influenced by Elvis Presley"

"I was in California, saw "Jailhouse Rock" and changed my name to Vince Taylor, the former from the first name of the character played by Elvis in "Jailhouse Rock"."

"He performed at the auditorium in 1955 and 1956. For the first appearance, Elvis was paid $150. He grossed $9,000 when he returned a year later."

"I couldnt believe I was singing with Elvis. My nerves were a wreck..."

"I love Elvis because he was my generation, but then again, he's everyone's generation and will always be"

"For some people, they are just cars from the past. But classic cars represent an important market segment for investors. With their rising by more than 500 per cent in the past decade, the 2016 Motorworld Classics Fair in Berlin is a good chance for anyone interested in that kind of investment. A perfect example is a 1967 Cadillac Eldorado showcased here. It is not a very rare car, nor is it in a good state, but it was once owned by Elvis Presley, which bumps up the price tag to about half a million euros."

"People think that we're crazy because we do six nights a week, and then you see how much Elvis put into every show, for which he created this larger than life style, and he pulled it off."

"I remenber when I took Elvis by the hand and slowly pulled him on stage. And I said 'Ladies and gentlemen ..... Elvis Presley!! And he did that willow with that leg two or three times and it was over and the show was really over and the people, these were black people, they stormed that place trying to get to Elvis. And never, never in your life have you seen such a surge of black faces all converging upon a stage at the same time. I know of only two people that would have that type of magnetism that would just, they could just pull people to them, the kind of magnetism to just draw crowds in instantly effect them. [Elvis being one], the only other was Martin Luther King. The fact is people like music and if it's good it makes no difference who's doing it, black, blue, green even plaid if it's like that. And I love good music and Elvis was doing blues, rhythm and blues because that was his beginning."

"There is nothing that could force Donald Trump to release his tax returns, but precedent and Hillary Clinton's willingness to release hers would have nudged most other presidential hopefuls into taking the action. All this reminds me of the fact that accountants for Elvis Presley begged him at times to take advantage of the legal loopholes available to him. It would have saved him millions. He demurred on the basis that the patriotic thing to do was to pay for the privilege of his success."

"What makes USA the most aspirational destination to Indians is probably our own pop culture. Out of 1.3 billion Indians, there are 700 million young people who are under the age of 35. By 2020, the median age is going to be 29 years and when I think about a younger demographic, everything in the United States is appealing to them. Pop, short for popular music originated in neighborhoods across the US, when people of various ethnicities came together and merged their musical talents transcends geographical borders, races, and even traditional music styles. It is the music of today. Traditional guitars or electric ones, playing of pop music is not restricted to instruments either. Elvis Presley, in fact, is one of the first stars associated with the popularity of pop music. He fused country music with black rhythm and blues and came up with rock-and-roll."

"Just as the producer's job is to achieve the best recording possible – the kind of perfection that so grabs listeners like - so the editor should push the writer beyond the bounds of what he thinks he can achieve. It's hard to escape the feeling that there's a better book here waiting to get out. Essentially, this is a memoir consisting of 10 essays each of which attempting to examine a fairly arbitrary category of music. “Boys and Girls and Girl Groups”; “Vulnerability”; “The Spectacle of Anguish” etc. The opener looks at “The Horsemen in the Box” - Little Richard, Jerry Lee Lewis, Chuck Berry and Elvis Presley – who he feels would have represented the end of pop music history had the Cuban Missile Crisis not turned out so well."

"Elvis is inside of me"

"They're talking ‘bout the hood, talkin’ ‘bout where we all come from. My mother always listened to Presley' song when I was young. It talk about the things she went through, you know. She had a bunch of kids, like 9 kids, you know what I’m sayin’. That's how you get somebody to listen to your song, you talk about what they know about and what they want to hear.”"

"To make things even harder, public-health communicators no longer have the benefit of public figures such as Elvis Presley, who once gave a lift to a national immunization campaign with a single photograph of a rolled-up sleeve. These days, even our most mass-appeal celebrities are not nearly as appealing. Each of them has done something to annoy some chunk of the population, and I’m even talking about Bruce Springsteen right now, and I’m even talking about Hilary Duff."

"Are you kiddin̠g? I am not gonna do an Elvis song, not at the White House̜. No one can outsing the King."

"i) A double voice that alternates between a high quaver, reminiscent of Johnnie Ray at his fiercest, and a rich basso that might be smooth if it were not for its spasmodic delivery. 'Heartbreak Hotel', yelps the high voice, is where he's going to get away from it all. Answers the basso: 'he'll be sorry ii) Without preamble, the three-piece band cuts loose. In the spotlight, the lanky singer flails furious rhythms on his guitar, every now and then breaking a string; in a pivoting stance, his hips swing sensuously from side to side and his entire body takes on a frantic quiver, as if he had swallowed a jackhammer; his loud baritone goes raw and whining in the high notes, but down low it is rich and round. As he throws himself into one of his specialties— "Blue Suede Shoes" or "Long Tall Sally", his throat seems full of desperate aspirates or hiccuping glottis strokes, but his movements suggest, in a word, sex."

"Elvis Presley was also known for his work on the big screen. The “Heartbreak Hotel” singer made his debut in 1956's Civil War film “Love Me Tender“. It was a stunning one, and it helped propel him to the top ten of the box office for a decade in movies like "Jailhouse Rock“ and “King Creole" Eventually, he would return to music entirely after Hollywood stopped giving him challenging film roles but by then, he'd proven that he could tackle everything.""

"I've got a cutout of Elvis Presley outside my door so people at the US Capitol can find my office. Right now, he's wearing a big pennant that says ‘Go Golden Knights,"

"I think Elvis Presley will never be solved."

"Listening to these songs today, their most remarkable feature is Presley's voice itself. He takes the Platters' Tony Williams's techniques, and any other predecessor's, to new, uncharted pinnacles. For a singer who was only just encountering widespread popularity, his singing resonates with amazing fortitude and confidence, especially on "Heartbreak Hotel," (1956), where Presley alternately shouts words with full lungs, then gulps the following back, as if under water but without missing a beat. In "Loving you" (1957), Presley's baritone on this, the ultimate slow dance number, is almost too powerful, virtually rumbling the floor..."

"My first political act was to get kicked out of class for arguing with a teacher for criticizing Elvis"

"Before I made my first record, we had a three night tour of an Army base in Freidberg, Germany. I was told: “Jackie, there’s someone I’d like you to meet". So I walked in through the front door of a house in Bad Neuheim, off-base, to find Elvis himself smiling at me. I nearly fainted! We sang together, talked plenty, and I kinda fell in love with him..."

"It was the very first day on set and I was so nervous. Everyone was having lunch and I really didn't feel like eating because I was that nervous. So I decided to go take a nap and if I was needed on set, they would call me. I went to my trailer and the air conditioner wasn't working. I was just hysterical -- really hysterical. I thought, ‘Oh no, this isn’t happening.’ You could only imagine how hot it was. And there was no one around because everyone was having lunch. There must be an air conditioner there. I thought. All of a sudden, there was a hand stopping me. I immediately apologized without even looking up. And I was told, ‘That’s Elvis’ dressing room. You can't just go in. I'm going to have to ask if you're allowed." At that moment, I didn’t see Presley, but I was given the green light to hang out in his room. Upon entering, I immediately felt the relief of a running air conditioner and collapsed on a nearby couch. When I opened my eyes after a restful sleep, I saw Presley’s face closely staring right back at me. He was putting a cold compress on my face. He thought I must have passed out or something, He was absolutely beautiful. I mean, people with great voices are attractive to me, but this was something else. I didn’t even know what to say because I was so shocked. And then he went, ‘Don’t worry about it. I just want you to feel good. Are you hungry? Do you want something to eat? Are you thirsty?’ I couldn't even talk!” I was overwhelmed by everything I was experiencing. He smelled like baby powder and milk. But he just kept insisting if I needed or wanted anything. Elvis also had told me I could stay for as long as I liked and not to worry about it. After he left, I eventually got up and stepped outside where I saw Presley surrounded by his entourage. At the time, he was fascinated by martial arts and when I told him I knew Bruce Lee, then that was another reason we bonded easily. He was a Southern Baptist and my family was very Christian, so we had already connected from that alone. He was very spiritual. I remember the last time we spoke, we were hanging out in his trailer. He just looked at me and said, ‘Keep that light burning baby.’ And that was it. I guess he lost his light. Couldn't find his way home, you know? I truly feel he just worked himself to death. It was very tragic.”"

"Even Plato, I think, said that you need to be trained in government, to exercise it, to practice it. But the American public is now satisfying itself with being interested in entertainers. I was at a seminar a few weeks ago down at the Smithsonian. They held a conference on the subject of the hero. And I guess I should have realized that this was what it was about, that the level would not be exactly my idea of a hero. And it certainly was not. It was quite weird, what they considered heroes. The real hero of the discussion was this little girl who’d fallen down a well, and everybody was rescuing her. I mean, after all, she didn’t do anything to make herself a hero. She was just in the news. And another hero they discussed was Elvis Presley"

"Even as we focus on perhaps the final election of the 2018 season in North Carolina's 9th District, pundits and scholars are already debating whether or not there was a “blue wave” during the 2018 election, or if it was an Elvis Presley-like “Blue Christmas” for the Democrats, a missed opportunity for the party."

"Well, this was during the time that Elvis Presley was driving a gravel truck and we were playing on 11th Street and they didn't allow whites there. It was a whole black street. And at that time I didn't know who Elvis was, whether he was a musician, he was just a guy that I liked. He liked music, so I liked him because he liked music. I'm assuming that was it and we had some form of rapport together. So I would slip him into the back of the club, the piano sitting like this and the back door was sitting there and I would sit him and have him behind the piano, because in those days I would stand up to play the piano, and I'd play the piano backwards and just clowning with the piano. But I never knew that this guy was even an entertainer. But meantime, I'm just assuming a year or so, I hear this "Blue Suede Shoes" but I never put this with this guy at all. I don't even connect the two. And many years later, in Las Vegas, I was playing the lounge room at the International Hotel, and Elvis was in the main room, but you know I never was interested in other acts, you know, I always was interested, like if I get to know you, OK, but for me to go over there, Red Foxx was in the lounge also at that time. And one night, I won some thousand dollars, and I was coming down through the back, had all this big old rack of chips and stuff and this white guy says, "Hey you don't remember me?" And I said no. So that's when he [Elvis] told me that he was the one that used to come to West Memphis and hide behind the piano, in this black club. You know, it was amazing, you know?"

"But even the power of organized religion paled beside the personal changes I felt come over me in the mid-1950s when I heard Elvis Presley's "Mystery Train" on the radio for the first time. Determined to get a berth of my own on the fast-moving train of rock 'n' roll, I quickly made my way up to Memphis and the legendary Sun Studios. There, I talked producer Sam Phillips into giving me a shot at making some records of his own."

"This is the best way to hear Elvis the Superstar, with "Hound Dog," (1956),"All Shook Up,(1957), "Are You Lonesome Tonight" (1960), and the ever zany "Suspicious Minds" (1969), still sounding fresh and immediate —impressive given how many times most the world has heard them —, and showing off the diversity of Elvis' singing, from the purity of his gospel falsetto to his rock and roll purr."

"Blue laws began in Texas in 1863 and were still being passed in 1961. Many states prohibited the selling of alcoholic beverages on and off premises in one form or another on Sundays, or at restricted times. Also, blue laws of Texas did not prohibit most businesses being open on Sundays, but all of the restrictions made it impractical to open. Can anyone imagine when some Sunday shopping was a crime? If this blue law was still in effect today, we would all go to jail and cause a Jailhouse Rock with an 8.6 magnitude on the musical Richter scale like Elvis did back in his heyday."

"I was 11 when he died, but I remember that. He gave Ali that robe. Everybody loved him. He was a beautiful person in real life."

"It is not enough to reject the capitalist decadence with words, to speak out against the ecstatic singing of someone like Elvis Presley. We have to offer something better..."

"The course examines the history of rock music, primarily as it unfolded in the United States, from the days before rock (pre-1955), to the end of the 1960s. It covers the music of Elvis Presley, Chuck Berry, Phil Spector, Bob Dylan, the Beatles, the Rolling Stones and many more artists, with an emphasis both on cultural context and on the music itself. The course will also explore how developments in the music business and in technology helped shape the ways in which styles developed."

"Elvis Presley, for example, became a key supporter of Father Don Mowery's work, having grown up in Lauderdale Courts, one of the many Memphis housing projects well served by Youth Service during this period. Interestingly, Elvis' donations always came with a catch, namely that they never be put into the general-operating fund, but instead set aside for “special projects.” By 1985, Memphis-style programs were operating in dozens of cities all across America, father Mowery's concept generally considered the most innovative social-service effort developed between the military and civilian sectors in the late-twentieth century. And although no one knew at that time how much of an impact Elvis' contributions would have on the future of the organization, much of the funding for this national expansion came precisely from that “special projects” fund that Elvis Presley had supported in the 1960s."

"I credit my sister Cleedy and my father for the Staple Singers, because Pops would have her singing in a minor. Her soprano was different from anybody else's. And Pops had on his guitar a tremolo. He went to the music store one day, and he came back with this tremolo. I was too young to know who he was, but Elvis Presley told me one time, “I like the way your father plays guitar. He plays a nervous guitar.” I said, “Nervous?! That’s the first time I heard that.” But that was a good name for it. Nervous. Our sound was so unique. What helped Elvis was that when he did interviews, he would tell that he got it from blacks'"