Academy Award Winners

"I'm not really doing the fucking Russell Crowe brand-name shit. I'm not fulfilling that stuff. So if I don't fulfill, then just write about it anyway... You know, there was an article I was reading on-set somewhere, and there were eleven things on this list that made me a motherfucker, right? The eleven points of motherfuckerdom of Russell Crowe. And nine of them were completely untrue, had never happened, but had been over time reprinted so much that they were now folkloric."

"Probably the biggest difference— the thing that really took my life and changed it , and made my relationship with the press a defensive one instead of one of tolerant amusement or whatever— was Meg Ryan. And, gee whiz, I'm not going to apologize for that situation in my life. It's just there. Well, actually, that's wrong— I would apologize if there are people that were directly hurt from that situation. There was never any intention like that. Quite frankly, it was in the papers before it was a reality, you know? So we were already having to deal with the bullshit, and that possibly brought us close together, because we were both dealing with what it meant to be put in that situation."

"A guy like Hando is abhorrent to me— the philosophy that governs his life is something that disgusts me completely— so that was an interesting learning experience."

"I used to have these very strange situations where I'd be walking down the street and I would imagine people calling out my name. I was as optimistic and as full of hope as anybody could be. And lots of things didn't turn out the way I wanted them to when I was a younger fella, but I didn't lose that thirst to understand what it is that I could do well."

"I went shopping with Danielle yesterday, and we were in a bookstore. And this woman actually said, "Look, Russell Crowe reads— who'd have known?""

"I've always had a thing about being accused of something when I'm not guilty of it, you know? That goes right back to a primary school thing. It's the thing that scares me the most— being blamed for something that I didn't do... And there's that "If you get accused of something and you get angry, then you must be guilty.""

"Every now and then I say something like this and it just sounds so self-righteous— but if there's anything I'm aiming at, it is that I want there to be a trust between me and an audience. I want them to absolutely know that if I've done it, there's some really good fucking reasons; there's something special about it. Sooner or later, the press, the magazine shit, the tabloid sort of shit, that'll all go away, because no matter how many times they say it, it's still not going to be true. What is true is what I put down in movies. Even though it's pretend, that's the truth."

"On the set of Gladiator, I didn’t have a very good relationship with the producers. I had a very good relationship with Ridley [Scott], but the producers couldn’t understand why I wouldn’t just chill out. The reason I wouldn't chill out was because I knew that if I did fucking chill out, in those five minutes something stupid would now be in the movie. Like, they were trying to get me to do a love scene, and I'm saying to them, "What we're doing here is about the vengeance of a man whose wife has been killed— you cannot have him stop off for a little bit of nooky on the way.""

"I don't follow anybody in particular. When people talk about Laurence Olivier or something, I go, "Fuck, man, once you've had De Niro with Raging Bull, that's where you begin.""

"Until I was 25, 1 had one tooth missing. When George Ogilvie cast me, he asked me about it, and I told him the story and that I thought it was very false of me to go and get a tooth cap. He was very nice about it, listened to it all, and said, "All right, well, let me put it this way, Russell. You're playing the lead character in my film, right? The character of Johnny has two front teeth....'"

"I suppose I'm still too young to say everything I want to say, though nobody'd ever give me credit for holding anything back. But I do … I just have no desire or need to slag Joe Fiennes. But I would look at that particular thing differently. I see the opportunity differently."

"I wanted to see that grizzly fucker. I wanted to see him flower. I wanted to see him blossom under the fact of love. I wanted to see where the sonnets came from. They came from the same pen of despair that wrote Timon of Athens— I wanted to see that guy. I wanted to see that guy with the sensibilities of a man that could create a body of work that would last century after century. I wanted to see that... I wanted to play that character. I loved the script. I mean, it was an incredibly well observed script about actors. That's why I thought it was so cool."

"People accuse me of being arrogant all the time. I'm not arrogant, I'm focused. I don't make demands. I don't tell you how it should be. I'll give you fucking options, and it's up to you to select or throw 'em away. That should be the headline: If you're insecure, don't fucking call."

"If it's not going to be that serious, I don't want to do it. It's a personal taste. I don't like watching an actor have the same fucking hairdo from time period to time period, from character to character— I just think it's bullshit. It's a waste of money and a waste of my time as an audience member."

"It's really hard to explain, because it's a fucking prick of a job, you know? Particularly when you get successful with it.... People don't understand why your life suddenly changed when, hey, to them it's fucking ten bucks at the movies, it's over in a couple of hours. They dont understand the prep, they don't understand the real physical shit that you put yourself through. I mean, the last movie's an example— shoulder surgery partway through preparation. And it's a $100 million train, man, and I'm the fucking guy that drives the train. And I've got to get back on that train and make sure that this thing is completed."

"I'm fundamentally quite shy, so that thing of taking on another character is quite a liberating thing to do if you're a shy person, because within that character framework you can now go to all these other places. [pauses] And I never found another job that I was actually that good at."

"There's nothing like sitting back and talking to your cows."

"I'd move to Los Angeles if New Zealand and Australia were swallowed up by a tidal wave, if there was a bubonic plague in England and if the continent of Africa disappeared from some Martian attack."

"Some things just come without any real understanding. I don't bother to question it or myself anymore. If you get into a situation like L.A. Confidential, where you can just totally get inside the character, that's a privileged position. Now that I'm more aware of the process I realize it's the position you always want to aim for."

"It was a 100 percent fucking home run, except the central character of William Shakespeare was not a fucking writer— he was not smelly enough, he was not unshaven enough, and obviously hadn't had enough to drink. He was some prissy pretty boy. What the fuck? That's so disrespectful."

"I get a very deep sense that the generation after Generation X is a very conservative generation, and I'm not sure they understand the commitment part of what I do. I'm not sure if we'll ever be able to regain that ground.... I quite often feel like I'm the youngest of the old guys, where I've got some really old-fashioned philosophies about what's credible and what's not.... Suddenly, someone like me seems like a dinosaur from a different age, but I hope it's the opposite of that. I hope I'm at the forefront of thinking and it'll all come back to that at some point."

"I'm the sort of bloke that will have stand-up arguments with producers, saying, "Look, mate, I know you're product-placing that fucking thing' If I can see it, I'm just not going to allow it to happen... You lose all of your integrity as soon as you cross over into that sort of crass commercialism."

"I refuse to be pessimistic. I don't believe in it. I hope that we can find a way to keep from destroying the earth."

"I'm really concerned about the quality of education in the United States. I think it's going down, and I don't think we spend enough money on it. It's unhealthy for our society that we remove ourselves more and more every day from books, from reading, from writing. All areas of education need more emphasis. I think we're a bit lazy here in America. I believe in the ideal of the classic liberal education, and I also think athletics are very important to the education of young people."

"It makes me feel like a very special person, that I'm able to make my living with my imagination. I developed a big respect for my calling while I was in school, and it remains with me to this day."

"I'm one of those people who feels that agriculture is a creative act. It's a very fine art — that's the way I approach it."

"Create turf, save water. Those are the two main principles. And, you know, keep everything alive. Maintain a game habitat. That's important so that you have an entire system at work. Cattle are going to do better, oddly enough, if the birds are doing good and the deer are doing good. You try to manage the whole thing."

"The old-timers thought, Well, fire's bad; we'll get rid of it. That was certainly a mistake. We have to get it back into the system somehow, in safe, controlled ways. That's what I'm into now."

"As you get older, the more complicated things get. It's almost therapeutic to be doing simple things with the kids."

"When I'm directing a great dramatic scene, part of me is saying, "Thank God I don't have to do that." Because I know how fucking hard it is to act. It's the middle of the night. It's freezing. You gotta do this scene. You gotta get it up to get to that point. And yet, as a director, you've got to get the actors to that point. It's hard either way."

"The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying—even if you say something totally crazy. You need people who can tell you what you don't want to hear."

"I didn't have a problem with rejection, because when you go into an audition, you're rejected already. There are hundreds of other actors. You're behind the eight ball when you go in there."

"There's no such thing as not being afraid."

"Some people say, "New York's a great place to visit, but I wouldn't want to live there." I say that about other places."

"I like it when interviews are brief. Are we done yet?"

"He doesn’t care for those people, and the people who he pretends to care about are the people he has the most disdain for. They might like to tell themselves or to delude themselves, but he doesn’t care about them."

"It’s Shakespearean, the whole thing. You’ve got a lunatic saying things that people are trying to dance around. It’s appalling. He wants to be reelected. He doesn’t even care how many people die."

"Even gangsters have morals, and they have ethics. They have a code, and you know when you give somebody your word, it’s your word, because it’s all you have is your word. This guy, he doesn’t even know what that means."

"Give him a chance. That’s what I said right after he was elected. Give him a chance. I give everybody the benefit of the doubt. This guy has proven himself to be a total loser."

"I’m just so incensed by this guy. He’s conning people every day. It’s a blight on our country. We have a lot of making-up to do to earn back people’s trust, and to get back on track where certain allies will trust us enough to know that we won’t allow an idiot to get in office again."

"I’m not really political but I saw when [Trump] would go to those rallies and he’d say, ‘I want to get this person and punch him in the face,’ and I’d think, how dare this person have this kind of a rally? How dare you do that! And I think about [Rupert] Murdoch, and what he did to this country. He’s an immigrant who became a citizen, and look what he contributed? Look what this guy did? It’s disgraceful—beyond disgraceful, beyond cynical. Fox News, it’s all about money and power. At what cost? And you’re not even an American. You’re someone who wanted to be an American, and this is what you gave us?"

"The only other president who served a third term was Roosevelt because he was in a war, and this fool would go and start something. This was what Marty Scorsese was saying, and I said, ‘Marty, I never thought of that. I never thought he’d go for a third term if there was a war or something. Trump joked about being ‘president for life’ with [Chinese president Xi Jinping] and so-on, he’ll pardon anybody, he’ll do anything. The day after he was elected, I went on a TV show and said I’d give him the benefit of the doubt and say that I hope he won’t be as bad as I think he will be, but he’s turned out to be a lot worse."

"I’m worried because if he gets re-elected, it’s gonna be very, very bad—very bad on a lot of levels. We already have a lot of reparations, if you will—repairs—to do to the damage that he’s already done, and he has to be gotten out. He’s going to be history at one point, though he’d love to be president for life. He jokes about it. I think that if he became president for a second term he’d try to have a third term, and let smarter people manipulate it into getting us into some kind of altercation: a war."

"Oh, I can’t wait to see him in jail. I don’t want him to die, I want him to go to jail."

"It’s a resentment of people [who are] writing about what we see is obvious gangsterism. They don’t like that, so they say: ‘Fuck you, we’re going to teach you people.’ And they have to know they’re going to be taught … they can’t get away with bullying us – people who have common sense and see what is happening in this world, and in this country. They cannot do it. It’s a shame, it’s a shame that [the Republicans] behave so badly.”"

"We have a real, immediate problem in that we have a gangster president who thinks he can do any-thing he wants … the problem is, if he actually gets away with it, then we all have a problem. The gall of the people around him who actually defend him, these Republicans, is appalling, and we must do something about it."

"You need somebody who’s strong enough to outmouth him – because that’s all he is, mouth – and smart enough and well-informed enough in a debate, say, to override all that nonsense that he does, be-cause basically it’s just name-calling. He has no substance. I don’t know how people fall for it. He’s just a big blowhard. But it ain’t over till it’s over as far as I’m concerned with a guy like him because he’s a dirty player."

"Rupert Murdoch became a citizen of this country; look what he’s contributed by this. This is what he’s going to leave. This is his legacy. It’s disgraceful. He’s cynical, amoral, but he has a responsibility. He came here as an immigrant, technically, and look what he did. You cannot justify having Fox News as a mouthpiece for the government. It’s wrong. It’s beyond disgusting."

"Trump is basic. He’s just a guy who just thinks he can rattle off his mouth and say anything. Well, I want to say the same thing to him: there are people who are going to say the same thing back to you, no matter who you are."

"I mean, a mob boss calls people ‘a rat’. That means you lied and somebody snitched on you, so you did commit the crime. So that’s interesting, and he makes mobsters look bad because there are mobsters who will shake your hand and keep their word. He can’t even do that."