Absurdists

"It belongs to the imperfection of everything human that man can only attain his desire by passing through its opposite."

"I have never fought in such a way as to say: I am the true Christian, others are not Christians. No, my contention has been this: I know what Christianity is, my imperfection as a Christian I myself fully recognize — but I know what Christianity is. And to get this properly recognized must be, I should think, to every man's interest, whether he be a Christian or not, whether his intention is to accept Christianity or to reject it. But I have attacked no one as not being a Christian, I have condemned no one. Indeed, the pseudonym Johannes Climacus, who sets the problem ‘about becoming a Christian’, does exactly the opposite: he denies that he is a Christian and concedes this claim to the others — the remotest possible remove, surely, from condemning others! And I myself have from the first clearly asserted, again and again repeated, that I am ‘without authority’. My tactics were, by God's aid, to employ every means to make it clear what the requirement of Christianity truly is — even though not one single person should be induced to enter into it, and though I myself might have to give up being a Christian (in which case I should have felt obliged to make open admission of the fact). On the other hand, my tactics were these: instead of giving the impression, in however small a degree, that there are such difficulties about Christianity that an apology for it is needed if men are to be persuaded to enter into it, rather to represent it as a thing so infinitely lofty, as in truth it is, that the apology belongs in another place, is required, that is to say, of us for the fact that we venture to call ourselves Christians, or it transforms itself into a contrite confession that we have God to thank if we merely assume to regard ourselves as a Christian. But neither must this ever be forgotten: Christianity is just as lenient as it is austere, just as lenient, that is to say, infinitely lenient. When the infinite requirement is heard and upheld, heard and upheld in all its infinitude, then grace is offered, or rather grace offers itself, and to it the individual, each for himself, as I also do, can flee for refuge."

"Seek first God's Kingdom, that is, become like the lilies and the birds, become perfectly silent — then shall the rest be added unto you."

"Above all do not forget your duty to love yourself; do not permit the fact that you have been set apart from life in a way, been prevented from participating actively in it, and that you are superflous in the obtruse eyes of a busy world, above all, do not permit this to deprive you of your idea of yourself, as if your life, if lived in inwardness, did not have just as much meaning and worth as that of any human being in the eyes of all-wise Governance, and considerably more than the busy, busiest haste of busy-ness - busy with wasting life and losing itself."

"Knowledge can in part be set aside, and one can then go further in order to collect new; the natural scientist can set aside insects and flowers and then go further, but if the existing person sets aside the decision in existence, it is eo ipso lost, and he is changed."

"If someone were to expound that godliness is to belong to childhood in the temporal sense and thus dwindle and die with the years as childhood does, is to be a happy frame of mind that cannot be preserved but only recollected; if someone were to expound that repentance as a weakness of old age accompanies the decline of one's powers, when the senses are dulled, when sleep no longer strengthens but increases lethargy-this would be ungodliness and foolishness."

"There must have been many who had a relationship to Jesus similar to that of Barabbas (his name was Jesus Barrabas). The Danish "Barrabas" is about the same as "N.N." [Mr. X or John Doe], filius patris, his father's son. — It is too bad, however, that we do not know anything more about Barrabas; it seems to me that in many ways he could have become a counterpart to the Wandering Jew. The rest of his life must have taken a singular turn. God knows whether or not he became a Christian. — It would be a poetic motif to have him, gripped by Christ's divine power, step forward and witness for him."

"Oh, can I really believe the poet's tales, that when one first sees the object of one's love, one imagines one has seen her long ago, that all love like all knowledge is remembrance, that love too has its prophecies in the individual. ... it seems to me that I should have to possess the beauty of all girls in order to draw out a beauty equal to yours; that I should have to circumnavigate the world in order to find the place I lack and which the deepest mystery of my whole being points towards, and at the next moment you are so near to me, filling my spirit so powerfully that I am transfigured for myself, and feel that it's good to be here."

"God creates out of nothing. Wonderful you say. Yes, to be sure, but He does what is still more wonderful: He makes saints out of sinners."

"There are many people who reach their conclusions about life like schoolboys; they cheat their master by copying the answer out of a book without having worked out the sum for themselves."

"There is a contrast of primary significance between Augustine and Pelagius. The former crushes everything in order to rebuild it again. The other addresses himself to man as he is. The first system, therefore, in respect to Christianity, falls into three stages: creation – the fall and a consequent condition of death and impotence; a new creation – whereby man is placed in a position where he can choose; and then, if he chooses – Christianity. The other system addresses itself to man as he is (Christianity fits into the world). From this is seen the significance of the theory of inspiration for the first system; from this also is seen the relationship between the synergistic and the semipelagian conflict. It is the same question, only that the syngeristic struggle has its presupposition in the new creation of the Augustinian system."

"One could construe the life of man as a great discourse in which the various people represent different parts of speech (the same might apply to states). How many people are just adjectives, interjections, conjunctions, adverbs? How few are substantives, active verbs, how many are copulas? Human relations are like the irregular verbs in a number of languages where nearly all verbs are irregular."

"I have just now come from a party where I was its life and soul; witticisms streamed from my lips, everyone laughed and admired me, but I went away — yes, the dash should be as long as the radius of the earth's orbit ——————————— and wanted to shoot myself."

"In vain do individual great men seek to mint new concepts and to set them in circulation — it is pointless. They are used for only a moment, and not by many, either, and they merely contribute to making the confusion even worse, for one idea seems to have become the fixed idea of the age: to get the better of one's superior. If the past may be charged with a certain indolent self-satisfaction in rejoicing over what it had, it would indeed be a shame to make the same charge against the present age (the minuet of the past and the gallop of the present). Under a curious delusion, the one cries out incessantly that he has surpassed the other, just as the Copenhageners, with philosophic visage, go out to Dyrehausen "in order to see and observe," without remembering that they themselves become objects for the others, who have also gone out simply to see and observe. Thus there is the continuous leap-frogging of one over the other — "on the basis of the immanent negativity of the concept", as I heard a Hegelian say recently, when he pressed my hand and made a run preliminary to jumping. — When I see someone energetically walking along the street, I am certain that his joyous shout, "I am coming over," is to me — but unfortunately I did not hear who was called (this actually happened); I will leave a blank for the name, so everyone can fill in an appropriate name."

"How close men, despite all their knowledge, usually live to madness? What is truth but to live for an idea? When all is said and done, everything is based on a postulate; but not until it no longer stands on the outside, not until one lives in it, does it cease to be a postulate. (Dialectic - Dispute)"

"It occurs to me that artists go forward by going backward, something which I have nothing against intrinsically when it is a reproduced retreat — as is the case with the better artists. But it does not seem right that they stop with the historical themes already given and, so to speak, think that only these are suitable for poetic treatment, because these particular themes, which intrinsically are no more poetic than others, are now again animated and inspirited by a great poetic nature. In this case the artists advance by marching on the spot. — Why are modern heroes and the like not just as poetic? Is it because there is so much emphasis on clothing the content in order that the formal aspect can be all the more finished?"

"What I really need is to get clear about what I must do, not what I must know, except insofar as knowledge must precede every act. What matters is to find a purpose, to see what it really is that God wills that I shall do; the crucial thing is to find a truth which is truth for me, to find the idea for which I am willing to live and die."

"It is as useless for a person to want first of all to decide the externals and after that the fundamentals as it is for a cosmic body, thinking to form itself, first of all to decide the nature of its surface, to what bodies it should turn its light, which its dark side, without first letting the harmony of centrifugal and centripetal forces realize its existence and letting the rest come of itself. One must learn to know oneself before knowing anything else (gnothi seauton). Not until a person has inwardly understood himself and then sees the course he is to take does his life gain peace and meaning."

"It will be easy for us once we receive the ball of yarn from Ariadne (love) and then go through all the mazes of the labyrinth (life) and kill the monster. But how many are there who plunge into life (the labyrinth) without taking that precaution?"

"In order to learn true humility (I use this expression to describe the state of mind under discussion), it is good for a person to withdraw from the turmoil of the world (we see that Christ withdrew when the people wanted to proclaim him king as well as when he had to walk the thorny path), for in life either the depressing or the elevating impression is too dominant for a true balance to come about. Here, of course, individuality is very decisive, for just as almost every philosopher believes he has found the truth, just as almost every poet believes he has reached Mount Parnassus, just so we find on the other hand many who link their lives entirely to another, like a parasite to a plant, live in him, die in him (for example, the Frenchman in relation to Napoleon). But in the heart of nature, where a person, free from life's often nauseating air, breathes more freely, here the soul opens willingly to every noble impression. Here one comes out as nature's master, but he also feels that something higher is manifested in nature, something he must bow down before; he feels a need to surrender to this power that rules it all. (I, of course, would rather not speak of those who see nothing higher in nature than substance — people who really regard heaven as a cheese-dish cover and men as maggots who live inside it.) Here he feels himself great and small at one and the same time, and feels it without going so far as the Fichtean remark (in his Die Bestimmung des Menschen) about a grain of sand constituting the world, a statement not far removed from madness."

"After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835"

"The reason I cannot really say that I positively enjoy nature is that I do not quite realize what it is that I enjoy. A work of art, on the other hand, I can grasp. I can — if I may put it this way — find that Archimedian point, and as soon as I have found it, everything is readily clear for me. Then I am able to pursue this one main idea and see how all the details serve to illuminate it."

"It is abundantly evident that Joss has persisted in his harmful actions, continuing to create wreckage in his wake. My hope now, by finally coming forward about these experiences, is to create space for the healing of others who I know have experienced similar serialized abuses of power."

"Joss intentionally refused multiple calls from my agents making it impossible to connect with him to tell him the news that I was pregnant. Finally, once Joss was apprised of the situation, he requested a meeting with me. In that closed-door meeting, he asked me if I was "going to keep it" and manipulatively weaponized my womanhood and faith against me. He proceeded to attack my character, mock my religious beliefs, accuse me of sabotaging the show, and then unceremoniously fired me the following season once I gave birth."

"Joss Whedon abused his power on numerous occasions while working together on the sets of Buffy the Vampire Slayer and Angel. While he found his misconduct amusing, it only served to intensify my performance anxiety, disempower me, and alienate me from my peers. The disturbing incidents triggered a chronic physical condition from which I still suffer. It is with a beating, heavy heart that I say I coped in isolation and, at times, destructively. Last summer, when Ray Fisher publicly accused Joss of abusive and unprofessional behaviour toward the cast and crew during reshoots on the Justice League set in 2017, it gutted me. Joss has a history of being casually cruel. He has created hostile and toxic work environments since his early career. I know because I experienced it first-hand. Repeatedly."

"Very occasionally, if you really pay attention, life doesn’t suck."

"I believe we are the only sentient beings in the universe, and I believe that 500 years from now, we will still be the only sentient beings around. … Aliens are something everyone else is doing."

"I think there's a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed... That offends me deeply, because the world is a scary and horrifying place, and everyone's going to get old and die, if they're that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice. Children need horror because there are things they don't understand. It helps them to codify it if it is mythologized, if it's put into the context of a story, whether the story has a happy ending or not. If it scares them and shows them a little bit of the dark side of the world that is there and always will be, it's helping them out when they have to face it as adults."

"The first thing I ever thought of when I thought of Buffy, the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series."

"Whedon as man appears to have inspired no loyalty at all from the people that worked for him."

"You only have to look at the chubby little goblin and you see Gamma face. Puffy and pinched with sunken piggy eyes. The Germans have a word, Backpfeifengesicht, a face in need of a fist. Just looking at a picture of Whedon and any normal man feels his fingers instinctively start to clench."

"If nothing we do matters, then all that matters is what we do."

"We’re talking about a malevolent force, We’re talking about a bad actor in both senses."

"If I ever did a rom-com, it'd be about an orgy. I cannot do anything except ensemble-pieces. It's awful!"

"All worthy work is open to interpretations the author did not intend. Art isn't your pet — it's your kid. It grows up and talks back to you."

"I have had a dream my whole life... and it was not this good."

"Q: So, why do you write these strong female characters? A: Because you’re still asking me that question."

"Hello, I'm the writer and director. Now take your clothes off and get on top of Morena."

"I think that people need two kinds of fulfillment — one in which you give and one in which you hold back. Part of fulfillment is need, is longing, is being unfulfilled, that’s the nature of tragedy and a lot of drama. Very often, what the fans want, they get. But very often, what they want, they can’t quite have, because we want them to feel the way our characters felt..."

"There is nothing more painful in the world than Aly when she makes her big eyes. She makes her big hurt eyes, there's nothing you can do. She just kills you."

"The greatest expression of rebellion is joy."

"Get out of my BRAIN!"

"Joss: Um, no. Dead Buffy's a Buffy. But a dead one."

"SENTINEL: Is dead Buffy actually a robot?"

"People with real power never fear of losing it. People with control think of little else."

"People love a happy ending. So every episode, I will explain once again that I don't like people. And then Mal will shoot someone. Someone we like. And their puppy."

"The actors can make up their dialogue. I'm bushed, and they're all funny, and the hell with it. Maybe I'll give them a premise to work off of, like "You're all in trouble" or "Wash has a thing". They could maybe light it too."

"I know there's been some debate about the DVD art. Just remember it's what's INside that counts, as I used to remind girls in high school constantly. CONSTANTLY — until I realized that I was empty inside. Empty and homely. Man, that's a rough combo."

"Stay crunchy, even in milk."

"If I made a series of lectures on PBS on why there should be feminism, no one would be coming to the party, and it would be boring. The idea of changing culture is important to me, and it can only be done in a popular medium."