Essayists From The United States

"She is afraid of crumbling and disappearing, of being taken and being left behind at the same time: a body tumbling between hands while dying inside."

"What is lost is gone, my child, what is lost makes room for something else."

"Thinking abstractly about depression is so easy, but the experience of it is more like being in touch with something very, very deep that is a necessary part of the human experience. It keeps us grounded in our mortality. Depression is an intolerance to life, but it can also be profound. Maybe the trouble is that we don’t respect it enough…"

"What is war? You send soldiers out and, although nobody wants to say it, you know a certain number will be killed, and you hope there will be fewer than the casualties on the other side. War is dealing with human beings as objects. (2017)"

"The routine dulls the terror."

"What he knows is this: there is no past, there is no "what happened", there is only the moment that unfolds into the next, dragging everything with it, constantly renewing. Everything is happening at once."

"We all know that war destroys mankind, and in spite of their differences in race, creed, and religion, women all across the world despise war because its fruit is nothing but destruction."

"She does not want to remember but she is here and memory is gathering bones."

"Here is the truth he wants to ignore: that what is forged into memory tucks itself into bone and muscle. It will always be there and it will follow us to the grave."

"Make living your act of defiance. Record it all."

"Maybe we have to allow our discomfort as another consequence of the violence depicted. Our shared confusion and disgust can bind us to those who are suffering, rather than draw us away from them. They too have had to witness. To deny our own human reactions makes it easier to deny the humanity of those who are photographed. Though we cannot change what has happened, we can alter the symbolism attached to the images. Photographs can be more than a reminder of cruelty and the inevitable aftermath of war. There are narratives unfolding right now in South Sudan, in the Central African Republic and the Democratic Republic of Congo that can be rewritten. We have the ability to strip away what we’re supposed to see – just another African victim – and gaze upon what we should: a human being. But first, we have to look."

"I like ghosts as a metaphor for the outsider. I wish they were real; that would be my preferred afterlife plan. I'd love to observe and haunt with little involvement—I guess that's what being a writer is."

"It seems that every new writer with any remote connection to the continent of Africa, either willingly or unwillingly, has first to wrestle with this question of identity before talking about what should matter most: their book...we should focus on the ability of the story to immerse us so fully in the world that has been constructed, that it feels a bit like home."

"who is to judge what makes a "real African"? It is almost impossible to apply a single identity to an entire racial or ethnic group, much less to an entire continent. As individuals, we are each comprised of a series of contradictions. We are not neatly constructed sets of qualities. At our best, we should defy simple categorisation. It is living with difficult choices and easy accommodations that makes us human and, if we're lucky, keeps us interesting. It is from within contradictory existences that some of our greatest works of literature have been born."

"We have a really shamefully horrid healthcare system, and I think that’s part of it. It’s much more convenient to think these people are just crazy, or it’s in their heads. It’s a very real thing; I don’t know of anyone who doubts it any more. Occasionally I encounter people that do. I’m astounded at their wilful ignorance; it’s not actual ignorance."

"Who remembers what to do? she asks. Who remembers what it means to be more than what this world believes of us?"

"Estrangement is a constant theme in all of my work. The thing that makes it really difficult is people will look at me and not understand why I feel like an outsider, or why I couldn’t belong in all kind of circumstances. I’m one of those people who visually presents as whoever you want—whatever ethnicity or race is predominant. For me, the challenge is always figuring out what people’s assumptions are, and how I can actually take up space against their assumptions. Because they’re almost always wrong about who I am. That’s a hard thing to get used to in America…"

"(What’s the last great book you read?) ...Ottessa Moshfegh’s razor-sharp short stories “Homesick for Another World”"

"My father was always a stranger to me, he will say. I knew him through his questions, not his answers."

"When I first started writing, it was much more important for me to appeal to academic audiences or an imagined high-art literary audience. The older I get, the more important it is for me to communicate with everyone and anyone. Right now to me, America is in a crisis of constant misunderstandings. Some of it is willful ignorance, but some of it is not willful and it requires people to explain things…"

"Few talk or think about Iraq these days; the media ignores this important but demolished nation. Iraq, let us recall, was the target of a major western aggression concocted by George W Bush, Dick Cheney and Britain’s Tony Blair, and financed and encouraged by the Gulf oil sheikdoms and Saudi Arabia."

"For those who don’t like the American Raj, a US invasion of Venezuela would mark a step forward in the crumbling of the empire. More aimless imperial over-reach, more lack of strategy, more enemies generated. The big winner would, of course, be the Pentagon and military industrial complex. More billions spent on a nation most Americans could not find on a map if their lives depended on it, more orders for ‘counter-insurgency’ weapons, more military promotions, and cheers from Fox News and wrestling fans."

"Most people don’t understand that Iraq remains a US-occupied nation. We hear nothing about the billions of dollars of Iraqi oil being extracted by big US oil firms since 2003. For the United States, Iraq was a treasure house of oil with 12 per cent of the world reserves. It was OPEC’s second largest producer."

"Russia and the West are at war – over fruits, veggies, pork and bank loans. The cause is Ukraine, a vast emptiness formerly unknown to the western world, but now deemed a vital national security interest worthy of a risking a very scary war. Economic embargos such as those launched by the US against Russia may seem relatively harmless. They are not. Trade sanctions are a form of strategic warfare that is sometimes followed by bullets and shells. Think, for good example, of the 1940 US embargo against Japan that led Tokyo’s fateful decision to go to war rather than face slow, economic strangulation... Frighteningly, today, there are senior officials in Washington and Moscow who are actually considering a head on clash in Ukraine between Russian forces and NATO – which is an extension of US military power. Intensifying attacks by Ukrainian government forces (quietly armed and financed by the US) against pro-Russian separatists and civilian targets in eastern Ukraine are increasing the danger that Moscow may intervene militarily to protect Ukraine’s ethnic Russian minority. A full-scale military clash could begin with a Russian-declared ‘no fly’ zone over the eastern Ukraine such as the US imposed over Iraq. Moscow’s aim would be to stop the bombing and shelling of Ukrainian rebel cities by Kiev’s air force. Russia’s leader, President Vladimir Putin, is under growing popular pressure to stop the killing of pro-Russian Ukrainians – who were Russian citizens until 1991."

"India and Pakistan, where people starve in the streets, waste billions on military spending because of the Kashmir dispute. Now some of India’s extreme Hindu nationalists warn they want to reabsorb Pakistan, Bangladesh, and even Sri Lanka into Mother India. Previous Indian leaders have been cautious. But not PM Modi. He is showing signs of power intoxication."

"My favorite definition of magic realism is by Ariel Dorfman, who said in an NPR interview about his play, Widows, "When people who have nothing demand everything, that’s real magic.""

"(Why do so many South American Jews write about oppression?) People like Timerman and Dorfman were part of generations that suffered terribly because of dictatorships. So they write about what happened to them and their countries, and have the courageous belief that an author should write about things as a witness."

"when 9/11 was taking place in the U.S., few journalists, except people like Ariel Dorfman, few of them mentioned that there was another 9/11 that took place in Chile created by the terrorism that the United States government, in a way, was supporting through the CIA...Dorfman wrote a wonderful editorial in The New York Times, an op/ed about two or three days ago, and he said that Pinochet's dirty dealings with his money were found because through the Patriot Act they discovered that he had money in the Riggs Bank, and he became like a terrorist that stole $8 million, but he also says that it was the same secrecy that Pinochet governed that allowed him to steal the money. So secrecy is dangerous no matter how you look at it, and he was talking the secrecy of the Patriot Act."

"I think the genre decides for me—which sounds like a way of avoiding the question unless I explain first that this chameleon-like border crossing, this shifting of genre identities is, I realize, parallel to, or anticipates, or recollects my own life. I’m probably fluctuating across genres perhaps because my identity itself is always in flux…"

"Not to belong anywhere, to be displaced, is not a bad thing for a writer…If you can deal with it. If it doesn’t destroy you."

"More than a traveler, I’m a displacer. In other words, I’m a person who is constantly meditating on what it means not to arrive at a place, but to be on my way somewhere else."

"The past is really unknowable, but it’s got to be knowable enough so that we can seek forgiveness for our crimes…"

"We discover through genetics or the genome or through culture, through migration and so forth, anthropology that racist dont exist, biologically, that you can't box people up in little boxes according to race."

"Just because you say that things in the 21 century are not the same as they were in the 20th century, doesnt mean that you're saying that we're in a post-racial society. We are not in a post-racial society, but things are not like they were in the age of segregation or slavery."

"We need to recognize the destructive role played by the media in fanning the flames of the "Black-Jewish Conflict." Cornel West, bell hooks, Richard Green, Barbara Christian, Henry Louis Gates, Marian Wright Edelman, Nell Painter, Albert Raby....Why are these names not as well known outside the African American community as the names of Louis Farrakhan or Leonard Jeffries? Are they, in their diversity and dynamism, less representative of the African American community?"

"What has changed in the 21st century is that what we think of as class privilege can go a long way in blunting the color phobia"

"Before desegregation, before the Civil Rights Act of 1964, all those laws, exclusionary laws, were meant to keep Negroes out."

"We still have slavery in the world today. and two of the areas pinpointed for slavery are Latin America, notably Brazil, and Eastern Asia."

"I live in Newark, which was heavily - actually bulldozed in the 1960s in urban renewal. And we think of urban renewal as harming black people, which of course it did, but it also hit some other vulnerable people, and Italian-American neighborhoods also got it."

"The idea of beauty being white, that is another enlightenment idea, actually, an 18th-century idea by another German, named Winckelmann, who's the father of art history"

"The census keeps counting us by race for purposes of undoing racial harm in the past."

"It hasn't come together finally. There's no end to this, and it changes over time. My relationship with history as I used to write it, and as I sometimes use it in my work — that was something that took several years, actually, for me to feel comfortable with. And as I continued to wrestle with it and to deal with it visually, it's that I can do whatever I want to the figure; I can do whatever I want with history…"

"This was a new definition. I think there's room in our culture for interesting people who are black and for interesting people who are female and interesting people who are black and female. There's hardly any room to be interesting if you're old."

"I think that’s the kind of relationship between recognition and black women. That you have to be an optimist to think something’s going to work out and just keep trying because if you concentrate on the really awful actual facts of life, then you’ll just crawl into bed and pull the covers over your head."

"Our search for understanding in matters of race automatically inclines us toward blackness."

"Visual art is very freeing, because it answers only to the eye."

"The whole point of defining races is mostly to put people down, and so those needs change over time."

"I don’t want people to consume our suffering. I am not tragic. I don’t want to be pathology porn so I don’t write it."

"My mother is very smart, thoughtful, and loving, but I find that religion can take the most intelligent parts of her and warp them. There is a theological argument to be had about being gay, but I have found that trying to have that argument with people who believe their religion is opposed to gay identity is too hard. It tends to dismantle too much of who they are as people. Easier to just clarify, “I plan to have sex, so I can’t date Jesus.”"

"The rest of the stories came as they came, over the years, as I traveled over hill and dale and dusty trail, moving through life. As for the particular ache or longing that brought them on…well, if I shared every Twitter feed and eye blink and snort and nose pick with every Tom, Dick, and Mary in the world every five seconds, I wouldn’t have a thing left for me."