Children S Authors

"Genius is rare as turtle fangs, but talent is common enough."

"America has done more for Irish storytelling than Ireland, which is an awful thing to say, but Ireland has let storytelling down, so much so that I have been collecting and collecting, regardless. I have never had help, it has all come out of my own pocket, but now I have a collection, thousands and thousands of hours of recorded material. What will I do with it? I guarantee you it won’t go to an Irish institution anyway."

"Storytelling has always been the poor relation. You’ve Irish music, singing and dancing, but storytelling was never on the national airwaves have never done anything for it. Media in general has rarely done anything for it. Anytime I go abroad, I make that point absolutely clear, that if storytelling survives in this country, it’s by accident: I’m not in the least sentimental about that point."

"I think that with a book, you can excavate a story so much more because you're really in the character's head and you can go into much deeper detail. In a movie, what you might spend pages describing, you can do that in a flash. But there's also a feeling that you have to really streamline a movie too so it stays on the right track. And I think I would say that there are definitely changes made, but I think that to me, the spirit of the story is there. And that was what was most important to me, was just that people walked away with the same feeling that they had when they read the books, which is just, I hope, feeling a warm-hearted, cozy feeling."

"I don't plan anything out and I don't write in chronological order. The emotional tenor is what guides me, but a lot of it is feeling my way through the dark. That's okay if you have unlimited time to work and stumble upon things in a delightful way, but under a deadline it can be really stressful. The most joyful part of writing for me is when I am 90% there, and suddenly the story clicks into place and things finally start to make sense."

"I don’t outline anything in advance. That can be really scary. I liken it to walking blindfolded. I’m trying to head towards somewhere, but I have no idea how to get there. I don’t write in order, either. I’m taking things as they come, following my fancy."

"What I would say is, don’t even look at a screen. Get a notebook and pen. For me, I always prefer to start writing with a pen. For me, the blank page is just a possibility. It’s like, "What can I feel on this page?" That’s really exciting. But if I look at the blank page, it feels like pressure. With a notebook, you can scribble down whatever you want and you can move things around the page. It’s never really gone. You can always find it again. It feels a little less free for me on a computer. I guess that would be my tip. Just start really organically with paper and a pen."

"I'm not one of those writers that drafts out 500 pages, and then cuts a bunch of stuff, and then does new stuff on the fly. I'm just a lot more slow. And my process is every word pretty much gets used. I don't really have a lot of stuff on the cutting room floor from the books. I mean, some conversations and smaller scenes, but I don't think there's any big plot point or anything that I wrote but didn't use."

"Writing for me, 95% of the time, it's torture, because I'm basically walking through the forest blindfolded trying to feel my way through and then I'm almost there, and I can sort of take it off and then see where I'm at, and then I have to go back and sort of move things around and make sure it's all feeling cohesive. But the process itself can feel really arduous and a real struggle to get through. I think everyone has their own process and mine is particularly torturous."

"Well, I don’t ever plan anything in my books. Since I don’t outline, I tend to just go wherever my imagination leads me and where I feel excited to write about. I tend to write scenes that I would want to read."

"When it comes to adapting a story for film, I think being able to understand what’s being asked of you and what you offer to the process is really important, and for me, I’ve always seen it as being the emissary: being the ambassador of the fans and understanding what they want. I’ve been with these books for a long time, so I understand what it is that readers like about them, and I wanted to make sure that that was still present in the movie. It was less important to me to have details correct about setting and more about the feeling that you get when you see the film, which is, I hope, a cozy and warm feeling that makes you feel really hopeful."

"It was definitely overwhelming and surprising. Going into it, I was just hoping that the fans of the book would feel happy and that it brought the story to life in a way that satisfied them. It was really gratifying to see so many people embrace it who were being introduced to it for the first time."

"There’s something very compelling about the immediacy and urgency of adolescence. As a storyteller, I’m drawn to first times and to how intense all of those emotions can feel in the moment. What’s interesting for me is being able to honor that and treat it with respect, and not think that because it’s about young people, it’s somehow less important of an experience."

"Immigrant parents don’t want their children to suffer or have to live harder than they did."

"Honestly, sometimes you'd rather be a dog. A mutt doesn't torture itself with thinking."

"I knew what people thought. Clacktons, we were rubbish. Town like Monkton, one pub, roadhouse, rail silo and twelve streets, half of them empty, small enough everyone heard something and they all had a fucking opinion."

"I shoulda been making proper plans to go right then. But I wasn't. You ever seen a chased rabbit give in running? When he just pulls up and stands there? Like he's out of puff and out of ideas and can't put two moves together anymore? Well that was me. I shoulda been gone already. It was like I was paralysed."

"Mum said school mighta been different for me if I only give a damn. Maybe it was wasted on me like the teachers said. I didn't have any philosophy in me then, so I didn't know what to listen for. Most of it was pointless crap. Don't reckon I met a single wise person all the years I stayed but like I say, I wasn't paying close attention. And the thing is I miss it a bit. That's something I never thought I'd hear myself say. I didn't know what I was, what I could do. Except the lame things I did do."

"I suspect I only really liked her because she liked me first."

"I was always determined to find just the right book for that one child who maybe was a reluctant reader. I knew there was a book to turn him on to reading. I just had to find it. I do have a special place in my heart for kids who maybe have trouble reading or who just don't want to for various reasons. It's always my goal to write books that will somehow entice them to want to read."

"The strange thing is that what makes a wonderful story for some could be quite boring for others. It’s quite rare to find a story that everyone loves. But I think the best stories are those where the underdog somehow finds a way to succeed, hopefully with friends helping along the way."

"Draw from your imagination and read whatever gets you excited."

"She was sick of conversations with people passing through. Nothing you said to each other mattered a damn because you'd never see them again."

"Inside his mother is silent at the stove. Her face is shut down. It's nothing new. The table's set. He washes his hands and, newly protected by his thoughts, settles himself into the silence she's prepared for him. He already knows what his mother thinks. To her, the world is a treacherous place. Nothing lasts. People cheat. They leave. They just up and go. Sooner or later they all bolt and you're left on your own, and the look of reproach she gives him now is but a variation on her whole demeanour, the assumption in every glance, every sigh, every mute chink of cutlery, is that he too will leave her high and dry, just as the old man did three years ago. He's fifteen and it's old news. He feels sorry for her, protective still, but he's had a gutful. He wants her to get over it but he senses that it's beyond her."

"We have found that it's a good idea to read as many authors and as many different genres as possible. That way, we can learn more about writing and it gives us ideas to try different things."

"It seemed that these were Joneses who didn't need much keeping up with."

"All the big things hurt, the things you remember. If it doesn't hurt it's not important."

"The past is in us, and not behind us. Things are never over."

"For all those years when Loonie and I surfed together, having caught the bug that first morning at the Point, we never spoke about the business of beauty. We were mates but there were places our conversation simply couldn't go. There was never any doubt about the primary thrill of surfing, the huge body-rush we got flying down the line with the wind in our ears. We didn't know what endorphins were but we quickly understood how narcotic the feeling was, and how addictive it became; from day one I was stoned from just watching. We talked about skill and courage and luck - we shared all that, and in time we surfed to fool with death - but for me there was still the outlaw feeling of doing something graceful, as if dancing on water was the best and bravest thing a man could do."

"It's a survival thing, making yourself a small target."

"Though it seemed so beautiful, the world around us was eternally dangerous. The price of spiritual freedom, we learnt, was eternal vigilance. Such a high price for so long."

"I suspect that God is what you do, not what or who you believe in. When you do right, Jaxie, when you make good - well, then you are an instrument of God. Then you are joined to the divine, to the life force, to life itself. That's what I believe. That's what I hope for. And it's what I have missed. Think of it this way. When somebody does me a kindness, it enlarges me, adds to my life, you see? And not only mine - it adds to all life."

"There isn't one thing in the world hot and hard as knowing there's someone waiting, coming, pressing, wanting you."

"Still you can't keep doing the coulda and the woulda and the shoulda. And if there's one thing I know it's this. Doesn't matter how smart you are, or even how careful or lucky, there's some mistakes you just keep making over and over."

""Sometimes it's a mighty struggle to know what's real and what's just . . . a mirage. You understand?" "Yeah," I said."

"Nanna was the first dead person I ever saw. Her hair was blue against the pillow. And when me hand bumped her cheek she was cold and heavy and a kind of spark went through me, like a terrible familiar feeling. And I understood it then. She was meat. That's what dead things are."

"Our stories. We store them where moth and rust destroy. We're precious about them, no? Not because we treasure them at all, but because it's safer to hold them close. Am I reading you right? Do we have that much in common?"

"I knew from hunting food the thing you need most of isn't water or ammo, it's patience."

"There was always a manic energy about Loonie, some strange hotwired spirit that made you laugh with shock. He hurled himself at the world. You could never second-guess him and once he embarked upon something there was no holding him back. Yet the same stuff you marvelled at could really wear you down. Some Mondays I was relieved to be back on the bus to school."

"Jim wanted to fish but he wanted his sons to do something else. He didn't want them to follow the standard White Point trajectory which meant bumping out of school at fifteen to end up in seaboots or prison greens."

"I knew I'd failed a test whose rules I didn't yet understand."

"It's one thing to think someone's stupid. And fair enough if you need them to be. But you can't go banking on it. That's a mug's game."

"And you know someone's special when you never get enough of them."

"It does you good to be tenants. It reminds you of your own true position in the world."

"Ambition, Rose. It squeezes us into corners and turns out ugly shapes."

"It's the saddest sight to see, Scully, a man lettin his own life slip through his hands."

"Why was it that he didn't know a thing about the underlying nature of people, the shadows and shifts, the hungers and hopes that caused them to do the things they did?"

"Oriel looked at the potatoes in her hand and thought of the things she'd like to tell the spud growers of Australia about taking a little time, a little pride and a little care."

"Sometimes she couldn't think what jerrybuilt frame was holding her together. It wasn't willpower anymore. She'd gone past that lately. She only had will enough to make everything else work, these days. There was never enough left for her. She was like that blessed truck of Lester's, running on an empty sump."

"But Paris was a black hole, somewhere where Jennifer came hard up against the wall of her limitations while all he could do was stand by and watch."