Critics Of Religion

"I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size."

"Annie Besant’s book where she put forward the idea that theosophical mystical energies could be portrayed as colours or abstract shapes was practically the invention of abstract art. A lot of artists rushed out and read it and suddenly thought, ‘oh God you could, you could portray love as a colour, or depression as a colour” All of a sudden abstract art happens, a flowering out of occultism."

"There is a house above the world, where the over-people gather. There is a man with wings like a bird. There is a man who can see across the planet and wring diamonds from its anthracite. There is a man who moves so fast that his life is an endless gallery of statues. In the house above the world, the over-people gather... And sit... And listen... ...To a dry, mad voice that whispers of Earthdeath."

"If there was no point to being offensive (as with a high number of comedians who frequent the average working men's club), then the perpetrator will either be squeezed out of business or be relegated to working in bottom-of-the-heap sleaze pits where nothing more than vulgarity is demanded. Alternately, if there was some integrity behind all the outrage, the perpetrators become persecuted legends with a fanatical cult following and generally exercise tremendous influence upon the artists that come after them. In comedy, Lenny Bruce is an example. In music, perhaps the Sex Pistols. In comic books, EC would fit the bill."

"I saw no reason why you couldn't create a work of pornography that adhered to all the same standards as the best art or literature. The big difference between art and pornography is that art, at its best, makes you feel less alone. You see a painting or read a piece of writing that expresses a thought that you had but didn't express, and you suddenly feel less alone. Pornography, on the other hand, tends to engender feelings of self-disgust, isolation and wretchedness. I wanted to change that."

"I suppose I first got involved in radical politics as a matter of course, during the late 1960s when it was a part of the culture. The counterculture, as we called it then, was very eclectic and all-embracing. It included fashions of dress, styles of music, philosophical positions, and, inevitably, political positions. And although there would be various political leanings coming to the fore from time to time, I suppose that the overall consensus political standpoint was probably an anarchist one. Although probably back in those days, when I was a very young teenager, I didn’t necessarily put it into those terms. I was probably not familiar enough with the concepts of anarchy to actually label myself as such. It was later, as I went into my twenties and started to think about things more seriously that I came to a conclusion that basically the only political standpoint that I could possibly adhere to would be an anarchist one. It furthermore occurred to me that, basically, anarchy is in fact the only political position that is actually possible. I believe that all other political states are in fact variations or outgrowths of a basic state of anarchy; after all, when you mention the idea of anarchy to most people they will tell you what a bad idea it is because the biggest gang would just take over. Which is pretty much how I see contemporary society. We live in a badly developed anarchist situation in which the biggest gang has taken over and have declared that it is not an anarchist situation – that it is a capitalist or a communist situation. But I tend to think that anarchy is the most natural form of politics for a human being to actually practice. All it means, the word, is no leaders. An-archon. No leaders. And I think that if we actually look at nature without prejudice, we find that this is the state of affairs that usually pertains."

"When you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. Forever."

"It doesn’t even matter if we ever fire these missiles or not. They are having their effect upon us because there is a generation growing up now who cannot see past the final exclamation mark of a mushroom cloud. They are a generation who can see no moral values that do not end in a crackling crater somewhere. I’m not saying that nuclear bombs are at the root of all of it, but I think it is very, very naïve to assume that you can expose the entire population of the world to the threat of being turned to cinders without them starting to act, perhaps, a little oddly. I believe in some sort of strange fashion that the presence of the atom bomb might almost be forcing a level of human development that wouldn’t have occurred without the presence of the atom bomb. Maybe this degree of terror will force changes in human attitudes that could not have occurred without the presence of these awful, destructive things. Perhaps we are faced with a race between the Four Horseman of the Apocalypse in one line and the 7th Cavalry in the other. We have not got an awful lot of mid ground between Utopia and Apocalypse, and if somehow our children ever see the day in which it is announced that we do not have these weapons any more, and that we can no longer destroy ourselves and that we’ve got to do something else to do with our time than they will have the right to throw up their arms, let down their streamers and let forth a resounding cheer."

"It struck me that it might be interesting for once to do an almost blue-collar warlock. Somebody who was streetwise, working class, and from a different background than the standard run of comic book mystics. Constantine started to grow out of that."

"Way back in the early 80s, when I was first kicking off writing V for Vendetta for the English magazine Warrior, the story was very much a result of me actually sitting down and thinking about what the real extreme poles of politics were. Because it struck me that simple capitalism and communism were not the two poles around which the whole of political thinking revolved. It struck me that two much more representative extremes were to be found in fascism and anarchy."

"I'm not a millionaire but I'm very comfortable doing what I do, and I'm more productive now than I was in my mid-20s. It's all down to functionality eventually. If you're functional it doesn't matter if you're mad."

"No, I think that everything is eternal. And so when our consciousness gets to the end of our lifespan, it has nowhere to go – so back to the beginning. And I believe that we have our lives over and over and over again. And it always feels like the first time. Unlike philosopher Friedrich Nietzsche, Moore is not horrified about the idea. On the contrary, he hopes it can help people to live without the fear of death and become better, since this theory encourages them to take every action with the knowledge that they will have to live with it forever. He said he sees his art as a vehicle to help people have positive transformative experiences. In that regard, he argued art can be as powerful as psychedelic drugs or magical practices, some of which Moore has tried throughout his life. “The useful ideas that people might find handy in getting through their lives, that might make it a better society, that surely is the only reason for doing any art,” he said. “Art is a wonderful, mystical, esoteric way of placing your thoughts into somebody else’s mind.”"

"Yes, there is a conspiracy, in fact there are a great number of conspiracies that are all tripping each other up. And all of those conspiracies are run by paranoid fantasists and ham-fisted clowns. If you are on a list targeted by the CIA, you really have nothing to worry about. If however, you have a name similar to somebody on a list targeted by the CIA, then you are dead."

"As to how politics relate to the storytelling process, I’d say that it’s probably in the same way that politics relate to everything. I mean, as the old feminist maxim used to go, “the personal is the political.” We don’t really live in an existence where the different aspects of our society are compartmentalized in the way that they are in bookshops. In a bookshop, you’ll have a section that is about history, that is about politics, that is about the contemporary living, or the environment, or modern thinking, modern attitudes. All of these things are political. All of these things are not compartmentalized; they’re all mixed up together. And I think that inevitably there is going to be a political element in everything that we do or don’t do. In everything we believe, or do not believe. I mean, in terms of politics I think that it’s important to remember what the word actually means. Politics sometimes sells itself as having an ethical dimension, as if there was good politics and bad politics. As far as I understand it, the word actually has the same root as the word polite. It is the art of conveying information in a politic way, in a way that will be discrete and diplomatic and will offend the least people. And basically we’re talking about spin. Rather than being purely a late 20th, early 21st century term, it’s obvious that politics have always been nothing but spin. But, that said, it is the system which is interwoven with our everyday lives, so every aspect our lives is bound to have a political element, including writing fiction."

"Hollywood, television and film is not my prime area of interest. Because I would never have any control, working in those areas. It’s nice to get the money from a Hollywood project, but whatever they do with it, it would be their piece of work, and not mine."

"I've demonstrated there's no difference between me and everyone else! All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day."

"What I would prefer to have is to have a kind of magic where we say, "OK, we’re going to do a magical performance on this night, at this time. You come along, if you don’t think it’s magical, that’s fine. We’ll show you. We’ll show you what we mean, and you judge for yourself." That’s only fair. So a lot of the magic we do tends to gravitate toward the practical end, toward something that is tangible. Where you’ve got a record at the end of it, a performance at the end of it, a painting at the end of it. You’ve conjured some energy, some idea, some information from somewhere and put it in a tangible form. You conjure something into existence in a literal sense. A rabbit out of a hat. Something out of nothing. That’s one level to it, but there’s a lot of background to that. That’s the stuff that people see, that’s the end result of the process. But we also do a lot of ritual work purely on our own."

"Happiness is the most insidious prison of all."

"Memories so treacherous..."

"This is an imaginary story (which may never happen, but then again may) about a perfect man who came from the sky and did only good. It tells of his twilight, when the great battles were over and the great miracles long since performed; of how his enemies conspired against him and of that final war in the snowblind wastes beneath the Northern Lights; of the women he loved and of the choice he made between them; of how he broke his most sacred oath, and how finally all the things he had were taken from him save one. It ends with a wink. It begins in a quiet midwestern town, one summer afternoon in the quiet midwestern future. Away in the big city, people still sometimes glance up hopefully from the sidewalks, glimpsing a distant speck in the sky... but no: it's only a bird, only a plane — Superman died ten years ago. This is an imaginary story... aren't they all?"

"In fact, let us not mince words… the management is terrible! We’ve had a string of embezzlers, frauds, liars, and lunatics making a string of catastrophic decisions. This is plain fact. But who elected them? It was you! You who appointed these people! You who gave them the power to make decisions for you! While I’ll admit that anyone can make a mistake once, to go on making the same lethal errors century after century seems to me to be nothing short of deliberate. You have encouraged these malicious incompetents, who have made your working life a shambles. You have accepted without question their senseless orders. You have allowed them to fill your workplace with dangerous and unproven machines. All you had to say was “No.” You have no spine. You have no pride. You are no longer an asset to the company."

"Actually, art and magic are pretty much synonymous. I would imagine that this all goes back to the phenomenon of representation, when, in our primordial past, some genius or other actually flirted upon the winning formula of “This means that.” Whether “this” was a voice or “that” was a mark upon a dry wall or “that” was a guttural sound, it was that moment of representation. That actually transformed us from what we were into what we would be. It gave us the possibility, all of a sudden, of language. And when you have language, you can describe pictorially or verbally the strange and mystifying world that you see around you, and it’s probably not long before you also realize that, hey, you can just make stuff up. The central art of enchantment is weaving a web of words around somebody. And we would’ve noticed very early on that the words we are listening to alter our consciousness, and using the way they can transform it, take it to places we’ve never dreamed of, places that don’t exist."

"Jordan Elliot: What's for dinner?"

"Did you think to kill me? There's no flesh or blood within this cloak to kill. There is only an idea. Ideas are bulletproof."

"There has always been a dance element in my mysticism. We just think ‘why not’. Music is imposing a state of consciousness by its very nature. If what this Tree of Life is is a hierarchy of different states of consciousness, would it be possible to simulate and stimulate those states of consciousness in the listener by producing the right sorts of music. Is it possible? We don’t know, but we’re working on it."

"In his interview with RT, Moore said he probably “was in a bad mood about comics” when he made the remark, but stood by his comparison of characters like Daredevil or Batman to the Klansmen riding to quash a black riot in the Griffith movie. “I think that there is something that possibly dates back to… the Ku Klux Klan intervention in ‘Birth of a Nation’, the idea of dressing up in a mask, so that what you do doesn’t get back to you,” Moore said."

"So long as the French Revolution is regarded, not as ‘the suicide of the eighteenth century,’ but as the birth of ideas that enlighten the nineteenth, and of hopes that still inspire our own age; and so long as its leaders are sanely judged, with due allowance for the terrible difficulties of their task; so long will Robespierre, who lived and died for the Revolution, remain one of the great figures of history"

"It would be easy to say that the Jacobins were in love with power or that Robespierre established a personal dictatorship. The first statement would be partly true, the second mostly false; neither would really explain what happened."

"To hear Robespierre, he is the only defender of liberty; he is giving up for lost, he is going to quit everything; he is a man of rare modesty (laughter), and he has a perpetual refrain: "I am oppressed; they won't give me the floor"; and he is the only one with anything useful to say, for his will is always done. He says: "So-and-so conspires against me, I who am the best friend of the Republic; therefore he conspires against the Republic." That is novel."

"Robespierre I find difficult to admire. It is impossible to find real greatness in him, yet, because of his passionate faith in the principles of the revolution, he was perhaps its representative man. He was never more than the outstanding speaker of Jacobinism, not the creator of Jacobin policy. He was however the only politician ever known in any country to be called by everyone 'The Incorruptible'. Perhaps this quality was more surprising in France than in some other countries. Robespierre was incorruptible over money. He was corrupted by power. He had spoken against power. He had preached democracy. When he joined the Committee of Public Safety, he abandoned his principles."

"Robespierre was by no means the worst character who figured in the Revolution. He was a fanatic, a monster, but he was incorruptible, and incapable of robbing, or causing the deaths of others, either from personal enmity, or a desire of enriching himself. He was an enthusiast; but one who really believed that he was acting right, and died not worth a sou."

"You who supports the tottering country against the torrent of despotism and intrigue, you whom I only know, like God, through his miracles... I do not know you, but you are a great man. You are not only the deputy of a province, you are one of humanity and of the Republic."

"Robespierre was quite incapable of separating the personal element from differences of opinion. That every polemical argument became in Robespierre's mouth a torrent of personal denunciation may be explained by his implicit conviction that as there is only one truth, he who disagreed with it was prompted by evil motives. But less explicable seems Robespierre's habit of declaring himself a victim of persecution, of embarking upon a dirge of self-pity and of invoking death as solace, every time he was opposed. Here we are faced with a paranoiac streak, a strange combination of a most intense and mystical sense of mission with a self-pity that expressed itself in an obsessive preoccupation with martyrdom, death and even suicide. It is the psychology of the neurotic egoist, who must impose his will—rationalized into divine truth—or wallow in an ecstasy of self-pity."

"Robespierre is certainly the most tragic subject which history offers, but also the most comic. Shakespeare has nothing like this."

"Robespierre was the first prototype for the modern European dictator: his sanctimonious vision of republican virtue and terror, and the brutal slaughter he unleashed in its name, were studied reverently by the Russian Bolsheviks and helped inspire the totalitarian mass-killings of the 20th century. Known as ‘the Sea-green Incorruptible’, his name has become a byword for the fatal purity and degenerate corruption of the ‘Reign of Terror’ which followed the French Revolution of 1789 and climaxed with the execution of King Louis XVI on 21 January 1793. The Terror illustrated not only the corrupt dangers of utopian monopolies of ‘virtue’, but how ultimately such witch hunts consume their own children."

"Some see Robespierre as one of the founding fathers of social democracy, his revolutionary excesses occasioned by his championing the cause of the people. Many more though view him as a brutal dictator who manipulated the Parisian mob for his own ends — a hypocritical despot whose terror was the precursor of the totalitarian butchery of Hitler and Stalin in modern times."

"As a judge, history also undermines the claims of leaders to omniscience. Dictators, perhaps because they know their own lies so well, have usually realized the power of history. Consequently, they have tried to rewrite, deny, or destroy the past. Robespierre in revolutionary France and Pol Pot in 1970s Cambodia each set out to start society from the beginning again. Robespierre’s new calendar and Pol Pot’s Year Zero were designed to erase the past and its suggestions that there were alternative ways of organizing society. The founder of China, the Qin Emperor, reportedly destroyed all the earlier histories, buried the scholars who might remember them, and wrote his own history. Successive dynasties were not as brutal but they, too, wrote their own histories of China’s past. Mao went one better: He tried to destroy all memories and all artifacts that, by reminding the Chinese people of the past, might prevent him from remodelling them into the new Communist men and women."

"rather than thinking of Robespierre as the man who ruined the revolution, we should see him as a man that the revolution ruined."

"This man will go far, because he believes everything he says."

"He was never well-informed. He had forgotten all his sterile college studies and what he picked up during his legal practice. In working for the prize essays offered by provincial academies, he had acquired some ideas which were philanthropical rather than philosophical. That was the extent of his knowledge. He never had the faintest idea about government, administration and diplomacy."

"[Robespierre] couldn't even boil an egg."

"He is above all, a tenacious man"

"You will follow us soon! Your house will be beaten down and salt sown in the place where it stood!"

"The whole corpus of Robespierre studies is a hall of mirrors"

"The seagreen Incorruptible."

"One wonders why there are so many women who follow Robespierre to his home, to the Jacobins, to the Cordeliers and to the Convention. It is because the French Revolution is a religion and Robespierre is one of its sects. He is a priest with his flock… Robespierre preaches, Robespierre censures, he is furious, serious, melancholic and exalted with passion. He thunders against the rich and the great. He lives on little and has no physical needs. He has only one mission: to talk. And he talks all the time."

"There are two ways of totally misunderstanding Robespierre as a historical figure: one is to detest the man, the other is to make too much of him. It is absurd, of course, to see the lawyer from Arras as a monstrous usurper, the recluse as a demagogue, the moderate as a bloodthirsty tyrant, the democrat as a dictator. On the other hand, what is explained about his destiny once it is proved that he really was the Incorruptible? The misconception common to both schools arises from the fact that they attribute to the psychological traits of the man the historical role into which he was thrust by events and the language he borrowed from them. Robespierre is an immortal figure not because he reigned supreme over the Revolution for a few months, but because he was the mouthpiece of its purest and most tragic discourse."

"Of no one of whom so much has been written is so little known"

"I have the double regret — I should say the double remorse — of having overthrown Robespierre on the 9th of Thermidor and raised Bonaparte on the 13th of Vendemiaire."

"we were wrong that day [Thermidor] if someone were to ask me how [Robespierre] succeeded in taking so much ascendancy over public opinion I would answer that it was by displaying the most austere virtues, the most absolute devotion, the purest principles."