Chronologically Ordered Theme Pages To Be Converted To Alphabetical Ordering

"The profound sacred and spiritual meaning of the great music of the church must never be mixed with the transitory quality of rock and roll music. The former serves to lift men's souls to higher levels of reality and therefore to God. The latter so often plunges men's minds into degrading and immoral depths.""

"When I listen to this rock and roll and look at you kids, I don't think it's a whole lot different than the Charleston and the Varsity Drag."

"Just let me hear some of that rock and roll music Any old way you choose it It's got a backbeat, you can't lose it Any old time you use it It's gotta be rock roll music If you want to dance with me"

"Rock and Roll is a means of pulling the White Man down to the level of the Negro. It is part of a plot to undermine the morals of the youth of our nation."

"… I just know that, right now, … the biggest record selling business there is is rock and roll."

"Rock and roll is a music, and why should a music contribute to … juvenile delinquency? If people are going to be juvenile delinquents, they're going to be delinquents if they hear … Mother Goose rhymes."

"Hail, hail rock and roll; deliver me from the days of old. Long live rock and roll; the beat of the drums, loud and bold. Rock, rock, rock and roll; the feelin' is there, body and soul."

"Industrial design is a big industry, so there are always new businesses opening up that have really exciting opportunities."

"Manufacturers are realizing that good industrial design is an important ingredient in their products' success and a vital factor in industrial competitiveness in both domestic and international markets."

"What Charles and Ray Eames are to furniture design, Raymond Loewy is to industrial design—the modern master"

"If there is a designer whose name is synonymous with industrial design it is Raymond Loewy (1893-1986)."

"There are professions more harmful than industrial design, but only a very few of them. And possibly only one profession is phonier. Advertising design, in persuading people to buy things they don’t need, with money they don’t have, in order to impress others who don’t care, is probably the phoniest field in existence today. Industrial design, by concocting the tawdry idiocies hawked by advertisers, comes a close second. Never before in history have grown men sat down and seriously designed electric hairbrushes, rhinestone-covered file boxes, and mink carpeting for bathrooms, and then drawn up elaborate plans to make and sell these gadgets to millions of people. Before (in the “good old days”), if a person liked killing people, he had to become a general, purchase a coal mine, or else study nuclear physics. Today, industrial design has put murder on a mass production basis. By designing criminally unsafe automobiles that kill or maim nearly one million people around the world each year, by creating whole new species of permanent garbage to clutter up the landscape, and by choosing materials and processes that pollute the air we breathe, designers have become a dangerous breed."

"A lot of people are open to new things, as long as they look like the old ones."

"Industrial design keeps the customer happy, his client in the black and the designer busy."

""Can we afford industrial design?" "Is the industrial design consultant merely a stylist ?" "Does the employment of a designer tend to raise the standard of design?" These questions leap to the mind. My friend, , Honorary r.d.i., has gone to a great deal of trouble in his answers to these questions..."

"In speaking and thinking of industrial design, care must be taken not to limit its application to the few obvious trades. Industrial design is important to every industry and its value in most hast already been demonstrated."

"A most important element for the consideration of the industrial designer is sales. There is only one reason for hiring an industrial designer, and that is to increase the sales of a product."

"Industrial design is not necessary in the production of goods; but it makes goods more acceptable."

"The industrial designer is found in many fields of industry, which represent a wide diversity of manufactured products. Some of these fields are: Automobiles, airplanes, boats, trains, trailers, trucks; vacuum cleaners, washing machines, toasters, electric fans, lamps; furniture, hardware, electrical equipment; china, glassware, pottery; silverware; garden implements; farm machinery; tools of all kinds;"

"This book is aimed primarily at the young person making his choice of a vocation. It is also designed to give business executives and engineers a clear idea of how the industrial designer operates, what he can do for their business, and how much to expect from him after he has been engaged."

"One of the functions of an industrial designer is to bridge the gap between manufacturer and ultimate buyer."

"Modern industrial design is based on the principle of conspicuous economy [but] the bourgeois culture which dominates the Western World is founded... on the principle of conspicuous waste."

"Modern industrial design has advanced at a rapid pace during the last ten years. Its successes are no longer confined to objects which, like automobiles and airplanes, are themselves the product of new conditions. Modern design has also begun to conquer the traditional arts, and the feeling for abstract form, first expressed in our time in the works of Picasso, Braque, Brancusi, Duchamps-Villon in Europe, or Stieglitz, Benton, and Storrs for example in the United States, has finally entered architecture and the decorative arts."

"In brief the industrial designer is a fashion designer of industrial products and is called upon by industry and manufacturers to "style" their products or to "streamline" them."

"The designer of today, in most branches of art and particularly in the field of industrial design, needs more than vision and inspiration. This can be seen easily by anyone who will trouble himself to analyze the motif of some costly production and consider its chance to endure on the basis of artistic worth, rather than mere excellence of technical finish."

"As architecture stands for parent design principles and represents some of the world's best examples of composition and design, industrial design should be based upon the best examples of architectural design."

"The course in industrial design is as follows: First year: Free-hand drawing — Drawing in outline from the flat, from groups of geometrical solids, from objects, memory drawing. Industrial design — Geometrical and free-hand designing in flat outline, historical ornament (ancient) . Mechanical drawing — Elementary perspective, practical geometry. Mathematics — Mensuration, ^first year), Euclid, book 1 (one term only). Second year Free-hand drawing — Drawing in light and shade from the flat and model, from groups of geometrical solids, from ornamental casts, from objects, memory drawing. Industrial design — Designing from plant forms in outline (flat), elementary color (flat), historical ornament (medieval). Third year: Free-hand drawing — Continuation of work of second year, drawing in monochrome, memory drawing. Industrial design — Plastic design, historical ornament (modern), history of design, clay modeling. Work in the special courses is intended largely to supplement the work done in the regular course, but it is of a much more practical nature."

"There are many branches of manufacturing industry which greatly depend for their success upon the designer's art, and it is necessary that the industrial designer should possess a knowledge of the processes of the manufacture in which his designs will be utilized, as well as of the properties and capabilities of the material to which they will be applied."

"The subject of industrial design is one of three important practical co-related subjects which should be taught in public schools, and to which practice and skill in drawing should be applied. Satisfactory results in this subject, however, depend entirely upon the manner in which it is taught. Instruction in industrial design means a clear presentation of the principles which obtain in the construction and harmonious arrangement of geometric form for decorative purposes, the proper use of plant forms in ornamental arrangements, and the principles of good taste to be found in the great history styles of art."

"The only way of reaping a harvest of good industrial design is by sowing the seed of good Art."

"Our industrial design is very bad still — a great deal of it — though infinitely better than it was thirty years ago. So a great deal of our teaching of design may be, I fear is, unsound; but all the sound teaching we have is through such schools as this, and even in our errors there is, let us hope, instruction."

"This question of industrial design is nearly distinct from the general Art education of the public, the former being very much a manufacturers' undertaking, while the other, being of the first importance, appeals to the community at large for sympathy and support."

"The plan of the books is the first systematic effort made in this country to cover the whole field of Art Education for schools, by embracing every subject included under the head of Elementary Drawing. Pupils going through the course in all the subjects will be thoroughly grounded, and prepared either for practical industrial art or the further professional study of the fine arts."

"At the suggestion of the publishers, this work was undertaken to form one of their series of Dictionaries and Cyclopeadias. In this view, it has been the intention to make it a complete course of instruction and book of reference to the mechanic, architect and engineer. It has not, therefore, been confined to the explanation and illustration of the methods of projection, and the delineation of objects which might serve as copies to the draughtsman, matters of essential importance for the correct and intelligible representation of every form; but it contains the means of determining the amount and direction of strains to which different parts of a machine or structure may be subjected, and the rules for disposing and proportioning of the material employed, to the safe and permanent resistance of those strains, with practical applications of the same."

"It has been well observed that the world, more especially the English portion of it, during the last half century, has been in its working dress; that is to say, although we have done some very wonderful things in the way of mechanics, and have produced other things which are marvels of cheapness, yet as regards the production of really beautiful objects, particularly those required in every-day life, we have been behind most other epochs of civilization. Of course there is no prima facie reason why cheap things should be ugly, for a die or mould of a good design costs no more than a bad one; but still the fact remains that the objects in use in every-day life are not beautiful, and it is to effect a change in this respect that the Government have established Schools of Design and the excellent Museum of which I shall have to speak hereafter. Great praise must also be given to the Society of Arts for beginning the movement and carrying it on to the present time; and although the sphere of its action must necessarily be infinitely smaller than that of the Government Schools, yet we should always remember that the initiative of our great English exhibitions of industry came from the Society, and that it is to those exhibitions that we owe the stirring among the dry bones of industrial art which is now taking place."

"When an active individual of sound common sense perceives the sordid state of the world, desire to change it becomes the guiding principle by which he organizes given facts and shapes them into a theory. The methods and categories as well as the transformation of the theory can be understood only in connection with his taking of sides. This, in turn, discloses both his sound common sense and the character of the world. Right thinking depends as much on right willing as right willing on right thinking."

"Knowing the theory of anything is contrasted with know-how in all the arts...Beethoven..Michelangelo..Shakespeare, all great exponents of know-how, probably knew how to manipulate their instruments to achieve the desired results long before they knew the theory of their art. Perhaps some of them never bothered to learn the theory. On the other hand, there are many who know the theory better than these, but who lack know-how....Although we acquire the skill of understanding words by experience, so that we know the correlations between them and things, between words and other words, and between words and feelings and actions, we do not do it by inductive reasoning. Nor must we think that we do it by deductive reasoning... In the main, words are cues rather than clues."

"The final test of a theory is its capacity to solve the problems which originated it."

"A theory is the more impressive the greater the simplicity of its premises is, the more different kinds of things it relates, and the more extended its area of applicability."

"Conservatives feel instinctively that it is new ideas more than anything else that cause change. But, from its point of view rightly, conservatism fears new ideas because it has no distinctive principles of its own to oppose them; and, by its distrust of theory and its lack of imagination concerning anything except that which experience has already proved, it deprives itself of the weapons needed in the struggle of ideas. Unlike liberalism, with its fundamental belief in the long-range power of ideas, conservatism is bound by the stock of ideas inherited at a given time. And since it does not really believe in the power of argument, its last resort is generally a claim to superior wisdom, based on some self-arrogated superior quality."

"All men suppose what is called Wisdom to deal with the first causes and the principles of things; so that, as has been said before, the man of experience is thought to be wiser than the possessors of any sense-perception whatever, the artist wiser than the men of experience, the masterworker than the mechanic, and the theoretical kinds of knowledge to be more of the nature of Wisdom than the productive."

"Practical life is not necessarily directed toward other people, as some think; and it is not the case that practical thoughts are only those which result from action for the sake of what ensues. On the contrary, much more practical are those mental activities and reflections which have their goal in themselves and take place for their own sake."

"Never call yourself a philosopher, nor talk a great deal among the unlearned about theorems, but act conformably to them."

"A light was kindled amongst the investigators of nature when Galilei let balls of a definite weight roll down the inclined plane. For they saw that they only understand what is produced according to a predetermined plan or hypothesis... for otherwise planless observations made according to no ideas could never be brought into the form of a law which reason demands and seeks. ...Thus physics was brought into the position of a certain science after groping about blindly for so many hundred years."

"Theory is in itself of no use, except in so far as it makes us believe in the connection of phenomena."

"Theories usually result from the precipitate reasoning of an impatient mind which would like to be rid of phenomena and replace them with images, concepts, indeed often with mere words."

"All competent thinkers agree with Bacon that there can be no real knowledge except that which rests upon observed facts. This fundamental maxim is evidently indisputable if it is applied, as it ought to be, to the mature state of our intelligence. But, if we consider the origin of our knowledge, it is no less certain that the primitive human mind could not, and indeed ought not to, have thought in that way. For if, on the one hand, every Positive theory must necessarily be founded upon observations, it is, on the other hand, no less true that, in order to observe, our mind has need of some theory or other. If in contemplating phenomena we did not immediately connect them with principles, not only would it be impossible for us to combine these isolated observations, and therefore to derive profit from them, but we should even be entirely incapable of remembering facts, which would for the most remain unnoted by us. Thus there were two difficulties be overcome: the human mind had to observe in order to form real theories, and yet had to form theories of some sort before it could apply itself to a connected series of observations. The primitive human mind, therefore, found itself involved in a vicious circle, from which it would never have had any means of escaping, if a natural way of the difficulty had not fortunately found by the spontaneous development of Theological conceptions. ...chimerical hopes ..exaggerated ideas of man's importance in the universe to which the Theological Philosophy ...at the commencement, ...afforded an indispensable stimulus without the aid which we cannot, indeed, conceive how the primitive human mind would have been induced to undertake any arduous labours."

"It is clear that the arm of criticism cannot replace the criticism of arms. Material force can only be overthrown by material force, but theory itself becomes a material force when it has seized the masses. Theory is capable of seizing the masses when it demonstrates ad hominem, and it demonstrates ad hominem as soon as it becomes radical. To be radical is to grasp things by the root. But for man the root is man himself. What proves beyond doubt the radicalism of German theory, and thus its practical energy, is that it begins from the resolute positive abolition of religion. The criticism of religion ends with the doctrine that man is the supreme being for man. It ends, therefore, with the categorical imperative to overthrow all those conditions in which man is an abased, enslaved, abandoned, contemptible being—conditions which can hardly be better described than in the exclamation of a Frenchman on the occasion of a proposed tax upon dogs: 'Wretched dogs! They want to treat you like men!'"

"If any theories or opinions of mine can be damaged by facts, so much the worse for my theories."

"About thirty years ago there was much talk that geologists ought only to observe and not theorise; and I well remember some one saying that at this rate a man might as well go into a gravel-pit and count the pebbles and describe the colours. How odd it is that anyone should not see that all observation must be for or against some view if it is to be of any service!"