"With the movie coming out in the aftermath of the military action in Iraq, Singer was asked if the troubled times made him nervous about people's reactions to the war theme in this film. "No, not at all, because the soldiers working in this film, they're not even working in the United States. They're working up in Alberta, in a secret base. They're working for a person who's completely rogue from the government. The President of the United States is very on the fence and very concerned, justifiably about issues. There are mutants who possess incredible power and who are terribly violent and dangerous to the human society and mutant society. I view these as henchmen, and in terms of fighter airplanes getting dogged and police getting dogged, no one in that sphere is really harmed. It's not about bullying the authority. I personally have tremendous faith and support of our authorities and military ... Having shown it to friends of mine in the military, they get a kick out of the fact that these soldiers are a bunch of rogue, dirt bags that get what's coming to them. And we see that. We definitely see that. This guy, Stryker, he's operating in his own universe. He's tricking the President, he's conning the President into his operation, so it's quite the opposite if anything. He's more of a terrorist.""

"When I first read this installment of the script, because I've been talking to fans, and if there's one thing they've said to me it was, 'You don't kick enough ass. Let's see that berserker rage!' I kind of thought about that, and I was like, 'Jeez, you're right.' When I went back to X-Men I, there really wasn't a lot there. I had a huge fight scene with Mystique, where I ended up on my back, knocked out, and there's a bit at the beginning, there wasn't a lot of that berserker rage. So, when I read the script, I thought the relationships were better, I thought it was funnier, I thought there was more action, but I still said, 'We've got to get even more action.' I kind of fought for a little bit more in the mansion scene sequence, particularly. That was a little more berserker rage there than was originally. But, apart from that, I thought the script had a great balance. I think it works for Wolverine's story. It's not like he's in the corner crying. He's at a crisis point where he's about to find out everything he's ever wanted to know, and as liberating as that would be, it's frightening as all hell. So, he's on edge. He's having these nightmares. So, it all kind of works in together with the action."

"Mutants. Since the discovery of their existence they have been regarded with fear, suspicion, often hatred. Across the planet, debate rages. Are mutants the next link in the evolutionary chain or simply a new species of humanity fighting for their share of the world? Either way it is a historical fact: Sharing the world has never been humanity's defining attribute."

"[After ripping off and throwing his dog tags at Stryker's feet] I'll take my chances with him."

"[After stopping the X-Jet from crashing with his powers] When will these people learn how to fly?"

"Mutation: it is the key to our evolution. It is how we have evolved from a single-celled organism into the dominant species on the planet. This process is slow, normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward."

"I was piloting black-ops missions in the jungles of North Vietnam when you were suckin' on your mama's tit at Woodstock, Kelly. Don't lecture me about war. This already is a war."

"The time has come for those who are different to stand united."

"Get ready for the return of the Evolution."

"Evolution Continues."

"The ones we fear most, will be all that can save us... again."

"In this world wide conspiracy the only thing you can count on... Is the X factor."

"First, they were fighting for acceptance. Now, they're battling for survival."

"X-Men United."

"Protecting Those Who Fear Them."

"PS: Bryan set out to make a serious movie. That was his intention from the very beginning. Which also happens to be very exciting and very colorful, funny and so forth. It wasn't only Xavier, but having Magneto also as an individual of substance, of great strength and power was important. And who better than Sir Ian to do that. It was a very sensible idea."

"DS: Did you find it limiting as an actor to be stuck in that chair [as Professor Xavier]?"

"I wanted to get some of the history of the character of course, particularly with his relationship with Magneto, but also to feel how Stan Lee had got inside the mind of Xavier from the very beginning. That was valuable. But it's true, like Bryan, when we had the final draft of the shooting script that's what we worked on."

"I of course studied the comic books. In fact I think it was some of the most relaxing research I've ever had to do on a movie. Usually the kind of projects that I've been involved in I end up with heavy novels and background research. But in this case the studio just sent over a box of comic books."

"Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward."

"I was sold it by Bryan who said, ‘Mutants are like gays. They’re cast out by society for no good reason, and, as in all civil rights movements, they have to decide: Are they going to take the Xavier line — which is to somehow assimilate and stand up for yourself and be proud of what you are, but get on with everybody — or are you going to take the alternative view — which is, if necessary, use violence to stand up for your own rights. And that’s true. I’ve come across that division within the gay rights movement."

"Q: Some fans complained Storm wasn't given her due in the first X-Men movie, and then became better over time. Did you pay attention to those concerns and how did that happen that she was given more to do in X2?"

"Q: How did you decide Wolverine would be the star of the piece even more so than Xavier or Magneto?"

"I started out liking this movie, while waiting for something really interesting to happen. When nothing did, I still didn't dislike it; I assume the X-Men will further develop their personalities if there is a sequel, and maybe find time to get involved in a story. No doubt fans of the comics will understand subtle allusions and fine points of behavior; they should linger in the lobby after each screening to answer questions."

""X-Men" is at least not a manic editing frenzy for atrophied attention spans. It's restrained and introspective for a superhero epic, and fans of the comic books may like that. Graphic novels (as they sometimes deserve to be called) take themselves as seriously as the ones without pictures, and you can tell that here when the opening scene shows Jews being forced into death camps in Poland in 1944. One could argue that the Holocaust is not appropriate subject matter for an action movie based on a comic book, but having talked to some "X-Men" fans I believe that in their minds the medium is as deep and portentous as, say, "Sophie's Choice." The Holocaust scene introduces Magneto (Ian McKellen) as a child; his mental powers twist iron gates out of shape. The narrator informs us that "evolution takes thousands and thousands of years," which is putting it mildly, and that we live in an age of great evolutionary leaps forward. Some of the X-Men develop paranormal powers which cannot be accounted for by the strictly physical mutations which form the basis of Darwinian theory; I get restless when real science is evoked in the name of pseudoscience, but, hey, that's just me. Magneto's opponent in "X-Men" is Xavier (Patrick Stewart), another mutant of the same generation. They aren't enemies so much as ideological opposites. Magneto, having seen the Holocaust, has a deep pessimism about human nature. Xavier, who runs a school for mutants in Westchester County, where it doubtless seems no stranger than the other private schools, hopes these new powers can be used for good. Bruce Davison plays the McCarthy-like senator who waves a list of "known mutants" during a congressional hearing and wants them all registered—no doubt for dire purposes. Magneto wants to counter by using a device which can convert world leaders to mutants. (The world leaders are conveniently meeting on an island near Ellis Island, so the Statue of Liberty can be a prop.) How a machine could create a desired mutation within a generation is not much explored by the movie, which also eludes the question of why you would want to invest your enemies with your powers. No matter; Xavier, who can read minds, leads his good mutants in a battle to foil Magneto, and that's the plot, or most of it."

"There seems to be this embarrassment with superheroes in the culture. If you see the new X-Men movie, they all have to wear black leather because it makes them look cool and tough, because people are afraid to make the characters look like the characters."

"[to Senator Robert Kelly] Are you a God-fearing man, Senator? It's such a strange phrase. I've always thought of God as a teacher. As a bringer of light, wisdom and understanding. You see, l think what you really are afraid of is me. Me and my kind. The brotherhood of mutants. It's not so surprising, really. Mankind has always feared what it doesn't understand. Well, don't fear God, Senator, and certainly don't fear me. Not any more."

"Brian Peck – Hot Dog Vendor"

"Bruce Davison – Senator Kelly"

"Rebecca Romijn – Mystique"

"Ray Park – Toad"

"Tyler Mane – Sabretooth"

"Anna Paquin – Rogue"

"Halle Berry – Storm"

"James Marsden – Cyclops"

"Famke Janssen – Jean Grey"

"Ian McKellen – Magneto"

"Patrick Stewart – Processor X"

"Hugh Jackman – Logan/Wolverine"

"The future is here."

"We're Not What You Think."

"Trust a few. Fear the rest."

"The time is coming when all that we are afraid of will be all that can save us."

"Join the Evolution."