Songwriters

"Don't you come to me with all your color-coded quotes"

"I'd like to sing a song (please swear you won't be long)"

"I take that back I won't stop singing when I'm dead"

"Right and wrong"

"I got no cash I got no girl but I got the world in the palm of my hand and I don't care if you care or if you understand because I'm a little kid and I've got little problems and I don't give a shit if you don't, you don't understand because: I got me. That's all I need. And I live comfortably. And I sleep peacefully."

"Years go by, the time it does fly And every single second is a moment in time That passes oh so quick, and it seems like nothing But when you're looking back well it amounts to everything"

"Last two soldiers on the battlefield survivors of the war they aim at one another while their mothers beg the lord "if you're listening, I'm missing him so somehow bring him home" how did it come to this? so the soldiers lift their rifles and they're aiming at the head they think of their first love before they take a final breath and somewhere in the distance they hear something someone said how did it come to this?"

"90 Second Egg, CBC Radio (2007)."

"I’m kind of one of those south african turtles that you fly in and that dies in two weeks because you really just don’t know what it needs."

"If it was an eighty-five year old, eye contact. Sixteen? Eye contact. You? a mixture of ages, are about to get some serious eye contact."

"I wasn’t attracted to the sixteen year old. There’s nothing wrong with being sixteen, you’re wonderful, you’re beautiful. You’re beautiful, just like Christina Aguilera says. I’m just saying that I was trying to make intense eyes with the audience and they just happened to be sixteen. If they had been eighty-five and it was like a snowbird conference in Florida, I would’ve done the same is what I’m saying."

"There is something so complicated about loving me and loving Tegan. Every girl I've ever dated has said that by dating one of us, you're dating both of us, because we're always together. We love each other in a way that most siblings don't understand."

"Don't dry hump, that's embarrassing, and don't ever use the word dry hump again."

"He put a baby inside of me and now he thinks he can love me all the time like in the pornos"

"You can ask any girlfriend. I'm a tease."

"Oh steroid man, you couldn't get inside me. It's much too small."

"CNN reports that 8 million people will die of E. Coli, eboli and...Tornadoes."

"I wrote about being really jealous, I'm talking intense jealousy, jealousy that I had never felt before. The thing that I loved about the chorus in that song is that 'I can't even work' it's like I'm exasperated with myself. I was like disabled by it. I was jealous of what I didn't have, what I used to have, what I wanted to have, and at that particular time I was sort of half-dating someone who was in a relationship, so it was an affair. It was a weird triangle of people and then my ex-girlfriend started dating this guy and then I felt [worse], and then he felt jealous, and it was just like 'fuck!' and I was just consumed."

"We take it so seriously when people don't like us or when they say they can't relate to us. I'm like, "How can you not relate to us? We're like hearts on a sleeve. How can you not relate to the human condition, you fucking asshole?""

"I like that Tegan is able to write a song and have closure with it once her ideas are on tape. I really obsess over details and find myself unable to detach from songs for weeks! It's what slows my creative process down."

"We love each other. We're siblings. She can basically do anything. Anything except for like, stabbing me."

"WHY would I want to have sex with my sister?! WHY?? Why would I want to have sex with someone that looks like... well... *grins* I could see that..."

"And we're going to make billions of dollars, and we're going to buy an island, one of the ones that have unicorns on them. We talk about unicorns a lot because I found out while we were recording the record that I did not understand that unicorns never existed, I just thought they were extinct. And then everybody laughs because everyone's first thought when they think of a unicorn is the idea that it's a mythical creature but I didn't ever think that way. I was just like, it's a white horse with a horn..."

"When Sara's singing about laying in bed with a pile of books between her and her girlfriend, that hurts. Whereas I'm like, 'Screw you.' I've got all the teenagers in the audience, with songs like 'Nineteen,' 'Hop A Plane,' 'Speak Slow.' But 'Floor Plan' comes on, and Sara's singing about wanting her partner's lungs to stop working without her, and that's where the depth in our music is really at. I think that balance in our songwriting is what distinguishes us."

"Oh my god, and at work it was so crazy and I was just like--Oh my god, oh my god, and them--have you heard them? They're so good, they're like my favorite band, I saw them on MTV, I love them. Do you want more drinks? Why are all these people singing around us? It's so annoying, I can't hear anything you're saying."

"OurChart.com Interview Outtakes (2007)."

"When we were doing interviews for our bio, I described hearing that song for the first time to be like Sara was standing on my chest. I just felt really sad, and that was having heard all the other songs in order leading up to that one. I know that when Sara was writing these songs it was during the end of her relationship and it was someone she'd been friends with for almost ten years and been with for four years. It was just the psyche of it, when you've known someone for half your life, literally, and then have to leave them, and not necessarily because you want to but just because it's the right thing to do, and it's just not healthy and you're not good anymore, there's no growth and you have to have growth. And when I hear that song, the idea of that all happening just makes me sick to my stomach a little bit. But it's in an enjoyable way."

"When I moved to Vancouver I had a couple friends that lived there and people we had known, and that's what influenced me to move there, but I also just started a relationship six months prior and they lived there, too. And I got there and went on the road almost immediately and then everything sort of fell apart. The relationship broke up and the two people I knew there had moved, and the couple of people that moved there in Vancouver that I'd known I wasn't really connected with anymore. So I felt very detached from home and I left very abruptly. I made the decision to move like, literally one day I called and said I was gonna move and a week later my friend packed up his car with all my stuff and drove me down and I was just like that was it. So when I wrote "Wake Up Exhausted", I was writing from the position of all those people in a sense, and making fun of me, like telling me to stop thinking about them, because I went through a very nostalgic period where I couldn't stop thinking about high school and old stuff, and so I sort of was picking on myself, and sort of saying get me off your mind; making fun of myself like, stop thinking about it, stop obsessing over things that were long past, and that I lost it and that was my fault and my problem."

"Sara moved to Montreal about six months into our last record. She went there, didn't know anybody there, it was like middle of winter, minus gazillion, and she's stuck in this big old apartment with no furniture and she sent me all these really sad pictures of just like her bed on the floor and her computer. And she wrote songs like "Downtown" when she first moved there. She had a crush on someone and they were in another relationship and she said she kinda felt like a stalker when she'd see them out and about. I know that that song and "Walking With A Ghost" were sorta themed around the idea of wanting to be with somebody you couldn't be with. I can just picture her sitting in her big open window staring out at the ice and snow and wishing that person was there. And I don't know, it makes me depressed. Actually, most of her songs on the record can make me feel depressed."

"When I wrote this song I felt pretty unoriginal because everybody writes love songs and everybody feels like their love's the most important, and when their love ends and they get their heart broken, that nobody understands, and that's ridiculous... but so am I."

"So that's a favorite of mine, I really like that song and it makes me sad when I play it, but I think it's a good song. I don't know why it makes me sad, there's just something about the song. I was really happy and was in a good relationship and feeling really strong and stable when I wrote this record, but I was sort of filtering old feelings and old stuff from past relationships. And then I spent a lot of times sort of like being a spectator to Sara's break up, and my mom had just gotten into a new relationship, and just sort of felt like, you don't even know what you have and then it's gone. At the time, I was sorta feeling like, umm - I know I've been dumped before and then every relationship you see around you, you just want to be angry at them because you're like, "Respect each other, love each other, don't lose it, it's so great what you have!" So that song was like my reminder that you have to be good to one another."

"Tegan and Sara at the Malkin bowl in Vancouver, BC (2010)."

"Palace Theater, Greensburg, Pennsylvania (2008)."

"ABC News interview (2007)."

"The Con DVD (2007)."

"Brighton Concorde."

"It's Not Fun, Don't Do It! DVD (2006)."

"UGO interview (2004)."

"The Con The Movie (2007)."

"Can vei la lauzeta mover De joi sas alas contra·l rai, Que s'oblid'e·s laissa chazer Per la doussor c'al cor li vai, Ai, tan grans enveya m'en ve De cui qu'eu veya jauzïon."

"Chantars no pot gaire valer, Si d'ins dal cor no mou lo chans! Ni chans no pot dal cor mover, Si no i es fin' amors coraus."

"D'aisso's fa be femna parer Ma domna, per qu'e·lh o retrai, Car no vol so c'om deu voler, E so c'om li deveda, fai."

"Mas greu veiretz fin' amansa ses paor e ses doptansa, c'ades tem om vas so c'ama, falhir, per qu'eu no·m aus de parlar enardir."

"Aisso non es amors; aitaus No·n a mas lo nom e·l parven, Que re non ama si no pren."

"I’ve also been on a pretty strict plant-based diet for 4 months now – feeling stronger, fitter, healthier and more productive. I ride longer distances on my bike, can do more pull-ups than ever, and my brain seems to have a larger capacity for new projects, problem solving, songwriting, and fielding random questions. My health and strength make me a better performer and all that combined gives me more confidence to go out in the world and shine my light. It also makes me a lot better in bed. … For those curious or concerned about a plant-based diet, check out the film Forks Over Knives. It’s a life changer. You can get all the protein you need from greens, quinoa, and hemp seed."

"[Writing songs] is no different than explaining to somebody what you dreamed last night: No one ever gives you crap for what you dreamed last night. "I was laying in my bed, and all of a sudden a stallion jumped on my bed and the next thing I know I was in Mars but it looked like my kitchen" . . . That's kind of what I do with my songs, write them in a dream-like manner. It's up to people to swallow it however they want."

"They come to have a party for themselves, and we're kind of a house band for their party."

"It gets worse and worse. I love it, but I have no life. People grab me and kiss me. I like that, but it can be overwhelming."

"It was January and snowing like crazy. It was tough; the food was terrible. Eighteen months of my life for nothing? I thought my own dreams were more important."

"He was my mentor in a way -- as a musician and as a businessman. He came to Turkey once and saw me on stage performing, and then he came up to me and said, "You've got to call me." I said, I would love to. And that was the first thing I did when I came to New York. Then we did an agreement, a deal, with him for the English albums."