Songwriters From The United States

"He keeps imitating himself, but he has much talent and I think in time he will do first rate comedy. I hope so. But he he's going to have to learn artistic discipline."

"I learned from my dad that when you walk in front of an audience, they are the kings and queens, and you’re but the jester — and if you don’t think that way, you’re going to get very, very conceited."

"I'm telling you about a child in trouble. If it's pity, we'll get some money. I'm giving you the facts. Pity. You don't want to be pitied because you're a cripple in a wheelchair; stay in your house."

"I am going to beat the living fuck out him...I am breaking every rule in boxing to make sure I fuck him right up [...] Once I am done with him, I am going to whip my dick out and piss on him...right in his muthafuckin face."

"Ollie's projection of emotions like frustration, agitation and shyness was masterful, and so was Stan Laurel's conception of the harried, ineffectual soul."

"It just shows what I've said. awful piece of shot. Like, sometimes you didn't even know this woman. You didn't even know her. You were in middle school. Before, I just spoke on what I didn't like about him. I didn't know him so I couldn't say 'I didn't like him. I didn’t like this.' But now it's like, 'you awful piece of shot. You piece of shot. Who are you to write…to…to…I mean. Allow her music to live on and not include people she's always worked with? Not include her recipe? That’s like saying, 'you know what? I'm going to make KFC but I'm not using the colonel's recipe!' That isn't KFC, fella! That’s YOUR FC. Your Buckskin chicken. [laughs] That’s some bullish and it isn't the same shot. No let's talk about this a little longer. That’s some bullish. That’s some really bullish! Take this! Take that! I don't give a heck! What, fella?! It is what it is man! It's wrong. Honor her legacy. Honor what she did. You have no right to make it yours! If you're going to allow her to live on, do it in a manner that honors what she did. That's all you can do! Respectfully. Rightfully. 'Oh I'm going to make this and re-' Who are you?! Who are you to change..?!"

"A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world."

"Had it? Should've shot it! Now, you're dearly departed."

"Give a dog a bone, leave a dog alone. Let a dog roam and he'll find his way home."

"I have no friends."

"I'd be jealous of the Backstreet Boys when they sold more than me... Going back to Backstreet. They made their label huge and brought them in shot loads of money and now they can't record, I heard, because their label is turning them around. I feel them. They're real hip hoppers in their own way, but their management "team" refuses to recognize that shot. I feel those men or boys or whatever you wanna call them. We give our souls to our music. We put our lives on the wax and the labels treat us like shot."

"Damn, was it my fault, somethin' I did/ to make a father leave his first kid at 7 doin' my first bid?"

"[W]e all thought you loved yourself, but that couldn't have been the issue. Or maybe they're just saying that now, because they miss you. Shoot, a fella tried to doss you? That's why you're laying on your back, looking at the roof of the church. Preacher's telling the truth and it hurts."

"He just talks about eating too much... I don't like anything about Drake. I don’t like his awful voice. I don’t like what he talks about. I don’t like his face. I don’t like the way he walks. Like, nothing. I don’t like his haircut."

"When the union's inspiration through the workers' blood shall run,"

"The Wobbly poet and newspaperman Ralph Chaplin (author of “Solidarity Forever”) recalled being introduced to Anarchist ideas — Proudhon, Bakunin, Kropotkin, Most, etc — by an “FAS correspondent” on his way to Detroit via the box car."

"Mourn not the dead that in the cool earth"

"As a member of the Industrial Workers of the World, Ralph Chaplin did his part to make the organization a success. He wrote songs and poems; he made speeches; he edited the official paper, “Solidarity”. He looked about him; saw poverty, wretchedness and suffering among the workers; contrasted it with the luxury of those who owned the land and the machinery of production; studied the problem of distribution; and decided that it was possible, through the organization of the producers, to establish a more scientific, juster, more humane system of society. All this he felt, intensely. With him and his fellow-workers the task of freeing humanity from economic bondage took on the aspect of a faith, a religion. They held their meetings; wrote their literature; made their speeches and sang their song with zealous devotion. They had seen a vision; they had heard a call to duty; they were giving their lives to a cause—the emancipation of the human race."

"Y'all ever seen these commercials for these pills, this medication you take? It's like one pill for one thing, but they list, like, a hundred side effects? It's just like they're just scrolling for a minute. And you're thinkin, "Is that really a good trade? That can't be a good trade." You got people going, "Well, I can take the headaches, nausea, and vomiting, if it'll make my elbow feel better. It's really worth it—it is. I mean I've been taking it—Oh, oww! Owww! I can move it around, play with the kids, and—[pretends to vomit]. I've got full range of motion here.""

"Lazy technology: the electric toothbrush—that always made me laugh. The electric toothbrush—what, is brushing your teeth too strenuous an exercise? For some people? You got people goin' [imitates fast, strenuous brushing of teeth]. "Man, I am really feeling the burn here. Wish this thing had a motor on it." Why don't you just have electric deodorant? [imitates use of electric deodorant]"

"Dream big, when you’re up against it all, when you’re standing on a narrow bridge and you’re about to fall. Dream big, when you're blocked by a wall, keep on saying in your head, nothing is impossible. Dream big, and when your moment arrives, look up to the stars and thank God you're alive. Dream big, the power is inside of you. You'll be love for whoever you are and for whatever you do."

"You can't gain one thing without loosing something else. You can try to catch time, but try to catch a moment, it's better. Days pass, and months go by And the years come, and a decades gone It always feels like times are ending But they go on, and on, and on, and on."

"The sound of Mintzer’s guitar in the track “On the Road”, is haunting. However in context, the sound develops sentimental and inspiring feelings. The vocal melodies and harmonies are similar to Mintzer’s playing in their original shape/color and light floating tone. Thoughtful and poetic lyrics accent the effect, serving as a conduit for the entirety of the aforementioned musicianship."

"Believe in yourself."

"I think Bitcoin allows artists to be compensated for work in a more fair way."

"Playing music is something I would like to do my whole life."

"I came from a background of blues and rock based(music). I hadn’t listened to Jazz or even Classical Music until just recently. Listening to Stan Getz, you know, he is one of my favorite Saxophonists, so he’s influenced my sound and influences how I play this music. Right now."

"In 7th grade, I saw the Allman Brothers play at the Beacon Theatre. I also saw the Dave Mathews Band perform at Giant’s Stadium. Those concerts changed my life. I was inspired so much. In my heart, I knew that was the only thing I wanted to do with my life."

"It’s easy, it’s powerful."

""Maybe im complicated"

"if I did my job right, it should be something everyone can connect with"

"I love Albuquerque. I've always loved it, and i just couldn't leave it. I don't know if it sounds right, but I think people love that, I'm not going to turn my back on them. I want to be here."

"It's New Mexico-style. But, it's not -- I don't want to call it "traditional". We can do traditional songs, but you got to be "modern" in what you do."

"(in Old Town Albuquerque) This is where I grew up, I used to go to church here, and come here and perform. Wow, look at this! This is -- this is where i used to play. I should have brought my guitar, it brings back memories."

"It's party time!"

"Believe it or not, sometimes when I go on stage, I still get butterflies."

"My mom picked the name "Al Hurricane", because I used to knock things over as a kid and it stuck to me. So I took it as my professional name."

"I'd like to thank all of you for being here, gracias. You don't know how much it means to me. Gracias."

"Chiquitita, como te quiero."

"Who's your daddy!"

"Hey Sugar Baby!"

"Just a spoonful of sugar helps the medicine go down."

"Though we adore men individually, we agree that as a group they're rather stupid."

"I have to thank Eddie Murphy, 'cause after I saw him do the Klumps [in Nutty Professor II], I said, "I'm going to try my hand at a female character." It was the brilliance of Eddie Murphy. I need to write him a check. Say thank you"

"What I know beyond a shadow of a doubt is that God is with me. I know that. I know that He's always been with me. It is evident in everything I have endured—and the fact that I made it through with some sanity."

"Children love their mothers. Especially with a boy child and his mother, there's a bond that's unbreakable. I love my mother to this day. One of the most painful things I ever had to do was bury her, realizing that even though I was her hero, I couldn't help her with this last thing. I couldn't help her get better. All I wanted was to give her everything she wanted. Everything my father didn't give her, everything she never had."

"Those audiences are my critics. They tell me right away! I learnt very early on how far I can go, what I can and can’t say on stage. They inspire the stories that I tell, and how I tell them. It has to be something that the core can relate to. And what I’m finding is that if you serve the core, it grows, and you find a whole new audience."

"That has never been heard of in the history of television. It takes a week to do a sitcom in Hollywood. I do a show a day in my studio, three or four shows a week. So what takes most shows eight years to do, we do in a year"

"I didn’t want to be the kind of man that my father was. So I’ve tried, my entire life, to be the complete and utter opposite of that. And it has served not only the art well, but I think the audience well."

"My audience and the stories that I tell are African-American stories specific to a certain audience, specific to a certain group of people that I know, that I grew up, and we speak a language. Hollywood doesn't necessarily speak the language. A lot of critics don't speak that language. So, to them, it's like, 'What is this?"