Sculptors

"francais: Actuellement mes machines sont noires et parfois même douces, si pas sexy ou alors d'une violence contenue, techniquement j'arrive enfin à les faire bien."

"During my nightmarish time in a coma, 11 days long, you kept appearing in my dreams, wild, you and Slava, like gypsies & always too late. You were a two-man orchestra & we were always looking for you and waiting for you."

"Immobile, certain, and permanent things, ideas, works and beliefs change, transform, and disintegrate...Movement is the only static, final, permanent, and certain thing. Static means transformation...Do not hold on to anything...Do not pinpoint anything!.. .We are fooling ourselves if we close our eyes and refuse to recognize the change.. .Decomposition begins only when we try to prevent it.. .We would so much like to own, think, or be something static, eternal, and permanent. However, our only eternal possession will be change.. .To attempt to hold fast an instant is doubtful.. .How beautiful it is to be transitory. How lovely it is not to have to live forever."

"Let us contradict ourselves because we change. Let us be good and evil, true and false, beautiful and loathsome. We are all of these anyway. Let us admit it by accepting movement. Let us be static! Be static!"

"THE ONLY STABLE THING IS MOVEMENT"

"Everything moves continuously. Immobility does not exist. Don't be subject to the influence of out-of-date concepts. Forget hours, seconds and minutes. Accept instability. Live in Time. Be static - with movement. For a static of the present movement. Resist the anxious wish to fix the instantaneous, to kill that which is living. Stop insisting on 'values' which can only break down. Be free, live. Stop painting time. Stop evoking movements and gestures. You are movement and gesture. Stop building cathedrals and pyramids which are doomed to fall into ruin. Live in the present, live once more in Time and by Time - for a wonderful and absolute reality"

"Static, static, static! Be static! Be static! Movement is static! Movement is static! Movement is static because it is the only immutable thing - the only certainty, the only unchangeable. The only certainty is that movement is static."

"They'll all pee blue for one week to ten days, for about the duration of the show. The first opening I've enjoyed!"

"The relationship of art and play: to play is art - consequently I play. I play enraged."

"Only in movement do we find the true essence of things. Today we can no longer believe in permanent laws, defined religions, durable architecture or eternal kingdoms. Immutability does not exist. All is movement. All is static."

"[Brancusi] has had more influence on my work than most architects."

"My conscious tradition is through Constantin Brâncuși, and Brâncuși just strikes me as an infinitely wiser and infinitely more talented, an infinitely stronger figure than [Marcel Duchamp|Duchamp]]. I think I could have done my work if Duchamp had not lived. I could not have done my work if Brâncuși had not lived."

"All I'm doing is putting Brâncuși's 'Endless Column' on the ground, instead of in the sky. Most sculpture is priapic with the male organ in the air. In my work, w:Priapus is down on the floor. The engaged position is to run along the earth."

"Since the Gothic, European sculpture had become overgrown with moss, weeds – all sorts of surface excrescences which completely concealed shape. It has been Brancusi's special mission to get rid of this overgrowth, and make us once more shape-conscious. To do this he has had to concentrate on very simple direct shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.. ..it may now be no longer necessary to close down and restrict sculpture to the single (static) form unit. We can now begin to open out. To relate and combine together several forms of varied sizes, sections, and directions into one organic whole."

"Modern industrial design has advanced at a rapid pace during the last ten years. Its successes are no longer confined to objects which, like automobiles and airplanes, are themselves the product of new conditions. Modern design has also begun to conquer the traditional arts, and the feeling for abstract form, first expressed in our time in the works of Picasso, Braque, Brancusi, Duchamps-Villon in Europe, or Stieglitz, Benton, and Storrs for example in the United States, has finally entered architecture and the decorative arts."

"When we are no longer young we are already dead"

"There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things."

"I ground matter to find the continuous line. And when I realized I could not find it, I stopped, as if an unseen someone had slapped my hands."

"Don't look for mysteries. I give you pure joy."

"Like everything else I've ever done, there was a furious struggle to rise heavenward."

"Work like a slave; command like a king; create like a god."

"All my life l have sought the essence of flight. Flight — what bliss."

"He came up with this very simple idea which was recognising that the location which we identified, which is an axial view straight up the main promenade of the museum at its highest point, would be the place where a simple hour glass form would offer the opportunity to invert the Jerusalem sky and built landscape. And that’s what he created – and it’s a superb thing."

"It will remain (shiny) most definitely.It will need periodic polishing – (but) it’s there (permanently)"

"We have known Anish for a long time. The museum acquired his work in the early 1980s initially and there was always talk of trying to think of an appropriate site specific commission with him. What actually happened is that after Teddy died, a dear friend of Teddy who is also close to the museum offered a grant to commission a sculptural work in Teddy’s memory. And it occurred to us almost on the spot that this might be just the moment to commission something from Anish.”"

"Mr Kapoor's work dates from his breakthrough using this medium of hyper-reflective polished and was created in a decade that witnessed Mr Kapoor winning the Premio Duemilla Prize for his British Pavilion at the Venice Biennale in 1990, winning the Turner Prize in 1991 and staging a major retrospective at the Hayward Gallery in 1998."

"It’s magnificent, it’s really great. It is quite simple and quite a pure piece."

"We picked him because he is a great sculptor. The flip side is it makes it quite interesting to work with him because not only was he born in India – he has an Indian father and a Jewish mother of Iraqi heritage – but he lived in Israel for a few years as a young man before he moved to the UK."

"Sotheby's was proud to offer the monumental work by Anish Kapoor, which manifests all the pioneering ingenuity in material and spatial possibilities that characterise the very best output of the world-renowned sculptor."

"So that actually adds another dimension but that’s not the reason (why he was commissioned). We really felt that the spiritual and immaterial aspects of his work would really make for a strong statement with respect to a work paying tribute to Teddy.[ Teddy Kollek, long-time Mayor of Jerusalem]."

"This is why Kapoor and Balmond have emerged as embattled heroes of public art. Their Orbit tower is not consensual, or easy to make sense of. It is wild and unexpected. It is, I believe, the most exciting British public artwork since House. Those who commissioned and created it deserve acclaim for choosing electricity over dull consensus."

"A drunken party animal of a building and ultimately a celebration of the people of London."

"Everything about the process by which public art is commissioned today militates against the commissioning of good artists and the creation of good art."

"Anish Kapoor and Cecil Balmond's Orbit is a daring, imaginative and exhilarating work of art. It does not deserve to be pilloried – on the contrary, if all British public art were like this, it would be an age of glory."

"These include a select group of Mr. Kapoor's early pigment sculptures, beguiling mirror-polished stainless steel sculptures and cement sculptures on display for the first time,""

"A ground-breaking exhibition that challenges, intrigues and excites’"

"A piece of vainglorious sub-industrial steel gigantism, signifying nothing.... [artists] may be imaginative... not more than a poet. Poets do not make millions."

"It looks stunning and it does exactly what we hoped.”"

"It's a building with a curious, difficult history that is inexorably linked to the history of Berlin, [he said] That's very potent. You can't make a show here without some reference to all of that. And it certainly makes a show here so much more interesting."

"It's a shame that I haven't done an exhibition in India till now. But I am working on one in Delhi for January 2005. If things go well, there will be another in Mumbai too."

"It was there [India] I realised that engineering was not my cup of tea. I proceeded to London to look for avenues and got myself enrolled into Hornsey College of Art there. Initially, there was no hope for me, but one exhibition in 1979 made me. That proved to be extremely lucky for me."

"The exhibition also includes highlights such as the monumental work Svayambh, which in Sanskrit, means 'self-generated'."

"I've never met Ai Weiwei but he's a colleague, an artist. In a very simple way he is heroically recording human existence. All he's done is to record death by administration, death by corruption, inefficiency. I don't even think he's pointing that sharp a finger, frankly."

"In Germany, it seems that the intellectual and aesthetic life are to be celebrated and are seen as part of a real and good education, whereas in Britain, traditionally – certainly since the Enlightenment – we've been afraid of anything intellectual, aesthetic, visual."

"It is more than a month that he's been completely disappeared. It is a true tragedy. Accuse him of something. Give him a lawyer. Let him defend himself …"

"The UK has two things, the arts and education, and both of them it pushes into the corner. It's the hugest, hugest mistake. Why do British ministers meet anyone from the arts other than to cut them? Compared to Germany, Britain has got quite a long way to go there, frankly."

"This is a terror of a space, probably much more difficult than the Turbine Hall. It's three times the size, huge horizontally and vertically and above all the light is a killer. It's almost brighter than it is outside."

"In the UK, while the arts are the second biggest sector after banking, they probably form less than one tenth of 1% of government spending. It's completely scuzzy."

"It is almost as if the 49-year-old global Indian was an alien in his place of birth."

"One of the influences in his design for the tower was the Tower of Babel the sense of building the impossible” that “has something mythic about it. The spaces inside the structure, in between the twisting steel, are “cathedral like”, according to Balmond, while according to Kapoor, the intention is that visitors will engage with the piece as they wind “up and up and in on oneself” on the spiral walkway."