"This was the nature of secular power. Industrial power. It was the West that invented it, that invented Hitler, the gutter orator turned trampler of nations, that invented Stalin, the man they called “Genghis Khan with a telephone.” The media pop star, the politician. Was there any difference anymore? Not in America; it was all a question of seizing eyes, of seizing attention. Attention is wealth, in an age of mass media. Center stage is more important than armies."

"Centralized bureaucracies always protect the status quo. They don’t innovate. And it’s innovation that’s the real threat."

"The Net was a lot like television, another former wonder of the age. The Net was a vast glass mirror. It reflected what it was shown. Mostly human banality."

"The autumn sun shone brightly. It was still the same sun and the same clouds. The sun didn’t care about the landscape inside people’s heads."

"These people are setting entire new standards for nightmarish postindustrial anti-chic. Only heavy-duty cosmopolitan San Francisco Bay area performance artists, who double as the Dilberts from Hell, could dress with such miraculous anti-fashion sense. ... Mark Pauline is a creative force first, a human being second, and a nice guy at a very distant tenth."

"There are a lot of times and places where "humanity" is headed in no place in particular. Those scenes interest me. Like, little European cultures with weird minority languages, who are just hanging around in obscure mountain valleys, making clay pots and singing, and knifing each other on Tuesdays... It's not like we all line up and dash like mad for some end-goal called "The Future." There's no victory-condition for being human. The future is just a kind of history that hasn't happened yet."

"Mashups [...] nobody's going to listen to mashups in another ten years. Mashups are novelty music. They're like "The Monster Mash." They have no musical staying power. You're pursuing a phantom there. It's bad music, I mean, it's not bad— it's a pastiche, it's like magazine collage— which can be good for what it is. But to pretend that that's like tremendous creative work— No! It's a tremendous creative power— and it can have a tremendous audience, but it's not tremendously good. And we need a little bit of aesthetic honesty in confronting things like this. Just because it's new, and people with laptops can do it, and get away with it, and find an audience for it, does not make it a real cultural advance. It's an epiphenomenon."

"Tomorrow composts today."

"Interstitialism is very postmodern, in that it calls old definitions into question without bothering to invent plausible new ones."

"As a philosophical problem, it comes down to a better way to engage with the passage of time; and I think we're getting close to one, because the imaginative loss of the future is becoming acute. The most effective political actors on the planet now are people who want to blow themselves up. These are people who really don't want to get out of the bed in the morning and face another unpredictable day."

"The Dark Age world had all kinds of potential issues that might bother Anita Atkinson: climate crisis, state collapse, financial ruin, mass extinction, catastrophic population dieback. None of those things bothered Anita, though, because she didn’t understand long words."

"As tempers rose, a compromise was urged by certain moderates, whom everyone ignored."

"“But Dad... what if I just beat people up with my baton? Wouldn’t they have to do whatever I say?” Pitar laughed. “That’s been tried. It never works out well.”"

"Maybe we were forced to conform to that tradition, for the sake of futurity. But the truth is, fatherhood was good to me. Today, there’s a boy, eight years old, who depends on me for guidance in this world. So now I realise: life can’t be all about me. Me, and my own favourite things: interaction design, aesthetics, robotics, metaphysics... When you and I built a child, that forced me to realise how much this life matters!"

"Clearly, Mother de Gupta dearly loved motherhood – mostly, for the chance that it offered her to boss around small, helpless people."

"Working seriously, improving your taste and perception and understanding, knowing what you are and where you came from, not only improves your work in the present, but gives you a chance of influencing the future and links you to the best work of the past. It gives you a place to take a solid stand."