Novelists From England

"A writer often wants to change a reader’s perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader. I am one of those writers who hopes to use character as a way of introducing the reader to a new way of thinking about the world."

"I never really see a book in the context of what went before because when I finish a book I try to press the delete button so that it’s wiped off the hard drive…"

"It felt uncomfortably foreign, I would say. Obviously, it was the first time I had been in a country where everybody looked like me. But obviously, culturally, it was completely alien. And I found people in the street in St. Kitts actually were calling me "English".."

"In the ebb and flow of battle there are usually only brief flashes of bravery before the brave become the dead."

"Racial history lays so heavily on black people – slavery, migration, racism. But I don’t want my characters to be hidden by that…"

"There are so many expectations placed upon us, so many restricting places in which we are supposed to place ourselves in order to function in the world. There is often a struggle to hold on to who we are through all of this; either we lose the struggle and we are lost, almost deadened, or we simply don't survive at all…"

"I feel it is something that I have to do for my children, to be able to give them a book that has kids like them in it, just incidentally. They are not the side character, they are not there as a novelty, they are just the characters. It shouldn’t be a big deal, but it is. People need to see themselves reflected in the culture around them."

"Suicide is generally seen in a very negative way and, though it is tragic and devastating, I've learnt from losing my own twin that there's a positive and magical side to it as well. It's about a person freeing themselves. It is actually a very courageous thing to do. To leave can be braver than to just stay here and struggle on, never knowing whether you'll ever be happy."

"I have intentionally killed off a few people in my books, bullies who made life miserable for me in my schooldays and early teens when I couldn’t fight back. I have no plans to kill off any more – they are all dead now within my pages! However, I have a particular dislike of extremism. Everybody is entitled to their own opinion, right or wrong. When anybody tries to shove their opinion down my throat as though their beliefs are gospel, it makes me angry."

"I like to meet as many fans as possible. A number of them have become personal friends. Without the convention I would never see them. I owe a lot to my fans, many of whom have bought my books and remained faithful to me over the years. So I like to put on an enjoyable day for all and I plan to continue with it for as long as possible."

"I'm not interested in any stereotypes whatsoever."

"I have a term I came up with called fusion fiction – that's what it felt like, with the absence of full stops, the long sentences. The form is very free-flowing and it allowed me to be inside the characters' heads and go all over the place – the past, the present. For me, there's always a level of experimentation – I'm not happy writing what we might call traditional novels."

"When you're a slave you dream / of either owning slaves or freeing them."

"I wanted to put presence into absence. I was very frustrated that black British women weren't visible in literature. I whittled it down to 12 characters – I wanted them to span from a teenager to someone in their 90s, and see their trajectory from birth, though not linear. There are many ways in which otherness can be interpreted in the novel – the women are othered in so many ways and sometimes by each other. I wanted it to be identified as a novel about women as well."

"With all of my books I'm interested in where people come from in relation to who they are."

"There were no dark trees here, no tangled undergrowth, but on either side of the narrow path stood azaleas and rhododendrons, not blood-coloured like the giants in the drive, but salmon, white, and gold, things of beauty and of grace, drooping their lovely, delicate heads in the soft summer rain.The air was full of their scent, sweet and heady, and it seemed to me as though their very essence had mingled with the running waters of the stream, and become one with the falling rain and the dank rich moss beneath our feet. There was no sound here but the tumbling of the little stream, and the quiet rain."

"Last night I dreamt I went to Manderley again."

"The seed of the story [Rebecca] lay in du Maurier’s jealousy of Jan Ricardo, the first fiancée of her husband. "I know that she came across one or two letters or cards, fairly sort of harmless things, where Jan did sign 'Jan Ricardo' with this wonderful great R," says Browning, flourishing his hand in the air. It is a portentous curlicue that is emulated in the book."

"My novels are what is known as popular and sell very well, but I am not a critic’s favourite, indeed I am generally dismissed with a sneer as a bestseller and not reviewed at all."

"I write about the black experience, because it's what I know. But I'm always talking about the human condition, what human beings feel and how we feel. Given these circumstances, a human being will react this way: he'll be happy, will weep, will celebrate, will fall. So my books are popular in Asia, in Africa, in Europe. Why would I, a black girl in the South, fall in love with Tolstoy or Dickens? I was Danton and Madame Defarge and all those people in A Tale of Two Cities. I was Daphne du Maurier and the Brontë sisters in a town where blacks were not allowed to cross the street. I was educated by those writers. Not about themselves and their people, but about me, what I could hope for."

"The Menace, in movie language, and especially among women, means a heart-throb, a lover, someone with wide shoulders and no hips. A Menace does not have long lashes or a profile; he is always ugly, generally with a crooked nose and if possible a scar; his voice is deep; and he does not say much. When he does speak, the scriptwriters give him short, terse snaps of dialogue, phrases like ‘Lady, take care!’, or ‘Break it up!’, or even just ‘Maybe’. The expression on the ugly face has to be dead-pan and give nothing away, so that sudden death or a woman’s passion leaves it unmoved."

"[As a child] I was always pretending to be someone else … historical characters, all those I invented for myself. I act even to this day. It's the old imagination working, a kind of make believe."

"Life is a reaching out for something or someone. That is its definition."

"There was something disruptive about Christmas and not only in the merely material way. The original Christmas had proved exceedingly disrupting to the entire world and the tremors of the original event vibrated through every life year by year."

"For unbelief was easier than belief, much less demanding and subtly flattering because the agnostic felt himself to be intellectually superior to the believer. And then unbelief haunted by faith, as she knew by experience, produced a rather pleasant nostalgia, while belief haunted by doubt involved real suffering."

"The human desire to be understood is never quite sincere. It is on our own terms that we desire to be understood, not on the terms of truth."

"There is no greater tyranny than that of social custom."

"A sense of identity is the gift of love, and only love can give it."

"In this world death has a habit of intervening before we can pay our debts, and the only thing to be done is to pay them to another."

"Human nature is intractable stuff, hard jagged stuff, the kind of stuff that dreams are wrecked on."

"We all of us try to make God in our image. It is one of the worst of our temptations."

"If deadly violence were to be committed, he was like me. He would think it better to give than to receive."

"“Could it wipe out life on Earth?” “Oh, I very much doubt that. Single-celled and oceanic forms will presumably survive. But it might make life impossible for humans.” “Actually, that tends to be my primary concern. Sponges and oysters will have to take care of themselves.”"

"What purpose and will didn’t tell you, unfortunately, was how to do something that must be done."

"The heirs, naturally, wanted everything to be theirs as soon as possible. No one is more rapacious, ruthless, and impatient than a loving family member."

"“But remember, it was all hearsay.” “In Washington, hearsay’s the same as gospel truth.”"

"Is that what it takes to go all the way in politics? Ambition first, everything else back in the pack? And if it is, would any sane human want to have what it takes?"

"Right decision or wrong decision, it was a leader’s job to make it."

"Richard Nixon was protected from impeachment, so long as Spiro Agnew was Vice President and would assume the presidency in Nixon’s place. Half of Washington knew that Agnew was a crook, and a boneheaded one at that. They had to get rid of Agnew before they could really go after Nixon."

"It was the age-old conundrum: How do I know that the ‘me’ who wakes after a night’s sleep is the same ‘me’ who went to bed? I don’t. I merely employ it as a working assumption, for lack of anything better."

"More and more, she felt certain that the members of the Legion of Argos from the top down were mental cases. Prophecies, penances, holy cleansings, arbitrary murders to settle grievances, ethnic entry requirements, guns everywhere, regimented behavior, visitors who were effectively prisoners—all the signs of a paramilitary religious cult."

"The important question wasn’t whether or not you thought you were the right one to lead. It was whether others believed you were."

"When you have died once, you become most reluctant to do so again."

"You pursue progress, even if you suspect that it is an illusion."

"The leaders of the Legion of Argos were out-of-this-world mad. Rigid in outlook, intolerant of minor differences. In other centuries they would have led the Inquisition, tortured the heretics, burned the witches."

"He realized a profound truth: there is no one so generous as a bureaucrat spending other people’s money."

"“Lop the top-end tail off the distribution of human intelligence and creativity,” he went on, “and it would make no measurable difference to the population. Only one person in a billion is out beyond the six-sigma level. That’s what we’re talking about here. But eventually those one-in-a-billion make a huge difference. Ninety-five percent of all human progress comes from less than one thousandth of one percent of the population.”"

"“It is my personal belief that nothing can exceed light speed,” said Sy at last. “I will mistrust anyone, government or Immortal, man or woman, human or alien, who attempts to tell me otherwise without providing convincing evidence.”"

"Earth has been regarded for centuries as a giant self-regulating machine, absorbing all changes, great and small, and diluting their effects until they become invisible on a global scale. Mankind has taken that stability for granted. Careless of consequences, we have watched as forests were cleared, lakes poisoned, rivers dammed and diverted, mountains leveled, whole plains dug out for their mineral and fuel content. And nothing disastrous happened. Earth tolerated the insults, and always she restored the status quo. Always—until now. Until finally some hidden critical point has been passed. The move away from a steady state is signalled in many ways: by increasing ocean temperatures, by drought and flood, by widespread loss of topsoil, by massive crop failure, and by the collapse of worldwide fishing industries."

"“I’ve been testing Kallen’s Law—my name for it, not his. Remember what he said? ‘Anything that can be put into a data bank by one person can be taken out of it by another, if you’re smart enough and have enough time.’ That’s one problem with a computer-based society, and one reason why computers were so tightly controlled on Pentecost: it’s almost impossible to prevent access to computer-stored information.”"