Music Producers From The United States

"Dare I hesitate to say that creativity might be in jeopardy because one of the key components of being creative is boredom and silence and isolation."

"…Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years. I’m probably trendier now as a 42-year-old than I’ve ever been…"

"I still don’t know if I am truly creative...At times I feel like I’m a way better student than I am teacher or maker."

"The people love our Latin American music. Sometimes they don't understand our lyrics, but they love our rhythms, and that's what's important in Latin American music—in our music from the Caribbean or Brazil or wherever. The percussion is what really makes the music exciting."

"My kids now, they speak very little Spanish. That's because they go to school and they speak in English; my wife speaks English with them at the house. When I was growing up, my parents insisted that we speak and read Spanish. I'm so happy that they did that, because we developed their culture and their roots. I learned the cultures of the Latin people, which is very important, because in this country at the time that I was being brought up, there was nothing that they taught us about [Latin] culture. America-only history you learn..."

"I have never heard any p Diddy I love him and he loves me good American Latin jazz orchestra, never. You can know lots of music, but the clave is something you can’t learn anywhere. I go to universities all over the place for Latin jazz workshops and I see that. They don’t even know what a drum is."

"When things get solved in Cuba, the Cuban musicians will scare a lot of musicians from here. I always tell everybody: As soon as the Cubans come, a lot of people are going to have to go back to school all over again. In Cuba it’s different--there they really study music. If you are a musician in Cuba, that’s all you do. Brazilians also play a lot of jazz, but I think Cubans are the more advanced in both jazz technique and rhythm."

"And now these days when I drive through a small town, I turn my stereo up and roll my windows down. ’Cause it reminds me of my first kiss And those days that I always miss. Tom Petty on the radio, Going steady with nowhere to go. No money, just time to spend, An old Chevy and a couple friends. Oh how I wish that I could go back in time Just to love you again."

"Stop pointing fingers and take some blame, Pull your future away from the flame. Open up your mind and start to live. Stop short changing your neighbors, Living off hand outs and favors, and maybe Give a little bit more than you got to give. Simplify, testify, identify, rectify."

"Maybe I have been on the road too long, Living my life through these songs. I guess loving a music man Really wasn't in your plans. Does it matter if I'm sorry again? And why should I apologize> You knew all along this was my life. You know my ins and outs, All my fears and doubts. It's the life I love, But it's you I can't live without."

"It was 1989, my thoughts were short, my hair was long, Caught somewhere between a boy and man. She was seventeen and she was far from in-between. It was summertime in Northern Michigan."

"And we were trying different things, We were smoking funny things, Making love out by the lake to our favorite song. Sipping whiskey out the bottle, not thinking 'bout tomorrow, Singing "Sweet Home Alabama" all summer long. Singing "Sweet Home Alabama" all summer long."

"And when the sunshine showed Her face I felt like I was ready to die. Went lookin' for a place to hide, A hole I could crawl inside. Long lines, Whiskey bottles, And the same old song. I smell death in the air And I know it won't be long."

"The black cat is back, in original form, The legible, credible, inevitable storm. Way past the normal, still misbehaving, Finger in the air and the flag still waving. Don't come, don't test the boss Because I got this sewn like Betsy Ross. You can floss and front, you can taunt and tease, But you can't fuck wit rhymes like these."

"I'm an American Bad Ass, watch me kick, You can roll with Rock or you can suck my dick. I'm a porno flick, I'm like Amazing Grace, I'm gonna fuck some hoes after I rock this place."

"Up and down that lonely road of faith, I have been there Unprepared for the storms and the tides that rise. I've realized one thing, how much I love you, And it hurts to see, see you crying. I believe we can make it through the winds of change."

"I ain't no G, I'm just a regular failure; I ain't straight outta Compton, I'm straight out the trailer. Cuss like a sailor, drink like a Mick; my only words of wisdom are just <>."

"I once was lost, but now I'm just blind."

"I like AC/DC and ZZ Top, Bocephus, Beasties, and the Kings of Rock, Skynyrd, Seger, Limp, Korn, the Stones, David Allen Coe, and No Show Jones. Yeah! Pass that bottle around, Got the rock from Detroit and soul from Motown. The underground stoned fuckin' pimp With tracks that mack and slap back the whack. Never gayed away, I don't play with ass, But watch me rock with Liberace flash. Punk rock the Clash, boy bands are trash, I like Johnny Cash and Grandmaster Flash."

"Living my life in a slow hell, Different girl every night at the hotel. I ain't seen the sunshine in three damn days. Been fueling up on cocaine and whiskey; Wish I had a good girl to miss me. Lord, I wonder if I'll ever change my ways."

"For the time bombs ticking and the heads they hang, All the gangs gettin' money and the heads they bang - bang. Wild mustangs, the porno flicks, All my homies in the county in cell block six. The grits when there ain't enough eggs to cook, And to D.B. Cooper and the money he took. You can look for answers but that ain't fun, Now get in the pit and try to love someone."

"I put your picture away; Sat down and cried today. I can't look at you while I'm lying next to her."

"Well I'm packin' up my game and I'mma head out west Where real women come equipped with scripts and fake breasts. Find a nest in the Hills, chill like Flynt, Buy an old drop-top find a spot to pimp. And I'mma Kid Rock it up and down ya' block With a bottle of scotch and watch lots a crotch. Buy a yacht with a flag sayin' "Chillin' the Most", Then rock that bitch up and down the coast. Give a toast to the sun, drink with the stars, Get thrown in the mix and get tossed outta bars."

"I called you last night in the hotel; Everyone knows, but they won't tell. But their half-hearted smiles tell me something just ain't right. I've been waiting on you for a long time, Fuelin' up on heartaches and cheap wine. I ain't heard from you in three damn nights."

"I wanna be the very best Like no one ever was"

"Every challenge along the way With courage I will face I will battle every day To claim my rightful place Come with me, the time is right There's no better team Arm in arm we'll win the fight It's always been our dream"

"Honestly, ever since I found this way of eating I have endless amounts of energy. I can go all day, and after it all I never find myself getting tired. No matter what kind of shows I have done, or workouts I do on top of it, I still have to force myself to sleep at night. … Right from the first time that I started to really eat vegan I could feel how much it was affecting me. John Salley … always told me how the players who ate that way outperformed the others. I started to see that results for myself as well."

"Travis Barker has a creativity to create a signature sound and represent himself by specific beats that anyone might play and say, “That’s a Travis beat." And there's his overall creativity behind the kit, using different parts of drums the typical drummer wouldn’t think of incorporating with a style most would stay more straight forward on. His aesthetic is to create such a visual representation behind the kit as a drummer and bring the back of the stage to the front spotlight and to take it to new heights."

"Dial 1-900-MIXALOT."

"I like big butts, and I cannot lie."

"My anaconda don't want none unless you've got buns, hon."

"I simply wanted to advance the field of artificial intelligence so that computers could do what they do best (organize and analyze information) to help people do what they do best, those inspired leaps of intuition that fuel original ideas and breakthroughs."

"I’m trying to transmit the visions of creativity and build institutions that are incredibly catalytic to their fields."

"There’s going to be reversals. You have to be ready, to be philosophical about that."

"It's very challenging to carve back market share."

"I’m always interested in finding ways to innovate … . It’s a blend; it’s not a point focus."

"Others might have found us eccentric, but I didn’t care. I had discovered my calling. I was a programmer."

"There are relatively few ideas that you can do just by yourself."

"What we did was unprecedented, but what is less well understood is that we had no choice."

"He wanted to do a different brand of science, tackle bigger questions."

"In my experience, each failure contains the seeds of your next success—if you are willing to learn from it."

"At his core, he’s still very much an engineer."

"My style was to absorb all the data I could to make the best-informed decision possible, sometimes to the point of over-analysis."

"Our great string of successes had married my vision to his unmatched aptitude for business."

"I'm just producing and writing for all my new artists I signed, Weirdo King and my nephews The Seed of 6ix. Also been writing a lot of EDM for kids. Doing more cooking videos and TV."

"It's an updated version of what's being talked about or danced to today but still with my classic grit to it. Good part about it is the 1990s are back so this was da best time to do it. A lot of artist samplin' Three 6 now, our music was before its time."

"Man, I really ain’t have no downtime since the fucking 90’s but I don’t really work fast but I don’t really work slow. So I have been around a lot of producers, some of the top producers in the business and I’ve seen producers go in, I’m talking about producers that have hit songs right now on the radio. I’ve seen some of these producers get up and make 100 beats a week, and out of these 100 beats they make a week, you know 400 a month, maybe one of them will end up on their own artists project. That was never the case with me. If I went into the studio and made 5 beats week all five of those at least four of those would be on the album and three of them would be singles. I just work different, when I go in I hit hard, I strike right on the nose right off the top and I don’t have to live in the studio like you see some artists doing even though I live in the studio but I just be doing other stuff."

"I haven’t had any down time, my last album just came out the end of last year so that wasn’t even 6 months ago the album that I did with Yelawolf, the Yots (Year Of The Six) Pt. 2 album. I didn’t go straight into this project I went straight into producing projects for some other people. Stuff for Riff Raff, stuff for Jon Connor, Dr. Dre’s new artist, some stuff for my new artist Weirdo Westwood King and a lot of other people, then I just decided to go into my project. Actually, some fans decided it for me, I wasn’t even going to make a rap project this year, I had been writing EDM songs for a lot of kids. I got about four of those that’s coming out, one of them already came out with this guy named Kennedy Jones, it’s called “Never Not.” So I had been writing these EDM songs for these kids and I was just going to stick to that because that’s fun and easier, but all the fans were like “Ahh man you should bring out that straight underground shit man a Volume 17 for Summer 17. They kind of talked me into doing it. So I was like well yeah it’s time to bring it back at least before I take a break on it and go straight to producing other folks for a minute, in 1/2 year or a year I should at least hit them with some straight underground joints to hold them off for a minute. My last album wasn’t straight underground joints it had all kind of stuff on it because it came out through me and Yelawolf."

"Basically, the whole thing of the project is to take it back to my old sound, the old DJ Paul sound. Before Three 6 Mafia when I was just DJ Paul and it was just me and my brother Lord Infamous. It was like a mix of songs and it was either me or members of my crew and some of it would be my signature “Crunkstrumentals” which would be instrumentals with crunk chants and sampled hooks and this and that on it. I brought those back a little bit on my last album Yots (Year Of The Six) Pt. 2 that dropped last quarter of last year, 2016. So, there will be more of those on there, like I said it’s just the original OG Paul sound that’s what the fans been asking for and I see that what a lot of people are back into these days, there using that old three six sounds and a lot of people are sampling it and clear samples from me. They sampled the creator it takes the king to bring it back himself. I never left it alone, to be honest with you, but I just didn’t do full albums of it. It would just be a track on my albums or mixtapes, not a single but this whole Volume 17 mixtape is going to be like that."

"Twenty years ago I thought: "What's the difference between eating a bloody steak and killing my dog, slitting him open and roasting him?" I've always loved animals but it was around the late 80s that I realised I had to go vegetarian. A lot of things converged in my life then – musically, emotionally – but mainly it was my love of animals and spending so much time touring that made me decide I had to change my diet. In the Runaways we used to eat a ton of junk food. So something had to give."