"A few Oscars maybe. But what value are a few Oscars in front of the adulation and warmth of a billion smiles and the awe and respect of a billion salutes? I have never ceased to be amazed by the limits and standards he sets (for) himself — standards that nobody else imagines even exists!"

"I did not teach him everything he knows. He just absorbed everything I knew. The rest he discovered himself by asking, probing, begging, watching, observing, reading, demanding, investigating, improvising, experimenting, experiencing, learning and not being afraid of stretching himself beyond his own limits. I only gave him the platform and the opportunity to discover himself. In the process, I was blessed enough to discover myself."

"He is a legend in every sense of the term. He is a writer, singer, director, lyricist and an actor par-excellence. We are extremely honoured to present the Lifetime Achievement Award to Kamal Haasan."

"I walk down the road and people want to kiss me. I'd never do all that to anyone. Not Bachchan or Rajinikanth. The exception is Kamal. I asked him if I could touch him when I first met him,"

"He has an amazing sense of using space. When he plays an old man his gait and the way he stands is enough to convey his age. He doesn't need make-up. I find him greater than Dustin Hoffman and Robert De Niro put together, I know Kamal can make you cry with a look in his eyes. I know his pauses. He has an amazing sense of timing that he knows the audience likes. He's a technician par excellence. That kind of knowledge and control every actor should strive to get."

"It's Kamal who inspired me to do one film at a time."

"There are some things he can do that others can but there are many things Kamal can do that no other actor can."

"He has famously said that he is a reluctant actor. He has an avid interest in every aspect of filmmaking and is known for his work as a choreographer, director, and writer, as well."

"Definitely from the actors I've worked with and the actors I've watched. I was amazed by the distinct way he handles a scene I've written. It was something I wouldn't have thought of. His way of looking at a scene would be different from what was on paper. He's an institution as far as acting is concerned. For example when I took a scene to him he did something that was not on paper, something you don't expect and can't write."

"In every theater the collections are going up. Only Kamal can do this sort of a role and the film is a turning point for him. Saravanan also rightly advised Kamal not to sell the film - which cost Kamal Rs.80 lakhs to produce - outright, but only on a commission basis, as he felt it would be a "perennial gold-mine"."

"Nobody associated with Sahodarakal is really willing to disclose what camera wizardry it was that finally transformed Kamalahasan into a fascinating midget. Some of the dwarf scenes were shot in a circus playing in Cochin by digging a pit with the actor standing knee-deep in it. The shoes were fixed to his knee and the pit was covered with a carpet."

"I have not seen an actor who would play the most ludicrous roles without bothering about his star image."

"What can we say about Kamal Haasan that has not already been said? This man was born to be an actor. Winning a national award for his first performance as a four year old, he has carved out a niche for himself in the industry like no other [[actor could. Although his acting has been celebrated over the years, his style has not been given due credit. Kamal’s look not only changed as he grew as an actor but was strategically chalked out to suit each of his characters. From his haircut, to beard, mustache, his wardrobe, he was one of those pioneering actors in India to extremely to use prosthetics for different looks. One could say he was addicted to [[w:Experimenting|experimenting with his looks and characters. Go over his career and you will be amazed with exactly how much Kamal’s style has evolved over the past half century."

"He is truly a master of all the arts. But everything has a reason and I decided to find out why. There is a bit of arts in every one and the goddess of the arts of the arts endows some people with extra gifts and leads them by the hand. People like me, Mammootty, Mohan Lal, Venkatesh and Amitabh Bachchan are amongst those whom the goddess has chosen to lead by the hand. But the goddess has picked up Kamal and cradled in her arms and clasped her to her bosom. I asked her “Is this fair” You are holding Kamal close to you. But all of us are also your children, we should be equal in your eyes.” The goddess replied, “Rajini, you wanted to be an actor and struggled to become one from your last life; but Kamal has desired to be an actor for ten lifetimes. Can I put him down?” I told her, no, goddess, let him stay where he is.” Kamal is truly the favorite child of the goddess of arts. I am proud that my name will also go down in history as somebody who has acted with him."

"Only an actor of Kamal's calibre can play a Dwarf effectively."

"I know Kamalahasan rather well personally, but I haven't seen his films. I think he's very talented. I like to talk to him because he's intelligent."

"The range and versatility of Kamalahasan is unbelievable. He is one of our best actors."

"Shankar, Ehsaan, Loy have been great inspiration for us."

"I am a huge fan of Shankar-Ehsaan-Loy ever since I 'discovered' their music in Dil Chahta Hai. Ever since, every track of theirs was a masterpiece for me, be it Salaam-E-Ishq, Kal Ho Na Ho, Lakshya."

"Shankar-Ehsaan-Loy are doing some nice songs."

"I could not take up Dil Chahta Hai. Also, Bunty Aur Babli. But I am glad that Shankar Ehsaan and Loy were able to shine in these films. I love their work in these films."

"Shankar Mahadevan: Classical music is a great advantage you have. Be it during composing or arranging, classical music is like grammar."

"Shankar Mahadevan: There is a very thick line between being repetitive and having your own sound. You can always re-invent yourself - think about the sounds you are using. I don't see any reason why you have to be repetitive if you have enough knowledge, enough exposure."

"Ehsaan Noorani: (on R.D. Burman) He thought light years ahead of everyone else. He was very global in what he did. Even with limited technology and media coverage, RD did exemplary work."

"Loy Mendonsa: I'm often asked how we function within a trio. I tell them you must try sitting on a two-legged chair."

"Shankar Mahadevan: We come from different musical backgrounds. It's our USP too. We work more like a band rather than just composers. All our compositions come out during jam sessions. I am sure we will never spilt because we understand and respect each other's creativity."

"Loy Mendonsa: Technology has changed a lot and has made copying easier. People are not morally hassled by it any more. Morality has changed."

"Loy Mendonsa: Ehsaan gets very upset if it sounds remotely like anything else. Then he'll get sleepless nights. Then next morning we'll see him with dark circles"

"The clown company played by Atul Kumar, Kalki Koechlin, Sujay Saple, Neil Bhoopalam, Namit Das and Puja Sarup are outstanding in their role[s]. This is just outstanding casting by the director and The Company Theatre."

"Dev.D is a tryst with milestone cinema, reminiscent of Baz Luhrmann's Shakespeare-shaken-and-stirred in Romeo and Juliet. Kashyap, however, gets even more adventurous and adds a progressive flourish to both the plot and the characters which are played to perfection by the three lead players. If Mahi and Kalki are riveting new finds, assured of a long innings in cinema, then Abhay Deol adds a whole new meaning to the term "Unconventional Hero"."

"Enter Chanda, the multilingual call girl who can seduce in Hindi, Tamil, English and French. With her bee-stung lips, unusual face and refreshing lack of acting guile, Kalki Koechlin imbues the part with a touching fragility."

"It's all a part of this world where we're all kind of mixing a lot, and… in that way we're all a bit confused about who we are, where we belong, where's home, and … who is important to us…"

"I think the chemistry we have is that we both think very dark when it comes to stories."

"I wanted to kind of make sure that people know that I'm here to stay, because this is home, and I am born here — I'm not a foreigner in that sense."

"Obviously I think I've been very lucky, to start off with such a good break, and to have a film that not only was a hit but where I didn't have to compromise … in terms of doing a mindless movie — it was also a movie, for me as an actor which was very fulfilling…"

"I’ve always maintained that it’s easy to make a film on Adolf Hitler. What is difficult is to find out why he struck a chord with the German people; what is the nature of fear, aspiration and identity that he evoked in them that it became Hitler’s Germany."

"The demolition of the Babri Masjid was the last straw. Naseem (1995) was almost like an epitaph. After the film, I had really nothing to say. I needed to regain my faith and retain my sanity. So I decided to travel around India and document it on a video camera"

"I begin with two memories of my childhood. Don't ask me why, because I do not know. Perhaps because it helps to get things started."

"Gracy Singh"

"Manisha Koirala"

"Hrithik Roshan"

"Akshay Kumar"

"Jaya Bachchan:"

"Brett Lee:"

"Abhishek Bachchan:"

"Rani Mukerji:"

"On Amitabh Bachchan:"

"On her co-stars generally:"

"On Bobby Deol:"

"On Abhishek Bachchan:"