Filmfare Awards Winners

"She is lovely as always."

"I take that as a compliment but I’m nowhere close to Shreya Ghoshal."

"Titles or awards are not the mark of your success. They are the beginning of a life-long sadhana. Learning should never stop. Discipline of riyaz is a must if you are serious about pursuing an art."

"I actually have a lot of couples coming and telling me that one of my songs was instrumental in strengthening their romance."

"If music is what can be called my strategy, then every singer should be trying that."

"I am fortunate to have worked with him and to have known him for so many years, and with no hesitation, I can say that there is absolutely no one with that passion for music and of course, films. He is an encyclopaedia of Indian music. So when we are in the studio, I just follow him like a student. He is as brilliant a composer as he is a director-producer."

"I want to keep working 24*7. When I am not singing, I go into deep introspection mode and start asking myself, why I am not getting much songs. I feel even working 24*7 every day is less for me."

"Today kids are more advanced, smarter. When we came in reality show we were untrained in terms of facing television. That time TV was just starting out. We were nervous and shy. Today`s kids have seen it all."

"I am not a competitive person. I am a kind who will cheer for every one who is stepping up the stage for the award and I congratulate all the nominees and the winners along with me. Because according to me all the singers who were nominated are best as they sang different kinds of songs."

"I think today there is space and work available for everyone out here. Earlier the scenario was different. Like there was a time when there was monopoly, only two or three singers would get to sing...It was difficult that time. But today the emphasis is on newness, novelty, so there is room for everyone."

"An award means a lot to me. It brings happiness along with a kind of fear. It brings fear because the award is the responsibility which audiences have put on us. So a singer winning an award should always try to give best of him to the audiences."

"A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both."

"Seriously! Acting in films is not my cup of tea. The joy I find in being a pucca musician is unparalleled."

"I love the idea of waking up to a song. It could be any song."

"To me, music is oxygen and I know that someday even if I can't sing, I can always continue listening to it."

"I am an easy going person. I don't sing for money or fame. I was brought up in an environment where I was taught to love and respect music, not consider it a business."

"I always feel that I must do something new, at least for my fans."

"As someone who worships music, I believe it can never be ugly!"

"Hahaha... I can't understand why people constantly speak about the romantic quality in my voice. I have never made a conscious effort to sing with an extra romantic effect. But, I do enjoy love songs, as I am a romantic person."

"The focus is only on singing. But a National Award is like a pat on the back as it's given to the best. Being awarded is also nerve-racking as the expectations and pressure rise. But it just motivates me to work harder."

"Bollywood film music composers are under a lot of pressure to add elements of disco or bhangra or any other flavour currently popular with the youth. But when it comes to regional films, composers are given a free hand and they compose music they believe in. I think it's a matter of great pride to be singing such soulful tunes."

"It's not a new thing but maybe people have started noticing me more now. It's a good change for me and everyone else. I have always enjoyed dressing up but I don't do it as often as I would want to, because it's time consuming. But now, especially when I have to go for fancy promotional visits, I try to enjoy the process of letting the make-up and hair people do their job."

"I have always wanted to get married since I was 20. I am a very romantic person and have fallen in love plenty of times. I adore people and get smitten by some people and have made my mistakes. I like men who have their own voice, are opinionated but are not rude. I don't like very serious people as I believe that there must be a fun element to life."

"Oh, I have a special way of writing the lyrics when it is dictated to me. No matter what the language of the song, even if it is Bengali, I write it in Hindi. I have certain notations and markings to indicate the way it should be pronounced. I feel the Devanagari script is the closest to the phonetics of the language. English alphabets are not very good for that purpose. Moreover, I listen carefully and try to grasp as much as possible when the lyrics are read to me."

"And the sun sets on another year. Much to ponder upon, even more to look forward to..."

"Life is a journey which is far more enjoyable when your holding hands with the ones you love"

"I’m constantly searching for right roles, trying to find what suits me the best. Once I find my metier, I’ll elaborate on that, polish my act and then move on. Some actors quickly find a genre they’re comfortable with and then they perfect it. Others do diverse things until they find what suits them. I’m doing the latter. I still haven’t found the role that I can do full justice to. I’m discovering myself as an actor."

"How often do you come out of a film these days humming a song? Earlier I thought that my age had something to do with it. But then I spoke with some youngsters and they seemed to agree in retrospect.""

"Arre bhai...there is so much more to Indian music than those beats. I have done bhangra...nothing against it. But why do we present only that to the Indian and global audience. Punjabi language and music has become the language of the film industry unfortunately. Be it Singh is King or London Dreams or New York Beats are the same. agreed you cannot use classical or folk music in New York or Singh is King but London Dreams — it's supposed to be a musical. Music should have been the soul of it. But that is the weakest thing in the film. So much could have been done — classical music and folk music could have been used. But they didn't. They want to finish of work ASAP. Quantity, not quality has taken over."

"The director's word used to be final. Today directors don't even come on sets for a dance sequence. Its canned by the choreographer."

"Today that rarely happens. Most often the songs are used as a relief. They have nothing to do with the film per say. And all look almost the same. Just replace the central characters and a step here and there...choreography remains the same in most cases. So does the beat. We have so many classical dances and folk dances in the country but nobody seems to be using them."

"There are so many acting schools these days. Maybe, the new generation of actors is forgetting that acting is more emotional than mechanical. Take dancing, today's dancers are not dancing; they're just performing a drill to some beats."

"I've made a few films and by the grace of God, you've liked them."

"Guide, Pyaasa — these are my films that can be remade with current actors. But the music and lyrics should not be changed. Because you cannot have a samba or bhangra beat for the seduction scene in Pyaasa...the beauty will be lost."

"Music earlier used to be an integral part of the film. The background score and the songs were as important, to take the story forward as were the screenplay and dialogues."

"The shelf-life of a heroine is very limited. But I feel that a true artiste should never retire. Even now, I can't say no to a role that excites me. But I don't see films as my career any longer. I do it for the fun and satisfaction."

"Take risks and don't fear failure"

"What matters most in life is good health and a good night's sleep.""

"A good artiste should be able to portray any kind of role. Guide is closest to my heart because Rosie was a very mature character. She is married to Marco and yet decides to go in for a live-in relationship with Raju. Many producers saw it as a negative role, a wrong step at that stage of my career and advised me not to do it, but to me a role was a role. But sometimes personalities do come in the way."

"In those days the heroes and heroines had to play characters, which were essentially good. Now there is no such compulsion. And it is a good thing. I like the choices Vidya Balan has made. People say mine was the golden age of cinema. I think we are on the threshold of another golden period."

"Dinner followed thereafter among a small group of common friends, a surprise being the presence of my favorite Waheeda Rehman. Now aged and well within her years, she to me described what the conventional Indian woman ought to be in look and behaviour. Those early films 'Pyaasa' and 'Kaagaz ke Phool' and 'Chaudhavin ka Chand' and 'Sahib Biwi aur Ghulam' are unforgettable for the charm and grace and childlike softness of an ethereal looking Waheeda ji, alluring and dynamic by the intensity of her simple and endearing looks and performance."

"I definitely think this is the best time to be in the industry. Earlier, films were made on a set pattern- love story, family drama, one is rich and other is poor type formulas. But today there are different kinds of films being made and accepted by the audience. I wish I was there in the industry today...I wish I was born in today's time."

"Yes, my acting was not stylised. I always underplayed, maybe because I never learnt acting. I thought the best way is to feel it and do it. And when you feel it, the emotions come out naturally. Gulabo (Pyaasa) was liked by people and I started getting different roles. If I liked a story my attitude used to be: this is the scene, this is the character and I have to do it. I never thought about the repercussions of doing a character."

"Cinema is a product of society. You look around you, the way women dress up for parties is no longer the same."

"I was and still am her great admirer and fan. She signified to me the epitome of Indian grace and culture. She possessed in her the mischievous streak of that precocious village belle and the spirited movement of a Shiv Tandav. She looked vulnerable and lost, searching for protection in one moment, yet knowledged and mature in another. You felt like protecting and guarding her from all the evil of the world and to gently wipe away any frayed eyebrows that may have accumulated on her face. Her performances were pure and clean, without effort and deliberate design. They were just a part of her - simple and soft."

"It was important to have compassion, [which, she added, came ]] partly from acknowledging we are one."

"And you cannot imagine the excitement when I came to be cast with her in Sunil Dutt's 'Reshma Aur Shera'. It was like an unbelievable dream. The Rajasthan location of Jaisalmer and the hot deserts beyond that in the village of Pochina merely a few meters away from the Pakistan border. The arduous drive for hours into the interiors without any navigation and roads. Miles and miles of barren dessert and dunes with a scarcity of every possible material good, required for survival"

"Everyone is born for something. This girl was born for the camera."

"I don't believe in remakes. I think original films are classics and one can't make it or match up to it (original film) the same way. And even if they do there will be comparisons...it's not a good idea,""

"The instant Waheeda Rehman arrived for her ten days shooting in Calcutta, she charmed every member of Ray’s unit. She lacked star airs and graces, never behaved in a pretentious manner and was content to go about off the set in her own face without make-up. There was an unspoilt quality about her personality and she was conspicuously receptive to Ray’s direction. She was pliable, with few ingrained mannerisms."