Crime Comics

"It was the Amazon Princess' origins in wartime, though - the critical moment of her arrival - that have helped to give her the staying power she has shown as a character. Because her appearance coincided with a moment in history when women were called upon to take on duties, responsibilities, and aspects of gender identity formerly in men's domain, her demonstration of "masculine" qualities was seen as appropriate for the times. Further, she was held to the same standards of female behavior as the World War II women she inspired and represented: her masculinity and power over men were managed, and she maintained her femininity no matter the circumstances. From her inception, beyond merely being entertainment for children, Wonder Woman represented a vision of women's qualities that were equal to or greater than men's and exemplified a mix of gender qualities that adult women and men recognized as necessary to the Allied effort. Wonder Woman rode a wave of wartime feminism that permitted her to show that her greatest qualities were ones that helped win the war. Those same qualities enabled her use as an image of strength, self-reliance and self-belief that were the basis of the Second Wave, pushing women further up the shore to equality."

"Men, (Greeks) were captured by predatory love-seeking females until they got sick of it and made the women captive by force. But they were afraid of them (masculine inferiority complex) and kept them heavily chained lest the women put one over as they always had before. The Goddess of Love comes along and helps women break their chains by giving them the greater force of real altruism. Were upon men turned about face and actually helped the women get away from domestic slavery - as men are doing now. The New Women thus freed and strengthened by supporting themselves (on paradise Island) developed enormous physical and mental power. But they have to use it for other people’s benefit or they go back to chains, and weakness."

"A significant reason Wonder Woman became verboten soon after she debuted was her then-implicit bisexuality, having come from a land populated solely by women."

"We look at the strong, healthy character for some of the same reasons recent psychologists now charge psychology with a criticism her creator made long ago. Too much of psychology has focused on that which is abnormal without exploring that which is normal-hence Marston's classic book, Emotions of Normal People. Whereas other psychologists and other fictional characters might views humankind pessimistically, William Moulton Marston and Wonder Woman look for the best in us all and hope for our world. In the twenty-first century, a psychologist best known for studying the causes and consequences of learned helplessness promotes positive psychology on the belief that psychology has overemphasized the worst parts of human nature to the neglect of trying to understand the best."

"She does not believe that Wonder Woman tends to masochism or sadism. Furthermore, she believes that even if it did-you can teach either perversion to children-one can only bring out what is inherent in the child. However she did make the reservation that if the woman slaves wore chains (and enjoyed them) for no purpose whatsoever, there would be no point in chaining them."

"If we had all read more about Wonder Woman and less about Dick and Jane the new wave of the feminist revolution might have happened less painfully and sooner."

""It's frivolous, it's fatuous and it reduces an extremely serious human rights problem experienced by half of the world to a cartoon," she said. And not just any cartoon, added Goetz. Wonder Woman in her view was tantamount to a Barbie/Playboy pinup. Like most female comic action figures, she has big breasts bursting out of a skimpy outfit and an impossibly tiny waist. "The message to girls is that you are expected to meet a male standard in which your significance is reduced to your role as a sexual object," said Goetz."

"Wonder Woman failed to challenge the long-standing prejudice that the feminine ideal was white. Not only were Wonder Woman and her sister Amazon's all fair skinned, the Wonder Woman comic books reinforced racism by debasing minority characters. While the grotesque and evil "Jap" enemies that populated Wonder Woman's adventures were the most frequent illustration of this racism, the comic book was rife with other degrading characterizations, like the dim-witted African American porter and duplicitous Mexican "hussy" who make an appearance in Wonder Woman #1, (Summer 1942) (187). Hateful depictions of Asian, African American and Mexican characters reinforced the racist association of "white with "right". This inherint racism undercut Marston's message of women's freedom and empowerment and would have required minority readers to negotiate some serious obstacles in accepting or rejecting, his comic book superheroine as a feminist role model. On top of this racism, Marston's view that women deserved to be in power because that were intrinsically virtuous and would use their power to bring about peace and happiness further complicates Wonder Woman's feminist claims. Although Marston aimed to elevate women, arguments that base women's right to power on a set of assumptions about "the female character" ultimately reinforce the idea that women must adhere to the standards identified by the dominant culture as appropriately feminine. Those women who fail to meet society's expectations, whether by circumstance or by choice, risk being denied the rights that "acceptable" behavior would presumably earn them. For such individuals, Marston offered a rather unsympathetic solution: conform."

"Fans know that she carries a golden lasso that compels anyone caught in it to tell the truth. But fewer realize that her creator, psychologist William Moulton Marston, also helped develop the first real-life lie detector. Marston, who earned his PhD from Harvard in 1921, and his wife, Elizabeth Holloway Marston (who earned a master's degree in psychology at Radcliffe), conducted the first research that linked systolic blood pressure to emotion—a key part of the modern polygraph."

"Who needs consciousness-raising and equal pay, when you’re an Amazon with an invisible plane?"

"I still have women at airports coming up to me saying: “Oh, you don’t know what it meant to me. That show got me through this difficult time, that difficult time.” That’s really where the fantasy became a reality, where Wonder Woman became something much more than a TV show or a comic book. And I’ll tell you this, when women recognize me in airports, I hold them in my arms and they cry. If a guy comes up and says, “Oh my God, I had such a crush on you when I was a teenager,” I say: “Talk to the hand. I don’t want to know"."

"Wonder Woman isn’t only an Amazonian princess with badass boots. She’s the missing link in a chain of events that begins with the woman's suffrage campaigns of the 1910s and ends with the troubled place of feminism fully a century later. Feminism made Wonder Woman. And then Wonder Woman remade feminism, which hasn’t been altogether good for feminism. Superheroes, who are supposed to be better than everyone else, are excellent at clobbering people; they’re lousy at fighting for equality."

"Not only was Wonder Woman a more enduring character than Rosie, her contribution to the war effort was also more direct. Rosie's war job was to make planes, weapons and ammunition that would help men win the war. She was the quintessential woman behind the man behind the gun, Wonder Woman, on the other hand, fought alongside men on the front lines of battle; she was the woman who led the man who held the gun. Defying convention that relegated woman to the role of man's submissive helpmate, Wonder Woman fought not for men, but for liberty and freedom and all womankind!" (Marston and Peter, All Star Comics #8, 15). Whereas Rosie suggested that women work in order to help men, Wonder Woman encouraged women to work because it enabled their independence from men. When misogynistic Dr. Psycho hypnotizes his wife, Marva, and forces her to help him in his plot to enslave American women in Wonder Woman #5 (Jun./Jul. 1943), Marva bitterly laments: "Submitting to a cruel husband's domination has ruined my life! But what can a weak girl do?". Wonder Woman of course, has the answer: "Get strong! Earn your own living- join the WAACS or WAVES and fight for your country! Remember - the better you fight, the less you'll have to!" Because Marston believed that women's economic independence was a necessary step towards their empowerment, he used Wonder Woman to encourage women and girls to pursue work outside of the home for the sake of their own autonomy and personal fulfillment. In doing so, his character directly challenged traditional gender roles in a way that Rosie did not."

"Wonder Woman, Wonder Woman."

"The homosexual connotation of the Wonder Woman type of story is psychologically unmistakable. The Psychiatric Quarterly deplored in an editorial the "appearance of an eminent child therapist as the implied endorser of a series...which portrays extremely sadistic hatred of males in a framework which is plainly Lesbian." For boys Wonder Woman is a frightening image. For girls she is a morbid ideal. Where Batman is anti-feminine, the attractive Wonder Woman and her counterparts are definitely anti-masculine. Wonder Woman has her own female following. They are all continuously being threatened, captured, almost put to death. Her followers are the "Holiday girls", i.e. the holiday girls, the gay party girls, the gay girls. Wonder Woman refers to them as "my girls"."

"I never really thought of Wonder Woman as a super-racy character. She wasn’t out there being predatory. She was saying: “You have a problem with a strong woman? I am who I am, get over it.” I never played her as mousy. I played her being for women, not against men. For fair play and fair pay."

"In 1968, under Denny as scripter and Mike Sekowsky as editor, they'd taken away Wonder Woman's powers and sexy costume to remain in "Man's World" rather than accompany her fellow Amazons back to Paradise Island, in Denny's words to me, "to solve the Superman problem," that is: if she can deflect bullets with her bracelet and tie up criminals with a magic lasso and fly around in a magic transparent plane, you run out of stories pretty fast—as well."

"Careful to show that women's strength and assertiveness did not unsex them, Wonder Woman adhered to the dominant standards of a acceptable femininity. Marston's Amazon princess was kind, nurturing and self-sacrificing; she was also quite beautiful. Wonder Woman was tall and svelte and had a womanly, if athletic body with "perfect modern Venus' measurements" (Marston and Peter, Wonder Woman #6, 139). She had long eyelashes, painted lips, and long, thick shiny hair. She was also very fashionable and knew how to accessorize with earrings, bracelets, a tiara and knee-high high heeled boots. This keen fashion sense undoubtedly came from her interest in shopping, which was one of the first things she did upon arriving in America (Marston and Peter, Sensation Comics #1, 20). Occasionally yielding to a "girlish impulse, "Wonder Woman could be caught dressing up and admiring her appearance from time to time. She even mooned over Steve Trevor, who was known in their comic world as "the strong girl's weakness" (Marston and Peter, Wonder Woman #6, 118) Rather than emasculate Steve with her incredibly strength, Wonder Woman often played the coquette, protesting for him to stop teasing her while thinking to herself "But I hope he won't!" (Marston and Peter, Sensation Comics #22, 166). Attractive, flirtatious and occasionally frivolous, Wonder Woman delivered a healthy dose of traditionally expected femininity."

"Marston set the foundation for what to expect from Wonder Woman comics in the early 1940s. Stories that take place after Marston' death carry the same elements, although not as overtly. Wonder Woman relies on inducement to lead others and fought against the practice of domination, sometimes in the form of corrupt regimes or abusive men. Compliance, including fear, is a cause of concern for Wonder Woman as she protects others. She approaches her enemies with inducement rather than domination, extending her hand when she can. Diana submits when appropriate, especially to her gods and her mother. Without Marston's theory of emotions laying the foundation for his superheroine, Wonder Woman would not embody the spirit of loving submission readers have seen over the decades."

"My favorite thing was the bracelets. I mean, the bracelets are cool, but how do I make that work? In the original comic book, they needed them because they fire guns on Paradise Island. I don't think I'm going there."

"If the prospect of living in a world where trying to respect the basic rights of those around you and valuing each other simply because we exist are such daunting, impossible tasks that only a superhero born of royalty can address them,then what sort of world are we left with? And what sort of world do you want to live in?""

"The idea was to make the character of Wonder Woman the face of a U.N. social media campaign to promote women's rights via tweets and facebook callouts. Women's rights advocates exploded in outrage, and nearly 45,000 people signed a petition against the decision. "It's an insult, frankly," said Anne Marie Goetz at the time. Goetz, a professor of global affairs at New York University and a former adviser on peace and security issues to the United Nations agency, U.N. Women, said a big issue was the timing."

"Intentionally or otherwise the strip is full of significant sex antagonisms and perversions. Personally I would find an out-and-out striptease less unwholesome than this kind of symbolism."

"The iconic Wonder Woman fictional character was named an Honorary Ambassador for the Empowerment of Women and Girls on 21 October 2016, in support of Sustainable Development Goal 5 – to achieve gender equality and empower all women and girls. The designation ceremony coincided with the 75th anniversary of Wonder Woman's first appearance in a comic book in 1941. Wonder Woman has since then been depicted in movies and TV series. She is a global citizen and universally recognized for her commitment to justice, peace and equality and is seen as a model of strength, fairness and compassion becoming a symbol of empowerment for women and girls in much of the world. Women and girls represent half of the world’s population and therefore also half of its potential. But today, gender inequality persists everywhere and stagnates social progress. In many parts of the world women endure physical and sexual violence, face barriers to opportunities for leadership and education and receive less pay than men for equal work among other forms of discrimination."

"If it means interfering in an ensconced, outdated system, to help just one woman, man or child…I’m willing to accept the consequences."

"Green Arrow: That's right, Lantern... apologize. Grovel in front of that walking mummy. You call yourself a hero! Chum, you don't even qualify as a man. You're no more than a puppet... and the Guardians pull your strings. Listen... forget about chasing around the galaxy! And remember America. It's a good country... beautiful... fertile... and terribly sick! There are children dying, honest people cowering in fear, disillusioned kids ripping up campuses. On the streets of Memphis a good black man died... and in Los Angeles, a good white man fell. Something is wrong. Something is killing us all! Some hideous moral cancer is rotting our very souls."

"I picked out the name from the train man on the tracks who was waving a lantern, going from red to green.... Green meant go and I decided that was it. Then I needed a colorful and interesting costume. I was interested in Greek mythology and so the costume took on elements of that. It just all fell into place. When I sent it in, I waited into the second week before I heard the word to come in. I was ushered into Mr. [[w:Max Gaines|[Max] Gaines]] office, publisher, and after sitting a long time and flipping through the pages of my presentation, he announced, 'We like it!' And then, 'Get to work!' I did the first five pages of an eight page story, and then they called in Bill Finger to help. We worked on it for seven years."

"You who are wicked, evil and mean I'm the nastiest creep you've ever seen! Come one, come all, put up a fight I'll pound your butts with Green Lantern's light! Yowza."

"In loudest din or hush profound My ears catch evil's slightest sound Let those who toll out evil's knell Beware my power, the F-Sharp Bell!"

"Green Arrow: Like what you've seen? Listen, I hope you enjoyed playing super-hero out there...I hope it did a lot of good for your ego."

"I shall shed my light over dark evil. For the dark things cannot stand the light, The light of the Green Lantern!"

"In days of peace, in nights of war Obey the Laws forever more Misconduct must be answered for Swear us the chosen: The Alpha Corps!"

"In brightest day, in blackest night, No evil shall escape my sight Let those who worship evil's might, Beware my power...Green Lantern's light!"

"In forest dark or glade beferned, No blade of grass shall go unturned Let those who have the daylight spurned Tread not where this green lamp has burned."

"I... am... inevitable"

"I should have known I couldn't fool you."

"You could not live with your own failure. And where did that bring you? Back to me."

"Adam Warlock, a being who wished nothing more than to spend the rest of his days within the peaceful environment of the Soul Gem. He now possesses the Infinite Power and the responsibility that goes with it. While I, whose entire life was dedicated to the pursuit of power, now find myself scraping out a living from the soil. Irony worthy of the drama. Yet strangely enough though, I envy not Adam Warlock. Somehow I feel, that in the long run, Thanos of Titan came out ahead in this particular deal."

"In all my years of conquest, violence, slaughter, it was never personal. But I'll tell you now, what I'm about to do to your stubborn, annoying little planet...I'm going to enjoy it. Very, very much."

"I thought that by eliminating half of life, the other half would thrive. But you have shown me... that's impossible. As long as there are those that remember what was, there will always be those that are unable to accept what can be. They will resist."

"Gone, reduced to atoms."

"I used the Stones to destroy the Stones. It nearly killed me. But the work is done and it always will be."

"I'm thankful... because now... I know what I must do. I will shred this universe down to its last atom and then, with the Stones you've collected for me, create a new one teeming with life that knows not what it's lost... but only what it has been given. A grateful universe."

"I would prefer death to imprisonment! Pride: my one fatal flaw."

"Your politics bore me. Your demeanor is that of a pouty child."

"Impossible."

"You're full of tricks, wizard. But you never once used your greatest weapon, a fake."

"I now hold omnipotence. What should I do with such almighty power? The answer to that is actually quite simple: Anything I want. Anything. I am incapable of error. Any result that displeases me I can simply reverse. There is nothing I need to worry on, for I am Thanos. And Thanos is supreme. Supreme god."

"You have my respect, Stark. When I'm done, half of humanity will still be alive. I hope they'll remember you."

"Am I not Thanos?! Did I not butcher the woman who gave me birth, who force-fed me into this hell called life?! Is not the wake of my passing crimson with the blood of my enemies and allies alike?! Death is with me every second of the day! My every moment is spent in either dealing out death or worshipping it! So tell me, who under the stars is better suited than I to be Death's consort?"