Art

"A’s papers contain a number of attempts to formulate an aesthetic philosophy of life. A single, coherent, aesthetic view of life can scarcely be carried out. B’s papers contain an ethical view of life. As I let this thought sink into my soul, it became clear to me that I might make use of it in choosing a title. The one I have selected precisely expresses this. The reader cannot lose very much because of this title, for while reading the book he may perfectly well forget the title. Then, when he has read the book, he may perhaps reflect upon the title. This will free him from all finite questions as to whether A was really convinced of his error and repented, whether B conquered, or if it perhaps ended by B going over to A’s opinion. In this respect these papers have no ending."

"The law of aesthetics is the same as the law for our desire… Need says: "You must eat." Aesthetics says: "You can do it in a thousand different ways." Ethics: "You need a woman." Aesthetics: "Which woman do you want?" Thus the purpose of art is first and foremost ethical than aesthetic — even when the wish becomes need. The goal changes from the general to the individual from need to wish, from ethics to aesthetics."

"This is what aesthetics, development and progress depend upon: that we go out on thin ice."

"We have defined art as the life form and aesthetic art as the life renewal: the stimulating, animating, agitating, inspiring, inspirational, fermenting, fascinating fanaticising, explosive and outrageous: the renewal of the unknown."

"In contrast to Breton we believe that — behind the false ethical and aesthetic, indeed metaphysical understandings which are out of contact with the vital interest of "man" — we find the real, the materialistic ethics and aesthetics. One includes our needs, the other is an expression of our sensual desires. It is exactly in order to liberate the true ethics and the true aesthetics that we make use of "automatism.""

""But a man may then imagine in your work what he pleases, what you never meant!" Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own."

"The great work of art is the complete banality, and the fault with most banalities is that they are not banal enough. Banality here is not infinite in its depth and consequence, but rests on a foundation of spirituality and aesthetics."

"There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people."

"If you add something to a painting, never let it be for aesthetic reasons. Only let it be for reasons of expression."

"It would be foolish to suggest that government is a good custodian of aesthetic goals. But, there is no alternative to the state."

"Aesthetics is merely an undiscovered force, expressed by a yet un-devised mathematical equation."

"Aesthetic emotion puts man in a state favorable to the reception of erotic emotion. Art is the accomplice of love. Take love away and there is no longer art."

"Let architects sing of aesthetics that bring Rich clients in hordes to their knees; Just give me a home, in a great circle dome Where stresses and strains are at ease."

"That said, we don't approach these improvements as only a surface aesthetic. The producers and we think that these men are helped with their inner needs when they pay attention to their externals."

"To the man who loves art for its own sake...it is frequently in its least important and lowliest manifestations that the keenest pleasure is to be derived."

"What is the use of aesthetics if they can neither teach how to produce beauty nor how to appreciate it in good taste? It exists because it behooves rational human beings to provide reasons for their actions and assessments. Even if aesthetics are not the mathematics of beauty, they are the proof of the calculation."

""But surely you would explain your idea to one who asked you?" I say again, if I cannot draw a horse, I will not write THIS IS A HORSE under what I foolishly meant for one. Any key to a work of imagination would be nearly, if not quite, as absurd. The tale is there, not to hide, but to show: if it show nothing at your window, do not open your door to it; leave it out in the cold. To ask me to explain, is to say, "Roses! Boil them, or we won't have them!" My tales may not be roses, but I will not boil them. So long as I think my dog can bark, I will not sit up to bark for him."

"No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literacy or artistic expression. Nor should it pronounce on the validity of economic, historic, religious, or philosophical doctrines. Instead it has a duty to its citizens to maintain the freedom, to let those citizens contribute to the further adventure and the development of the human race."

"I think we need the feminine qualities of leadership, which include attention to aesthetics and the environment, nurturing, affection, intuition and the qualities that make people feel safe and cared for."

"The purpose of art is expression. Of course this short sentence raises many questions. By itself it is uninformative. One should specify what art can and cannot express. One should specify what art should and should not express. These questions cannot be answered without having some notion of the nature of man. Here it is presupposed that God created man as essentially a rational being. This implies that man’s most valuable expressions are rational and intellectual. Therefore, although man can express emotion, by screaming “Ouch,” art becomes more human and valuable in proportion to its intellectual content. This does not deny that excellent technique may express triviality, evil, and insanity. It asserts, however, that what should be expressed is rational and intelligent."

"Aesthetics - heightened expressions – served to separate off special objects and performances."

"All art preserves mysteries which aesthetic philosophers tackle in vain."

"Most important of all, the film's dramatic requirements should always take precedence over the mere aesthetics of editing."

"The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward."

"This is precisely what is decisive in Nietzsche’s conception of art, that he sees it in its essential entirety in terms of the artist; this he does consciously and in explicit opposition to that conception of art which represents it in terms of those who “enjoy” and “experience” it. That is a guiding principle of Nietzsche’s teaching on art: art must be grasped in terms of creators and producers, not recipients. Nietzsche expresses it unequivocally in the following words (WM, 811): “Our aesthetics heretofore has been a woman’s aesthetics, inasmuch as only the recipients of art have formulated their experiences of ‘what is beautiful.’ In all philosophy to date the artist is missing.” Philosophy of art means “aesthetics” for Nietzsche too — but masculine aesthetics, not feminine aesthetics. The question of art is the question of the artist as the productive, creative one; his experiences of what is beautiful must provide the standard."

"As there is no firm foundation for the love of our brethren, except the love of God, so there is no possibility of loving God, except we keep ourselves from idols."

"The duty of the survivor is to bear testimony to what happened... You have to warn people that these things can happen, that evil can be unleashed. Race hatred, violence, idolatries—they still flourish."

"Just as it would be an impossible task to survey everything that has been written on iconography in the polytheistic tradition of India, so it would be an equally impossible task to survey everything that was written against images in the monotheistic tradition. The word idolatry is formed from the Greek eidoolon, 'image', and latreia, 'adoration'. Hence, from a strictly etymological point of view, idolatry would mean nothing more than 'adoration of images'. However, the concept of idolatry originated in the con- text of the monotheism of Israel, i.e. in the application of the Second Commandment, forbidding the making of representations of the divinity. Idolatry is what was to be censured of the pagan cults by the prophets of Israel. As such the concept passed into the New Testament and early Christianity, and, ultimately, into Islam, with the result that all three great monotheisms censured idolatry. In other words, it was through Greek translators of the Bible that eidoolon acquired the meaning of 'false god': nothing but vanity, molded metal and carved wood."

"The Hebrews took for their idol, not something made of metal or wood, but a race, a nation, something just as earthly. Their religion is essentially inseparable from such idolatry, because of the notion of the "chosen people.""

"All over the world you will find images in some form or other. With some, it is in the form of a man, which is the best form…One sect thinks a certain form is the right sort of image, and another, thinks it is bad. The Christian thinks that when God came in the form of a dove it was alright, but if he comes in the form of a fish, as the Hindus say, it is very wrong and superstitious. The Jews think if an idol be made in the form of a chest with two angels sitting on it, and a book on it, it is all right, but if it is in the form of a man or a woman, it is awful. The Mohammedans think that when they pray, if they try to form a mental image of temple with the Caaba, the black stone in it, and turn towards the west, it is alright, but if you form the image in the shape of church it is idolatry. This is the defect of image worship, yet all these seem to be necessary stages."

"Maurras, with perfect logic, is an atheist. The Cardinal [Richelieu], in postulating something whose whole reality is confined to this world as an absolute value, committed the sin of idolatry. ... The real sin of idolatry is always committed on behalf of something similar to the State."

"It is clear that the images and other representations which we have in the houses of worship have caused the risk of idolatry. Therefore they should not be allowed to remain there, nor in your chambers, nor in the market-place, nor anywhere else where one does them honor. Chiefly they are not to be tolerated in the churches, for all that is in them should be worthy of our respect. If anyone desires to put historical representations on the outside of the churches that may be allowed, so long as they do not incite to their worship. But when one begins to bow before these images and to worship them, then they are not to be tolerated anywhere in the wide world; for that is the beginning of idolatry, nay, is idolatry itself."

"Our patriotism comes straight from the Romans. This is why French children are encouraged to seek inspiration for it in Corneille. It is a pagan virtue, if these two words are compatible. The word pagan, when applied to Rome, really possesses the significance charged with horror which the early Christian controversialists gave it. The Romans really were an atheistic and idolatrous people; not idolatrous with regard to images made of stone or bronze, but idolatrous with regard to themselves. It is this idolatry of self which they have bequeathed to us in the form of patriotism."

"Whosoever denies idols is called a Jew."

"If you uproot the idol and fail to plant the love of Christ in its place, the idol will grow back."

"The principal crime of the human race, the highest guilt charged upon the world, the whole procuring cause of judgment, is idolatry."

"Wherever public worship has been established and regularly aintained, idolatry has vanished from the face of the earth. There is not now a temple to a heathen god where the word of God is read."

"I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story."

"Whosoever recognizes idols has denied the entire Torah; and whosoever denies idols has recognized the entire Torah."

"Instantly you should awaken, walk in the right way, keep aloof from all abomination and idolatry, forsake false prophets, preachers and priests; and seek the true teachers, sacraments and divine service; for a true, sincere, Christian faith cannot be idle; but it changes, renews, purifies, sanctifies and justifies more and more; it makes joyous and glad, for by faith it knows that hell, devil, sin and death, are conquered through Christ, and that grace, mercy, and redemption from sin and eternal life, are acquired through him."

"If no law of God had prohibited idols to be made by us; if no voice of the Holy Spirit uttered general menace no less against the makers than the worshippers of idols; from our sacrament itself we would draw our interpretation that arts of that kind are opposed to the faith. For how have we renounced the devil and his angels, if we make them? What divorce have we declared from them, I say not with whom, but dependent on whom, we live? What discord have we entered into with those to whom we are under obligation for the sake of our maintenance? Can you have denied with the tongue what with the hand you confess? unmake by word what by deed you make? preach one God, you who make so many? preach the true God, you who make false ones? "I make," says one, "but I worship not;" as if there were some cause for which he dare not worship, besides that for which he ought not also to make,--the offence done to God, namely, in either case. Nay, you who make, that they may be able to be worshipped, do worship; and you worship, not with the spirit of some worthless perfume, but with your own; nor at the expense of a beast's soul, but of your own. To them you immolate your ingenuity; to them you make your sweat a libation; to them you kindle the torch of your forethought. More are you to them than a priest, since it is by your means they have a priest; your diligence is their divinity. Do you affirm that you worship not what you make? Ah! but they affirm not so, to whom you slay this fatter, more precious and greater victim, your salvation."

"Most often people think of idols as man-created statues that are worshipped as though they were G-d. This is a very narrow perspective of idolatry. The real meaning of idol worship is stated in the Book of Psalms, and it is the worship of maaseh bnai adam, objects and ideas that are of our own creation. When we create an object or an idea and endow it with transcendental qualities, we become idol worshippers."

"The art of government is the organization of idolatry."

"Revenge is the naked idol of the worship of a semi-barbarous age."

"The reason why I entered into a religious order is this: first, the great misery of the world, the wickedness of men, the rapes, the adulteries, the thefts, the pride, the idolatry, the vile curses, for the world has come to such a state that one can no longer find anyone who does good; so much so that many times every day I would sing this verse with tears in my eyes: Alas, flee from cruel lands, flee from the shores of the greedy. I did this because I could not stand the great wickedness of the blind people of Italy, especially when I saw that virtue had been completely cast down and vice raised up."

"If there be music in my reader, I would gladly wake it. Let fairytale of mine go for a firefly that now flashes, now is dark, but may flash again. Caught in a hand which does not love its kind, it will turn to an insignificant, ugly thing, that can neither flash nor fly. The best way with music, I imagine, is not to bring the forces of our intellect to bear upon it, but to be still and let it work on that part of us for whose it exists. We spoil countless precious things by intellectual greed. He who will be a man, and will not be a child, must — he cannot help himself — become a little man, that is, a dwarf. He will, however, need no consolation, for he is sure to think himself a very large creature indeed. If any strain of my "broken music" make a child's eyes flash, or his mother's grow for a moment dim, my labour will not have been in vain."

"If God should turn away from himself as the Source of infinite joy, he would cease to be God. He would deny the infinite worth of his own glory. He would imply that there is something more valuable outside himself. He would commit idolatry ... Where will we find a Rock of integrity in the universe when the heart of God has ceased to value supremely the supremely valuable?"

"The unity of God is a doctrine on which the greatest stress is laid in the whole system of revelation. To guard this most important article was the principal object of the Jewish religion; and, notwithstanding the proneness of the Jews to idolatry, at length it fully answered its purpose in reclaiming them, and in impressing the minds of many persons of other nations in favour of the same fundamental truth."

"Tacitus says, that the Jews held God to be something eternal and supreme, neither subject to change nor to decay; therefore, they permit no statues in their cities or their temples. The universal Being can only be described or defined by negatives which deny his subjection to the laws of all inferior existences. Where indefiniteness ends, idolatry and anthropomorphism begin."

"As the greatest things often take their rise from the smallest beginnings, so the worst things sometimes proceed from good intentions. This was certainly the case with respect to the origin of Christian Idolatry. All the early heresies arose from men who wished well to the gospel, and who meant to recommend it to the Heathens, and especially to philosophers among them, whose prejudices they found great difficulty in conquering."