"Listen on! Listen on! This is the truth of it. Fighting leads to killing, and killing gets to warring, and that was damn near the death of us all. Look at us now, busted up and everyone talking about hard rain! But we've learned! By the dust of 'em all, Bartertown's learned. Now, when men get to fighting, it happens here, and it finishes here! Two men enter, one man leaves."

"Bust a deal, face the Wheel!"

"Two men enter; one man leaves!"

"Well, ain't we a pair, raggedy man? [laughs] Goodbye, soldier!"

"Remember where you are. This is Thunderdome. Death is listening, and will take the first man that screams."

"You think I don't know the law? Huh? Wasn't it me who wrote it? And I say this man has broken the law. Right or wrong, we had a deal. And the law says, "Bust a deal and face the Wheel!""

"Paul Schulze - Michael Burnett"

"Maung Maung Khin - Tint"

"Graham McTavish - Lewis"

"Matthew Marsden - School Boy, a young British sniper"

"Julie Benz - Sarah Miller"

"Sylvester Stallone - John Rambo"

"Heroes never die.... They just reload."

"You know what you are... what you're made of."

"Live for nothing or die for something."

"George Spartels - "Blackfinger""

"Rod Zuanic - "Scrooloose""

"Edwin Hodgeman - Dr. Dealgood"

"Tom Jennings - Slake M'Thirst"

"Helen Buday - Savannah Nix"

"Robert Grubb - The Pig Killer"

"Angry Anderson - "Ironbar" Bassey"

"Paul Larsson - "Blaster""

"Angelo Rossitto - "Master""

"Frank Thring - "The Collector""

"Adam Cockburn - Jedediah Jr."

"Bruce Spence - Jedediah "The Pilot""

"Tina Turner - Aunty "Entity""

"Mel Gibson - Max "Mad Max" Rockatansky"

"A lone warrior searching for his destiny...a tribe of lost children waiting for a hero...in a world battling to survive, they face a woman determined to rule."

"Hold out for Mad Max. This is his greatest adventure."

"We were talking one day and Terry Hayes [who co-wrote the screenplays of Mad Max 2 and Beyond Thunderdome with Miller] started talking about mythology and how where people are short on knowledge, they tend to be very big on belief. In other words, they take a few fragments of knowledge and, if you take like the Aboriginal tribes of Australia, they just take simple empirical information and using those little bits of the jigsaw construct very elaborate mythological beliefs, which explain the whole universe. Terry was saying if you had a tribe of kids after the apocalypse who had only a few fragments of knowledge, [they would construct] a mythological belief as to what was before. And what would happen if Max or someone like that…"

"This you know: the years travel fast, and time after time I done the tell. But this ain't onebody's tell. It's the tell of us all, and you've got to listen it and to 'member, 'cause what you hears today you got to tell the newborn tomorrow. I's looking behind us now into history back. I sees those of us who got the luck and started the haul for home, and I 'members how it led us here and how we was heartful 'cause we seen what there once was. One look and we knewed we'd got it straight. Those what had gone before had the knowing and the doing of things beyond our reckoning — even beyond our dreaming. Time counts and keeps counting, and we knows now: finding the trick of what's been and lost ain't no easy ride, but that's our track. We got to travel it, and there ain't nobody knows where it's gonna lead. Still and all, every night we does the tell so that we 'member who we was and where we came from. But most of all we 'members the man who finded us, him that came to salvage. And we lights the city, not just for him, but for all of them that are still out there. 'Cause we knows there'll come a night when they sees the distant light and they'll be coming home."

"Who run Bartertown?"

"All our lives hang by a thread. Now we got a man waiting for sentence. But ain't it the truth? You take your chances with the law. Justice is only a roll of the dice. A flip of the coin. A turn... of the Wheel."

"Thunderdome's simple. Get to the weapons. Use them any way you can. I know you won't break the rules. There aren't any."

"He's the ball-crasher! Death on foot! You know him, you love him! He's...BLASTER! [Crowd cheers wildly] The challenger, direct from out of the wasteland! He's bad, he's beautiful, he's crazy! It's...it's the Man with No Name! [Crowd jeers Max]"

"[Grigori Rasputin: What have you done?] [Stabs Rasputin in the stomach with one of his horns] I chose."

"[Last words, in Russian] I was better off dead!"

"[About his Rubik's cube] Listen, I'm not much of a problem solver. Three decades– and I've only completed two sides."

"[Last words] I know what to call him. Nothing you can do or say can change that. I call him "son". [Puts his rosary on the book] I'm ready. [Grigori Rasputin: [Puts his hand on Broom's shoulder] It'll be quick.] [Rasputin walks away. Kroenen points his arm blade at the back of Broom's neck and stabs it. Broom collapses to the floor dead]"

"[Narrating] There we were, an unready father for an unwanted child. The boys gave him a name that very night. In retrospect, perhaps not the most fortunate. But nevertheless, a name we all came to use. We called him Hellboy."

"As you entered the lobby there was an inscription: "In the absence of light, darkness prevails." (In Absentia Luci, Tenebrae Vincunt). There are things that go bump in the night, Agent Myers. Make no mistake about that. And we are the ones who bump back."

"Abe possesses a unique frontal lobe. Unique – that is a word you'll hear frequently around here."

"The Nazis were desperate. Combining science and black magic, they intended to upset the balance of the war."

"What is it that makes a man a man? Is it his origins – the way things start? Or is it something else, something harder to describe?"