Academy Award Winners

"In the 1970s I was amazed to be talked about as a '60s sex symbol. I wasn't that person, as if I were a doll from the past. I had to learn to come to terms with that. It's funny, it's silly, the ridiculousness of having asked so much of celebrity. Then it becomes really interesting and very much part of the excitement of the life you’re living now, knowing you’re approaching the end of it."

"To hear her voice, to see the tenderness in her eyes, is to know but a hint of her radiant beauty, enormous generosity, and the greatness of her soul. Behind her regality lay an extremely sensitive woman and a deeply loving mother whose sense of art and beauty engaged her in a permanent quest for perfection."

"You know, I just love Grace Kelly. Not because she was a princess, not because she was an actress, not because she was my friend, but because she was just about the nicest lady I ever met. Grace brought into my life as she brought into yours, a soft, warm light every time I saw her, and every time I saw her was a holiday of its own. No question, I’ll miss her, we’ll all miss her, God bless you, Princess Grace."

"My life and the lives of so many have never been the same since this wonderful woman entered my world. I adore her more today than ever before. She is my Princess, and I salute her."

"Grace was very sweet. Without makeup, you wouldn't know it was Grace Kelly. She wore glasses, and she was very unassuming, very much a lady, very quiet."

"I could have married her!"

"Writing about her is like trying to wrap up 115 pounds of smoke."

"In her teen years, she was nothing but a giggly somebody with a high nasal voice. She always has had trouble with her nose, and in her childhood winters she had been the victim of one long sustained cold in the head. That gave her the peculiar voice. Her enjoyment of food gave her a little extra weight. And, like her father, an athlete and entrepreneur, she was nearsighted, which made it necessary for her to wear glasses. All in all, she was nobody’s Princess Charming in those days."

"Grace Kelly's apparent frigidity was like a mountain covered with snow, but that mountain was a volcano."

"I didn't discover Grace, but I saved her from a fate worse than death. I prevented her from being eternally cast as a cold woman."

"The first time I met Grace Kelly and saw what a beautiful girl she was and how photogenic – that was an important point. She came to make the film To Catch a Thief with Hitchcock. I saw straightaway that she was very photogenic and a beautifully kind lady. That’s what made all the men fascinated by her. She had this very feminine attitude."

"A brunette Grace Kelly with Grable's legs."

"I love walking in the woods, on the trails, along the beaches. I love being part of nature. I love walking alone. It is therapy. One needs to be alone, to recharge one's batteries."

"I was terribly shy when I was young, I was so bland, they kept having to introduce me again and again before people noticed me."

"(when children can watch without embarrassment their mothers breast feed brothers and sister) They realize the wholesomeness of sex and its naturalness. They don't put sex in the wrong proportion."

"Grace Kelly has always been my absolute idol. When she’s on camera I just can’t tear my eyes away; same with Marilyn Monroe. You can’t take your eyes off them. They have so much poise and they’re so composed and graceful and elegant and chic. But then they can do this physical comedy and in a split second, they can have you in hysterics."

"Women's natural role is to be a pillar of the family."

"The frantic life of today has swept up women to the point where... they feel that there is no time for this vital natural function.(breastfeeding) I have many duties and obligations of state along with my husband, but my family comes first."

"I was very lucky in my career and I loved it. But I don’t think I was accomplished enough as an actor to be remembered particularly. No, I’d like to be remembered as a decent human being, and a caring one."

"The freedom of the press works in such a way that there is not much freedom from it."

"Personally, I wouldn't go anywhere important without my own favorite Hermès black bag... I have my jewelry with me in case something happens and I suddenly have to dress up. For me, going out without that purse would seem almost like going out naked. Well, almost."

"I certainly don't think of my life as a fairy tale."

"For a woman, forty is torture, the end. I think turning forty is miserable."

"To create harmony in the home is the woman's right and duty."

"Off-camera, she reminded me of a small-town high school teacher. Her hair was pulled back into a ponytail, her face was scrubbed clean except for a little dash of lipstick, and she wore glasses. She seemed very likable to me - and very shy. But as we became friends, I saw that along with her determination to succeed as an actress, she had a certain inner calm. She accepted the world as it really was, not as she wanted it to be. I remember thinking that this was something unique in someone so young."

"We all live with it. That unbearable terror is what makes us such singular creatures. We hide from it, we succumb to it, mostly we defy it! We build fragile little structures to keep it out. We love, we raise families, we work, we make friends. We write poems..."

"We no longer live in a world of nations and ideologies, Mr. Beale. The world is a college of corporations, inexorably determined by the immutable bylaws of business. The world is a business, Mr. Beale. It has been since man crawled out of the slime. And our children will live, Mr. Beale, to see that perfect world in which there's no war or famine, oppression or brutality — one vast and ecumenical holding company, for whom all men will work to serve a common profit, in which all men will hold a share of stock, all necessities provided, all anxieties tranquilized, all boredom amused."

"I was in that ultimate moment of terror that is the beginning of life. It is nothing. Simple, hideous nothing. The final truth of all things is that there is no final Truth. Truth is what's transitory. It's human life that is real."

"Television is not the truth. Television is a goddamned amusement park. Television is a circus, a carnival, a traveling troupe of acrobats, storytellers, dancers, singers, jugglers, sideshow freaks, lion tamers, a football players. We're in the boredom-killing business."

"It's hard for me to take your despair very seriously, Doctor. You obviously enjoy it so much."

"I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!"

"When I say impotent, I mean I've lost even my desire to work. That's a hell of a lot more primal passion than sex. I've lost my reason for being. My purpose. The only thing I ever truly loved. … We have established the most enormous, medical entity ever conceived and people are sicker than ever! WE CURE NOTHING! WE HEAL NOTHING! The whole goddamn wretched world is strangulating in front of our eyes. That's what I mean when I say impotent. You don't know what the hell I'm talking about, do you?...I'm tired. I'm very tired, Miss Drummond. And I hurt. And I've got nothing going for me anymore. Can you understand that?...And you also understand that the only admissible matter left is death."

"War isn't a fraud, Charlie, it's very real. At least that's what you always tried to tell me, isn't it? That we shall never get rid of war by pretending it's unreal? It's the virtue of war that's the fraud, not war itself. It's the valor and the self-sacrifice and the goodness of war that needs the exposing. And here you are being brave and self-sacrificing, positively clanking with moral fervor, perpetuating the very things you detest merely to do "the right thing". Honestly, Charlie, your conversion to morality is really quite funny. All this time I've been terrified of becoming Americanized, and you, you silly ass, have turned into a bloody Englishman"

"Now what in hell am I going to tell this boy Schaefer's parents? That a substitute nurse assassinated him because she couldn't tell the doctors from the patients on the floor?"

"You're beginning to believe the illusions we're spinning here. You're beginning to believe that the tube is reality and your own lives are unreal. You do whatever the tube tells you: you dress like the tube, you eat like the tube, you raise your children like the tube, you even think like the tube! This is mass madness, you maniacs! In God's name, you people are the real thing, WE are the illusion!"

"There's lots of things I'd die for, Emily; my home, my family, my country. But that's love, not principle."

"You don't like her. My mother don't like her. She's a dog and I'm a fat, ugly man. Well, all I know is I had a good time last night. I'm gonna have a good time tonight. If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me."

"I used to adore my old man because he was always so kind. That's one of the most beautiful things I have in my life — the way my father and mother were. And my father was a real ugly man. So it doesn't matter if you look like a gorilla. You see, dogs like us, we ain't such dogs as we think we are."

"All my brothers and brothers-in-laws tell me what a good-hearted guy I am. You don't get to be good-hearted by accident. You get kicked around long enough, you become a professor of pain."

"CHARLIE: That's what marriage is, Arnold. It's a job. You work at it. You work at it twenty-four hours a day. It's your job to make that person feel happy. You have to sit and think, "How am I going to make that person feel happy?" It's your job to make that other person happy. And, if your girl is halfway decent, she's going to make it her job to make you happy. Then you get to feel, I can depend on this person. And that's love, man. That's the greatest thing in the world. There's nothing like it. Arnold, I don't know how to explain this to you . . . but that's what my wife does for me. She's the one that makes life worth living."

"The writer [i.e. at rehearsals] should stay away from the actors except to let them know how much he is delighted by them. Actors, like everyone else in show business, need this constant reward. Don't flatter an actor unless he deserves it, but most professional actors, if they are responsive, will give you frequent cause for praise. Other than this, don't meddle with them. Actors will always come up to the writer, if he is around at rehearsals, and try to talk their parts out with him. The writer must refer them to the director. The director has his own idea of how to approach each actor, and advice from the writer will just confuse the actor and diffuse the director's authority."

"I don't want to know what's good, or bad, or true. I let God worry about the truth. I just want to know the momentary fact about things. Life isn't good, or bad, or true. It's merely factual, it's sensual, it's alive. My idea of living sensual facts are you, a home, a country, a world, a universe. In that order. I want to know what I am, not what I should be."

"OLD LADY: I'm sixty-six years old, and I don't know what the purpose of it all was. SON-IN-LAW: Missus Fanning . . . OLD LADY; An endless, endless struggle. And for what? For what? [She is beginning to cry now] Is this what it all comes to?"

"Marty was a comment on the social values of our times."

"It is my current belief that the function of the writer is to give the audience some shred of meaning to the otherwise meaningless pattern of their lives. Our lives are filled with endless moments of stimulus and depression. We relate to each other in an incredibly complicated manner. Every fiber of relationship is worth a dramatic study. There is far more exciting drama in the reasons why a man gets married than in why he murders someone. The man who is unhappy in his job, the wife who thinks of a lover, the girl who wants to get into television, your father, mother, sister, brothers, cousins, friends - all these are better subjects for drama than Iago. What makes a man ambitious? Why does one girl always try to steal her kid sister's boy friends? Why does your uncle attend his annual class reunion faithfully every year? Why do you always find it depressing to visit your father? These are the substances of good television drama; and the deeper you probe into and examine the twisted semiformed complexes of emotional entanglements, the more exciting your writing becomes."

"Most movies, even the good ones, are based upon the extraordinary incident and the exceptional character. In writing the stage play, it is necessary to contrive exciting moments of theater. Marty and The Mother are bundled together in one discussion because each represents in its own way the sort of material that does best on television. They both deal with the world of the mundane, the ordinary, and the untheatrical. The main characters are typical, rather than exceptional; the situations are easily identifiable by the audience; and the relationships are as common as people. The essence of these two shows lies in their literal reality. I tried to write the dialogue as if it had been wire-tapped. I tried to envision the scenes as if a camera had been focused upon the unsuspecting characters and had caught them in an untouched moment of life."

"You've done the morally right thing. God save us all from people who do the morally right thing. It's always the rest of us who get broken in half."

"Now, the word for television drama is depth, the digging under the surface of life for the more profound truths of human relationships. I cannot help but feel that this is where drama is going. People are beginning to turn into themselves, looking for personal happiness. The jargon of introspection has become everyday conversation. The theater and all its sister mediums [i.e. film; TV; books] can only be a reflection of their times, and the drama of introspection is the drama that the people want to see."

"TWENTY-YEAR-OLD: I gotta girl, she's always asking me to marry her. So I look at that face, and I say to myself: "Could I stand looking at that face for the resta my life?""

"Nearby is the boss, a man in his thirties. He is bent over a machine, working on it with a screw driver. The boss is really a pleasant man; he works under the illusion, however, that gruffness is a requisite quality of an executive."