"[to Meeker] All right, we rounded up some of your stock and some of Diego's and some of everybody else's around here...I haven't got the time or the inclination to cut 'em out. So I'll drive 'em to Missouri and give you two dollars a head when I get back."

"The big house will be down by the river and the corrals and the barns behind it. It'll be a good place to live in. Ten years and I'll have the Red River D on more cattle than you've looked at anywhere. I'll have that brand on enough beef to feed the whole country. Good beef for hungry people. Beef to make 'em strong and make 'em grow. But it takes work and it takes sweat and it takes time. Lots of time. It takes years."

"Wherever they go, they'll be on my land. My land. We're here and we're gonna stay here. Give me ten years and I'll have that brand on the gates of the greatest ranch in Texas."

"I'm startin' my own herd. I've watched the land south of here since we left the Salt Fork. It's good land, good grass for beef, so I'm goin' South where it is."

"I signed nothing. If I had, I'd stay. You'll remember I joined your train after you left St. Louis."

"And that night they moved. The river was rising, they must get across while there was still time. In the meantime, Dunson had found men and ammunition and taken up the chase. He was determined to overtake Matt..."

"So Matthew Garth had the responsibility of a great herd - - and onward they went with the spectre of Dunson behind. He had promised revenge and Matt knew nothing in the world would stop him from fulfilling that promise. The time was coming..."

"Secretly the rest of the men hoped Teeler, Laredo and Kelsey would succeed but not Dunson. He ordered the herd to move on and move they did with Dunson driving them at every step. The Red River was not far ahead and he meant to reach it by nightfall."

"Sixty days, tired cattle and tired men. Trouble was not far off. The men sat in small groups, sullen and morose. The food became worse and Dunson was constantly on the alert for the first sign of mutiny. He felt as a man alone..."

"Thirty days on the trail and they reached the Brazos. The way now became harder. Hills and rocks impeded their progress. Each weary mile became endless. The men became morose and worried. The cattle restless and jumpy."

"The lives lost were precious lives- to their county, to their loved ones, and to the men themselves."

"John Huston - Narrator"

"Mark W. Clark - Himself"

"All scenes in this picture were photographed within range of enemy small arms or artillery fire. For purposes of continuity, a few of these scenes were shot before and after the actual battle of San Pietro."

"The new-won Earth at San Pietro was plowed and sown. It should yield a good harvest this year." (Pause) "And the people pray to their patron saint to intercede with God for those who came to deliver them, and moved on to the north with the passing battle."

"Our prime military aim being to engage and defeat the enemy, the capture of the town itself and the liberation of its people is of an incidental nature. But the people, in their military innocence, look upon us solely as their deliverers. (Beat) It was to free them and their farmlands that we came."

"Children are able to forget quickly. Yesterday, they wept. Today there are smiles and even laughter. Tomorrow it will be as though the bad things have never happened."

"[to the 2nd Mrs. de Winter] So this is what's been happening during my illness! Tennis lessons, my foot! I suppose I have to hand it to you for a fast worker. How did you manage it? Still waters certainly run deep. Tell me, have you been doing anything you shouldn't?... But you certainly have your work cut out as mistress of Manderley. To be perfectly frank with you, my dear, I can't see you doing it. You haven't the experience. You haven't the faintest idea of what it means to be a great lady. Of course, you know why he's marrying you, don't you? You haven't flattered yourself that he's in love with you? The fact is that empty house got on his nerves to such an extent, he nearly went off his head. He just couldn't go on living alone... Hmmph, Mrs. de Winter! Goodbye, my dear, and good luck."

"I'd like to have your advice on how to live comfortably without hard work."

"Rebecca is a film about abusive relationships, and the way power might shift within them – and, most unusually, even for its time – its hero is the worst of the abusers. The romantic might view Laurence Olivier's as someone haunted by his past; the realist would see him as someone haunted only by his inability to control his past, specifically his titular deceased wife, and so he alights upon 's gauche, clumsy (and nameless) gentlewoman's companion as a wife who will give him no trouble. ... Rebecca was one of three films Hitchcock adapted from stories by Daphne du Maurier, and much the most successful. Du Maurier had been distressed by the liberties he took with ; ' suffered in being transformed from a perfect, ever-tightening noose of a short story set in Cornwall into an expansive movie set on the California coast. Rebeccas near fidelity is owed to , who was "shocked and disappointed beyond words" at Hitchcock's first treatment of the story and told the director: "We bought and we intend to make Rebecca.""

"Leo G. Carroll - Dr. Baker"

"Melville Cooper - Coroner"

"Florence Bates - Mrs. Edythe Van Hopper"

"Gladys Cooper - Beatrice Lacy"

"C. Aubrey Smith - Colonel Julyan"

"Reginald Denny - Frank Crawley"

"Nigel Bruce - Major Giles Lacy"

"Judith Anderson - Mrs. Danvers"

"George Sanders - Jack Favell"

"Joan Fontaine - The Second Mrs. de Winter"

"Laurence Olivier - George Fortescu Maximillian 'Maxim' de Winter"

"[to the 2nd Mrs. de Winter] But you. I can't forget what it has done to you. I was looking at you, thinking of nothing else all through lunch. It's gone forever, that funny, young, lost look that I loved. It won't come back again. i killed that too, when I told you about Rebecca. ...It's gone, in twenty four hours. You are so much older..."

"The shadow of a remembered woman came between their lips... but these two had the courage to hope... and to live their love!"

"A lonely man, a lovely girl... struggling against the secret of Manderley"

"[to the 2nd Mrs. de Winter] Do you remember that cliff where you first saw me in Monte Carlo?... That was where I found out about her... She stood there laughing, her black hair blowing in the wind, and told me all about herself — everything. Things I'll never tell a living soul. I wanted to kill her. It would have been so easy. Remember the precipice? I frightened you, didn't I? You thought I was mad. Perhaps I was. Perhaps I am mad. It wouldn't make for sanity, would it, living with the devil. "I'll make a bargain with you," she said. "You'd look rather foolish trying to divorce me now after four days of marriage. So I'll play the part of a devoted wife, mistress of your precious Manderley. I'll make it the most famous showplace in England, if you like. Then people will visit us and envy us and say we're the luckiest, happiest, couple in the country. What a grand show it will be! What a triumph!" I should never have accepted her dirty bargain, but I did."

"Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again and little by little had encroached upon the drive with long tenacious fingers, on and on the poor thread that had once been our drive. And finally, there was Manderley, Manderley, secretive and silent. Time could not mar the perfect symmetry of those walls. Moonlight can play odd tricks upon the fancy, and suddenly it seemed to me that light came from the windows. And then a cloud came upon the moon and hovered an instant like a dark hand before a face. The illusion went with it. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again. That much is certain. But sometimes, in my dreams, I do go back to the strange days of my life which began for me in the south of France..."

"The most glamorous woman of all time!"

"The shadow of this woman darkened their love."

"[to the 2nd Mrs. de Winter] Why don't you go? Why don't you leave Manderley? He doesn't need you. He's got his memories. He doesn't love you. He wants to be alone again with her. You've nothing to stay for. You've nothing to live for really, have you? Look down there. It's easy, isn't it? Why don't you? Why don't you? Go on. Go on. Don't be afraid!"

"Lionel Barrymore — James Temple"

"Claire Trevor — Gaye Dawn"

"William Haade — Ralph Feeney"

"Thomas Gomez — Richard "Curly" Hoff"

"Harry Lewis — Edward "Toots" Bass"

"Lauren Bacall — Nora Temple"

"Edward G. Robinson — Johnny Rocco"

"Humphrey Bogart — Frank McCloud"

"Key Largo, a lonely island off the coast of Florida, sultry, heat-ridden, cloaked in the strange menace of the sea. But stranger still is the destiny that brings these people to this remote outpost, to be held at bay with a price on their lives, by a man with a price on his head."

"Hold your course, you're headed straight for Key Largo, Kay Largo..."

"Richard "Curly" Hoff: She is a lush, the lady...after she bends the elbow a few times, she begins to see things—rats, roaches, bats, you know...a sock in the kisser is the only thing that will bring her out of it."