Leonardo da Vinci

"Impetus is a power of the mover applied in a movable thing which causes the movable thing to move after it is separated from its mover."

"Painting is concerned with all the ten attributes of sight, namely darkness and brightness, substance and colour, form and place, remoteness and nearness, movement and rest; and it is with these attributes that this my small book will be woven, recalling to the painter by what rules and in what way he ought by his art to imitate all things that are the work of nature and the adornment of the world."

"Take a piece of glass of the size of a half sheet of royal folio paper, and fix it... between your eye and the object you wish to portray. Then move it away until your eye is two-thirds of a braccio away from the piece of glass, and fasten your head by means of an instrument in such a way as to prevent any movement of it whatsoever. Then close or cover up one eye, and with a brush or a piece of red chalk finely ground mark out on the glass what is visible beyond it; afterwards, copy it by tracing on paper from the glass, then prick it out upon paper of a better quality and paint it if you so desire, paying special attention to the aerial perspective."

"If you wish to thoroughly accustom yourself to correct and good positions for your fingers, fasten a frame or a loom divided into squares by threads between your eye and the nude figure which you are representing, and then make the same squares upon the paper where you wish to draw the said nude but very faintly. You should then put a pellet of wax on a part of the network to serve as a mark which as you look at your model should always cover the pit of the throat, or if he should have turned his back make it cover one of the vertebrae of the neck. ...The squares you draw may be as much smaller than those of the network in proportion as you wish your figure to be less than life size..."

"You know that in an atmosphere of uniform density the most distant things seen through it, such as the mountains, in consequence of the great quantity of atmosphere which is between your eye and them, will appear blue. Therfore you should make the building... wall which is more distant less defined and bluer. ...five times as far away make five times as blue."

"Painting embraces and contains within itself all the things which nature produces or which results from the fortuitous actions of men... he is but a poor master who makes only a single figure well."

"Feathers shall raise men towards the heaven even as they do the birds:—That is by the letters written by their quills."

"Things severed shall be united and shall acquire of themselves such virtue that they shall restore to men their lost memory:—That is the papyrus sheets, which are formed out of several strips and preserve the memory of the thoughts and deeds of men."

"The wind which passes through the skins of animals will make men leap up:—That is the bagpipes, which cause men to dance."

"Simplicity is the ultimate sophistication."

"I awoke, only to find that the rest of the world is still asleep."

"Studying Leonardo... will not only allow us to recognize his science as a solid body of knowledge. It will also show why it cannot be understood without his art, nor his art without the science."

"Leonardo is the hamlet of art history whom each of us must recreate for ourselves."

"The genius of Leonardo as a painter came through unfolding the mystery of life..."Look at the grace and sweetness of men and women in the street," he wrote. The most ordinary functions of life and nature amazed him most. He observed of the eye how in it form and colour, and the entire universe it reflected, were reduced to a single point. "Wonderful law of nature, which forced all effects to participate with their cause in the mind of man. These are the true miracles!" Elsewhere he wrote again: "Nature is full of infinite reasons which have not yet passed into experience.""

"His art took, thus, its guidance in realism, its purpose in spirituality. The search for truth and the desire for beauty were the twin ideals he strove to attain. The keenness of this pursuit saved him from the blemish of egoism which aloofness from his surroundings would otherwise have forced upon him. For his character presented the anomaly, peculiar to the Renaissance, of a lofty idealism coupled in action with irresponsibility of duty. He stood on a higher plane, his attitude toward life recognizing no claims on the part of his fellowmen. In his desire to surpass himself, fostered by this isolation of spirit and spurred on by the eager wish to attain universal knowledge, he has been compared to Faust; but the likeness is only half correct. He was not blind to the limitations which encompassed him, his very genius making him realize their bounds. Of the ancients he said that in attempting to define the nature of the soul, they sought the impossible. He wrote elsewhere, "It is the infinite alone that cannot be attained, for if it could it would become finite.""

"He was like a man who awoke too early in the darkness, while the others were all still asleep."

"Incredibly endowed both physically and mentally, he achieved greatness as a linguist, botanist, zoologist, anatomist, geologist, musician, sculptor, painter, architect, inventor, and engineer. Leonardo made quite a point of distrusting the knowledge that scholars professed so dogmatically. These men of book learning he described as strutting about puffed up and pompous, adorned not by their own labors but by the labors of others whose work they merely repeated... they did not deal with the real world."

"Leonardo did believe in the combination of theory and practice."

"Envy wounds with false accusations, that is with detraction, a thing which scares virtue."

"Threats alone are the weapons of the threatened man."

"The city will gain beauty worthy of its name and to you it will be useful by its revenues, and the eternal fame of its aggrandizement."

"The cock does not crow till it has thrice flapped its wings; the parrot in moving among boughs never puts its feet excepting where it has first put its beak. Vows are not made till Hope is dead."

"The bones of the Dead will be seen to govern the fortunes of him who moves them."

"Every body that is moved continues to move so long as the impression of the force of its mover is retained in it, therefore the movement of this wing with violence... will come to move the whole bird with it until the impetus of the moved air has been consumed."

"That which was at first bound, cast out and rent by many and various beaters will be respected and honoured, and its precepts will be listened to with reverence and love."

"There will be many men who will move one against another, holding in their hands a cutting tool. But these will not do each other any injury beyond tiring each other; for, when one pushes forward the other will draw back. But woe to him who comes between them! For he will end by being cut in pieces."

"Patience serves us against insults precisely as clothes do against the cold. For if you multiply your garments as the cold increases, that cold cannot hurt you; in the same way increase your patience under great offences, and they cannot hurt your feelings."

"To speak well of a base man is much the same as speaking ill of a good man."

"We are deceived by promises and time disappoints us..."

"Fear arises sooner than anything else."

"Wherever good fortune enters, envy lays siege to the place and attacks it; and when it departs, sorrow and repentance remain behind."

"He who walks straight rarely falls."

"It is ill to praise, and worse to reprimand in matters that you do not understand."

"The lover is moved by the beloved object as the senses are by sensual objects; and they unite and become one and the same thing. The work is the first thing born of this union; if the thing loved is base the lover becomes base."

"To preserve Nature's chiefest boon, that is freedom, I can find means of offence and defence, when it is assailed by ambitious tyrants, and first I will speak of the situation of the walls, and also I shall show how communities can maintain their good and just Lords."

"The false interpreters of nature declare that quicksilver is the common seed of every metal, not remembering that nature varies the seed according to the variety of the things she desires to produce in the world."

"It is true that impatience, the mother of stupidity, praises brevity, as if such persons had not life long enough to serve them to acquire a complete knowledge of one single subject, such as the human body; and then they want to comprehend the mind of God in which the universe is included, weighing it minutely and mincing it into infinite parts, as if they had to dissect it!"

"Oh! human stupidity, do you not perceive that, though you have been with yourself all your life, you are not yet aware of the thing you possess most of, that is of your folly? and then, with the crowd of sophists, you deceive yourselves and others, despising the mathematical sciences, in which truth dwells and the knowledge of the things included in them. And then you occupy yourself with miracles, and write that you possess information of those things of which the human mind is incapable and which cannot be proved by any instance from nature. And you fancy you have wrought miracles when you spoil a work of some speculative mind, and do not perceive that you are falling into the same error as that of a man who strips a tree of the ornament of its branches covered with leaves mingled with the scented blossoms or fruit."

"Every quantity is intellectually conceivable as infinitely divisible."

"Amid the vastness of the things among which we live, the existence of nothingness holds the first place; its function extends over all things that have no existence, and its essence, as regards time, lies precisely between the past and the future, and has nothing in the present. This nothingness has the part equal to the whole, and the whole to the part, the divisible to the indivisible; and the product of the sum is the same whether we divide or multiply, and in addition as in subtraction; as is proved by arithmeticians by their tenth figure which represents zero; and its power has not extension among the things of Nature."

"O mighty and once living instrument of formative nature. Incapable of availing thyself of thy vast strength thou hast to abandon a life of stillness and to obey the law which God and time gave to procreative nature."

"I am still hopeful. A falcon, Time. But the coincidence is probably accidental."

"Nothing is so much to be feared as Evil Report."

"Perspective is nothing more than a rational demonstration applied to the consideration of how objects in front of the eye transmit their image to it, by means of a pyramid of lines. The Pyramid is the name I apply to the lines which, starting from the surface and edges of each object, converge from a distance and meet in a single point."

"Disgrace should be represented upside down, because all her deeds are contrary to God and tend to hell."

"Fame alone raises herself to Heaven, because virtuous things are in favour with God."

"Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye. And this function simply consists in receiving in a pyramid the forms and colours of all the objects placed before it. I say in a pyramid, because there is no object so small that it will not be larger than the spot where these pyramids are received into the eye. Therefore, if you extend the lines from the edges of each body as they converge you will bring them to a single point, and necessarily the said lines must form a pyramid."

"Tristo è quel discepolo che non avanza il suo maestro. (Modern Italian)"

"Love, Fear, and Esteem, — Write these on three stones."

"Constancy does not begin, but is that which perseveres."