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4ě 10, 2026
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"Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls."
"âIsnât that what art is?âŚMaking things up?â âNo,â she said. âThat is commerceâidentifying a market and satisfying it. Art is seeing the truth and revealing it, as beautifully and forcefully and honestly as you are able.â"
"The very first moment when I realized what abstract art is, was the moment when my father came to my exhibition and he said: â Okay, but where are the pictures?"
"Take it easy. Itâs just a drawing."
"Revolution in art is in no way connected with class revolution. Artists are members of a privileged class. Art is absurdly overrated by artists, which is understandable, but what is strange is that it is absurdly overrated by everyone else."
"When the strongest began to fight for the tribe, and the fastest to hunt, it was the artist who became the priest-guardian of the magic that conjured the intelligence out of the appetites."
"If you can't spontaneously detect (without analyzing) the difference between the sacred and profane, you'll never know what religion means. You will also never figure out what we commonly call art. You will never understand anything."
"Under the impulse of such ideas [upon which an Acquisitive Society is based] men do not become religious or wise or artistic; for religion and wisdom and art imply the acceptance of limitations. But they become powerful and rich. They inherit the earth and change the face of nature, if they do not possess their own souls; and they have that appearance of freedom which consists in the absence of obstacles between opportunities for self-advancement and those whom birth or wealth or talent or good fortune has placed in a position to seize them."
"Cultural products that present people who have no money or power as innately stupid or depraved, and thus unworthy of money or power, are in the interests of the ruling class and the power structure as it stands."
"Cultural products which present women who do not want to be household slaves or universal mothers or sex objects as bitches or sexual failures objectively aid male supremacy."
"Art is a human activity consisting in this, that one consciously, by means of certain external symbols, conveys to others the feelings one has experienced, whereby people so infected by these feelings, also experience them."
"In order to correctly define art, it is necessary, first of all, to cease to consider it as a means to pleasure and consider it as one of the conditions of human life. ...Reflecting on it in this way, we cannot fail to observe that art is one of the means of effective communication between people."
"Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life."
"Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!'"
"We cannot help but see Socrates as the turning-point, the vortex of world history. For if we imagine that the whole incalculable store of energy used in that global tendency had been used not in the service of knowledge but in ways applied to the practical â selfish â goals of individuals and nations, universal wars of destruction and constant migrations of peoples would have enfeebled man's instinctive zest for life to the point where, suicide having become universal, the individual would perhaps feel a vestigial duty as a son to strangle his parents, or as a friend his friend, as the Fiji islanders do: a practical pessimism that could even produce a terrible ethic of genocide through pity, and which is, and always has been, present everywhere in the world where art has not in some form, particularly as religion and science, appeared as a remedy and means of prevention for this breath of pestilence."
"Science, spurred by its powerful illusion, speeds irresistibly towards its limits where its optimism, concealed in the essence of logic, suffers shipwreck. For the periphery of the circle of science has an infinite number of points...noble and gifted men...reach...inevitably, such boundary points on the periphery from which one gazes into what defies illumination. When they see to their horror how logic coils up at these boundaries and finally bites its own tail-suddenly the new form of insight breaks through, tragic insight which, merely to be endured, needs art as a protection and a remedy."
"The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word."
"He searched disorder for its unifying principle."
"Everyone is scared of genetic DIY. It's crucial for artists to work with such technologies. It is important that we work between science and art."
"Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove. All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world."
"what art is about-and this is what justice is about, although you'll have your own interpretations-is the illumination of what isn't known, the lighting up of what is under a rock, of what has been hidden."
"art comes from constant mental harassment."
"I don't live in the present, I Am The Present"
"It is not easy even with consciousness to discard the environmental trappings that accompany most art forms. Most of us still expect to see classical musicians in white blouses and long black skirts-but we are changing and growing."
"Art and music make manifest, by bringing into conscious awareness, that which has previously been felt only tentatively and internally. Art, in its widest sense, is a form of play that lies at the origin of all making, of language, and of the mind's awareness of its place within the world. Art, in all its forms, makes manifest the spiritual dimension of the cosmos, and expresses our relationship to the natural world. This may have been the cause of that natural light which first illuminated the preconscious minds of early hominids."
"Buy a piece of art. Find one that speaks to you and make the purchase. If it is a genuine artistic production, it will invade your life and change it. A real piece of art is a window into the transcendent, and you need that in your life, because you are finite and limited and bounded by your ignorance. [âŚ] It is for such reasons that we need to understand the role of art, and stop thinking about it as an option, or a luxury, or worse, an affectation. Art is the bedrock of culture itself. It is the foundation of the process by which we unite ourselves psychologically, and come to establish productive peace with others."
"For a long time I limited myself to one color â as a form of discipline."
"In the twentieth century, modernism and postmodernism took over, and their practitioners disdained beauty as bourgeois, saccharine, lightweight. Art was deliberately made incomprehensible or ugly or shocking... on the assumption that our predilections... were reversible social constructions. This also led to an exaggeration of the dynamic of social status that has always been part of the arts. The elite arts used to be aligned with the economic and political aristocracy. They involved displays of sumptuosity and the flaunting of rare and precious skills that only the idle rich could cultivate. But now that any schmo could afford a Mozart CD or go to a free museum, artists had to figure out new ways to differentiate themselves from the rabble. So art became baffling and uninterpretableâunless you had some acquaintance with arcane theory."
"What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestationsâwhich is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed."
"The work of art ⌠is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty."
"I arrange my subject as I want it, then I go ahead and paint it, like a child. I want a red to be sonorousâto sound, like a bell; if it doesn't turn out that way, I put more reds or other colors till I get it. I am no cleverer than that. I have no rules and no methods; any one can look over my materials or watch how I paintâhe will see that I have no secrets. I look at a nude; there are myriads of tiny tints. I must find the ones that will make the flesh on my canvas live and quiver. Nowadays they want to explain everything. But if they could explain a picture it wouldn't be art. Shall I tell you what I think are the two qualities of a work of art? It must be indescribable and it must be inimitable. ...So in our Gothic architecture: each column is a work of art, because the old French monk who set it up and carved its capital did what he likedânot doing everything alike, as... when things are made by machinery or by rules, but each thing differentâlike the trees in the forest. The work of art must seize upon you, wrap you up in itself, carry you away. It is the means by which the artist conveys his passion; it is the current which he puts forth which sweeps you along in his passion."
"Die Kunst ist zwar nicht das Brod, aber der Wein des Lebens."
"Art means to dare â and to have been right."
"I respect all definitions of art, but I cherish most the definition which states that art is an expression of the desire to communicate on the most meaningful level."
"The bond of sympathy, like the artist's eye for beauty, may stretch across many divisions."
"Being an artist is hard. Making the stuff and selling it. Both are impossible."
"What separates art from science? The gift; To it, proud knowledge must concede the crown. Scholarship certainly knows how something ought to be But it cannot create it â that you alone, art, can do."
"The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover a miracle â another circle, drawn kilometers downstream of the decimal point. There would be richer messages farther in. It doesn't matter what you look like, or what you're made of, or where you come from. As long as you live in this universe, and have a modest talent for mathematics, sooner or later you'll find it. It's already here. It's inside everything. You don't have to leave your planet to find it. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artistâs signature. Standing over humans, gods, and demons, subsuming Caretakers and Tunnel builders, there is an intelligence that antedates the universe."
"L'art pour l'art est un vain mot. L'art pour le vrai, l'art pour le beau et le bon, voilĂ la religion que je cherche...."
"âI am an artist,â Wit said. âI should thank you not to demean me by insisting my art must be trying to accomplish something. In fact, you shouldnât enjoy art. You should simply admit that it exists, then move on. Anything else is patronizing.â"
"During the darkest days of the HIV/AIDS epidemic, when Republicans and religious conservatives controlled the federal government and were doing everything in their power to harm the sick and dying, queers organized and protested and volunteered and mourned. We also made music and theater and art. We took care of each other, and we danced and loved and fucked. Embracing joy and art and sex in the face of fear and uncertainty made us feel betterâit kept us saneâand it had the added benefit of driving our enemies crazy. They couldnât understand how we could be anything but miserable, given the challenges we facedâtheir greed, their indifference, their bigotryâbut we created and experienced joy despite their hatred and despite this awful disease. We turned to each otherâwe turned to our lovers and friends and sometimes strangersâand said, "Fuck them. Now fuck me.""
"[U]tilizing the discoveries of scientists, photography was invented by artists for the use of artists. ...Daguerre had acquired a considerable reputation as a painter and inventor of illusionist effects in panoramas and... as a designer of stage settings... Almost at the same time as he invented the ... Daguerre began to experiment with the photographic process. ...[H]e would have to be considered... the first artist to utilize photographs for his paintingsâbefore photography was in effect discovered. ...Talbot, the discoverer of another photographic process, was an amateur artist who used the and from the early 1820s as aids to his landscape drawings. Among other... near-discoverers of photography were artists who sought through the camera obscura... the last word in art. ...Joseph-NicĂŠphore NiĂŠpce succeeded in fixing what he called a heliograph on glass. NiĂŠpce and his son... a painter and sculptor, had been practicing the new art of ... Because the litho stones of good quality were difficult to obtain, they... substituted plates. ...[T]he elder NiĂŠpce ...conceived of the idea of recording, photographically, [using as negatives, existing paper engravings made transparent by oiling or waxing] an image on the plate and etching it for printing. ...After unsuccessful experiments with chloride of silver, he used another light-sensitive substance called ; the unexposed parts could be dissolved, baring the metal to be etched ...By 1837, with common salt as a fixative, Daguerre made his first relatively permanent photograph..."
"Seraphs share with thee Knowledge; But Art, O Man, is thine alone!"
"Von der Freiheit gesäugt wachsen die Kßnste der Lust."
"It holds up in one object or one surface, in one bright, luminous and concentrated thing â whether a beer can or a flag â all the dispersed elements that go to make up our lives."
"Holy Mother Church has ... always been the friend of the fine arts and has ever sought their noble help"
"In the largest sense, every work of art is protest. ⌠A lullaby is a propaganda song and any three-year-old knows it. ⌠A hymn is a controversial song â sing one in the wrong church: you'll find out. ..."
"I want no more than to speak simply to be granted that grace. Because we've loaded our songs with so much music that they're slowly sinking and we've decorated our art so much that its features have been eaten away by gold and it's time to say our few words because tomorrow our soul sets sail. ...I think so much these days about the great river, that symbol which moves forward among herbs and greenery and beasts that graze and drink, and men who sow and harvest, great tombs even and small habitations of the dead. That current which goes its way and which is not so different from the blood of men..."
"it is always in the future that the course of art lies"
"Any valuable object in order to appeal to our sense of beauty must conform to the requirements of beauty and of expensiveness both. But this is not all. Beyond this the canon of expensiveness also affects our tastes in such a way as to inextricably blend the marks of expensiveness, in our appreciation, with the beautiful features of the object, and to subsume the resultant effect under the head of an appreciation of beauty simply. The marks of expensiveness come to be accepted as beautiful features of the expensive articles. They are pleasing as being marks of honorific costliness, and the pleasure which they afford on this score blends with that afforded by the beautiful form and color of the object."