Uttar Pradesh

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April 10, 2026

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April 10, 2026

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"“The infidels demolished a mosque,” writes the author of the Ganj-i-Arshadi, “that was under construction and wounded the artisans. When the news reached Shah Yasin, he came to Banaras from Mandyawa and collecting the Muslim weavers, demolished the big temple. A Sayyid who was an artisan by profession agreed with one Abdul Rasul to build a mosque at Banaras and accordingly the foundation was laid. Near the place there was a temple and many houses belonging to it were in the occupation of the Rajputs. The infidels decided that the construction of a mosque in the locality was not proper and that it should be razed to the ground. At night the walls of the mosque were found demolished. Next day the wall was rebuilt but it was again destroyed. This happened three or four times. At last the Sayyid hid himself in a corner. With the advent of night the infidels came to achieve their nefarious purpose. When Abdul Rasul gave the alarm, the infidels began to fight and the Sayyid was wounded by the Rajputs. In the meantime, the Mussulman residents of the neighbourhood arrived at the spot and the infidels took to their heels. The wounded Muslims were taken to Shah Yasin who, determined to vindicate the cause of Islam. When he came to the mosque, people collected from the neighbourhood. The civil officers were outwardly inclined to side with the saint but in reality they were afraid of the royal displeasure on account of the Raja, who was a courtier of the Emperor and had built the temple (near which the mosque was under construction). Shah Yasin, however, took up the sword and started for Jihad. The civil officers sent him a message that such a grave step should not be taken without the Emperor’s permission. Shah Yasin, paying no heed, sallied forth till he reached Bazar Chau Khamba through a fusillade of stones… The doors (of temples) were forced open and the idols thrown down. The weavers and other Mussulmans demolished about 500 temples. They desired to destroy the temple of Beni Madho, but as lanes were barricaded, they desisted from going further.”"

- Varanasi

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"The city of Benares, for its wealth, costly buildings, and the number of its inhabitants, is classed in the first of those now remaining in the possession of the Hindoos. To describe with a due degree of precision the various temples dedicated at Benares, to the almost innumerable deities, and to explain the origin of their foundation with the necessary arrangement, would require a knowledge far superior to mine in the mysterious subject of Hindoo Mythology. It is at this day enveloped in such deep obscurity, that even those pundits the most skilfully versed in the Sanscrit,* are not able to render it moderately comprehensible to the generality of people. ....At the distance of eight miles from the city of Benares, as it is approached on the river, from the eastward, the eye is attracted by the view of two lofty minarets, which were erected by Aurungzebe, on the foundation of an ancient Hindoo temple, dedicated to the Mhah Deve. The construction on this sacred ruin of so towering a Mahometan pile, which, from its elevated height, seems to look down with triumph and exultation on the fallen state of a city so profoundly revered by the Hindoos, would appear to have been prompted to the mind of Auruugzebe, hy a bigoted and intemperate desire of insulting their religion. If such was his wish, it hath been completely fulfilled. For the Hindoos consider this monument, as the disgraceful record of a foreign yoke, proclaiming to every stranger, that their favourite city has been debased, and the worship of ther gods defiled. from the top of the minarets is seen the entire prospect of Benares, which occupies a space of .about two miles and an half along the northern bank of the Ganges, and generally a mile inland from the river....The irregular and compressed manner which has been invariably adopted in forming the streets of Benares,has destroyed the effects which symmetry and arrangement would have otherwise bestowed on a city, entitled, from its valuable buildings, to a preference of any capital which I have seen in India."

- Varanasi

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"Our first visit was to a celebrated temple, named the Vishvayesa,1 consisting of a very small but beautiful specimen of carved stone-work, and the place is one of the most holy in Hindostan, though it only approximates to a yet more sacred spot adjoining, which Aulum Gheer defiled,2 and built a mosque on it, so as to render it inaccessible to the worshippers of Brahma. The temple-court, small as it is, is crowded like a farm-yard with very fat and very tame bulls, which thrust their noses into every body’s hand and pocket for gram and sweetmeats, which their fellow-votaries give them in great quantities. The cloisters are no less full of naked devotees, as hideous as chalk and dung can make them, and the continued hum of ‘ Bam ! Ram ! Ram ! Ram ! is enough to make a stranger giddy. The place is kept very clean however, — indeed the priests seem to do little else than pour water over the images and the pavement, and I foimd them not merely willing, but anxious, to shew me every thing, — frequently repeating that they were Padres also, though it is true that they used this circumstance as an argument for my giving them a present. Near this temple is a well, with a small tower over it, and a steep flight of steps for descending to the water which is brought by a subterraneous channel from the Ganges, and, for some reason or other, is accounted more holy than even the Ganges itself. All pilgrims to Benares are enjoined to drink and wash here ; but a few years ago, a quarrel having occurred between the Hindoo and , Mussulman population of the town, arising from the two rehgious -processions of th6 Mohurrun and Jimma Osmee encountering each other, the Moslem mob killed a cow on this spot, and poured her blood into the sacred water. The Hindoos retaliated by throwing rashers of bacon into the windows of as many mosques as they could reach ; but the matter did not end so : both parties took to arms, several Kves were lost, and Benares was in a state of uproar for many hours, till the British Government came in with its authority, and quelled the disturbance."

- Varanasi

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"The Taj Mahal is one of the seven wonders. My guide assures me that it is 'perhaps the most beautiful building in the world.' Following its advice, we drove out to have our first look at the marvel by the light of the setting sun. Nature did its best for the Taj. The west was duly red, and orange, and yellow, and, finally, emerald green, grading into pale and flawless blue towards the zenith. Two evening stars, Venus and Mercury, pursued the sunken sun. The sacred Jumna was like a sheet of silver between its banks... Nature, I repeat, did its best. But though it adorned, it could not improve the works of man. The Taj, even at sunset, even reverberated upside down from tanks and river, even in conjunction with melancholy cypresses— -the Taj was a disappointment... My failure to appreciate the Taj is due, I think, to the fact that, while I am very fond of architecture and the decorative arts, I am very little interested in the expensive or the picturesque, as such and by themselves. Now the great qualities of the Taj are precisely those of expensiveness and picturesqueness, Milk-white amongst its dark cypresses, flawlessly mirrored, it is positively the Toteninsel of Arnold Boecklin come true... The Taj itself is marred by none of the faults which characterize the minarets. But its elegance is at the best of a very dry and negative kind. Its ‘ classicism ’ is the product not of intellectual restraint imposed on an exuberant fancy, but of an actual deficiency of fancy, a poverty of imagination. One is struck at once by the lack of variety in the architectural forms of which it is composed. There are, for all practical purposes, only two contrasting formal elements in the whole design — the onion dome, reproduced in two dimensions in the pointed arches of the recessed bays, and the flat wall surface with its sharply rectangular limits. When the Taj is compared with more or less contemporary European buildings in the neo-classic style of the High Renaissance and Baroque periods, this poverty in the formal elements composing it becomes very apparent. ... But it is made of marble. Marble, I perceive, covers a multitude of sins."

- Taj Mahal

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