"I don't trust machines, I have a machine to thank for this [points to his right eye, which is robotic] and this! [pounds the ground with his cane] I want to see them with my own God-given eye!"

"Instant paralysis. They really weren't kidding, were they?"

"I hope your shortcut worked, Mr. Quigley."

"Oh, can you use Wynn's aux. monitor because we'll need the big guns here for our little mouse hunt."

"Where's my daughter, Where is... [stutters] ...she. Why can't I remember my daughter's name? Where is she?!"

"Think of the plot of The Fly. Two attractive people fall in love. The man suddenly contracts this incurable disease. He goes downhill in a horrible and hideous way as his mate watches and then he asks her to kill him and that’s the end of the movie. Now, people would not accept that. You could not deal with that in a normal, realistic fashion. It’s just too upfront and too hard and too despairing. If you gave Hollywood that plot, they wouldn’t make the movie. And yet, because it was sci-fi, fantasy, horror, no one ever questioned how dark it was. That’s another good thing about horror—it allows you to come to grips with the nitty gritty and at the same time gives you a little cushion, a little protection as well, because it is fantasy."

"He starts to change first perhaps mentally. He starts to get very speedy and hyper and exuberant. So the first manifestation of what’s been happening to him is mental rather than physical. But then it’s also physical because of the sugar lust. I’m just trying to see what the two things do and how far it goes. My interest in insects is more than I deal with in The Fly, actually. It’s phenomenal that any insect transforms. They all do. That’s part of being an insect."

"(from movie trailer) There is a limit, even to the imagination... a point where our greatest creations meet our deepest fears. You are about to go beyond that limit."

"Something went wrong in the lab today. Very wrong."

"Half man, half insect... total terror."

"Be afraid. Be very afraid."

"[Adding his teeth to a collection of lost body parts] You're relics. Yes, you are. Vestigial, archaeological, redundant. Artifacts of a bygone era. Of historical interest only. [Notices Veronica] You've missed some good moments. Is that why you're here? To catch up? My teeth have begun to fall out. The medicine cabinet is now the Brundle Museum of Natural History. You wanna see what else is in it?"

"[Being filmed by Veronica] How does Brundlefly eat? Well, he found out, the hard and painful way, that he eats very much the way a fly eats. His teeth are now useless, because although he can chew up solid foods, he can't digest them. Solid food hurts. So like a fly, Brundlefly breaks down solids with a corrosive enzyme, playfully called "vomit drop". He regurgitates on his food, it liquefies, and then he sucks it back up. Ready for a demonstration, kids? Here goes..."

"[To Veronica] I was not pure. The teleporter insists on inner purity; I was not pure. A fly...got into the transmitter pod with me that first time when I was alone. The computer got...confused, there weren't supposed to be two separate genetic patterns, and it decided to, erm...splice us together. It mated us, me and the fly. We hadn't even been properly introduced. [Smiles] My...teleporter turned into a gene-splicer. And a very good one. Now I'm not Seth Brundle anymore. I'm the offspring of...Brundle and housefly."

"[To Veronica] You're afraid to dive into the plasma pool, aren't you? You're afraid to be destroyed and recreated, aren't you? I'll bet you think that you woke me up about the flesh, don't you? But you only know society's straight line about the flesh. You can't penetrate beyond society's sick, gray fear of the flesh! Drink deep or taste not the plasma spring, see what I'm saying? And I'm not just talking about sex and penetration, I'm talking about penetration beyond the veil of the flesh! A deep, penetrating dive into the plasma pool!"

"[To Veronica] I will say now, however subjectively, that human teleportation, molecular decimation, breakdown and reformation is inherently purging. It makes a man a king. From the moment I walked out of the pod, I felt like a million bucks... I mean, what an accomplishment! But what have I really done? All I've done is say to the world: "Let's go! Move! Catch me if you can!""

"[Talking to his surviving baboon, while drinking] "Residue" means old boyfriend, doesn't it? Stathis Borans is her old boyfriend. "From the desk of Stathis Borans" - how about "Under the desk of Stathis Borans"? She's working for her old boyfriend. Now she runs out late at night to see him. What is this, the Ronnie game?! I'm catching on, I'm catching on... [As the baboon swats at a fly] I didn't mean to kill your brother. But he didn't die in vain, if that's of any comfort. And, as the General said, "There's nothing I'd ask you to do that I wouldn't do myself, boys." ...Hey, you're all right. From looking at you, I can tell you're okay. What are we waiting for? Let's do it."

"David Cronenberg - Gynecologist"

"George Chuvalo - Marky"

"Leslie Carlson - Dr. Brent Cheevers"