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April 10, 2026
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"There was evidently coming over him that revulsion that would make him look upon death as the goal of his desires, as happiness. Hitherto each individual desire, aroused by suffering or privation, such as hunger, fatigue, thirst, had been satisfied by some bodily function giving pleasure. But now no physical craving or suffering received relief, and the effort to relieve them only caused fresh suffering. And so all desires were merged in one—the desire to be rid of all his sufferings and their source, the body. But he had no words to express this desire of deliverance, and so he did not speak of it, and from habit asked for the satisfaction of desires which could not now be satisfied."
"Alexey Alexandrovitch, like Lidia Ivanovna indeed, and others who shared their views, was completely devoid of vividness of imagination, that spiritual faculty in virtue of which the conceptions evoked by the imagination become so vivid that they must needs be in harmony with other conceptions, and with actual fact."
"He saw out of the window how she went up to her brother, put her arm in his, and began telling him something eagerly, obviously something that had nothing to do with him, Vronsky, and at that he felt annoyed."
"He wondered, as he heard Sviazhsky: “What is there inside of him? And why, why is he interested in the partition of Poland?” When Sviazhsky had finished, Levin could not help asking: “Well, and what then?” But there was nothing to follow. It was simply interesting that it had been proved to be so and so. But Sviazhsky did not explain, and saw no need to explain why it was interesting to him."
"This question always excited another question in him—whether they felt differently, did their loving and marrying differently, these Vronskys and Oblonskys—these gentlemen of the bedchamber, with their fine calves. And there passed before his mind a whole series of these mettlesome, vigorous, self-confident men, who always and everywhere drew his inquisitive attention in spite of himself. He tried to dispel these thoughts, he tried to persuade himself that he was not living for this transient life, but for the life of eternity."
"The fact that he had in this transient, trivial life made, as it seemed to him, a few trivial mistakes tortured him as though the eternal salvation in which he believed had no existence. But this temptation did not last long, and soon there was reestablished once more in Alexey Alexandrovitch's soul the peace and the elevation by virtue of which he could forget what he did not want to remember."
"“You are one of those delightful women in whose company it's sweet to be silent as well as to talk.”"
"His father and his teacher were both displeased with Seryozha, and he certainly did learn his lessons very badly. But still it could not be said he was a stupid boy. On the contrary, he was far cleverer than the boys his teacher held up as examples to Seryozha. In his father's opinion, he did not want to learn what he was taught. In reality he could not learn that. He could not, because the claims of his own soul were more binding on him than those claims his father and his teacher made upon him. Those claims were in opposition, and he was in direct conflict with his education. He was nine years old; he was a child; but he knew his own soul, it was precious to him, he guarded it as the eyelid guards the eye, and without the key of love he let no one into his soul. His teachers complained that he would not learn, while his soul was brimming over with thirst for knowledge. And he learned from Kapitonitch, from his nurse, from Nadinka, from Vassily Lukitch, but not from his teachers. The spring his father and his teachers reckoned upon to turn their mill-wheels had long dried up at the source, but its waters did their work in another channel."
"However many women and girls he thought of whom he knew, he could not think of a girl who united to such a degree all, positively all, the qualities he would wish to see in his wife. She had all the charm and freshness of youth, but she was not a child; and if she loved him, she loved him consciously as a woman ought to love; that was one thing. Another point: she was not only far from being worldly, but had an unmistakable distaste for worldly society, and at the same time she knew the world, and had all the ways of a woman of the best society, which were absolutely essential to Sergey Ivanovitch's conception of the woman who was to share his life. Thirdly: she was religious, and not like a child, unconsciously religious and good, as Kitty, for example, was, but her life was founded on religious principles."
"Levin and Kitty were particularly happy and conscious of their love that evening. And their happiness in their love seemed to imply a disagreeable slur on those who would have liked to feel the same and could not—and they felt a prick of conscience."
"Though she could not recall her own words or his, she realized instinctively that the momentary conversation had brought them fearfully closer; and she was panic-stricken and blissful at it."
"Levin … remembered how his brother, while at the university, and for a year afterwards, had, in spite of the jeers of his companions, lived like a monk, strictly observing all religious rites, services, and fasts, and avoiding every sort of pleasure, especially women. And afterwards, how he had all at once broken out: he had associated with the most horrible people, and rushed into the most senseless debauchery. …"
"“I’d so love to know her whole romance,” thought Kitty, recalling the unpoetical appearance of Alexei Alexandrovich, her husband."
"Kitty felt that Anna was perfectly simple and was concealing nothing, but that she had another higher world of interests inaccessible to her, complex and poetic."
"Anna Arkadyevna read and understood, but it was distasteful to her to read, that is, to follow the reflection of other people's lives. She had too great a desire to live herself. If she read that the heroine of the novel was nursing a sick man, she longed to move with noiseless steps about the room of a sick man; if she read of a member of Parliament making a speech, she longed to be delivering the speech; if she read of how Lady Mary had ridden after the hounds, and had provoked her sister-in-law, and had surprised everyone by her boldness, she too wished to be doing the same. ** Part 1, Chapter 29, p. 94"
"He began to see what had happened to him in quite a different light. He felt himself, and did not want to be any one else. All he wanted now was to be better than before. In the first place he resolved that from that day he would give up hoping for any extraordinary happiness, such as marriage must have given him, and consequently he would not so disdain what he really had."
"In spite of the shadow in which he was standing, she saw, or fancied she saw, both the expression of his face and his eyes. It was again that expression of reverential ecstasy which had so worked upon her the day before."
"Anna ... almost laughed aloud at the feeling of delight that all at once without cause came over her. She felt as though her nerves were strings being strained tighter and tighter on some sort of screwing peg. She felt her eyes opening wider and wider, her fingers and toes twitching nervously, something within oppressing her breathing, while all shapes and sounds seemed in the uncertain half-light to strike her with unaccustomed vividness."
"Vronsky had several times already, though not so resolutely as now, tried to bring her to consider their position, and every time he had been confronted by the same superficiality and triviality with which she met his appeal now. It was as though there were something in this which she could not or would not face, as though directly she began to speak of this, she, the real Anna, retreated somehow into herself, and another strange and unaccountable woman came out, whom he did not love, and whom he feared, and who was in opposition to him."
"This elder son, too, was displeased with his younger brother. He did not distinguish what sort of love his might be, big or little, passionate or passionless, lasting or passing, but he knew that this love affair was viewed with displeasure by those whom it was necessary to please, and therefore he did not approve of his brother's conduct."
"In his attitude to her there was a shade of vexation, but nothing more. “You would not be open with me,” he seemed to say, mentally addressing her; “so much the worse for you. Now you may beg as you please, but I won't be open with you. So much the worse for you!” he said mentally, like a man who, after vainly attempting to extinguish a fire, should fly in a rage with his vain efforts and say, “Oh, very well then! you shall burn for this!” This man, so subtle and astute in official life, did not realize all the senselessness of such an attitude to his wife. He did not realize it, because it was too terrible to him to realize his actual position, and he shut down and locked and sealed up in his heart that secret place where lay hid his feelings towards his family."
"If anyone had had the right to ask Alexey Alexandrovitch what he thought of his wife's behavior, the mild and peaceable Alexey Alexandrovitch would have made no answer, but he would have been greatly angered with any man who should question him on that subject. For this reason there positively came into Alexey Alexandrovitch's face a look of haughtiness and severity whenever anyone inquired after his wife's health. Alexey Alexandrovitch did not want to think at all about his wife's behavior, and he actually succeeded in not thinking about it at all."
"The adjutant-general expressed his disapproval of races. Alexey Alexandrovitch replied defending them. Anna heard his high, measured tones, not losing one word, and every word struck her as false, and stabbed her ears with pain. … She was in an agony of terror for Vronsky, but a still greater agony was the never-ceasing, as it seemed to her, stream of her husband's shrill voice. …"
"Mademoiselle Varenka … always seemed absorbed in work about which there could be no doubt, and so it seemed she could not take interest in anything outside it. It was just this contrast with her own position that was for Kitty the great attraction of Mademoiselle Varenka. Kitty felt that in her, in her manner of life, she would find an example of what she was now so painfully seeking: interest in life, a dignity in life—apart from the worldly relations of girls with men, which so revolted Kitty, and appeared to her now as a shameful hawking about of goods in search of a purchaser."
"The views of the prince and of the princess on life abroad were completely opposed. The princess thought everything delightful, and in spite of her established position in Russian society, she tried abroad to be like a European fashionable lady, which she was not—for the simple reason that she was a typical Russian gentlewoman; and so she was affected, which did not altogether suit her. The prince, on the contrary, thought everything foreign detestable, got sick of European life, kept to his Russian habits, and purposely tried to show himself abroad less European than he was in reality."
"The news of Kitty's friendship with Madame Stahl and Varenka, and the reports the princess gave him of some kind of change she had noticed in Kitty, troubled the prince and aroused his habitual feeling of jealousy of everything that drew his daughter away from him, and a dread that his daughter might have got out of the reach of his influence into regions inaccessible to him."
"For Alexey Alexandrovitch it was a necessity to think in that way; it was such a necessity for him in his humiliation to have some elevated standpoint, however imaginary, from which, looked down upon by all, he could look down on others, that he clung, as to his one salvation, to his delusion of salvation."
"Sviazhsky, once more checking Levin in his inconvenient habit of peeping into what was beyond the outer chambers of his mind, went to see his guests out."
"“Your honors have been diverting yourselves with the chase? What kind of bird may it be, pray?” added Ryabinin, looking contemptuously at the snipe: “a great delicacy, I suppose.” And he shook his head disapprovingly, as though he had grave doubts whether this game were worth the candle."
"“But how do schools help matters?”"
"“I saw Stiva when he was in love with you. I remember the time when he came to me and cried, talking of you, and all the poetry and loftiness of his feeling for you, and I know that the longer he has lived with you the loftier you have been in his eyes. You know we have sometimes laughed at him for putting in at every word: 'Dolly's a marvelous woman.' You have always been a divinity for him, and you are that still, and this has not been an infidelity of the heart.”"
"Levin smiled contemptuously. “I know,” he thought, “that fashion not only in him, but in all city people, who, after being twice in ten years in the country, pick up two or three phrases and use them in season and out of season, firmly persuaded that they know all about it. 'Timber, run to so many yards the acre.' He says those words without understanding them himself.”"
"With her father's coming all the world in which she had been living was transformed for Kitty. She did not give up everything she had learned, but she became aware that she had deceived herself in supposing she could be what she wanted to be. Her eyes were, it seemed, opened; she felt all the difficulty of maintaining herself without hypocrisy and self-conceit on the pinnacle to which she had wished to mount."
"“I mean that I'm acting for my own advantage. It's all the better for me if the peasants do their work better.”"
"Passing through rows of ironical eyes, he was drawn as naturally to her loving glance as a plant to the sun."
"Running into the marsh among the familiar scents of roots, marsh plants, and slime, and the extraneous smell of horse dung, Laska detected at once a smell that pervaded the whole marsh, the scent of that strong-smelling bird that always excited her more than any other. Here and there among the moss and marsh plants this scent was very strong, but it was impossible to determine in which direction it grew stronger or fainter. To find the direction, she had to go farther away from the wind. Not feeling the motion of her legs, Laska bounded with a stiff gallop, so that at each bound she could stop short, to the right, away from the wind that blew from the east before sunrise, and turned facing the wind. Sniffing in the air with dilated nostrils, she felt at once that not their tracks only but they themselves were here before her, and not one, but many. Laska slackened her speed. They were here, but where precisely she could not yet determine. To find the very spot, she began to make a circle, when suddenly her master's voice drew her off. “Laska! here?” he asked, pointing her to a different direction. She stopped, asking him if she had better not go on doing as she had begun. But he repeated his command in an angry voice, pointing to a spot covered with water, where there could not be anything. She obeyed him, pretending she was looking, so as to please him, went round it, and went back to her former position, and was at once aware of the scent again. Now when he was not hindering her, she knew what to do, and without looking at what was under her feet, and to her vexation stumbling over a high stump into the water, but righting herself with her strong, supple legs, she began making the circle which was to make all clear to her. The scent of them reached her, stronger and stronger, and more and more defined, and all at once it became perfectly clear to her that one of them was here, behind this tuft of reeds, five paces in front of her. ... she breathed heavily but warily, and still more warily looked round, but more with her eyes than her head, to her master. He was coming along with the face she knew so well, though the eyes were always terrible to her. He stumbled over the stump as he came, and moved, as she thought, extraordinarily slowly. She thought he came slowly, but he was running."
"Just as Levin had disliked all the trivial preparations for his wedding, as derogatory to the grandeur of the event, now he felt still more offensive the preparations for the approaching birth. ... The birth of a son (he was certain it would be a son) which was promised him, but which he still could not believe in—so marvelous it seemed—presented itself to his mind, on one hand, as a happiness so immense, and therefore so incredible; on the other, as an event so mysterious, that this assumption of a definite knowledge of what would be, and consequent preparation for it, as for something ordinary that did happen to people, jarred on him as confusing and humiliating."
"His work, both on the land and on the book, in which the principles of the new land system were to be laid down, had not been abandoned; but just as formerly these pursuits and ideas had seemed to him petty and trivial in comparison with the darkness that overspread all life, now they seemed as unimportant and petty in comparison with the life that lay before him suffused with the brilliant light of happiness."
"As soon as she opened her mouth, a stream of reproach, of senseless jealousy, of all that had been torturing her during that half hour which she had spent sitting motionless at the window, burst from her. It was only then, for the first time, that he clearly understood what he had not understood when he led her out of the church after the wedding. He felt now that he was not simply close to her, but that he did not know where he ended and she began. ... He was offended for the first instant, but the very same second he felt that he could not be offended by her, that she was himself. He felt for the first moment as a man feels when, having suddenly received a violent blow from behind, he turns round, angry and eager to avenge himself, to look for his antagonist, and finds that it is he himself who has accidentally struck himself, that there is no one to be angry with, and that he must put up with and try to soothe the pain."
"“Of course she's not to blame,” he told himself. But it is hard for anyone who is dissatisfied not to blame someone else, and especially the person nearest of all to him, for the ground of his dissatisfaction."
"They talked of Mihailov and his pictures. The word talent, by which they meant an inborn, almost physical, aptitude apart from brain and heart, and in which they tried to find an expression for all the artist had gained from life, recurred particularly often in their talk, as though it were necessary for them to sum up what they had no conception of, though they wanted to talk of it."
"Spring is the time of plans and projects. And, as he came out into the farmyard, Levin, like a tree in spring that knows not what form will be taken by the young shoots and twigs imprisoned in its swelling buds, hardly knew what undertakings he was going to begin upon now in the farm work that was so dear to him."
"Mihailov ... knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and begin caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky's painting: he felt it both ludicrous and irritating, both pitiable and offensive."
"There had come back into his face the stern, reproachful expression of the dying man's envy of the living."
"“I have met him. But he's a queer fish, and quite without breeding. You know, one of those uncouth new people one's so often coming across nowadays, one of those free-thinkers you know, who are reared d'emblée in theories of atheism, scepticism, and materialism. In former days,” said Golenishtchev, not observing, or not willing to observe, that both Anna and Vronsky wanted to speak, “in former days the free-thinker was a man who had been brought up in ideas of religion, law, and morality, and only through conflict and struggle came to free-thought; but now there has sprung up a new type of born free-thinkers who grow up without even having heard of principles of morality or of religion, of the existence of authorities, who grow up directly in ideas of negation in everything, that is to say, savages. Well, he's of that class. He's the son, it appears, of some Moscow butler, and has never had any sort of bringing-up. When he got into the academy and made his reputation he tried, as he's no fool, to educate himself. And he turned to what seemed to him the very source of culture—the magazines. In old times, you see, a man who wanted to educate himself—a Frenchman, for instance—would have set to work to study all the classics and theologians and tragedians and historians and philosophers, and, you know, all the intellectual work that came in his way. But in our day he goes straight for the literature of negation, very quickly assimilates all the extracts of the science of negation, and he's ready. And that's not all—twenty years ago he would have found in that literature traces of conflict with authorities, with the creeds of the ages; he would have perceived from this conflict that there was something else; but now he comes at once upon a literature in which the old creeds do not even furnish matter for discussion, but it is stated baldly that there is nothing else—evolution, natural selection, struggle for existence—and that's all.""
"He had a ready appreciation of art, and probably, with a taste for imitating art, he supposed himself to have the real thing essential for an artist, and after hesitating for some time which style of painting to select—religious, historical, realistic, or genre painting—he set to work to paint. He appreciated all kinds, and could have felt inspired by any one of them; but he had no conception of the possibility of knowing nothing at all of any school of painting, and of being inspired directly by what is within the soul, without caring whether what is painted will belong to any recognized school. Since he knew nothing of this, and drew his inspiration, not directly from life, but indirectly from life embodied in art, his inspiration came very quickly and easily, and as quickly and easily came his success in painting something very similar to the sort of painting he was trying to imitate."
"He had sketched this new pose, when all at once he recalled the face of a shopkeeper of whom he had bought cigars, a vigorous face with a prominent chin, and he sketched this very face, this chin on to the figure of the man. He laughed aloud with delight. The figure from a lifeless imagined thing had become living, and such that it could never be changed. That figure lived, and was clearly and unmistakably defined. The sketch might be corrected in accordance with the requirements of the figure, the legs, indeed, could and must be put differently, and the position of the left hand must be quite altered; the hair too might be thrown back. But in making these corrections he was not altering the figure but simply getting rid of what concealed the figure. He was, as it were, stripping off the wrappings which hindered it from being distinctly seen. Each new feature only brought out the whole figure in all its force and vigor."
"The bailiff listened attentively, and obviously made an effort to approve of his employer's projects. But still he had that look Levin knew so well that always irritated him, a look of hopelessness and despondency. That look said: “That's all very well, but as God wills.”"
"In addition to his farming, which called for special attention in spring, and in addition to reading, Levin had begun that winter a work on agriculture, the plan of which turned on taking into account the character of the laborer on the land as one of the unalterable data of the question, like the climate and the soil, and consequently deducing all the principles of scientific culture, not simply from the data of soil and climate, but from the data of soil, climate, and a certain unalterable character of the laborer."
"The realization of his desires gave him no more than a grain of sand out of the mountain of happiness he had expected. It showed him the mistake men make in picturing to themselves happiness as the realization of their desires. For a time after joining his life to hers, and putting on civilian dress, he had felt all the delight of freedom in general of which he had known nothing before, and of freedom in his love,—and he was content, but not for long. He was soon aware that there was springing up in his heart a desire for desires—ennui. Without conscious intention he began to clutch at every passing caprice, taking it for a desire and an object."