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April 10, 2026
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"Je suis le meilleur homme du monde, et voilĂ dĂŠjĂ trois hommes que je tue; et dans ces trois il y a deux prĂŞtres!"
"Je voulus cent fois me tuer, mais jâaimais encore la vie. Cette faiblesse ridicule est peut-ĂŞtre un de nos penchants les plus funestes; car y a t-il rien de plus sot que de vouloir porter continuellement un fardeau quâon veut toujours jeter par terre? dâavoir son ĂŞtre en horreur, et de tenir Ă son ĂŞtre? enfin de caresser le serpent qui nous dĂŠvore, jusquâĂ ce quâil nous ait mangĂŠ le coeur?"
"Les captifs mes compagnons, ceux qui les avaient pris, soldats, matelots, noirs, basanĂŠs, blancs, mulâtres, et enfin mon capitaine, tout fut tuĂŠ; et je demeurai mourante sur un tas de morts. Des scènes pareilles se passaient, comme on sait, dans lâĂŠtendue de plus de trois cents lieues, sans quâon manquât aux cinq prières par jour ordonnĂŠes par Mahomet."
"Si câest ici le meilleur des mondes possibles, que sont donc les autres?"
"Après le tremblement de terre qui avait dĂŠtruit les trois quarts de Lisbonne, les sages du pays nâavaient pas trouvĂŠ un moyen plus efficace pour prĂŠvenir une ruine totale que de donner au peuple un bel auto-da-fĂŠ; il ĂŠtait dĂŠcidĂŠ par lâuniversitĂŠ de CoĂŻmbre que le spectacle de quelques personnes brĂťlĂŠes Ă petit feu, en grande cĂŠrĂŠmonie, est un secret infaillible pour empĂŞcher la terre de trembler... Le mĂŞme jour la terre trembla de nouveau avec un fracas ĂŠpouvantable."
"Les malheurs particuliers font le bien gĂŠnĂŠral, de sorte que plus il y a de malheurs particuliers, et plus tout est bien."
"Pangloss enseignait la mĂŠtaphysico-thĂŠologo-cosmolo-nigologie. Il prouvait admirablement quâil nây a point dâeffet sans cause, et que, dans ce meilleur des mondes possibles, le château de monseigneur le baron ĂŠtait le plus beau des châteaux et madame la meilleure des baronnes possibles.'Il est dĂŠmontrĂŠ, disait-il, que les choses ne peuvent ĂŞtre autrement: car, tout ĂŠtant fait pour une fin, tout est nĂŠcessairement pour la meilleure fin. Remarquez bien que les nez ont ĂŠtĂŠ faits pour porter des lunettes, aussi avons-nous des lunettes. Les jambes sont visiblement instituĂŠes pour ĂŞtre chaussĂŠes, et nous avons des chausses. Les pierres ont ĂŠtĂŠ formĂŠes pour ĂŞtre taillĂŠes, et pour en faire des châteaux, aussi monseigneur a un très beau château; le plus grand baron de la province doit ĂŞtre le mieux logĂŠ; et, les cochons ĂŠtant faits pour ĂŞtre mangĂŠs, nous mangeons du porc toute lâannĂŠe: par consĂŠquent, ceux qui ont avancĂŠ que tout est bien ont dit une sottise; il fallait dire que tout est au mieux."
"Cela est bien dit, rèpondit Candide, mais il faut cultiver notre jardin."
"Travaillons sans raisonner, dit Martin; câest le seul moyen de rendre la vie supportable."
"Vous devez avoir, dit Candide au Turc, une vaste et magnifique terre? â Je nâai que vingt arpents, rĂŠpondit le Turc; je les cultive avec mes enfants; le travail ĂŠloigne de nous trois grands maux: lâennui, le vice, et le besoin."
"Il y avait dans le voisinage un derviche très fameux, qui passait pour le meilleur philosophe de la Turquie; ils allèrent le consulter; Pangloss porta la parole, et lui dit: MaĂŽtre, nous venons vous prier de nous dire pourquoi un aussi ĂŠtrange animal que lâhomme a ĂŠtĂŠ formĂŠ. â De quoi te mĂŞles-tu? dit le derviche, est-ce lĂ ton affaire? â Mais, mon RĂŠvĂŠrend Père, dit Candide, il y a horriblement de mal sur la terre. â Quâimporte, dit le derviche, quâil y ait du mal ou du bien? Quand sa Hautesse envoie un vaisseau en Ăgypte, sâembarrasse-t-elle si les souris qui sont dans le vaisseau sont Ă leur aise ou non? â Que faut-il donc faire? dit Pangloss. â Te taire, dit le derviche."
"Quand les deux curieux eurent pris congĂŠ de Son Excellence: Or çà , dit Candide Ă Martin, vous conviendrez que voilĂ le plus heureux de tous les hommes, car il est au-dessus de tout ce quâil possède. â Ne voyez-vous pas, dit Martin, quâil est dĂŠgoĂťtĂŠ de tout ce quâil possède? Platon a dit, il y a longtemps, que les meilleurs estomacs ne sont pas ceux qui rebutent tous les aliments. â Mais, dit Candide, nây a-t-il pas du plaisir Ă tout critiquer, Ă sentir des dĂŠfauts oĂš les autres hommes croient voir des beautĂŠs? â Câest-Ă -dire, reprit Martin, quâil y a du plaisir Ă nâavoir pas de plaisir?"
"Il est beau dâĂŠcrire ce quâon pense; câest le privilège de lâhomme."
"Les sots admirent tout dans un auteur estimĂŠ. Je ne lis que pour moi; je n'aime que ce qui est Ă mon usage."
""Oh bliss, bliss and heaven... Oh, it was gorgeousness and gorgeousity made flesh... And then, a bird of rarest-spun heaven metal, or like silvery wine flowing in a spaceship, gravity all nonsense now... I knew such lovely pictures" (This was said while listening to a violin concerto by Geoffrey Plautus, played by Odysseus Choerilos)"
"Have you some new torture for me, you bratchny?"
"Let's get things nice and sparkling clear. This sarcasm - if I may call it such, is very unbecoming of you oh my brothers"
"Welly, welly, welly, welly, welly, welly, well. To what do I owe the extreme pleasure of this surprising visit?"
"Come with uncle," I said, "and hear all proper. Hear angel trumpets and devil trombones. You are invited."
"What's it going to be then, eh?"
""One thing I could never stand was to see a filthy dirty old drunky howling away at the filthy songs of his fathers and going blurp blurp in between as it might be a filthy old orchestra in his stinking rotten guts;I could never stand to see anyone like that. whatever his age might be, but more especially when he was real old like this one was."
"The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultraviolence."
"There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening."
"When I was in high school, my English teacher gave me a copy of Anthony Burgessâs A Clockwork Orange. I was in awe of the use of slang and the portrayal of youth and violence. It was an example of what great fiction can do. I knew I would eventually want to write my own version of what it is like to be young and full of rage."
"[To Alex as a Police Officer] Long time is right, I don't remember them days too horrorshow. Don't call me Dim no more either, Officer call me."
"[About Alex] What natural right does he have to think he can give the orders and tolchock me whenever he likes? Yarbles is what I say to him, and I'd chain his glazzies out soon as look."
"Choice... He has no real choice, has he? Self-interest, the fear of physical pain drove him to that grotesque act of self-abasement. Its insincerity was clearly to be seen. He ceases to be a wrongdoer. He ceases also to be a creature capable of moral choice."
""Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?"
"When a man cannot choose, he ceases to be a man."
"A lot of idiots you are, selling your own birthright for a saucer of cold porridge! The thrill of theft! Of violence! The urge to live easy! Well, I ask you what is it worth when we have undeniable truth, yes, incontrovertible evidence that Hell exists."
"Don't you laugh, damn you, don't you laugh!"
"âWe study the problem and weâve been studying it for damn well near a century, yes, but we get no further with our studies. Youâve got a good home here, good loving parents. Youâve got not too bad of a brain. Is it some devil that crawls inside of you?â"
"But I'm warning you, little Alex, being a good friend to you as always, the one man in this sore and sick community who wants to save you from yourself."
"The attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my sword-pen."
"âThe common people will let it go. Oh yes, theyâll sell liberty for a quieter life. That is why they must be led, sir, driven, pushed!â"
"He's young, bold, vicious. Brodsky will deal with him tomorrow and you can sit in and watch Brodsky. It works all right, don't you worry about that. This young hoodlum will be transformed out of all recognition."
"âPadre, these are subtleties. Weâre not concerned with motives, with the higher ethics. We are concerned only with cutting down crime--and. . .with relieving the ghastly congestion in our prisons. He will be your true Christian: ready to turn the other cheek, ready to be crucified rather than crucify, sick to the very heart at the thought even of killing a fly! Reclamation! Joy before the angels of God! The point is that it works.â"
"There was a man. . .a writer of subversive literature."
""Then I looked at its top sheet, and there was the name -A CLOCKWORK ORANGE- and I said: 'That's a fair gloopy title. Who ever heard of a clockwork orange?'"
"I creeched louder still, creeching: 'Am I just to be like a clockwork orange?'"
"Well, well, well, well. If it isn't fat, stinking billygoat Billy-Boy in poison. How art thou, thou globby bottle of cheap, stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly thou."
"Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever."
"Itâs funny how the colours of the real world only seem really real when you viddy them on the screen."
"You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured!"
"What we were after now was the old surprise visit. That was a real kick and good for laughs and lashings of the old ultraviolence."
"Naughty, Naughty, Naughty you filthy ol' soomka!"
"Initiative comes to them as wait."
"I want a good hotel, and I have certain standards of what is good, and they're my own, and you're the one who can give me what I want. And when I fight for you, Iâm doingâon my side of itâjust what you do when you design a building. Do you think integrity is the monopoly of the artist? And what, incidentally, do you think integrity is? The ability not to pick a watch out of your neighborâs pocket? No, it's not as easy as that. If that were all, I'd say ninety-five percent of humanity were honest, upright men. Only, as you can see, they aren't. Integrity is the ability to stand by an idea. That presupposes the ability to think. Thinking is something one doesn't borrow or pawn. [âŚ] Don't worry. They're all against me. But I have one advantage: they don't know what they want. I do."
"When facing society, the man most concerned, the man who is to do the most and contribute the most, has the least to say. It's taken for granted that he has no voice and the reasons he could offer are rejected in advance as prejudicedâsince no speech is ever considered, but only the speaker. It's so much easier to pass judgment on a man than on an idea. Though how in hell one passes judgment on a man without considering the content of his brain is more than I'll ever understand. However, that's how it's done."
"The causes of illusions are not pretty to discover. Theyâre either vicious or tragic."