People From Oregon

"I imagined in everybody I passed there was some story that they carried with them that would break your heart. So how could you have the temerity to approach that person and say, here's what's wrong with you?"

"In the west, we believe we are the most progressive and socially just, but a lot of that is just a hopeful illusion."

"People understand that elders listen respectfully to everyone. There’s a place at their table for every person. But they know, too, that the elders have consistently been the best people to make important decisions. People are, therefore, comfortable deferring. Their dignity is not compromised, nor do they feel powerless or demeaned, because they are carrying out the decisions of the elders. They know the elders embody the wisdom of their ancestors, that without them they would never have gotten this far…"

"Jüdische Geschichte ist voll von Leiden und schrecklichem Kummer. Aber sie ist auch voll von unermesslicher Freude. Wir ehren das Leiden durch Erinnern. Wir ehren die Freude durch Feiern."

"When an audience gives you love, you can feel it."

"Mimì vergisst nie, die Schönheit im Leben zu sehen."

"She helped me feel like I could take risks with the music, which you’re often told not to do. When you watch her, you see that it makes a difference. From now on, I am not going to be afraid to individualize my performances to the max. I won’t be afraid of liberties, if the score permits them. I know I can do it."

"Ob Sie Adeles "Skyfall" von Megan Marie Hart intonieren, von Kylie Minogue piepsen oder von Tupac Shakur rappen lassen, macht einen Unterschied."

"Unglaublich viel Musik, die wir kennen, ist von jüdischen Künstlern. Sie sind immer da. Es weiß nur niemand, dass sie Juden sind."

"There should be always contemporaneous recorded history. It is my experience that little value attaches to any other evidence, and that confusion results from admitting hearsay testimony. My whole effort has been to weed out worthless authorities and to stamp out prejudices."

"The beautiful and favored region of the Northwest Coast is about to assume a commercial importance which is sure to stimulate inquiry concerning the matters herein treated of. I trust enough is contained between the covers of this book to induce the very curious to come and see."

"Her public monument is the work of her pen in her labors as an historian; her abiding memorial, for all who knew her best, is her strenuous intellect, her singleness of purpose, her transparent affections, and aspiring mind."

"I have found Mrs. Frances Fuller Victor during her arduous labors for a period of ten years in my library, a lady of cultivated mind, of ability and singular application; likewise her physical endurance was remarkable."

"Doesn't a boy forever delight in making a girl cry? Whether it is his sister or cousin or school-fellow, he always has some little feminine victim to vent his mischievous propensities on, with a view to seeing her 'dissolved in tears'; when he adds insult to injury by denominating her a 'cry baby.'"

"Armed? Well, yes; I am. I have a dressing bag, a portfolio and an umbrella. I don't believe I could do much damage with these. Do I look like a Carrie Nation to you?"

"One of the issues with animals that I'm really concerned about is people who get animals as pets and maybe aren't prepared to take care of them and haven't really thought it through. I've seen a lot of people I know who get dogs and they can't handle them two days later … [Fur] is a really easy thing to avoid, you don't need fur and if you want the look of fur, I mean, there’s faux fur. There's just no reason for it. I just make a point of telling people that I don't buy products that are fur … I have a fragrance line and one of the things I really love about is the manufacturer assured me that nothing's tested on animals … I mean, how many years have we been selling cosmetics in this country? We should be able to figure out what we can use on humans safely and what no."

"Poor baby! She'll be a woman some day! Poor baby! A woman's lot is so hard!"

"The young women of today, free to study, to speak, to write, to choose their occupation, should remember that every inch of this freedom was bought for them at a great price. It is for them to show their gratitude by helping onward the reforms of their own times, by spreading the light of freedom and of truth still wider. The debt that each generation owes to the past it must pay to the future."

"I've grown certain that the root of all fear is that we've been forced to deny who we are."

"Even the fear of death is nothing compared to the fear of not having lived authentically and fully."

"Our production system takes abundant grain, which hungry people can't afford, and shrinks it into meat, which better-off people will pay for. But … our production system not only reduces abundance but actually mines the very resources on which our future food security rests."

"Yet many Americans who have reluctantly given up their gas-guzzling cars would never think of questioning the resource costs of their grain-fed-meat diet. So let me try to give you some sense of the enormity of the resources flowing into livestock production in the United States. The consequences of a grain-fed-meat diet may be as severe as those of a nation of Cadillac drivers."

"For every 16 pounds of grain and soy fed to beef cattle in the United States we only get 1 pound back in meat on our plates. The other 15 pounds are inaccessible to us, either used by the animal to produce energy or to make some part of its own body that we do not eat (like hair or bones) or excreted."

"We got hooked on grain-fed meat just as we got hooked on gas-guzzling automobiles. Big cars “made sense” only when oil was cheap; grain-fed meat “makes sense” only because the true costs of producing it are not counted."

"In exporting the Great American Steak Religion we are exporting a desire for the impossible. The earth could never provide the majority of its people with the grain-fed-meat-centered diet that Americans take for granted."

"Frances Moore Lappé argues rightly that we should all work to eliminate hunger and protect the environment and that one important step we can each take is to become a vegetarian. … Frances Moore Lappé helped me to make the connection between justice, solidarity, and the life of nonviolence, and I quickly became a vegetarian."

"Mel thought real love was nothing less than spiritual love. He'd said he'd spent five years in a seminary before quitting to go to medical school. He said he still looked back on those years in the seminary as the most important years of his life."

"How compelling is the voice in the story at hand? That's another test of mine. Like most readers, I turn away from a whine or from the overly self-involved. I don't waste time on smart alecks either. There has to be something at stake, something important working itself out from sentence to sentence."

"I like to mess around with my stories. I'd rather tinker with a story after writing it, and then tinker some more, changing this, changing that, than have to write the story in the first place. That initial writing just seems to me the hard place I have to get to in order to go on and have fun with the story. Rewriting for me is not a chore—it's something I like to do. [...] I do know that revising the work once it's done is something that comes naturally to me and is something I take pleasure in doing. Maybe I revise because it gradually takes me into the heart of what the story is about. I have to keep trying to see if I can find that out. It's a process more than a fixed position."

"I don't know how Gardner might have been with other students when it came time to have conferences with them about their work. I suspect he gave everybody a good amount of attention. But it was and still is my impression that during that period he took my stories more seriously, read them closer and more carefully, than I had any right to expect. I was completely unprepared for the kind of criticism I received from him. Before our conference he would have marked up my story, crossing out unacceptable sentences, phrases, individual words, even some of the punctuation; and he gave me to understand that these deletions were not negotiable. In other cases he would bracket sentences, phrases, or individual words, and these were items we'd talk about, these cases were negotiable. And he wouldn't hesitate to add something to what I'd written—a word here and there, or else a few words, maybe a sentence that would make clear what I was trying to say. We'd discuss commas in my story as if nothing else in the world mattered more at that moment—and, indeed, it did not. He was always looking to find something to praise. When there was a sentence, a line of dialogue, or a narrative passage that he liked, something that he thought "worked" and moved the story along in some pleasant or unexpected way, he'd write "Nice" in the margin, or else "Good!" And seeing these comments, my heart would lift. It was close, line-by-line criticism he was giving me, and the reasons behind the criticism, why something ought to be this way instead of that; and it was invaluable to me in my development as a writer. After this kind of detailed talk about the text, we'd talk about the larger concerns of the story, the "problem" it was trying to throw light on, the conflict it was trying to grapple with, and how the story might or might not fit into the grand scheme of story writing. It was his conviction that if the words in the story were blurred because of the author's insensitivity, carelessness, or sentimentality, then the story suffered a tremendous handicap. But there was something even worse and something that must be avoided at all costs: if the words and the sentiment were dishonest, the author was faking it, writing about things he didn't care about or believe in, then nobody could ever care anything about it. A writer's value and craft. This is what the man taught and what he stood for, and this is what I've kept by me in the years since that brief but all-important time."

"John Gardner would take one of my early efforts at a story and go over it with me. I remember him as being very patient, wanting me to understand what he was trying to show me, telling me over and over how important it was to have the right words saying what I wanted them to say. Nothing vague or blurred, no smoked-glass prose. And he kept drumming at me the importance of using—I don't know how else to say it—common language, the language of normal discourse, the language we speak to each other in. [...] All I know is that the advice he was handing out in those days was just what I needed at that time. He was a wonderful teacher. It was a great thing to have happen to me at that period of my life, to have someone who took me seriously enough to sit down and go over a manuscript with me. I knew something crucial was happening to me, something that mattered. He helped me to see how important it was to say exactly what I wanted to say and nothing else; not to use "literary" words or "pseudo-poetic" language. He taught me to use contractions in my writing. He helped show me how to say what I wanted to say and to use the minimum number of words to do so. He made me see that absolutely everything was important in a short story. It was of consequence where the commas and periods went."

"Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they can best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason—if the words are in any way blurred—the reader's eyes will slide right over them and nothing will be achieved. The reader's own artistic sense will simply not be engaged. Henry James called this sort of hapless writing "weak specification"."

"It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine—the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me."

"Drinking’s funny. When I look back on it, all of our important decisions have been figured out when we were drinking. Even when we talked about having to cut back on drinking, we’d be sitting at the kitchen table or out at the picnic table with a six-pack or whiskey."

"“My heart is broken,” she goes. “It’s turned to a piece of stone. I’m no good. That’s what’s as bad as anything, that I’m no good anymore.”"

"A man can go along obeying all the rules and then it don’t matter a damn anymore."

"“All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.”"

"“Something’s died in me,” she goes. “It took a long time for it to do it, but it’s dead. You’ve killed something, just like you’d took an axe to it. Everything is dirt now.""

"There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me."

"HR professionals help turn aspirations into actions by focusing on three things:"

"Dave Ulrich studies how organizations build capabilities of leadership, speed, learning, accountability, and talent through leveraging human resources. He has helped generate award winning data bases that assess alignment between strategies, organization capabilities, HR practices, HR competencies, and customer and investor results."

"The best learners are also teachers."

"Nowadays, HR professionals play three roles: • Storyteller • Strategy interpreter • Strategic facilitator"

"Competencies can be communicated — and therefore can be taught and learned."

"The responsibility for leaders developing results-based leaders is shared. Current leaders who are senior managers have the ultimate challenge of preparing a next generation of leaders, every one of whom should be more capable than themselves."

"Future leaders will be less concerned with saying what they will deliver and more concerned with delivering what they have said they would."

"I am a long-time admirer (and think myself a friend) of Israel. In the early 1970s, I played a key role in getting advanced weaponry released to the Israeli Air Force - capabilities it later put to active use. During that period, I made many official visits to Israel and established close relationships there. These contacts turned out to be useful during Operation Desert Storm, when, as chief of staff of the U.S. Air Force, I worked with my Israeli counterparts to help defend Israel from Iraqi Scud missile attacks."

"Trump is unexpectedly increasing my enthusiasm for Hillary. What he is saying is not based on facts: it's based on immaturity, bad judgment and ignorance, and I think it's going to be hard for people in uniform who are thoughtful about this, to vote for him."

"As for the article, much has changed in 32 years and much has not. The essential argument holds: no set of realistically achievable geographic borders produces safety for Israel. Rather, the security requirement is that any of the territory taken in the Six-Day War and given back as part of a peace settlement should be effectively demilitarized. Of course, the Sinai Peninsula was returned to Egypt long ago in exactly this way, resulting in relative quiet along Israel's southern border and creating a fundamental shift in the regional balance of forces. This opportunity was not skillfully exploited, so the result has been a "cold peace." But it is nevertheless peace and has served the interests of both sides."

"It is my view and hope that Israel will have our continued support. I wish it every success. Of course, what Israel regards as success is up to it to decide. But for friends like me, "success" means a secure Israel at peace with neighbors who recognize and respect its existence. Even so, we should maintain our special relationship and help Israel keep its qualitative military edge."