"[I would like to be] one of [the first pop singers to perform in a free Cuba]. I know the list is huge. And it would be hard to pull off -- I'd have a lump as big as a tostone [fried green plantain] in my throat. But oh my God, what a dream -- it would be the height of my personal and professional career."

"[She was the first pop singer to perform for a Pope.] And a woman at that. Apparently Pope John Paul II and his boys -- is that what you call them? -- loved one of my songs and thought I was putting spiritual messages in my music. I'm not religious as such. Dogma and I don't get along. They knew all that, but the Pope was celebrating 50 years as a priest, and he asked for me. Quite an audience -- bishops, cardinals, a handful of nuns -- and me, covered from neck to ankles."

"I cannot imagine a world without music. It would be . . . well, I cannot imagine it."

"The last thing I wanted to do was put politics into my music . . . because music was my escape."

"We do have the power to save one another . . ."

""Get on Your Feet" is really my motto. I look always forward. I look ahead. That's why I choose to record that song, because I really love the message."

"When you sing in English and Spanish, it's two completely different forms of expression and . . . even the people who don't speak Spanish love to hear me sing in Spanish."

"'Live for Loving You' is a kind of song that really can live in many different genres. And, of course, when you do your live performances the first time that you perform a song you want to stay true to the record: because that's what people want to hear, they want to hear the hit. But then after you have done it fifty thousand times and through many, many different tours, you start experimenting and doing stuff to surprise people. So, the cut that we are doing here for the "iTunes Original" is something that we love to do -- because we just took it and really broke it down to a Samba. You know, the Brazilians have an amazing edge -- percussively, I think -- they have amazing rhythms. And this song really fit that rhythm very nicely. So, we wanted to do it acoustically and really cool -- and like we've done many times on tour. Just break it down to just acoustic, no synths and things of that nature: just make it organic. And I love that song for that reason: because you could perform it with just a couple of bongos and some vocals if you had to. And it would still work."

"For the rest of my life, the one song that people will remember -- regardless -- is "Conga" . . . I never get tired of singing it. It never gets old for me."

"The phenomenal Celia Cruz [is missing]. But although she couldn't be here physically [Cruz died in 2003], I felt her presence throughout the entire recording of the album. It's still impossible for me to feel like Celia's gone, simply because she is still so alive to me through her music and the friendship we shared for so many years. There were moments during this recording that felt to me like she was directing me to a degree or giving me ideas for where to go with the song."

"The 2004 tour hasn't ended. I still have to finish Latin America and Europe. [Celia Cruz and I] were good friends. Emilio did her first video; we wrote a song for her. I would have loved to have had her there [when recording "90 Millas"]. But she was there. I felt her. That's the beauty of a legacy. Celia was economical and tasty in her choices. And in the pocket like you wouldn't believe? [Which means] It's like a rhythm, from son music. To have it it is to be locked in, like a tuned engine. Once you're in the pocket, you're free. That's why, for most of these songs, I sang and I sang until I had the emotion, then . . . one take. {Couldn't you be considered the heiress to Celia Cruz?] you can't give yourself a title! That's crazy! If I ever start talking like that, please put me out of my misery. I don't care if I'm 80, with my butt to my ankles, put me down."

"This blend of musicians on '90 Millas' is historically significant on a number of levels. This is the first and quite possibly the last time that all of these legendary artists will play together on one CD."

"What I wanted to be on this album ["90 Millas"] is me, with everything I have experienced so far."

"What we didn't want to do [with "90 Millas] was "Mi Tierra, Part 2," because that album was so special. Yes, we wanted to do a Cuban album, but didn't know exactly in what vein. And, as it grew, it grew into a more modern thing. It was if we had continued to bring this music along with the years."

"[Luciano Pavarotti's] brilliance in music will live in our hearts forever. His spirit as a humanitarian surpasses even that. It is truly the end of a musical era. I am honored to have had the opportunity to know him and perform with him"

"I'm in great shape considering I have hardware in my back. I work out constantly to keep my muscles limber and my abs strong so they can take the burnt of everything."

"In every interview I've done since the beginning, [I'm asked] 'How do you feel about opening doors?' And I always say, 'There are two men who opened the doors for all of us, and they were Feliciano and Santana."

"Always. Difficulties happen and you get through them. When I say "no llores," it doesn't just mean literally crying; it means looking at the bad things in your life rather than the positive. I always think of Celia Cruz as an inspiration. So many times I saw her backstage and her knee was killing her and I had to help her up the steps, but she would step on that stage and nobody knew that she was hurting."

"We wanted to show the influence Cuban music has had on musicians from all over, so we invited 25 of the top Latin musicians in the world, and it was a great honor they paid me. Some of them are actually inventors, like Cachao, the Cuban bassist credited with creating mambo."

"My father rarely spoke of life before [he left Cuba]. About prison, he just said, "That man is a genius at PR." Castro would come to the jail in the middle of the night and ask the prisoners, "What are you doing here? Don't you see we're trying to do the right thing?" The reason I'm not more political is because I have music. And from a young age, I needed it. After prison, my father came to America, joined the Army, fought in Vietnam -- and was exposed to Agent Orange. He died a slow, horrible death. Music was my escape."

"If you say "90 miles" to any Cuban, they'll know exactly what it means. It's the stretch of water between Key West, which is the southernmost tip of the continental United States, and Cuba. And for any Cuban who cannot go back, it represents not just a physical distance, but a spiritual one. That's why in most of the songs there is the word "distancia." The idea was to take the nostalgia and the sounds that we started with on "Mi tierra,' which was meant to sound like it was made in a past era, and do the opposite. We moved forward to 2007, with the technological equipment we have today, and gave it a very vibrant sound."