Non Fiction Authors From Austria

"The logical axioms are the principle of all truth. These posit an existence towards which all cognition serves. Logic is a law which must be obeyed, and man realises himself only in so far as he is logical. He finds himself in cognition. All error must be felt to be crime. And so man must not err. He must find the truth."

"A man is first reverent about himself, and self-respect is the first stage in reverence for all things."

"A man is himself important precisely in proportion that all things seem important to him."

"The deepest, the intelligible, part of the nature of man is that part which does not take refuge in causality, but which chooses in freedom the good or the bad."

"The great genius does not let his work be determined by the concrete finite conditions that surround him, whilst it is from these that the work of the statesman takes its direction and its termination. … It is the genius in reality and not the other who is the creator of history, for it is only the genius who is outside and unconditioned by history."

"With ordinary men the moments which are united in a close continuity out of the original discrete multiplicity are very few, and the course of their lives resembles a little brook, whereas with the genius it is more like a mighty river into which all the little rivulets flow from afar; that is to say, the universal comprehension of genius vibrates to no experience in which all the individual moments have not been gathered up and stored."

"There is, moreover, very little sense in preventing young people from giving expression to their ideas on the pretext that they have less experience than have older persons. There are many who may live a thousand years without encountering experience of any value. It could only be in a society of persons equally gifted that such an idea could have any meaning."

"As the mental endowment of a man varies with the organisation of his accumulated experiences, the better endowed he is, the more readily will he be able to remember his whole past, everything that he has ever thought or heard, seen or done, perceived or felt, the more completely in fact will he be able to reproduce his whole life. Universal remembrance of all its experiences, therefore, is the surest, most general, and most easily proved mark of a genius."

"Woman, in short, has an unconscious life, man a conscious life, and the genius the most conscious life."

"If it really were the case, as popular opinion has tried to establish, that the genius were separated from ordinary men by a thick wall through which no sound could penetrate, then all understanding of the efforts of genius would be denied to ordinary men, and their works would fail to make any impression on them. All hopes of progress depend on this being untrue. And it is untrue. The difference between men of genius and the others is quantitative not qualitative, of degree not of kind."

"In the case of complex personalities the matter stands thus: one of these can understand other men better than they can understand themselves, because within himself he has not only the character he is grasping, but also its opposite. Duality is necessary for observation and comprehension."

"In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men."

"Colour-blindness always extends to the complementary colours. Those who are red blind are also green blind; those who are blind to blue have no consciousness of yellow. This law holds good for all mental phenomena; it is a fundamental condition of consciousness."

"Great men take themselves and the world too seriously to become what is called merely intellectual. Men who are merely intellectual are insincere; they are people who have never really been deeply engrossed by things and who do not feel an overpowering desire for production. All that they care about is that their work should glitter and sparkle like a well-cut stone, not that it should illuminate anything. They are more occupied with what will be said of what they think than by the thoughts themselves."

"There are men who are willing to marry a woman they do not care about merely because she is admired by other men. Such a relation exists between many men and their thoughts."

"In order to depict a man one must understand him, and to understand him one must be like him; in order to portray his psychological activities one must be able to reproduce them in oneself. To understand a man one must have his nature in oneself."

"Genius declares itself to be a kind of higher masculinity."

"Man must act in such a way that the whole of his individuality lies in each moment."

"The highest expression of all morality is: Be!"

"Most of the time man does not do what he wills, but what he has willed. Through his decisions, he always gives himself only a certain direction, in which he then moves until the next moment of reflection. We do not will continuously, we only will intermittently, piece by piece. We thus save ourselves from willing: principle of the economy of the will. But the higher man always experiences this as thoroughly immoral."

"People should also not want to determine themselves causally in such a way: I will now … become good once and for all, and do good by nature, because I could not then do anything else. For through this one denies the freedom which can in each moment negate all the past. … One makes himself into an object when one establishes causality in that way; for a morality to which I have been compelled is already not a morality."

"Idiocy: crudeness’ intellectual equivalent."

"If man were not free, then he could not conceive of causality at all, and could not form any concept of it. Insight into lawfulness is already freedom from it."

"In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men [Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher]. Every great man has such periods, of longer or shorter duration, times in which he loses self-confidence, … times in which, indeed, he may be sowing the seeds of a future harvest, but which are devoid of the stimulus to production."

"So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him."

"No two moments in the life of an individual are exactly alike; there is between the later and the earlier periods only the similarity of the higher and lower parts of a spiral ascent."

"The number of different aspects that the face of a man has assumed may be taken almost as a physiognomical measure of his … genius."

"Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime."

"That is why man can also never understand himself: For he is himself a timeless act; an act which he performs continuously, and there is no moment in which he might not perform it, as there would have to be to understand himself."

"Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. … The theory of special genius, according to which for instance, it is supposed that a musical genius should be a fool at other subjects, confuses genius with talent. … There are many kinds of talent, but only one kind of genius, and that is able to choose any kind of talent and master it."

"To understand a man is really to be that man."

"The psychical condition of men’s minds may be compared with a set of bells close together, and so arranged that in the ordinary man a bell rings only when one beside it sounds, and the vibration lasts only a moment. In the genius, when a bell sounds it vibrates so strongly that it sets in action the whole series, and remains in action throughout life. The latter kind of movement often gives rise to extraordinary conditions and absurd impulses, that may last for weeks together and that form the basis of the supposed kinship of genius with insanity."

"Psychologism is the most comfortable conception of life, because according to it there are no longer any more problems. That is why it also condemns all solutions from the outset, since it acknowledges the actual problems as little as the idea of truth."

"No one can understand himself, for to do that he would have to get outside himself; the subject of the knowing and willing activity would have to become its own object."

"Writing without making mistakes is like vomiting hot air."

"For me,the Bild-Dichtung[image-poem] is the ideal form,because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing,the effort has a balancing effect. Drawing and writing are wonderful complements."

"Poetry is when words are robbed of their attributed truth."

"In fact,my art generally nauseated me. Often,when I wanted to set down a poem on an uncontaminated piece of paper,I′d start feeling sick and I did actually throw up in front of many drawings. I tremble all over in front of each picture-poem and before every action I would swallow a jar of pressed vine vermin. Time and again I strove for a kind of non-art,and time and again I failed,like a chimpanzee wanting to throw away a banana without peeling it. My disgust at producing art naturally atracted collectors,and ocassionaly photographers."

"Art is created in a state of delirium. Anyting else is the restoration of monuments. Collectors are artist that do not have a home. they have to make one for themselves."

"My picture-poems are linguistic margins on visual atolls."

"In a certain sense,I never left Actionism as I understood it to this very day. Today,I work in “sittings” that are very similar to the course of the actions. Only the stage has changed on which the presentation takes place."

"Art is gushing hot bile on the fields and harvesting the looks of nasty dwarfs."

"In simple terms: art has not been a public nuisance for quite a while now. either the people have become well-behaved or the perpetrators of nuisances have become tired."

"The seven dwarfs were devastated when an eighth joined them one morning before they went to work. He went straight into their house,took little plates and cutlery out of his waistcoat,grabbed the mining tools and was the first dwarf to set off for work. Caught off-guard by his cheeky but honest manner,the others followed,angry because he was showing them the way along the path they took every day and surprised when they found he had turned into dark grotto into a glass palace with Snow White hewn in gold. For these established prospectors it was terrible to behold the intruder appropriating for himself the right to mine the virgin goldmine."

"The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space."

"Self-painting is a further development of the art of painting. The surface of an image has lost its function as the sole means of conveying expression. It was taken back to its roots,to the wall,to the object,to the living being,to the human body. By using my body as a means of conveying expression,the result created is a happening captured by a camera as it progresses,and an experience which viewers can share."

"Pure painting or the art of drawing whose point of departure is based on purely formal criteria is,in my opinion, passé. I do not reject it if other artists make attempts,but as far as I am concerned,this is what I believe. if I do not place a text next to my drawings,I consider the work on such programmes to be futile."

"I want to cover all areas that can be depicted visually. This ranges from fairytales to attempts to enter the abstract and view oneself as a social outcast or someone struggling to stay alive."

"The pencil-stroke is like cutting into the heart."

"“Ritual” might be an acceptable term, if shorn of its overtly religious connotations.For me,breaking taboos became nothing less than a stylistic means. I allowed my body, my self, to be pushed into such extreme situations that certain norms of social behaviour could only appear utterly absurd to me."