Journalists From France

"L'injustice…est une mère qui n'est jamais sterile, et qui produit des enfants dignes d'elle."

"On “the phenomenon of grace”. “For the soul arrives therebye at a certain fixed and invincible state, a state which is genuinely heroic, and from out of which the greatest deeds it ever performs are executed”."

"Le plus souvent nous ne jugeons pas les autres, mais nous jugeons nos propres facultés dans les autres."

"Le silence seul est le souverain mépris."

"He had imperfections, prejudices, limitations, but when we have recognised them all, he remains the greatest literary critic that the world has seen."

"A philosophical thought has probably not attained all its sharpness and all its illumination until it is expressed in French"

"Le désespoir lui-même, pour peu qu'il se prolonge, devient une sorte d'asile dans lequel on peut s'asseoir et reposer."

"Gardons-nous de l'ironie en jugeant. De toutes les dispositions de l'esprit, l'ironie est la moins intelligente."

"Puisqu'il faut avoir des ennemis, tâchons d'en avoir qui nous fassent honneur."

"Renouveler les choses connues, vulgariser les choses neuves: un bon programme pour un critique."

"The nearest approach to the infallible in literary judgment is represented in the colossal work of the teacher of all these three [Edmund Gosse, Edward Dowden and George Saintsbury], the greatest critic that ever lived – not an Englishman, but a Frenchman, the wonderful Sainte-Beuve."

"Rien n'est plus capable d'inspirer du courage à une femme que l'intrépidité d'un homme qu'elle aime."

"Un cœur de père est le chef-d'œuvre de la nature."

"Il n'y a que l'expérience ou l'exemple qui puisse déterminer raisonnablement le penchant du cœur. Or l'expérience n'est point un avantage qu'il soit libre à tout le monde de se donner; elle dépend des situations différentes où l'on se trouve placé par la fortune. Il ne reste donc que l'exemple qui puisse servir de règle à quantité de personnes dans l'exercice de la vertu."

"C'est un fonds excellent de revenu pour les petits, que la sottise des riches et des grands."

"Rien n'est plus admirable et ne fait plus d'honneur à la vertu, que la confiance avec laquelle on s'adresse aux personnes dont on connaît parfaitement la probité."

"On ne peut réfléchir sur les precepts de la morale sans être étonné de les voir tout à la fois estimés et négligés; et l'on se demande la raison de cette bizarrerie du cœur humain, qui lui fait goûter des idées de bien et de perfection dont il s'éloigne dans la pratique."

"Crois-tu qu'on puisse être bien tendre lorsqu'on manque de pain?"

"J'ai à peindre…un caractère ambigu, un mélange de vertus et de vices, un contraste perpétuel de bons sentiments et d'actions mauvaises."

"Combien trouve-t-on de déserteurs de la sévère vertu et combien en trouvez-vous peu de l'amour?"

"Il faut compter ses richesses par les moyens qu'on a de satisfaire ses désirs."

"The city, that monster with a hundred mouths and a thousand ears, a monster that knows nothing but says everything, had written me off."

"In a later press conference, Raël recommends that the age of consent be lowered from 18 to 16, but nowhere does he recommend sex between children and adults. Journalists, nevertheless, insist that he "preaches pedophilia." The journalist Bisaillon is so short of incriminating evidence against Rael that he actually cites an autobiographical passage where Rael recounts his discovery of masturbation at the tender age of nine - as proof that Rael advocates pedophilia, since he was "molesting" himself as a child!"

"The Raelian Movement is an atheistic religion that perfectly merges science and spirituality, and it includes many female priests. Men and women must rise above their previous cultural conditioning and look to the future with a new awareness encompassing beauty and femininity."

"This is a very good recommendation. Nothing can stop young people from enjoying sex. Criminalizing something natural is a crime."

"L'arbre de la liberté ne croit qu'arrosé par le sang des tyrans."

"II n'ya que les morts qui ne reviennent pas."

"Let us try to see things from their better side: You complain about seeing thorny rose bushes; Me, I rejoice and give thanks to the gods That thorns have roses."

"Plus ça change, plus c'est la même chose."

"Si l'on veut abolir la peine de mort en ce cas, que MM. les assassins commencent: qu'ils ne tuent pas, on ne les tuera pas."

"I rode together with Einstein on one of the trips back from Caput to Berlin, and he asked me to join him for an appointment with Henri Barbusse, the French novelist of socialist fame and the author of Le Feu (Under Fire), a powerful denunciation of war; until then, Einstein was known as a pacifist. Barbusse was returning to France after having spent time in Moscow. The conversation was in French, a language I had not studied. On the way back, Einstein complained that Barbusse had no understanding of what was transpiring in the Soviet Union; Barbusse soon thereafter published a book on Stalin. I would in a few years' time come to live under Stalin and observed firsthand what had disturbed Einstein."

"The only good war book to come out during the last war was Under Fire by Henri Barbusse. He was the first to show us, the boys who went from school or college to the last war, that you could protest in anything besides poetry, the gigantic useless slaughter and lack of even elemental intelligence in generalship that characterized the Allied conduct of that war from 1915 to 1917."

"At Paris Novelist Henri Barbusse, winner of the Prix Goncourt with his pen and the Croix de Guerre with his sword, occupies a position unique and anomalous. He is always bringing some unpleasant fact to light, and his genius is always just sufficient to make the expose nauseatingly unforgettable. With such a man what is to be done?"

"We shall be hearing and reading of this war for decades to come. No one of us can yet guess who will be its Tolstoys, its Barbusses, its Remarques and its Hemingways."

"The soldiers who faced one another along the Western Front were drawn from remarkably similar societies. On both sides there were industrial workers and farm labourers. On both sides there were aristocratic senior officers and middle-class junior officers. On both sides there were Catholics, Protestants and Jews. Anyone seeking fundamental differences of national character will look in vain in the records of the trenches. There could be no better illustration of this point than four of the finest novels written about the war by former soldiers - Henri Barbusse's Under Fire, Erich Maria Remarque's All Quiet on the Western Front, Frederic Manning's Middle Parts of Fortune and Emilio Lussu's Sardinian Brigade - which depict the experience of service in the ranks in almost interchangeable ways. All the authors, for example, make much more of the differences within their respective armies than the differences between the opposing armies themselves. 'What race are we?' asks Barbusse of his fellow poilus. 'All races. We've come from everywhere.' One man in his company is from Calonne, another from Cette, a third from Brittany, a fourth from Normandy, a fifth from Poitou, and so on."

"To understand life, and love it to its depths in a living being, that is the being's task, and that his masterpiece; and each of us can hardly occupy his time so greatly as with one other; we have only one true neighbor down here."

"To live is to be happy to live. The usefulness of life — ah! its expansion has not the mystic shapes we vainly dreamed of when we were paralyzed by youth. Rather has it a shape of anxiety, of shuddering, of pain and glory. Our heart is not made for the abstract formula of happiness, since the truth of things is not made for it either. It beats for emotion and not for peace. Such is the gravity of the truth."

""You've done well to say all that! Yes, it is always easy to lie for a moment. You might have lied, but it would have been worse when we woke up from the lies. It's a reward to talk. Perhaps it's the only reward there is." She said that profoundly, right to the bottom of my heart."

"It is simply the truth which has come to our aid. It is truth which has given us life. Affection is the greatest of human feelings because it is made of respect, of lucidity, and light. To understand the truth and make one's self equal to it is everything; and to love is the same thing as to know and to understand. Affection, which I call also compassion, because I see no difference between them, dominates everything by reason of its clear sight. It is a sentiment as immense as if it were mad, and yet it is wise, and of human things it is the only perfect one. There is no great sentiment which is not completely held on the arms of compassion."

"It seems to me that truth has taken its place again in our little room, and become incarnate; that the greatest bond which can bind two beings together is being confessed, the great bond we did not know of, though it is the whole of salvation: "Before, I loved you for my own sake; to-day, I love you for yours.""

"When you look straight on, you end by seeing the immense event — death. There is only one thing which really gives the meaning of our whole life, and that is our death. In that terrible light may they judge their hearts who will one day die. Well I know that Marie's death would be the same thing in my heart as my own, and it seems to me also that only within her of all the world does my own likeness wholly live. We are not afraid of the too great sincerity which goes the length of these things; and we talk about them, beside the bed which awaits the inevitable hour when we shall not awake in it again. We say: — "There'll be a day when I shall begin something that I shan't finish — a walk, or a letter, or a sentence, or a dream."."

"Only the idolatrous and the weak have need of illusion as of a remedy. The rest only need see and speak. She smiles, vague as an angel, hovering in the purity of the evening between light and darkness. I am so near to her that I must kneel to be nearer still. I kiss her wet face and soft lips, holding her hand in both of mine. Yes, there is a Divinity, one from which we must never turn aside for the guidance of our huge inward life and of the share we have as well in the life of all men. It is called the truth."

"What is there within us to-night? What is this sound of wings? Are our eyes opening as fast as night falls? Formerly, we had the sensual lovers' animal dread of nothingness; but to-day, the simplest and richest proof of our love is that the supreme meaning of death to us is — leaving each other. And the bond of the flesh — neither are we afraid to think and speak of that, saying that we were so joined together that we knew each other completely, that our bodies have searched each other. This memory, this brand in the flesh, has its profound value; and the preference which reciprocally graces two beings like ourselves is made of all that they have and all that they had. I stand up in front of Marie — already almost a convert — and I tremble and totter, so much is my heart my master: — "Truth is more beautiful than dreams, you see.""

"When I have spoken thus, we are no longer the same, for there are no more lies."

"Against the window's still pallid sky I see her hair, silvered with a moonlike sheen, and her night-veiled face. Closely I look at the share of sublimity which she bears on it, and I reflect that I am infinitely attached to this woman, that it is not true to say she is of less moment to me because desire no longer throws me on her as it used to do. Is it habit? No, not only that. Everywhere habit exerts its gentle strength, perhaps between us two also. But there is more. There is not only the narrowness of rooms to bring us together. There is more, there is more! So I say to her: "There's you." "Me?" she says. "I'm nothing." "Yes, you are everything, you're everything to me.""

"All my strength has come back to me. I am no longer wounded or ill. I carry her in my arms. It is difficult work to carry in your arms a being equal to yourself. Strong as you may be, you hardly suffice for it. And what I say as I look at her and see her, I say because I am strong and not because I am weak: "You're everything for me because you are you, and I love all of you.""

"By what right does carnal love say, "I am your hearts and minds as well, and we are indissoluble, and I sweep all along with my strokes of glory and defeat; I am Love!"? It is not true, it is not true. Only by violence does it seize the whole of thought; and the poets and lovers, equally ignorant and dazzled, dress it up in a grandeur and profundity which it has not. The heart is strong and beautiful, but it is mad and it is a liar. Moist lips in transfigured faces murmur, "It's grand to be mad!" No, you do not elevate aberration into an ideal, and illusion is always a stain, whatever the name you lend it."

"Two sensuous lovers are not two friends. Much rather are they two enemies, closely attached to each other. I know it, I know it! There are perfect couples, no doubt — perfection always exists somewhere — but I mean us others, all of us, the ordinary people! I know! — the human being's real quality, the delicate lights and shadows of human dreams, the sweet and complicated mystery of personalities, sensuous lovers deride them, both of them! They are two egoists, falling fiercely on each other. Together they sacrifice themselves, utterly in a flash of pleasure."

"You are a living creature, you are a human being, you are the infinity that man is, and all that you are unites me to you. Your suffering of just now, your regret for the ruins of youth and the ghosts of caresses, all of it unites me to you, for I feel them, I share them. Such as you are and such as I am. I can say to you at last, "I love you." I love you, you who now appearing truly to me, you who truly duplicate my life. We have nothing to turn aside from us to be together. All your thoughts, all your likes, your ideas and your preferences have a place which I feel within me, and I see that they are right even if my own are not like them (for each one's freedom is part of his value), and I have a feeling that I am telling you a lie whenever I do not speak to you. I am only going on with my thought when I say aloud: "I would give my life for you, and I forgive you beforehand for everything you might ever do to make yourself happy."."

"This hunger for novelty — which makes sensuous love equally changeful and rapacious, which makes us seek the same emotion in other bodies which we cast off as fast as they fall — turns life into an infernal succession of disenchantments, spites and scorn; and it is chiefly that hunger for novelty which leaves us a prey to unrealizable hope and irrevocable regret. Those lovers who persist in remaining together execute themselves; the name of their common death, which at first was Absence, becomes Presence."