Editors From The United States

"I feel that I descended from Walt Whitman and Nathaniel Hawthorne and Virginia Woolf, and then a Chinese man told me how much Tripmaster Monkey reminded him of the Dream of the Red Chamber-and so they showed me that I have my roots in Chinese writing. I think that's good, that's very nice, to have roots that spread all over the world."

"Hawthorne's career was probably as tranquil and uneventful a one as ever fell to the lot of a man of letters; it was almost strikingly deficient in incident, in what may be called the dramatic quality. Few men of equal genius and of equal eminence can have led on the whole a simpler life... He produced, in quantity, but little. His works consist of four novels and the fragment of another, five volumes of short tales, a collection of sketches, and a couple of story-books for children. And yet some account of the man and the writer is well worth giving. Whatever may have been Hawthorne's private lot, he has the importance of being the most beautiful and most eminent representative of a literature. The importance of the literature may be questioned, but at any rate, in the field of letters, Hawthorne is the most valuable example of the American genius."

"I am always so dazzled and bewildered with the richness, the depth, the … jewels of beauty in his productions that I am always looking forward to a second reading where I can ponder and muse and fully take in the miraculous wealth of thoughts."

"Native American literature should be important to Americans not as a curio, an artifact of the American past that has little pertinence to an American present or future, but rather as a major tradition that informs American writers ranging from Cotton Mather and Nathaniel Hawthorne through Walt Whitman, William Carlos Williams, and William Faulkner to Adrienne Rich, Toni Cade Bambara, and Judy Grahn."

"Long ago Hawthorne called our attention to the fact that philanthropy ruins, or is fearfully apt to ruin, the heart, “the rich juices of which God never meant should be pressed violently out, and distilled into alcoholic liquor by an unnatural process; but it should render life sweet, bland and gently beneficent.”"

"Happiness is like a butterfly: the more you chase it, the more it will elude you, but if you turn your attention to other things, it comes and sits softly on your shoulder."

"Religion and art spring from the same root and are close kin. Economics and art are strangers."

"All brave men love; for he only is brave who has affections to fight for, whether in the daily battle of life, or in physical contests."

"Accuracy is the twin brother of honesty; inaccuracy, of dishonesty."

"Easy reading is damn hard writing."

"Nobody, I think, ought to read poetry, or look at pictures or statues, who cannot find a great deal more in them than the poet or artist has actually expressed."

"What a sweet reverence is that, when a young man deems his mistress a little more than mortal, and almost chides himself for longing to bring her close to his heart."

"When we have once known Rome, and left her […], we are astonished by the discovery, by-and-by, that our heartstrings have mysteriously attached themselves to the Eternal City, and are drawing us thitherward again, as if it were more familiar, more ultimately our home, than even the spot where we were born."

"Christian faith is a grand cathedral, with divinely pictured windows. Standing without, you see no glory, nor can possibly imagine any; standing within, every ray of light reveals a harmony of unspeakable splendors."

"We do ourselves wrong, and too meanly estimate the Holiness above us, when we deem that any act or enjoyment, good in itself, is not good to do religiously."

"It is a suggestive idea to track those worn feet backward through all the paths they have trodden ever since they were the tender and rosy little feet of a baby, and (cold as they now are) were kept warm in his mother's hand."

"Nobody has any conscience about adding to the improbabilities of a marvelous tale."

"No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow."

"It is because the spirit is inestimable that the lifeless body is so little valued."

"Hollingworth's more than brotherly attendance gave me inexpressible comfort. Most men - and certainly I could not always claim to be one of the exceptions - have a natural indifference, if not an absolute hostile feeling, towards those whose disease, or weakness, or calamity of any kind causes to falter or faint among the rude jostle of our existence. The education of Christianity, it is true, the sympathy of a like experience and the example of women, may soften and, possibly, subvert this ugly characteristic of our sex; but it is originally there, and has likewise its analogy in the practice of our brute brethren, who hunt the sick and disabled member of the herd from among them, as an enemy. It is for this reason that the stricken deer goes apart, and the sick lion grimly withdraws into his den. Except in love, or the attachments of kindred, or other very long and habitual affection, we really have no tenderness. But there was something of the woman moulded into the great, stalwart frame of Holligsworth; nor was he ashamed of it, as men often are of what is best in them, nor seemed ever to know that there was such a soft place in his heart. I knew it well, however, at that time, although afterwards it came nigh to be forgotten. Methought there could not be two such men alive as Holligsworth. There never was any blaze of a fireside that warmed and cheered me, in the down—sinkings and shiverings of my spirit, so effectually as did the light out of those eyes, which lay so deep and dark under his shaggy brows. Happy the man that has such a friend beside him when he comes to die! ...How many men, I wonder, does one meet with in a lifetime, whom he would choose for his deathbed companions! It still impresses me as almost a matter of regret that I did not die then, when I had tolerably made up my mind to it; for Holligsworth would have gone with me to the hither verge of life, and have sent his friendly and hopeful accents far over on the other side, while I should be treading the unknown path."

"What, in the name of common-sense, had I to do with any better society than I had always lived in? It had satisfied me well enough. My pleasant bachelor-parlor, sunny and shadowy, curtained and carpeted, with the bedchamber adjoining... my evening at the billiard club, the concert, the theatre, or at somebody's party, if I pleased - what could be better than all this? Was it better to hoe, to mow, to toil and moil amidst the accumulations of a barnyard; to be the chambermaid of two yoke of oxen and a dozen cows; to eat salt beef, and earn it with the sweat of my brow, and thereby take the tough morsel out of some wretch's mouth, into whose vocation I had thrust myself?"

"I seriously wished—selfish as it may appear—that the reformation of society had been postponed about half a century, or, at all events, to such a date as should have put my intermeddling with it entirely out of the question."

"The greatest obstacle to being heroic is the doubt whether one may not be going to prove one's self a fool; the truest heroism is to resist the doubt; and the profoundest wisdom to know when it ought to be resisted, and when to be obeyed."

"Of all the events which constitute a person's biography, there is scarcely one — none, certainly, of anything like a similar importance — to which the world so easily reconciles itself as to his death."

"The world owes all its onward impulses to men ill at ease. The happy man inevitably confines himself within ancient limits."

"Is it a fact — or have I dreamt it — that by means of electricity, the world of matter has become a great nerve, vibrating thousands of miles in a breathless point of time? Rather, the round globe is a vast head, a brain, instinct with intelligence: or shall we say it is itself a thought, nothing but thought, and no longer the substance which we dreamed it."

"What other dungeon is so dark as one's own heart! What jailer so inexorable as one's self!"

"Life is made up of marble and mud."

"God will give him blood to drink!"

"The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within. Were these to be worthily recounted, they would form a narrative of no small interest and instruction, and possessing, moreover, a certain remarkable unity, which might almost seem the result of artistic arrangement."

"Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm."

"Many writers lay very great stress upon some definite moral purpose, at which they profess to aim their works. Not to be deficient in this particular, the author has provided himself with a moral, — the truth, namely, that the wrong-doing of one generation lives into the successive ones, and, divesting itself of every temporary advantage, becomes a pure and uncontrollable mischief; and he would feel it a singular gratification if this romance might effectually convince mankind — or, indeed, any one man — of the folly of tumbling down an avalanche of ill-gotten gold, or real estate, on the heads of an unfortunate posterity, thereby to maim and crush them, until the accumulated mass shall be scattered abroad in its original atoms. In good faith, however, he is not sufficiently imaginative to flatter himself with the slightest hope of this kind. When romances do really teach anything, or produce any effective operation, it is usually through a far more subtile process than the ostensible one. The author has considered it hardly worth his while, therefore, relentlessly to impale the story with its moral as with an iron rod, — or, rather, as by sticking a pin through a butterfly, — thus at once depriving it of life, and causing it to stiffen in an ungainly and unnatural attitude. A high truth, indeed, fairly, finely, and skilfully wrought out, brightening at every step, and crowning the final development of a work of fiction, may add an artistic glory, but is never any truer, and seldom any more evident, at the last page than at the first."

"It is a curious subject of observation and inquiry, whether hatred and love be not the same thing at bottom. Each, in its utmost development, supposes a high degree of intimacy and heart-knowledge; each renders one individual dependent for the food of his affections and spiritual life upon another; each leaves the passionate lover, or the no less passionate hater, forlorn and desolate by the withdrawal of his object."

"Among many morals which press upon us from the poor minister's miserable experience, we put only this into a sentence: — "Be true! Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred!""

"No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true."

"Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, that it overflows upon the outward world."

"The scarlet letter was her passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers — stern and wild ones, — and they had made her strong, but taught her much amiss."

"I have laughed, in bitterness and agony of heart, at the contrast between what I seem and what I am!"

"Never, never!" whispered she. "What we did had a consecration of its own."

"Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart."

"Let the black flower blossom as it may!"

"We men of study, whose heads are in our books, have need to be straitly looked after! We dream in our waking moments, and walk in our sleep."

"A pure hand needs no glove to cover it."

"Trusting no man as his friend, he could not recognize his enemy when the latter actually appeared."

"Wherever there is a heart and an intellect, the diseases of the physical frame are tinged with the peculiarities of these."

"She could no longer borrow from the future to help her through the present grief. Tomorrow would bring its own trial with it; so would the next day, and so would the next; each its own trial."

"There is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghostlike, the spot where some great and marked event has given the color to their lifetime; and still the more irresistibly, the darker the tinge that saddens it."

"My heart was a habitation large enough for many guests, but lonely and chill, and without a household fire. I longed to kindle one! It seemed not so wild a dream."

"She named the minister; and the moment she did so, all the reserve melted away, and burst into tears. Not, however, that the sight of him was any new sensation. He had long been in her eyes, a necessity; and she had habitually overflowed with awe, to him in the pulpit, and to do him reverence the dread being had vanished."

"In our nature, however, there is a provision, alike marvelous and merciful, that the sufferer should never know the intensity of what he endures by its present torture, but chiefly by the pang that rankles after it."