Dystopian Novels

""With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word `intellectual,' of course, became the swear word it deserved to be. You always dread the unfamiliar." (58)"

"Bigger the population, the more minorities. Don't step on the toes of the dog lovers, the cat lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that! All the minor minor minorities with their navels to be kept clean. Authors, full of evil thoughts, lock up your typewriters. They did. (54)"

"School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts? (53)"

""Many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag) whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: 'Now at least you can read all the classics; keep up with your neighbors.' Do you see? Out of the nursery into the college and back to the nursery; there's your intellectual pattern for the past five centuries or more." (52)"

"Let you alone! That's all very well, but how can I leave myself alone? We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real? (49)"

"It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I came along in two minutes and boom! it's all over. (49)"

"She's nothing to me; she shouldn't have had books. It was her responsibility, she should have thought of that. I hate her. She's got you going and next thing you know we'll be out, no house, no job, nothing. (48)"

"In the dim, wavering light, a page hung open and it was like a snowy feather, the words delicately painted thereon. In all the rush and fervor, Montag had only an instant to read a line, but it blazed in his mind for the next minute as if stamped there with fiery steel. “Time has fallen asleep in the afternoon sunshine.” (42)"

"So it was the hand that started it all. He felt one hand and then the other work his coat free and let it slump to the floor. He held his pants out into an abyss and let them fall into darkness. His hands had been infected, and soon it would be his arms. He could feel the poison working up his wrists and into his elbows and his shoulders and then jump over from shoulder blade to shoulder blade like a spark leaping a gap. His hands were ravenous. And his eyes were beginning to feel hunger as if they must look at something, anything, everything. (38)"

"How inconvenient! Always before it had been like snuffing a candle. The police went first and adhesive-taped the victim's mouth and bandaged him off into their glittering beetle cars, so when you arrived you found an empty house. You weren't hurting anyone, you were hurting only things! And since things really couldn't be hurt, since things felt nothing, and things don't scream or whimper, as this woman might begin to scream and cry out, there was nothing to tease your conscience later. You were simply cleaning up. Janitorial work, essentially. Everything to its proper place. Quick with the kerosene! Who's got a match? (36)"

"They crashed the front door and grabbed at a woman, though she was not running, she was not trying to escape. She was only standing, weaving from side to side, her eyes fixed upon a nothingness in the wall as if they had struck her a terrible blow upon the head. Her tongue was moving in her mouth, and her eyes seemed to be trying to remember something, and then they remembered and her tongue moved again: "Play the man, Master Ridley; we shall this day light such a candle, by God's grace, in England, as I trust shall never be put out.""

""I was just figuring," said Montag, "what does the Hound think about down there nights? Is it coming alive on us, really? It makes me cold." "It doesn't think anything we don't want it to think." "That's sad," said Montag, quietly, "because all we put into it is hunting and finding and killing. What a shame if that's all it can ever know." (31)"

""You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman. It just doesn't seem right for you, somehow.'" (pages 23-24 or 21)"

"Then she seemed to remember something and came back to look at him with wonder and curiosity. "Are you happy?" she said. (10 or 7)"

"I sometimes think drivers don’t know what grass is, or flowers, because they never see them slowly. If you showed a driver a green blur, Oh yes! he’d say, that’s grass! A pink blur! That’s a rose garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles per hour and they jailed him for two days. Isn’t that funny, and sad, too? (9)"

""Do you ever read any of the books you burn?" He laughed. "That's against the law!" "Oh. Of course." "It's fine work. Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes. That's our official slogan." (8)"

"I'm seventeen and I'm crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane. (7)"

"It was a pleasure to burn."

"Unless we choose to decentralize and to use applied science, not as the end to which human beings are to be made the means, but as the means to producing a race of free individuals, we have only two alternatives to choose from: either a number of national, militarized totalitarianisms, having as their root the terror of the atomic bomb and as their consequence the destruction of civilization (or, if the warfare is limited, the perpetuation of militarism); or else one supra-national totalitarianism, called into existence by the social chaos resulting from rapid technological progress in general and the atomic revolution in particular, and developing, under the need for efficiency and stability, into the welfare-tyranny of Utopia. You pays your money and you takes your choice."

"... it is not simply that achievement causes happiness, but happiness may also cause achievement. If this is the case then we have good reason to reject Huxley’s dilemma. If we develop an appropriate technological means to increase average positive affect then we should boost average achievement. In a slogan: to be successful, be happy. So, given this arrow of causality, there is no reason to suppose that bio-happiness would force us to choose between happiness and achievement. Huxley offers us a false dichotomy."

"In the happy days of Queen Victoria men used to write Utopias to suggest the likelihood of even greater happiness in the future. In the unhappy days in which it is our lot to live, Utopias are written in order to make us still more unhappy. Mr. Aldous Huxley, in his Brave New World, has shown his usual masterly skill in producing this result upon the reader, for he has undertaken to make us sad by the contemplation of a world without sadness."

"Brave New World has come to serve as the false symbol for any regime of universal happiness. For sure, Huxley was writing a satirical piece of fiction, not scientific prophecy. Hence to treat his masterpiece as ill-conceived futurology rather than a work of great literature might seem to miss the point. Yet the knee-jerk response of "It's Brave New World!" to any blueprint for chemically-driven happiness has delayed research into paradise-engineering for all sentient life."

"A dystopia fast becoming more likely than 1984. Also more fun, but creepy. Thought provoking and on college reading lists."

"He planted his foot on his spade and stamped it fiercely into the tough ground. As flies to wanton boys are we to the gods; they kill us for their sport. Thunder again; words that proclaimed themselves true–truer somehow than truth itself. And yet that same Gloucester had called them ever-gentle gods. Besides, thy best of rest is sleep and that thou oft provok'st; yet grossly fear'st thy death which is no more. No more than sleep. Sleep. Perchance to dream. His spade struck against a stone; he stooped to pick it up. For in that sleep of death, what dreams? …"

"He was digging in his garden–digging, too, in his own mind, laboriously turning up the substance of his thought. Death–and he drove in his spade once, and again, and yet again. And all our yesterdays have lighted fools the way to dusty death. A convincing thunder rumbled through the words."

"In spite of their sadness- because of it, even; for their sadness was the symptom of their love for one another- the three young men were happy"

"Exposing what is mortal and unsure to all that fortune, death and danger dare, even for an eggshell. Isn't there something in that?" he asked, looking up at Mustapha Mond. "Quite apart from God–though of course God would be a reason for it. Isn't there something in living dangerously?" "There's a great deal in it," the Controller replied. "Men and women must have their adrenals stimulated from time to time." "What?" questioned the Savage, uncomprehending. "It's one of the conditions of perfect health. That's why we've made the V.P.S. treatments compulsory." "V.P.S.?" "Violent Passion Surrogate. Regularly once a month. We flood the whole system with adrenalin. It's the complete physiological equivalent of fear and rage. All the tonic effects of murdering Desdemona and being murdered by Othello, without any of the inconveniences." "But I like the inconveniences." "We don't," said the Controller. "We prefer to do things comfortably." "But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin." "In fact," said Mustapha Mond, "you're claiming the right to be unhappy." "All right then," said the Savage defiantly, "I'm claiming the right to be unhappy."

"My dear young friend," said Mustapha Mond, "civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. Where there are wars], where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended–there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving any one too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. Now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your morality about in a bottle. Christianity without tears–that's what soma is."

"We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end."

"You remind me of another of those old fellows called Bradley. He defined philosophy as the finding of bad reason for what one believes by instinct..."

"It's curious," he went on after a little pause, "to read what people in the time of Our Ford used to write about scientific progress. They seemed to have imagined that it could be allowed to go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasis from truth and beauty to comfort and happiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific research was still permitted. People still went on talking about truth and beauty as though they were the sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled–after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for. You're paying for it, Mr. Watson–paying because you happen to be too much interested in beauty. I was too much interested in truth; I paid too.""

"Chronic remorse, as all the moralists are agreed, is a most undesirable sentiment. If you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. On no account brood over your wrong-doing. Rolling in the muck is not the best way of getting clean."

"Well, duty's duty. One can't consult one's own preference. I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. It has given us the stablest equilibrium in history. China's was hopelessly insecure by comparison; even the primitive matriarchies weren't steadier than we are. Thanks, I repeat, to science. But we can't allow science to undo its own good work. That's why we so carefully limit the scope of its researches–that's why I almost got sent to an island. We don't allow it to deal with any but the most immediate problems of the moment. All other enquiries are most sedulously discouraged."

"Happiness is a hard master–particularly other people's happiness. A much harder master, if one isn't conditioned to accept it unquestioningly, than truth."

"The Savage shook his head. "It all seems to me quite horrible." "Of course it does. Actual happiness always looks pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.""

"One would think he was going to have his throat cut," said the Controller, as the door closed. "Whereas, if he had the smallest sense, he'd understand that his punishment is really a reward. He's being sent to an island. That's to say, he's being sent to a place where he'll meet the most interesting set of men and women to be found anywhere in the world. All the people who, for one reason or another, have got too self-consciously individual to fit into community-life. All the people who aren't satisfied with orthodoxy, who've got independent ideas of their own. Every one, in a word, who's any one. I almost envy you, Mr. Watson."

"The world's stable now. People are happy; they get what they want, and they never want what they can't get. They're well off; they're safe; they're never ill; they're not afraid of death; they're blissfully ignorant of passion and old age; they're plagued with no mothers or fathers; they've got no wives, or children, or lovers to feel strongly about; they're so conditioned that they practically can't help behaving as they ought to behave. And if anything should go wrong, there's soma.(p.220)"

"So you don't much like civilization, Mr. Savage,"

"The Savage stood looking on. "O brave new world, O brave new world …" In his mind the singing words seemed to change their tone. They had mocked him through his misery and remorse, mocked him with how hideous a note of cynical derision! Fiendishly laughing, they had insisted on the low squalor, the nauseous ugliness of the nightmare. Now, suddenly, they trumpeted a call to arms. "O brave new world!" Miranda was proclaiming the possibility of loveliness, the possibility of transforming even the nightmare into something fine and noble. "O brave new world!" It was a challenge, a command."

"High, low, from a multitude of separate throats, only two voices squeaked or growled. Repeated indefinitely, as though by a train of mirrors, two faces, one a hairless and freckled moon haloed in orange, the other a thin, beaked bird-mask, stubbly with two days' beard, turned angrily towards him. Their words and, in his ribs, the sharp nudging of elbows, broke through his unawareness. He woke once more to external reality, looked round him, knew what he saw–knew it, with a sinking sense of horror and disgust, for the recurrent delirium of his days and nights, the nightmare of swarming indistinguishable sameness. Twins, twins. … Like maggots they had swarmed defilingly over the mystery of Linda's death. Maggots again, but larger, full grown, they now crawled across his grief and his repentance. He halted and, with bewildered and horrified eyes, stared round him at the khaki mob, in the midst of which, overtopping it by a full head, he stood. "How many goodly creatures are there here!" The singing words mocked him derisively. "How beauteous mankind is! O brave new world …""

"Oh, God, God, God..." the Savage kept repeating to himself. In the chaos of grief and remorse that filled his mind it was the one articulate word. "God!" he whispered it aloud. "God...""

"But, Linda!" The Savage spoke imploringly, "Don't you know me?" He had tried so hard, had done his very best; why wouldn't she allow him to forget? He squeezed her limp hand almost with violence, as though he would force her to come back from this dream of ignoble pleasures, from these base and hateful memories -- back into the present, back into reality; the appalling present, the awful reality -- but sublime, but significant, but desperately important precisely because of the imminence of that which made them so fearful. "Don't you know me Linda?"

"And those childish rhymes how magically strange and mysterious!"

"O thou weed, who are so lovely fair and smell'st so sweet that the sense aches at thee. Was this most goodly book made to write 'whore' upon? Heaven stops the nose at it …"

"A doctor a day keeps the jim-jams away. (Related to "an apple a day keeps the doctor away")"

"For those milk paps that through the window bars bore at men's eyes...." The singing, thundering, magical words made her seem doubly dangerous, doubly alluring. Soft, soft, but how piercing! boring and drilling into reason tunneling through resolution. "The strongest oaths are straw to the fire i' the blood. Be more abstemious or else..."

"One of the principal functions of a friend is to suffer (in a milder and symbolic form) the punishments that we should like, but are unable, to inflict upon our enemies."

"Hug me till you drug me, honey; Kiss me till I'm in a coma: Hug me, honey, snuggly bunny; Love's as good as soma."

"O brave new world," he repeated. "O brave new world that has such people in it. Let's start at once."

"Civilization is sterilization."