W. H. Auden

"A real book reads us."

"As a poet—not as a citizen—there is only one political duty, and that is to defend one's language from corruption. When it’s corrupted, people lose faith in what they hear, and this leads to violence."

"Love each other or perish."

"Now is the age of anxiety."

"Music is the best means we have of digesting time."

"Death is the sound of distant thunder at a picnic."

"Water is the soul of the earth."

"In a century of the symbolist, surreal, and absurd, W. H. Auden is essentially a poet of the reasonable."

"The poet Auden said, "Thousands have lived without love; none without water." Ninety-seven percent of Earth's water is ocean. No blue, no green. If you think the ocean isn't important, imagine Earth without it. Mars comes to mind. No ocean, no life support system."

"Auden is something of an intellectual jackdaw, picking up bright pebbles of ideas so as to fit them into exciting conceptual patterns."

"As the poet W. H. Auden wrote: "Truth, like love and sleep, resents/Approaches that are too intense." I call this Auden's rule."

"His satire has been criticized at times as irresponsible : this is to misunderstand its motive and aim: in so far as it proceeds from the life of one social class, a class which has lost its responsibility and civilizing impetus, the terms of this satire are bound to be superficially irresponsible. But no contemporary writing shows so clearly the revulsion of the artist from a society which can no longer support him, his need to identify himself with a class that can provide for his imagination."

"Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake."

"No opera plot can be sensible, for people do not sing when they are feeling sensible."

"Any one who attempts to translate from one tongue into another will know moods of despair when he feels he is wasting his time upon an impossible task. But, irrespective of success or failure, the mere attempt can teach a writer much about his own language which he would find it hard to learn elsewhere."

"Some thirty inches from my nose The frontier of my Person goes, And all the untilled air between Is private pagus or demesne. Stranger, unless with bedroom eyes I beckon you to fraternize, Beware of rudely crossing it: I have no gun, but I can spit."

"Don Juan needs no bed, being far too impatient to undress, nor do Tristan and Isolde, much too in love to care for so mundane a matter, but unmythical mortals require one, and prefer to take their clothes off, if only to sleep"

"Some perks belong, though to all unwilling celibates: our rooms are seldom battlefields, we enjoy the pleasure of reading in bed (as we grow older, it's true, we may find it prudent to get nodding drunk first), we retain the light to choose our sacred image."

"When a just man dies, Lamentation and praise, Sorrow and joy, are one."

"Marriage is rarely bliss But, surely it would be worse As particles to pelt At thousands of miles per sec About a universe In which a lover's kiss Would either not be felt Or break the loved one's neck."

"Can sixty make sense to sixteen-Plus? What has my camp in common with theirs, With buttons and beards and Be-Ins? Much, I hope. In Acts it is written Taste was no problem at Pentecost."

"Of course, Behaviorism "works." So does torture. Give me a no-nonsense, down-to-earth behaviorist, a few drugs, and simple electrical appliances, and in six months I will have him reciting the Athanasian Creed in public."

"Christmas and Easter can be subjects for poetry, but Good Friday, like Auschwitz, cannot. The reality is so horrible, it is not surprising that people should have found it a stumbling block to faith."

"May it not be that, just as we have to have faith in Him, God has to have faith in us and, considering the history of the human race so far, may it not be that "faith" is even more difficult for Him than it is for us?"

"We are not commanded (or forbidden) to love our mates, our children, our friends, our country because such affections come naturally to us and are good in themselves, although we may corrupt them. We are commanded to love our neighbor because our "natural" attitude toward the "other" is one of either indifference or hostility."

"Like everything which is not the involuntary result of fleeting emotion but the creation of time and will, any marriage, happy or unhappy, is infinitely more interesting and significant than any romance, however passionate."

"I see little hope for a peaceful world until men are excluded from the realm of foreign policy altogether and all decisions concerning international relations are reserved for women, preferably married ones."

"To pray is to pay attention to something or someone other than oneself. Whenever a man so concentrates his attention — on a landscape, a poem, a geometrical problem, an idol, or the True God — that he completely forgets his own ego and desires, he is praying. ... The primary task of the schoolteacher is to teach children, in a secular context, the technique of prayer."

"It's natural the Boys should whoop it up for so huge a phallic triumph, an adventure it would not have occurred to women to think worth while, made possible onlybecause we like huddling in gangs and knowing the exact time."

"A grand gesture. But what does it period? What does it osse? We were always adroiter with objects than lives, and more facile at courage than kindness: from the momentthe first flint was flaked this landing was merely a matter of time. But our selves, like Adam's, still don't fit us exactly, modern only in this—our lack of decorum."

"Healing," Papa would tell me, "is not a science, but the intuitive art of wooing Nature."

"Normally, when one passes someone on the street who is in pain, one either tries to help him, or one simply looks the other way. With a photo there's no human decision; you're not there; you can't turn away; you simply gape. It's a form of voyeurism."

"I never write when I'm drunk. Why should one need aids? The Muse is a high-spirited girl who doesn't like to be brutally or coarsely wooed. And she doesn't like slavish devotion — then she lies."

"I don't think the mystical experience can be verbalized. When the ego disappears, so does power over language."

"The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is."

"Man...always acts either self-loving, just for the hell of it, or God-loving, just for the heaven of it; his reasons, his appetites are secondary motivations. Man chooses either life or death, but he chooses; everything he does, from going to the toilet to mathematical speculation, is an act of religious worship, either of God or of himself. Lastly by the classical apotheosis of Man-God, Augustine opposes the Christian belief in Jesus Christ, the God-Man. The former is a Hercules who compels recognition by the great deeds he does in establishing for the common people in the law, order and prosperity they cannot establish for themselves, by his manifestation of superior power; the latter reveals to fallen man that God is love by suffering, i.e. by refusing to compel recognition, choosing instead to be a victim of man's self-love. The idea of a sacrificial victim is not new; but that it should be the victim who chooses to be sacrificed, and the sacrificers who deny that any sacrifice has been made, is very new."

"The mystics themselves do not seem to have believed their physical and mental sufferings to be a sign of grace, but it is unfortunate that it is precisely physical manifestations which appeal most to the religiosity of the mob. A woman might spend twenty years nursing lepers without having any notice taken of her, but let her once exhibit the stigmata or live for long periods on nothing but the Host and water, and in no time the crowd will be clamoring for her beatification."

"In the late Middle Ages there were, no doubt, many persons in monasteries and convents who had no business there and should have been out in the world earning an honest living, but today it may very well be that there are many persons trying to earn a living in the world and driven by failure into mental homes whose true home would be the cloister."

"I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them."

"A craftsman knows in advance what the finished result will be, while the artist knows only what it will be when he has finished it. But it is unbecoming in an artist to talk about inspiration; that is the reader's business."

"In most poetic expressions of patriotism, it is impossible to distinguish what is one of the greatest human virtues from the worst human vice, collective egotism.The virtue of patriotism has been extolled most loudly and publicly by nations that are in the process of conquering others, by the Roman, for example, in the first century B.C., the French in the 1790s, the English in the nineteenth century, and the Germans in the first half of the twentieth. To such people, love of one's country involves denying the right of others, of the Gauls, the Italians, the Indians, the Poles, to love theirs."

"Most people call something profound, not because it is near some important truth but because it is distant from ordinary life. Thus, darkness is profound to the eye, silence to the ear; what-is-not is the profundity of what-is."

"Most people are even less original in their dreaming than in their waking life; their dreams are more monotonous than their thoughts and oddly enough, more literary."

"In all technologically "advanced" countries, fashion has replaced tradition, so that involuntary membership in a society can no longer provide a feeling of community."

"The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen."

"It's impossible to represent a saint. It becomes boring. Perhaps because he is, like the Saturday Evening Post people, in the position of having almost infinitely free will."

"It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen."

"Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he'll escape."

"Sexual fidelity is more important in a homosexual relationship than in any other. In other relationships there are a variety of ties. But here, fidelity is the only bond."

"In terms of English and American poets, it would be quite just to call this The Age of Auden. Not only because Auden was such a dominant and successful poet, but because he went through all the contradictory ideological phases, from Marx to God. He really is representative in that sense."