Novalis

"The true philosophical Act is annihilation of self (Selbsttodtung); this is the real beginning of all Philosophy; all requisites for being a Disciple of Philosophy point hither. This Act alone corresponds to all the conditions and characteristics of transcendental conduct."

"To become properly acquainted with a truth, we must first have disbelieved it, and disputed against it."

"Man is the higher Sense of our Planet; the star which connects it with the upper world; the eye which it turns towards Heaven."

"Life is a disease of the spirit; a working incited by Passion. Rest is peculiar to the spirit."

"What is Nature? An encyclopedical, systematic Index or Plan of our Spirit. Why will we content us with the mere catalogue of our Treasures? Let us contemplate them ourselves, and in all ways elaborate and use them."

"If our Bodily Life is a burning, our Spiritual Life is a being burnt, a Combustion (or, is precisely the inverse the case?); Death, therefore, perhaps a Change of Capacity."

"Sleep is for the inhabitants of Planets only. In another time, Man will sleep and wake continually at once. The greater part of our Body, of our Humanity itself, yet sleeps a deep sleep."

"There is but one Temple in the World; and that is the Body of Man. Nothing is holier than this high form. Bending before men is a reverence done to this Revelation in the Flesh. We touch Heaven, when we lay our hand on a human body."

"Man is a Sun; his Senses are the Planets."

"Man has ever expressed some symbolical Philosophy of his Being in his Works and Conduct; he announces himself and his Gospel of Nature; he is the Messiah of Nature."

"Plants are Children of the Earth; we are Children of the Æther. Our Lungs are properly our Root; we live, when we breathe; we begin our life with breathing."

"Nature is an Æolian Harp, a musical instrument; whose tones again are keys to higher strings in us."

"The first Man is the first Spirit-seer; all appears to him as Spirit. What are children, but first men? The fresh gaze of the Child is richer in significance than the forecasting of the most indubitable Seer."

"It depends only on the weakness of our organs and of our self-excitement (Selbstberuhrung), that we do not see ourselves in a Fairy-world. All Fabulous Tales (Mahrchen) are merely dreams of that home world, which is everywhere and nowhere. The higher powers in us, which one day as Genies, shall fulfil our will, are, for the present, Muses, which refresh us on our toilsome course with sweet remembrances."

"A character is a completely fashioned will. (vollkommen gebildeter Wille)."

"There is, properly speaking, no Misfortune in the world. Happiness and Misfortune stand in continual balance. Every Misfortune is, as it were, the obstruction of a stream, which, after overcoming this obstruction, but bursts through with the greater force."

"The ideal of Morality has no more dangerous rival than the ideal of highest Strength, of most powerful life; which also has been named (very falsely as it was there meant) the ideal of poetic greatness. It is the maximum of the savage; and has, in these times, gained, precisely among the greatest weaklings, very many proselytes. By this ideal, man becomes a Beast-Spirit, a Mixture; whose brutal wit has, for weaklings, a brutal power of attraction."

"The spirit of Poesy is the morning light, which makes the Statue of Memnon sound."

"The division of Philosopher and Poet is only apparent, and to the disadvantage of both. It is a sign of disease, and of a sickly constitution."

"The true Poet is all-knowing; he is an actual world in miniature."

"Goethe is an altogether practical Poet. He is in his works what the English are in their wares: highly simple, neat, convenient and durable. He has done in German Literature what Wedgwood did in English Manufacture. He has, like the English, a natural turn for Economy, and a noble Taste acquired by Understanding. Both these are very compatible, and have a near affinity in the chemical sense."

"Wilhelm Meister's Apprenticeship may be called throughout prosaic and modern. The Romantic sinks to ruin, the Poesy of Nature, the Wonderful. The Book treats merely of common worldly things: Nature and Mysticism are altogether forgotten. It is a poetised civic and household History; the Marvellous is expressly treated therein as imagination and enthusiasm. Artistic Atheism is the spirit of the Book. ... It is properly a Candide, directed against Poetry: the Book is highly unpoetical in respect of spirit, poetical as the dress and body of it are."

"When we speak of the aim and Art observable in Shakespeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word."

"Novalis has been, and remains, one of the most vital influences in German literature; the modern mystics: Maeterlinck, Herman Hesse and Rilke (often considered the greatest poet of the twentieth century) admit a great debt to him. ... Novalis expresses himself in a unique, personal style, almost as if he has discovered language by himself. ... Novalis himself wrote that he felt it necessary to develop a symbolic philosophical language for the purpose of protecting his deepest insights from those incapable of respecting them. In this he has not been alone — if we look at the words of the Sufis we often find mystical concepts veiled in poetic terms. ... The principle mode of concealment is the use of imagery. Images are used to veil meaning, but for those who share Novalis' love of symbolic imagery and subtle metaphor his language is a veil that enhances, rather than conceals, the beauty of his art. This use of concrete, palpable images overcame, to some extent, what he described as the “poverty of words”; and avoided the use of philosophical terms to express abstract concepts. In some instances spiritual qualities are personified as characters, human or divine, as they are in Hindu mythology... Novalis is known as the originator of the central symbol of the German Romanticism, The Blue Flower; he shared in the movement's deification of Nature, the demand for the Absolute, the idea of spiritual rebirth. ... Novalis, like other poets of the period, wanted to return to the sense of the Sacred found in the humbler Medieval tradition with its great mystics such as Hildegard von Bingen and Meister Eckhart."

"Novalis is a figure of such importance in German Literature, that no student of it can pass him by without attention."

"Novalis's ideas, on what has been called the 'perfectibility of man,' ground themselves on his peculiar views of the constitution of material and spiritual Nature, and are of the most original and extraordinary character. With our utmost effort, we should despair of communicating other than a quite false notion of them. He asks, for instance, with scientific gravity: Whether any one, that recollects the first kind glance of her he loved, can doubt the possibility of Magic?"

"As a Poet, Novalis is no less Idealistic than as a Philosopher. His poems are breathings of a high devout soul, feeling always that here he has no home, but looking, as in clear vision, to a 'city that hath foundations.' He loves external Nature with a singular depth; nay, we might say, he reverences her, and holds unspeakable communings with her: for Nature is no longer dead, hostile Matter, but the veil and mysterious Garment of the Unseen; as it were, the Voice with which the Deity proclaims himself to man. These two qualities, -- his pure religious temper, and heartfelt love of Nature, — bring him into true poetic relation both with the spiritual and the material World, and perhaps constitute his chief worth as a Poet; for which art he seems to have originally a genuine, but no exclusive or even very decided endowment."

"The ardent and holy Novalis..."

"For Novalis the poetic in the world was the only genuine reality, even as the poetic spirit in man was the proof of man's divine origin. All of his poetry is concerned ultimately with revealing and celebrating the poetic spirit."

"In this season, Novalis lived only to his sorrow; it was natural for him to regard the visible and the invisible world as one; and to distinguish Life and Death only by his longing for the latter. At the same time too, Life became for him a glorified Life; and his whole being melted away as into a bright, conscious vision of a higher Existence. ... He remained many weeks in Thuringia; and came back comforted and truly purified, to his engagements; which he pursued more zealously than ever, though he now regarded himself as a stranger on the earth."

"Never was he seen languid or exhausted, never out of spirits or out of humor."

"Unser Leben ist kein Traum, aber es soll und wird vielleicht einer werden."

"There are ideal series of events which run parallel with the real ones. They rarely coincide. Men and circumstances generally modify the ideal train of events, so that it seems imperfect, and its consequences are equally imperfect. Thus with the Reformation; instead of Protestantism came Lutheranism."

"Fate and temperament are the names of a concept."

"Fate and temperament are two words for one and the same concept."

"I was still blind, but twinkling stars did dance Throughout my being's limitless expanse, Nothing had yet drawn close, only at distant stages I found myself, a mere suggestion sensed in past and future ages."

"Wahrhafte Anarchie ist das Zeugungselement der Religion. Aus der Vernichtung alles Positiven hebt sie ihr glorreiches Haupt als neue Weltstifterin empor..."

"Blood will stream over Europe until the nations become aware of the frightful madness which drives them in circles. And then, struck by celestial music and made gentle, they approach their former altars all together, hear about the works of peace, and hold a great celebration of peace with fervent tears before the smoking altars."

"Poetry heals the wounds inflicted by reason."

"The world must be romanticized. In this way the originary meaning may be found again."

"To romanticize the world is to make us aware of the magic, mystery and wonder of the world; it is to educate the senses to see the ordinary as extraordinary, the familiar as strange, the mundane as sacred, the finite as infinite."

"To get to know a truth properly, one must polemicize it."

"Morality must be the heart of our existence, if it is to be what it wants to be for us. ... The highest form of philosophy is ethics. Thus all philosophy begins with “I am.” The highest statement of cognition must be an expression of that fact which is the means and ground for all cognition, namely, the goal of the I."

"Schlafen ist Verdauen der Sinneneindrücke. Träume sind Exkremente."

"Ein Charakter ist ein vollkommen gebildeter Willen."

"Das Herz ist der Schlüssel der Welt und des Lebens."

"Bosheit ist nichts als eine Gemütskrankheit."

"Alle göttlichen Gesandten müssen Mathematiker sein."

"Für das Lebendige ist kein Ersatz."

""Zur Welt suchen wir den Entwurf"