"Ângela Ferreira occupies a special position in the history of artistic approaches to archival practices. One of the pioneers of research-based strategies at the very beginning of the 1990s—before these strategies had a name and long before they became a widespread (sometimes jaded) paradigm—the artist also applied her archival impulse as a new critical tool for sculpture, rooted in expanded and ethnographic procedures. But what marks Ferreira out in the contemporary art world is that her work often concerns the region of sub-Saharan Africa and, more specifically, South African and Mozambican realities inflicted by the troubled history of colonization, post-colonization, and apartheid."
Quote Details
Added by wikiquote-import-bot
Unverified quote
0 likes
Original Language: English
Available Languages (1)
Sources
Revision History
No revisions have been submitted for this quote.
Categories
Ângela Ferreira
3 quotes on TrueQuotesView all quotes by Ângela Ferreira →
Related Quotes
"I realized that choosing a building or any kind of built structure immediately gave me a righteousness of place. Arch…"
"I think it’s time to start looking at these buildings as African architecture and no longer putting these tags of Mod…"
"More rich, more noble I will ever hold The Muse's laurel, than a crown of gold."
"I willingly accept Cassandra's fate, To speak the truth, although believ'd too late."
"The bloody wolf, the wolf does not pursue; The boar, though fierce, his tusk will not embrue In his own kind, Bears, …"
"We are Diana’s virgin train, Descended of no mortal strain: Our bows and arrows are our goods, Our palaces the lofty …"
"What ever happy region is thy place, Cease thy celestial song a little space; (Thou wilt have time enough for hymns d…"
"Art she had none, yet wanted none: For Nature did that want supply."
"More and more, we are being required to know what are the implications of living in a society that is increasingly di…"
"[A] painting presents its own battle, its own requirements. And a print is never a reproduction of a painting. It mak…"